Sheet Metal Wall-mounted Sculptures

This hanging advertising sign is made of sheet metal and metal and features the letters ZTS. It was made in Czechoslovakia during the 80s and is in very good vintage condition. You c...

Rare brutalist wall sculpture/light from the 1960s. Made of lacquered multi-layer torch-cut sheet metal this has a wonderful abstract organic structure...

Geometrical Patterns Silver Gilt Sheet Metal Wall Hanging Sculpture Screen MINT

Unusual Decorative neoclassic Revival Putti/Cherub Stone Cast Sculpture With Metallic Wings, Wall Mountable. Classicism is a specific genre of philosophy, expressing itself in literature, architecture, art, and music, which has Ancient Greek and Roman sources and an emphasis on society. It was particularly expressed in the neoclassicism of the Age of Enlightenment...

This would be the perfect Valentine's Day gift for the equestrian or horse lover. This antique horse sculpture is a unique and spectacular equestrian piece. The horse sculpture is m...

The design era known as Space Age spans over the course of almost three decades, from the late 1950s to the mid 1980s. Designers and artists from all over the world created objects influenced by the aestethics of rockets, space pods...

Pair of French wall lamps repoussé tole from the end of the 19th century, has two lights. Branches with trimmed foliage are attached to a base with decorative reliefs. Droplet-shape...

Sculptural metal mobile signed and dated '92. Made up of 5 semi-circular metal pieces. Black, blue, red, yellow and white. Each level slowly rotates while hanging. Great piece of art.

Red Center found sheet metal 33.5 x 36 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In ...

A 3/5 foot piece of wall art comprised of sheet steel, patina steel, perforated steel and concrete. Joseph offers his version of a canvas with this stunning piece of hand worked, blackened, sheet metal with floated rectangle plates...

Landscape sheet metal, wood, found objects 33 x 61in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...

Silk Road sheet metal 24 x 69 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

Fine Regency tray showing the four corners of the British Empire and a large central scene, illustrating many symbolic undertones.