Drawing Representing a Woman on a Bed Signed France 19th Century

Caricature Drawing Representing Characters in a carriage France 20th Century. Some fading in the paper, see Detailed Pictures.

This drawing is representing a nude woman. The frame is in a brown color, and the drawing is done on a white support. It has made circa 1940. Art Deco Period. by VAN DOREN (Raymond...

This drawing is an authentic drawing framed in a gilded wooden frame, and placed under a Marie-Louise. It is an authentic drawing from the 19th century made in France, by an artist w...

Original drawing on paper. It has been made in England in the 19th century. It is representing the face of a young girl.

These are a pair of engraving, in color. They are representing, monuments of the city of Paris. They have been done durong the 19th century in France.

These are, Engravings, that has been made in France in the 19th Century. The Frames are in Gilted wood. They are reprensenting French navigation ports.

Pencil on thin paper study of woman in chair. Late 19th century, unsigned. Unframed, minor smudging.

Magnificent restored mid-19th century lithograph in it's original frame. Transporting your senses to a place far away is what great art does, thus being the case with this. The waves...

This beautiful piece emerged from the graphic compendium Costumes civils, militaires et religieux, du Mexique civil, work of the renowned Italian artist Claudio Linati (1 February 1790 – 11 December 1832), written in French and printed in Brussels in 1828. This original and signed watercolor is the outcome of Linati’s artistic values and expert lithographic technique. In words of the author “I have chosen the most elegant gears, as well as the most bizarre, like the one on this plate, which may contrast by its severity with the alluring of the more feathery costume of the palencanas. (…) The basket carried by the woman is carefully made of woven cane. For a better characterization of the country, this young native female carries an anona, known among the Spaniards as pineapple due to its similarities with the pinecone”. This plate is the sole image of the style composition prevailing in Costumes civils, militaires et religieux, du Mexique civil consisting in precise details of costume and material culture, as can be recognized in the representation where even though the female figure is placed in the foreground, the focus of the image falls into gear: a blue checkered shawl and skirt.

Pencil on thin paper study of seated woman in bonnet. Late 19th century, unsigned. Unframed, minor smudging.

Introducing a masterpiece from the 19th-century French Academy, this charcoal drawing unveils the profound connection between artistic expression and academic tradition. Skillfully rendered on paper, the drawing features a male nude—a testament to the pinnacle of academic training during the era. Capturing the essence of creative thought formation, this artwork exemplifies the foundational role of drawing in all artistic disciplines. Housed in its original period frame, this piece not only provides a glimpse into the artistic techniques of the 1800s but also stands as a tangible link to the rich history of French academic art...

View of Siercke les Bains (as inscribed on the back of the drawing), brown and black ink.