untitled
Located in New York, NY
Gestural screenprint, number 12 from an edition of 20
1970s Abstract Abstract Prints
Screen
2015
To capture weightlessness, movement and emotion in a single, gestural brushstroke required transgender artist James Nares to reimagine her entire art-making process. In addition to suspending herself above the canvas, Nares also created her own calligraphic brushes and paint, practicing meticulous strokes over and over until finally achieving that perfect swipe.
Dubbed an “action painter” and a “scientific painter,” Nares’ process is the result of years of researching, testing and expanding on her style. Nares moved to New York City in 1974 after studying at the Chelsea College of Art. As she is also a musician, Nares fell into the city’s “no wave” scene — a brief avant-garde music and visual art movement concentrated in downtown Manhattan. The experimentation with noise, and dissonance that became popular among no wave artists likely informed Nares’ art style and fueled her passion for creative experimentation throughout the 1980s.
Nares is represented by the Kasmin Gallery, which has exhibited her work since 1991. The artist’s solo exhibitions include 2014’s “High Speed Drawings” and 2013’s “Road Paint Paintings.” The latter featured works that Nares created with thermoplastic paint — the same type of paint that is used on tarmacs and roads. Her work is part of the collections of the Albright-Knox Gallery in Buffalo, the Museum of Modern Art in New York and the Whitney Museum of American Art. The Milwaukee Art Museum staged a retrospective on Nares in 2019.
While primarily known for her artwork, Nares' film projects have been part of solo exhibitions at the Metropolitan Museum of Art in New York and presented at the 2008 Anthology Film Archives in New York and at the New York IFC Center in 2011.
On 1stDibs, find authentic James Nares prints, drawings and paintings.
untitled
Located in New York, NY
Gestural screenprint, number 12 from an edition of 20
Screen
untitled
Located in New York, NY
Gestural screenprint, number 29 from an edition of 30
Screen
untitled
Located in New York, NY
gestural screenprint, number 5 from an edition of 40
Screen
untitled (orange)
By Richard Hunt
Located in New York, NY
Untitled (orange) 1980 screenprint by Richard Hunt measuring 22 by 30 inches. This example is designated 41 from an edition of 80. The work is professionally matted.
Screen
untitled
Located in New York, NY
Untitled screenprint published in 1972 in an edition of 42. This is example number 4.
Screen
untitled (red)
Located in New York, NY
untitled (red) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25
Paper, Dye, Screen, Acrylic Polymer, Acrylic
untitled (blue)
Located in New York, NY
untitled (blue) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25
Acrylic Polymer, Dye, Acrylic, Screen
untitled (orange)
Located in New York, NY
untitled (orange) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25
Acrylic Polymer, Dye, Acrylic, Screen
$2,056
H 42.38 in W 31.63 in D 0.6 in
Lincoln Center's Mostly Mozart Festival - 25th Anniversary
By Robert Motherwell
Located in Aramits, Nouvelle-Aquitaine
Robert Motherwell, American (1915 - 1991) Lincoln Center's Mostly Mozart Festival, 25th Anniversary. Lithograph, Edition of 800, unsigned and unnumber...
Lithograph, Screen
Erebos
Located in Miami, FL
Gerd Leufert Title: Erebos Signed, titled, dated ‘91 and inscribed P/A in pencil (lower center) Screenprint on paper 23⅝ by 22⅜ in. / 60 by 56.8 cm. Executed in 1991, this work is an artist’s proof from an edition of 35 plus 1 artist’s proof. Provenance: Private Collection, Venezuela - Acquired from the above by the present owner - Sotheby's Auction “The first duty of the creator: restlessness,” Gerd Leufert wrote in 1985, looking back on his 30-year career as an artist, designer, museum worker, and professor of art in Venezuela.1 Bridging the worlds of commerce and culture in Caracas, Leufert’s impact on art and design owed to his interdisciplinary approach: the influence of cutting-edge developments in abstract art appeared in his graphic design, while the efficiency and bold contrast of mid-century design characterized his paintings. An immigrant born in German-controlled Lithuania at the cusp of the first World War, Leufert studied arts and design in Hannover, Mainz, and, finally, in Munich with the German typographer Fritz H...
Screen

Untitled I, II, III
By Robert Mangold
Located in New York, NY
numbered and signed lower margin S&S Cat. no. 2007.01 edition 6/30 Published by Simmelink/Sukimoto Editions, Kingston, New York Associated with the Minimalist art movement of the 1...
Etching, Aquatint

Untitled (A)
By Thomas Nozkowski
Located in New York, NY
Thomas Nozkowski (b. 1944, Teaneck, New Jersey; d. 2019, New York) was recognized for his richly colored and intimately scaled abstract paintings, drawings, and prints that push the...
Color, Aquatint
Untitled I
By Thomas Nozkowski
Located in New York, NY
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...
Color, Linocut, Woodcut
