Neoclassical Desk Accessories

Table cards holders designed by Hermes. Very rare and unusual set of table menu-card holders, created in Paris France by the luxury house of Hermes, back in the 1960-1970. These set...

French neo classic desk seal. Wonderful desk seal, created in France during the late 18th century, back in the 1798-1808. This magnificent piece of art was conceived as a miniature sculpture mounted in a Louis XVI neoclassical style base. This base is crafted in 18 karats gold over silver with chiseled and incised decorations, supporting a magnificent extremely detailed carving of a women. The carved piece, depicts, the naked portrait bust of the classical Greek-Roman goddess of the flowers and nature Flora (Heba), facing forward and exhibiting her breasts, undressed and crowned with flowers, wheat and ivy. Flora or Heba She was the deity of the flowering plants, fertility, spring, and blossoming. Although she was a minor figure compared to other goddesses of the Roman empire, she was important as a fertility goddess. Flora was responsible for the abundance of the crops in spring, so her worship strengthened as this season approached. Her name derives from the Latin floris, which means flower, and her Greek counterpart was the nymph, Chloris. The Sabine King Titus Tatius introduced Flora into the Roman pantheon...

A snuff gold box designed by Henrik Wigström. Beautiful neo classic snuff box, created in St, Petersburg Russia, at the workshop of Henrik Wigström, back in the 1908. This piece has been carefully crafted in the Russian imperial and Louis XVI style, in solid yellow gold of 56 zolotnik (14kt) and embellished with applications of white enamel. Decorated around with garlands and intricates dotted patterns. Fitted with an invisible hinge and close perfectly well. Weight: 36.65 Grams, (23.49 Dwt). Measurements: 41 mm by 39 mm by 14 mm (1.61 x 1.53 x 0.55 Inches). Hallmarks: Stamped on both parts with Russian marks; the kokoshnik mark with the letter a for the city of Saint Petersburg, the maker's mark HW associated to Henrik Wigström inside an oval cartouche, scratched with the inventory numbers 86111 and the 56 zolotnik mark for the assay and warranty of the gold. Hallmarks: Stamped in the border with German importation marks; the Crown mark, the retailer mark AT inside an oval and the 585 mark for the assay and warranty of the gold. Henrik Immanuel Wigström born on 1862 and was a Finnish silver & goldsmith. He was one of the most important Fabergé workmasters along with Michael Perchin. Perchin was the head workmaster from 1886 until his death in 1903, when he was succeeded by his chief assistant Henrik Wigström. These two workmasters were responsible for almost all the imperial Easter eggs. Henrik Wigström was born in Ekenäs, Finland, and was apprenticed to a local Danish born goldsmith named Peter Madsén, a successful manufacturer of silverware who was familiar with the jewellery trade in the city of St. Petersburg, as at one time he had had a workshop there. Once in Madsén's employment, his master's trade with Russia, as well as his numerous business contacts here, brought him to work in St. Petersburg. Goldsmith Werner Elfström employed Wigström as a apprentice on his arrival in the capital in 1875. Wigström became assistant in 1884, at the age of 22, to Perchin, whose shop at that time was already working exclusively for Fabergé. Wigström became head workmaster at Fabergé after Perchin's death in 1903. The number of craftsmen in Wigström's workshop diminished drastically with the outbreak of World War I. By 1918, the Revolution forced the complete closing of the House of Fabergé. Aged 56, Wigström retreated almost empty-handed to his summer house, on Finnish territory, and died at Terijoki in 1923. His art is similar to Perchin's but tends to be in the Louis XVI, Empire, or neo-classical style. Nearly all the Fabergé hardstone...

Presentation picture frame from the imperial Russia. Beautiful neo classic picture desk frame, created in Moscow Russia, back in the 1910's. It was carefully crafted in the Russian imperial and Louis XVI courts style, with tassels bows and garlands made up in silver. The silver elements are treated with three colors of gilding and is embellished with a guilloche panel with vivid red enamel. Fitted at the reverse with a hinged retractable stand and four screws to open the back part. The glass is oval with flat uneven borders. Diamonds: Mount with a pair of old European rose cut diamonds Weight: 74.95 Grams, (48.04 Dwt). Measurements: 70 mm by 47 mm by 7.1 mm (2.76 x 1.85 x 0.28 Inches). Hallmarks: Stamped on several parts with Russian marks; the kokoshnik post 1908 mark with the letter a...

A very fine antique English silver plated vase and cover. In the 18th century Neoclassical Sheffield style. The vase has ram's head and loop handles, etched acanthus leaf design a...

Museum quality, Highly detailed Antique Georgian c.1800 carved Carnelian Agate intaglio seal with an image of Roman Gods. Rare. Height 27mm Width 20mm ...

A small Charles X ball notebook in mother-of-pearl and ormolu chiselled with flowers and flowery interlacings. Engraved in French "Souvenir", decorated with branches and Palais-Royal typical enamel flower on one face, and with simple branches on the other face. Il has its original paper pencil. French Palais...

Flat, rectangular case for holding writing utensils in colored gold and vernis Martin (a type of imitation lacquer). A button serves to open the hinged lid. Four panels made of verni...