Other Objets d'Art and Vertu

14 Karat Ridged Tie Bar. Simple design yet sophisticated piece that will add a nice detail to any tie. The top of the tie bar has a zig-zag design and the enti...

This highly unusual and very rare pair of cufflinks is executed in the archaeological style by the jewellers G.Roccheggiani of Via Condotti 19, Ro...

The "Ostrich Feather Tickler Attachment" was designed by Betony Vernon in 1996 and continues to seduce BV collectors today. Fabricated using multiple l...

Gorham Sterling Silver 14K Gold Plate Stripe Match Holder w/Monogram Monogram appears to be JK Small hinged match case featuring gold stripes. Push button to open, gold wash interi...

Large 800 silver box with malachite stone accent and gold wash interior by Borghetti Ugo Fabrica Argenteria of Italy. No monogram or engraving A large and beautifully ornate hinged...

Navajo needlepoint concho belt. Signed LMB, marked sterling. 11 conchos total. Exceptional design on each concho, featuring floral style center with complementary scalloped silverwork and final layer of turquoise framing concho. Old Pawn. Acquired from a Navajo trader. PERIOD: After 1950 ORIGIN: Navajo, Southwest SIZE: Total Belt Length 62 1/2" Leather; conchos 2 1/4"D The word “concho” sometimes spelled “concha”, comes from the Spanish word meaning shell. Some of the first “conchos” were made of melted silver dollars and resembled a shell. Concho belts reportedly began appearing in Navajo country in the late 1860s. Other Native Americans including Zuni and Hopi also made traditional concho belts before long. Concho belts can cost into the thousands of dollars depending upon the craftsmanship, amount of silver, rarity of turquoise and stones used. Belts in the upper end of the price scales are usually made before the turn of the century. Buyers should deal with reputable dealers as many fakes and look-a-likes exist. A well-made belt with age to it will fetch a bigger premium and hold its value better. The earliest concho belts are now referred to as “First Phase” belts. This style of belt was made before Native silversmith had learned much about soldering. The conchos were hammered out from melted coins, cut, and filed into shape, engraved and a diamond shape slot was cut out of the middle of the concho, with a bar left across the center of the diamond shaped slot for the leather loop. Conchos that required no soldering are generally thought to be made from 1860-1880. Second phase conchos were done 1890-1900s in which silversmith began to solder. Third phase conchos is when you start to see the “butterfly” or “bow” appear between conchos and the use of turquoise as an adornment. A butterfly (bow) is a smaller concho in between bigger conchos. A belt with butterflies and sometimes turquoise would be from the early 1900s – 1930s. The timelines may slightly differentiate depending upon who you ask. Natives first had concho belts for personal use only, but around the turn of the last century, tourist demand had kicked in and a new outlet emerged. belts & buckles jewelry silver belts conchos navajo needlepoint southwest turquoise...

Stunning four piece gold bracelet, ring, bolo and buckle set made by Robert and Burnice Leekya. Navajo four-piece set: watch band, ring, bolo, and buckle. 14K gold overlay and turquoise nuggets. Signed "RBL". From the Sleeping Beauty Mine. Zuni husband and wife Robert and Bernice Leekya are known for their bold turquoise nugget jewelry. They have been making unique pieces since 1953. Robert was taught by his father, a master Zuni jeweler Leekya Deyuse...

A beautiful box with fine enamel work studded with Diamonds and Rubies. Similar enamel work can be seen in Indian and Mughal jewellery from centuries ag...

Fabergé Polar Bear-Egg Object, 18k White Gold, Turquoise Guilloché Vitreous Enamel, Diamonds 0.17 ct G VS, White Topaz, Sardonyx, Rock Crystal The Polar Bear Egg, created in 2003, captures the brilliance and clarity of the Arctic winter. The egg is made of 18k white gold and covered with multiple layers of turquoise translucent vitreous enamel on a guilloché ground, producing a luminous icy shimmer. It is crowned with a prominent conical white topaz and decorated with numerous stylised ice-crystal motifs in white gold. The opener, also shaped as an ice crystal, is set with brilliant-cut diamonds. When opened, the egg reveals a miniature scene of a mother polar bear with two cubs, modelled in 18k white gold, resting on an ice floe carved from sardonyx with its natural frosted surface resembling snow. The pedestal is made of frosted rock crystal cut with angular facets to evoke a glacier. It rests on a circular base of polished rock crystal, mounted with white-gold feet that provide stability and refinement. Background: Fabergé’s animal...

This Fabergé egg commemorates Carl-Peter Fabergé’s sojourn in Dresden in 1860/61 and the artistic influences he absorbed at the Green Vault. The foot is crafted of hand-painted porcelain by the State Meissen Porcelain Manufactory, designed expressly for this piece. The upper half of the egg in gold and enamel contains a miniature garden with a diamond-set well house and trees of nephrite and pearls. A dedicated Swiss music box movement by Reuge plays a minuet by Luigi Boccherini, while the well house and trees move in contrapuntal motion. The transformation of the music box movement into the motion of the well is achieved by a special mechanism with an additional spring, developed by the Swiss master watchmaker Paul Gerber...

This special vessel features a spring green guilloche Enamel on a Fine Silver disk housed in a casing that we fabricated from Shibuichi, a traditional Japanese decorative alloy made ...

A Rare Qajar Gold and Enamel Parasol Cane Handle A very rare Persian, Qajar, polychrome enamelled gold cane handle, of cylindrical form, decorated with fl...

Fabergé Spring Egg, 18k Yellow Gold, Translucent Pink Guilloché Vitreous Enamel, 79 Diamonds 1.06 ct G VS, Bowenite, Rose Quartz, Citrine, Rock Crystal, Amethyst, Topaz The Spring Egg, created in 1996, is the first in the Fabergé “Four Seasons” series inspired by Antonio Vivaldi’s celebrated violin concertos. It represents the awakening of spring through a delicate fusion of colour, movement, and music. The egg’s exterior is crafted from 18k yellow gold, covered with translucent pink enamel on a guilloché ground. Its surface is richly decorated with applied golden garlands, bows, and floral motifs, accented by 79 brilliant-cut diamonds totalling 1.06 ct (G VS). The vibrant pink hue, enhanced by guilloché engraving, symbolises freshness and renewal. When opened, the egg reveals its surprise: a golden vase containing a vivid bouquet of flowers carved from semiprecious stones — citrine, rock crystal, amethyst, and topaz. Each blossom is highlighted by a sparkling diamond “dewdrop”, while the leaves are crafted in green-enamelled gold. The bouquet slowly revolves to the melody of Vivaldi’s “Spring” from The Four Seasons, played by a dedicated Swiss music movement by Reuge. The mechanism was further modified and refined by Swiss master watchmaker Paul Gerber...

Fabergé Rose-Egg Object, 18k Yellow Gold, Aubergine Red Guilloche Vitreous Enamel, 51 Diamonds 4.36 ct G VS, Garnet, Pink Tourmalines The Rose-Egg Object, created in 2002, is one of...

Antique Mughal Indian Enamel and Diamond Cup Saucer & Spoon Set A 200+ year old masterpiece: Incredible enamel on gold tea cup, saucer, and spoon. Set w...