1907
Alphonse Legros was a British etcher, painter, sculptor and teacher of French birth. In 1855, he enrolled at the École des Beaux-Arts, Paris. During this period, Legros had a taste for early Netherlandish art and for French Romanticism, which was later superseded by his admiration for Claude, Poussin and Michelangelo. However, his devotion to Holbein proved constant. Legros began etching in 1855; he preferred this medium and produced over 600 plates. Many of his early works are deliberately rough in execution. Legros emerged as a leader of the younger generation of realists, notwithstanding his conspicuous dependence on Courbet. However, this critical success brought no financial security, and in 1863, Legros visited London where he found admirers and patrons. Legros resolved to remain in London. In 1876, Edward John Poynter recommended Legros to succeed him as Professor of Fine Art at the Slade School. Legros occupied this position until 1893 and introduced etching and modeling to the syllabus. He was a founder-member of the Society of Painter-Etchers in 1881 and of the Society of Medallists in 1885; the revival of the cast art medal was due almost entirely to his example. With its classically inspired economy of form and design, Legros's interpretation of his realist subject-matter exerted a decisive influence in England on the representation of peasant life in the 1880s. He had a taste for the macabre. In the etchings Death of the Vagabond and Death and the Wood-cutter, these themes coalesce in a stark blend of realism and fantasy which is simultaneously elevated and humane.
Portrait of an unknown sitter thought to be American
By Alphonse Legros
Located in Douglas, Isle of Man
Alphonse Legros 1837-1911, was a French painter and sculptor, who lived in London from 1863 until his death in 1911. He was a teacher of etching and drawing and became Slade Professo...
Paper, Charcoal
Lord David Cecil
Located in Douglas, Isle of Man
Albert Daniel Rutherston 1881-1953, was an English artist who painted, portraits, landscapes, illustrated books and designed stage sets. Two of his brothers were Sir William Rothenst...
Pencil, Paper
Portrait of Ben Nicholson
By Christopher Wood 1
Located in Douglas, Isle of Man
Christopher ' Kit ' Wood 1901-1930, was an English painter who briefly attended Liverpool University to study architecture but pursued an artistic career. He trained at the Academy J...
Paper, Pencil
Portrait of John Manners later 7th Duke of Rutland
By Margaret Sarah Carpenter
Located in Douglas, Isle of Man
Margaret Sarah Carpenter 1793-1872, was an English portrait painter. She was one of the foremost portrait painters in the 19th Century, she ex...
Oil, Panel
Self portrait as a Cavalier
By William Arthur Breakspeare
Located in Douglas, Isle of Man
William Arthur Breakspeare RBA RBSA 1856-1914, was an English portrait and genre subjects painter. William's father was a still life painter who worked within the flower painting a...
Oil, Canvas
Portrait of a Sculptor
By Andrea Del Sarto
Located in Douglas, Isle of Man
After Andrea Del Sarto 1486 - 1530, who was an Italian Renaissance painter and draughtsman. Del Sarto worked in Fresco decorating, portrait painting and as a painter of alter pieces,...
Canvas, Oil
Portrait de Frederique Regamey - Oil Paint by Alphonse Legros - 1859
By Alphonse Legros
Located in Roma, IT
Portrait d'Homme is an artwork realized by the french artist Alphonse Legros (1837-1911) in 1859. Oil on Canvas. Good conditions except some rips on the edges. Broche du nº 23 du catalogue Malassis-Thibaudeau "Portrait de Frederique Regamey". Collection Thibaudeau. Alphonse Legros was born on May 8, 1837 in Dijon, France. While young, Legros visited the farms of his relatives, and the peasants and landscapes of that part of France are the subjects of many of his works. He was sent to the art school at Dijon with a view to qualifying for a trade, and was apprenticed to an interior decorator. In 1851, Legros left for Paris, but passing through Lyon he worked for six months as journeyman muralist for painter/art restorer Jean-Baptiste Beuchot, who was painting the chapel of Cardinal Bonald in the cathedral.In Paris, Legros studied with theater scene painter Charles-Antoine. He attended also the drawing-school of Lecoq de Boisbaudran (the "Petite école") where he found made friends with Jules Dalou and Auguste Rodin. In 1855, he attended the evening classes of the École des Beaux Arts.Legros sent two portraits to the Paris Salon of 1857: one was rejected, and formed part of the exhibition of protest organized by Francois Bonvin in his studio; the other, which was accepted, was a profile portrait of his father. Art critic Champfleury saw the work in the Salon, and sought out the artist to enlist him in the "Realists," a group anchored by Gustave Courbet.Legros picked up the art of etching by watching a colleague in Paris who worked as a commercial engraver, and taught himself both etching and medallion making. He considered the traditional journey to Italy an important part of artistic training, and in later years, gave part of his salary to augment the income available for a travelling internship.He moved to England in 1863 and in 1864 married Frances Rosetta Hodgson. In his early career, he lived from the sales of his etchings and teaching. He began teaching etching at the South Kensington School of Art and in 1876 became a Slade Professor at University College, London, succeeding Edward Poynter...
Canvas, Oil
Portrait of the sculptor Jules Dalou
By Alphonse Legros
Located in Middletown, NY
London: 1876. Etching with drypoint on cream laid paper with a partial large heraldic watermark, 9 3/4 x 6 1/2 inches (247 x 165 mm); sheet 14 x 10 3/8 inches (355 x 264 mm), full m...
Etching, Laid Paper, Drypoint
Alphonse Legros Etching " Portrait of Sir Edward John Poynter"
Located in Tunbridge Wells, GB
Original Victorian etching in period frame by Alphonse Legros of the artist Edward J Poynter.. Legros and Poynter were good friends with each other and James Mcneil Whistler was a m...
Parchment Paper
Portrait of Leopold Myers by Sir William Rothenstein
By Sir William Rothenstein
Located in Soquel, CA
Stately sanguine portrait of Leopold Hamilton Myers (Novelist) by Sir William Rothenstein (English, 1872-1945). Captured in Rothenstein's characteristic style, Myers looks directly at the viewer with a neutral expression. Although this portrait uses only two colors and minimal shading, the likeness of Myers is incredibly well captured. Leo (Leopold) Hamilton Myers (1881 – 1944) was a British novelist. Numerous examples like this one of the writer are in the Tate Museum. Initialed and dated in the lower right corner ("W.R. 1936") Inscription on verso indicating materials, subject, and artist. Presented in a new cream colored mat with foamcore backing. Mat size: 18"H x 12"W Paper size: 15.25"H x 10.75"W William Rothenstein (English, 1872-1945) was born into a German-Jewish family in Bradford, West Yorkshire. His father, Moritz, emigrated from Germany in 1859 to work in Bradford's burgeoning textile industry. Soon afterwards he married Bertha Dux, and they had six children, of which William was the fifth. Rothenstein was knighted in 1931. Rothenstein left Bradford Grammar School at the age of sixteen to study at the Slade School of Art*, London (1888-1893), where he was taught by Alphonse Legros, and the Académie Julian* in Paris (1889-1893), where he met and was encouraged by James McNeill Whistler, Edgar Degas and Henri Toulouse-Lautrec. Whilst in Paris he also befriended the Anglo-Australian artist Charles Conder, with whom he shared a studio in Montmartre. In 1893 he returned to England to work on "Oxford Characters" a series of lithographic* portraits. In Oxford he met and became a close friend of the caricaturist* and parodist Max Beerbohm, who later immortalised him in the short story Enoch Soames (1919). During the 1890s Rothenstein exhibited with the New English Art Club* and, in 1900, won a silver medal for his painting The Doll's House at the Exposition Universelle. In 1898 he co-founded the Carfax Gallery in St. James' Piccadilly with John Fothergill. During its early years the gallery was closely associated with such artists as Charles Conder, Philip Wilson Steer, Charles Ricketts and Augustus John. It also exhibited the work of Auguste Rodin, whose growing reputation in England owed much to Rothenstein's friendship and missionary zeal. The gallery was later the home for all three exhibitions of The Camden Town Group*, led by Rothenstein's friend and close contemporary Walter Sickert. Rothenstein is best known for his portrait drawings of famous individuals and for being an official war artist in both World War I and World War II. He was also a member of the International Society of Sculptors, Painters & Gravers. The style and subject of his paintings varies, though certain themes reappear, in particular an interest in 'weighty' or 'essential' subjects tackled in a restrained manner. Good examples include Parting at Morning (1891), Mother and Child (1903) and Jews Mourning at a Synagogue (1907) - all of which are owned by the Tate Gallery. The National Portrait Gallery owns over two hundred of his portraits. In 2011 the BBC and the Public Catalogue Foundation began cataloguing all of his paintings in public ownership online. Between 1902 and 1912 Rothenstein lived in Hampstead, London, where his social circle included such names as H.G.Wells, Joseph Conrad and the artist Augustus John. Amongst the young artists to visit Rothenstein in Hampstead were Mark Gertler...
Handmade Paper, Conté
Portrait of Man - Original Pencil Drawing - Late 19th Century
By Ernest Rouart
Located in Roma, IT
Portrait of Man is an original pencil drawing attributed to Ernest Rouart and realized in the late 9th Century. The artwork is in very good conditions and mounted on a white cardboa...
Pencil
Portrait of a Man - Original Pencil Drawing - Late 19th Century
Located in Roma, IT
Man Portrait is an original artwork realized in the late 19th Century by a french artist. Original Pencil Drawing on paper. Hand-signed on the lower left corner in pencil by the a...
Pencil
