Gilt Wall Decorations

Impressive 19th century Italian hand fan, remarkably preserved with silvered metal sticks and guards depicting ancient gods, palm trees and classical emblemes. The paper leaves are h...

Decorate a study or a den with this antique hunt setters painting composition. Created in Belgium circa 1890, and set in the original thick carved giltwood frame, this large painting...

Wonderfully decorative color lithograph by Victoria (Vicky) Montesinos. It depicts an elegant lady from the Art Deco Period wearing a hat decorated with roses. The large hat covering...

These are, Engravings, that has been made in France in the 19th Century. The Frames are in Gilted wood. They are reprensenting French navigation ports.

Faux bamboo foliage folding screen, wrought iron, gold leaf, Spain, 1960s Eye-catching gilt metal three-panel folding screen or room divider with faux bamboo ironstructure and foliag...

18th century French pair of oils on gold leaf panels. One is depicting an angel playing the violin, and the other one is holding the music book.

This elegant antique painting was created in France circa 1830. Set in the original carved gilt wood frame, the hand painted canvas depicts a mother and daughter picking sea shell on...

A group of eight Russian and Greek Orthodox icons painted over gold leaf and gesso laid on a wooden board. These are mounted on a Lucite panel and ...

Mid Century Gilt Bronze Sunburst Wall Sculpture, Attributed to William Friedle USA, circa 1960s, Unmarked A nice variation of William Friedle's exceptional metal work, of good siz...

Incredible vintage Italian Mid Century Hollywood Regency gilt metal wall sculpture of branches with leaves. Beautiful condition, keeping in mind that this is vintage and not new so w...

Large Japanese Meiji period six-panel screen depicting a winter landscape with a Chinese sage visiting friends in a country villa. Ink and vivid color pigments on mulberry paper mounted to a gilt background. Painted in the 19th century Kano school...

A lovely pair of vintage Italian gilded wood wall brackets or shelves from Florence, Italy, circa 1950. These stylish brackets have hand carved scroll designs and beautiful gilt pati...

A gold, large vintage Mid-Century Modern Italian full size oval wall mirror made of hand crafted gilded metal with its original mirrored glass, designed by Pier Luigi Colli in good condition. The metal frame is decorated with alluring details. Wear consistent with age and use, circa 1940 - 1950, Italy. Pier Luigi Colli (1895-1968) studied at the Paris L'École Des Beaux Arts Decoratifs. He returned to Turin, Italy to lead the Colli family furniture business. Today, Colli is one of the most popular furniture factories in the antique and vintage market...

Pair of magnificent, large gilt and hand-carved wooden wall brackets in the Baroque/ Rococo style featuring elaborate and elegant foliate scrolls, measuring 22 by 14 1/2 by 10 inche...

A delicate study in nature’s quiet elegance, this midcentury Japanese botanical print captures the serene beauty of blooming white flowers ne...

Sculptural gilt wood sconce, in the manner of Herve van der Straeten, Italy, circa 1960s. It has been rewired and is ready to use. We only have a single sconce.

This drawing is representing a half nuded woman led on a bed. The frame is in a Gilt color, and the drawing is done on a white support. It has made during the 19th Century in France.

Offered is an absolutely stunning, 1950s wall console or shelf. Minor patina gives this piece a classy statement. Made of hand craft wood, covered with plaster and gilded. Use just a...

Contemporary Fine Art Tittle - Peacock Executed in 2021. original - only one - No Reproductions. signed by artist, dated 2021 on the reverse oil on canvas - 23.5 x 21 x 1.75 in....

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pair of prints engraved by burin and painted in watercolor; both are a tribute to Cupid; the name Cupid - meaning desire, lust - was given by the Romans to the Greek god of love, actually called Eros. Alternatively, he was called just Love always by the Latins. As the son of Aphrodite, goddess of love, he, like his mother, was capable of any act, even deplorable. In the first print, which has been cut out and shaped, there are two young girls offering God a basket of fruit and a goblet of wine; in the second print a mature woman is about to be hit by Cupid's love arrow; both prints have been made with a beautiful burin engraving, then finished with delicate watercolors. The frames are handmade in gilded wood. The prints were made between 1850 and 1855 by Adrien Nargeol (see signature) a prolific and talented French engraver and were published in the "Journal des Demoiselles...

Charles Chaplin (French, 1825-1891) Portrait de la famille Gros, placed in an ornate hand carved gilt wood frame. signed and dated 'Ch. Chaplin. 1860' (lower left) oil on canvas Dim...

Oil on board depicting a summer landscape with a leafy tree in the center, a figure fishing in the lower right, blue rolling hills in the distance and set against a cornflower blue c...

An antique rectangular mirror inscribed in a Pinewwood frame, gilded, the pediment formed by an openwork flower basket spilling sinuous gar...

A 19th century American folk art oil painting on canvas depicting a river scene at dawn with a horse and rider on a bridge over a waterf...

A Chinese Qing Dynasty period framed painting from the 19th century of an official's wife with bird-adorned buzi, painted on a linen canvas. Created in the North-Eastern province of Shanxi during the Qing dynasty, this 19th century painting showcases a frontal depiction of an official's wife recognizable thanks to the bird-themed rank badge sitting on an elegant armchair with scrolling arms and carved apron. Wearing a red robe and topped with an ornate headdress, the figure is highlighted with gold foil accents and stands out beautifully on a linen canvas. The print size is 17.5"W x 41.5"H. These paintings traditionally come from Shanxi province which was home to many of the wealthy merchant families associated with the imperial court during the Qing dynasty. Set inside a custom made frame, this 19th century Qing Dynasty official's wife painting...

A large French 19th century oil on canvas (laid down on a masonite) "Les progrès de l'amour dans le cœur d'une jeune fille" The Progress of Love: The Lover Crowned, after Jean-Honoré...

The colors and hue of this decorative Limoges Coronet plate are stunning. Coronet Limoges is linked to porcelain ware manufactured in Europe and decora...

Wenzel Ulrik Tornøe (Danish, 1844-1907) A very fine and large oil on canvas titled "Systue" ("The Sewing Room"). The finely executed artwork depicting the interior of a sewing room w...

18th Centruy Dutch replica of the Self Portrait of Sir Peter Pail Reubens, original painted by Reubens in 1623, oil on canvas. With original hand carved and gold gilded frame. It has...

An early 19th century French Louis XVI style trumeau mirror with a large painting depicting Diana, the goddess of the hunt. Oil on canvas with vivid color, heavy craquelure, with som...

Oil on canvas portrait entitled:Mr. Bowles of Kentucky, painted by Benoni Irwin (1840-1896) an American portraitist born in new market, Ontario, Canada. He moved to New York as a you...

Decorate a living room, library or study with this important antique painting. Created in Italy circa 1850, and set in the original carved gilt wood frame, the hand painted canvas titled "Madonna of the Harpies", depicts the Virgin Mary holding her Child, our Lord, Jesus Christ; She is flanked by Saint John the Evangelist, and either Saint Francis or Saint Bonaventure. The large religious painting...

A fine French 19th century oil on artist panel titled "The Bather and her Maid" after François Lemoyne (1688-1737) depicting a standing nude maiden being assisted by her maid, within an ornate giltwood and gesso carved frame, Paris, circa 1860-1870. François Lemoyne or François Le Moine or Le Moyne...

A large French 19th century oil on canvas laid on board painting in the manner of François Boucher (French, 1703-1770). The oval framed canvas depicting a version of Boucher's "Venus...

Framed 'Panacea Prola,' 'Perrhybris Pamela,' and 'Doxocopa Laurentia' butterflies with coordinating 18th century Italian fragments. The butterflies all share beautiful color and patt...

Italian painting from 20th century. Framework oil on canvas depicting particular still life with ceramic objects and tomatoes in impressionist style. Painting of good size and impact...

Chinese School landscape ink painting on gilded silk by Yukimatsu Shunpo, signed and dated 1924. Yukimatsu Shunpo was born in Oita in 1897 and studied under Himejima Chikugai in Osak...

Four antique bronze plaques depicting water-nymphs, by Ferdinand Barbedienne French, 19th century. Measures: Height 47cm, width 12cm, depth 2.5cm Finely cast in relief from patinated bronze with parcel gilt patina, these French 19th Century panels each depict a Classical female water-nymph. The relief structure and design is after four panels from the important marble fountain from the Renaissance period in Paris called the Fontaine des Innocents. This was created by the French sculptor Jean Goujon...

Elegant pair of shelves in solid walnut, carved and highlighted with pure gold leaf. The decoration presents a typically architectural style, with a frame adorned with floral buds an...

Early 19th century Italian carved wood gold gilded Eagle. Its wings spread and clutching a set of white gold gilded lightning bolt arrows in its talons.  

An English oil on board painting by J. Langlois from the 19th century depicting a terrier chasing a mouse. This captivating 19th-century English oil on board painting by J. Langlois ...

Sinister little watercolor on paper that asks the question, " Have you had your beautiful thought today?" The figure has a very gray green complexion complete with black bangs and me...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Vintage oil pastel drawing on colored paper - lake and mountain view in winter - unsigned - vintage gilt wood frame - unsigned - Canada - mid 20th ...

Large Scale Chinoiserie Painting, attributed to Maitland Smith, American, circa 1980s. It measures an impressive 66“ height x 54“ width. It has an overall craquelure finish as origin...

Very charming small rectangular artwork in a gilt wood ribbon frame. This watercolor featuring blue roses is from the 1920's would look fantastic as part of a gallery wall or certain...

The 19th Century Painting from Mexico in Gilt Frame is a captivating work of art that showcases the rich artistic tradition of the region. Set within an ornate gilt frame, the painti...

Good size, partially gilt and great looking Gothic Revival bracket for displaying a Saint statue. This Gothic console for wall mounting da...

This 19th-century English oil on canvas captures a vivid sporting scene with striking clarity and charm. Set in an expansive wooded landscape with a winding river, the composition fe...

A sun-drenched provençal landscape is brought vividly to life in this large 20th century post- impressionist style oil-on-canvas. Undulating hills in the distance provide an evocativ...

A black-yellow, dark green antique Austrian still life oil on canvas painting depicting a clear glass vase with many flowers painted by Franz Xaver Pieler in a hand carved, original gilded wood frame, in good condition. The colorful painting depicts a dining table in a DIM room, representing the 19th...

Giltwood framed prints, representing, a stylist work for clothes, on models. Dated 1933, with a marie louise.

Napoleon III style, sometimes referred to as The Second Empire style, was greatly influenced by the Neoclassical aspects of the Louis XVI period. This giltwood barometer from Paris w...

Oil Painting on Canvas signed Maurice Braun, 1902 Listed Artist A very lifelike rendering of a European street scene with houses. This early 20th Century painting features houses ...

Painted circa 1885, the artwork on canvas is set in the original carved gilt wood frame; the scene illustrates the picturesque, ocean-front landscape of the "Port de Marseille", in ...

A master-level painting surrounded by a thick and detailed gold leaf frame, this large oval oil on canvas has an impressive scale for a nature morte (still-life) painting. The painting, which dates to circa 1850, is by an unknown, yet extremely talented French artist. In stark contrast to the dark gray background, the subject of the painting is a brightly colored floral bouquet. The vibrant flowers (blue, red, yellow, pink, and white) reside in a brown woven basket that sits atop a stone baluster railing. A cluster of darkly colored grapes is strewn across the top of the railing, next to the basket, as two butterflies flutter above the bouquet. If you look closely, you will even see a third butterfly perched on one of the large green leaves that accompany the irises, carnations, and sunflowers. The equally impressive original frame is adorned with rings of beading, foliate rinceaux, and spiral fluting, with a deep convex molding carved with additional fluting. In 19th-century France, an entire school devoted to floral still-life paintings emerged, located in Lyon, which was the capital of floral design. Although originally still-life art was classified as unimportant, acceptance by art historians of the 20th century elevated the public opinion of nature mortes. A painting such as our large and striking oval floral...

Giuseppe Pitto (Italian 1857 - 1928) is often known for his paintings depicting pretty women in Italian street markets. This exuberantly painted scene i...

Decorate a dining room table or an office with this elegant antique French oil on canvas painting. Set in the original carved gilt frame, the art ...