Aesthetic Movement More Objets d'Art and Vertu

14 Karat Ridged Tie Bar. Simple design yet sophisticated piece that will add a nice detail to any tie. The top of the tie bar has a zig-zag design and the enti...

The "Ostrich Feather Tickler Attachment" was designed by Betony Vernon in 1996 and continues to seduce BV collectors today. Fabricated using multiple l...

Fabulous and extreme rare Van Cleef & Arpels 2 in 1 accessory. Lipstick Holder and Ladies Pocket Watch. Malachite and Onyx Case. Movement: mechanical manual winding. A unique coll...

This exquisite and rare black jade tablet dates to the Qing period. The Qing Dynasty period spanned the years 1636 -1912. Precisely dating jade artifacts...

A Large Marble and Brass Mounted Cassolettes, Vases. It is topped with a cover terminating with a pine cone finial and a further collar of downward hanging overlapping leaves.The vas...

Navajo needlepoint concho belt. Signed LMB, marked sterling. 11 conchos total. Exceptional design on each concho, featuring floral style center with complementary scalloped silverwork and final layer of turquoise framing concho. Old Pawn. Acquired from a Navajo trader. PERIOD: After 1950 ORIGIN: Navajo, Southwest SIZE: Total Belt Length 62 1/2" Leather; conchos 2 1/4"D The word “concho” sometimes spelled “concha”, comes from the Spanish word meaning shell. Some of the first “conchos” were made of melted silver dollars and resembled a shell. Concho belts reportedly began appearing in Navajo country in the late 1860s. Other Native Americans including Zuni and Hopi also made traditional concho belts before long. Concho belts can cost into the thousands of dollars depending upon the craftsmanship, amount of silver, rarity of turquoise and stones used. Belts in the upper end of the price scales are usually made before the turn of the century. Buyers should deal with reputable dealers as many fakes and look-a-likes exist. A well-made belt with age to it will fetch a bigger premium and hold its value better. The earliest concho belts are now referred to as “First Phase” belts. This style of belt was made before Native silversmith had learned much about soldering. The conchos were hammered out from melted coins, cut, and filed into shape, engraved and a diamond shape slot was cut out of the middle of the concho, with a bar left across the center of the diamond shaped slot for the leather loop. Conchos that required no soldering are generally thought to be made from 1860-1880. Second phase conchos were done 1890-1900s in which silversmith began to solder. Third phase conchos is when you start to see the “butterfly” or “bow” appear between conchos and the use of turquoise as an adornment. A butterfly (bow) is a smaller concho in between bigger conchos. A belt with butterflies and sometimes turquoise would be from the early 1900s – 1930s. The timelines may slightly differentiate depending upon who you ask. Natives first had concho belts for personal use only, but around the turn of the last century, tourist demand had kicked in and a new outlet emerged. belts & buckles jewelry silver belts conchos navajo needlepoint southwest turquoise...

Stunning four piece gold bracelet, ring, bolo and buckle set made by Robert and Burnice Leekya. Navajo four-piece set: watch band, ring, bolo, and buckle. 14K gold overlay and turquoise nuggets. Signed "RBL". From the Sleeping Beauty Mine. Zuni husband and wife Robert and Bernice Leekya are known for their bold turquoise nugget jewelry. They have been making unique pieces since 1953. Robert was taught by his father, a master Zuni jeweler Leekya Deyuse...

Cartier Double Headed Lipstick Holder This accessory has two heads that can hold lipstick and 2 carved gemstones (ruby and sapphire) all set in 1...

The cameo at the center of this exceptional pendant is a stunning example of the art of gem engraving during the Renaissance. It likely dates to the early 17th century and features a sacrificial scene inspired by the Greco-Roman era. The central flaming altar is flanked by two figures preparing to sacrifice a ram, while a figure in a lion skin blowing horns stands in the left corner. The carver brilliantly uses the natural layers of the stone to achieve the illusion of shadow and musculature on the figures. A second, smaller cameo is set at the top of the pendant, while a myriad of multi-colored gems, pearls and enamel adorns the 18K gold setting. A large Baroque pearl suspended from an enamel dragon finishes the design, which embodies the opulence and theatricality of jewels from the Renaissance age. Cameos and intaglios were highly popular amongst wealthy connoisseurs in Renaissance Italy, and owning the finest pieces was the privilege of princes. Although they were often elaborately mounted for display alone, cameos were also frequently worn as pendants, surrounded by enameled and stone-set gold frames. Such pieces were particularly prized by the Medici and Lorraine families, many of which can now be seen at the National Archeological Museum in Florence. Very few Renaissance cameos...

Alex Jona, hand crafted in Italy, sterling silver money clip. Alex Jona jewels stand out, not only for their special design, but also for the careful attention given to details duri...

Alex Jona hand crafted in Italy, sterling silver money clip. Alex Jona gifts stand out, not only for their special design and for the excel...

Alex Jona hand crafted in Italy, rhodium plated Sterling Silver money clip. Alex Jona gifts stand out, not only for their special design and for the excellent quality, but also for ...