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Harbour with mountainous landscape

Early 20th Century

$4,733.82
£3,500
€4,273.27
CA$6,750.41
A$6,921.41
CHF 3,943.57
MX$88,103.64
NOK 45,297.79
SEK 47,261.93
DKK 31,943.59

About the Item

In the manner of Francis Hodgkins 1869 - 1947, was a New Zealand born painter and teacher of art. She was a strong colorist of art and painted in a somewhat abstract simple manner that was deemed a modernist in her day, and she is considered one of New Zealand's most influential painters, however it is her European works that are most desirable and where her reputation lies. She exhibited in Christchurch and Dunedin in the late 19th Century and the Royal College of Art in London. She travelled widely visiting Morocco, England, France, Ibiza, and many more locations, there is a great deal of information throughout the internet on Francis Hodgkins and it would be a dis-service to her ability and reputation to pursue a brief biography here. However this painting is in the manner of Hodgkins despite being signed and in our humble opinion it is not by the artist herself but perhaps a follower or another artist within her own circle of painters. I have included a further biography of the artist for your interest. The picture is catalogued as circle of as in my humble opinion it is very close to the artist but not of the artist herself. Frances Hodgkins (1869–1947) was a seminal New Zealand-born painter who became a leading figure of the British Modernist movement. Though she began her career in Dunedin, her reputation rests primarily on the avant-garde works produced during her four decades in Europe. Early Education and Career Born into an artistic family in Dunedin, she was initially taught by her father, William Matthew Hodgkins, a barrister and amateur watercolourist. She later studied at the Dunedin School of Art (1895–96) under Girolamo Nerli. Seeking broader horizons, she moved to Europe in 1901, travelling extensively through France, Italy, and Morocco. In 1910, she achieved a significant milestone as the first female instructor at the Académie Colarossi in Paris. Still life: self-portrait by Frances Hodgkins NZ History From New Zealand to Cornwall: the aesthetic loneliness of ... Far from home: Paintings of Frances Hodgkins 2 – The ... Artistic Evolution Her early work was rooted in Impressionistic watercolours. After settling in St Ives during World War I, she began working in oils and adopted a more modernist aesthetic. Her "triumph" arrived late; during the 1930s and 40s, she developed a deeply personal style that blended still life with landscape, influenced by Matisse and Dufy. She was a member of the influential Seven and Five Society (1929–34), exhibiting alongside Barbara Hepworth and Ben Nicholson. In 1939, she was invited to represent Britain at the Venice Biennale. Legacy Despite chronic financial insecurity and ill health, Hodgkins remained prolific until her death in Dorset in 1947. Today, she is celebrated as one of New Zealand's most prestigious expatriates, with major holdings in the Tate, Victoria & Albert Museum, and Auckland Art Gallery.
  • Creation Year:
    Early 20th Century
  • Dimensions:
    Height: 17.5 in (44.45 cm)Width: 21.5 in (54.61 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Circle Of:
    Francis Hodgkins (1869 - 1947, New Zealander)
  • Period:
  • Condition:
  • Gallery Location:
    Douglas, GB
  • Reference Number:
    Seller: No. 3121stDibs: LU2373216807892

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