Copper Vanity Items

PERSIAN Zoroastrian Parsi Parsee "Muktad" Silver Vase Ca. 1900 Chased in a Shiraz-Persian style (a linkage back to the Parsees’ Zoroastrian roots in Persia). This beautiful vase from the Qajar Dynasty era (1785 to 1925) is originated in Shiraz, a southwest city in Persia and the home of the Achaemenid Persian Empire founded in the 6th century BCE by Cyrus the Great...

Octagonal powder compact in sculpted jadeite finished in yellow gold, platinum and half-rosette diamonds with a 13cm chain in platinum, natural pearls and half-rosette diamonds, mirror inside, gross approx. G 114.40, length about 6.30. Signed Cartier Paris n 1170, French goldsmith...

Desk Pen & pencil cup holder designed by Bvlgari. Beautiful vintage piece with fluted patterns, created in Rome Italy by the luxury house of Bulgari...

Perfume bottle designed by Jean-Louis Scherrer. Very rare and beautiful perfume bottle, created in Paris France by Jean Louis Scherrer, back in the late 20th century. This exotic perfume bottle was made as a promotion for the launching of his famous Scherrer 2 perfume in 1986. Carefully crafted in the art deco style with skyscraper patterns, in solid sterling silver of .925/.999 with high polished finish. Fitted with a lid and a pistil to applicate the perfume and scents. Weight: 130.95 Grams, (83.94 Dwt). Measurements: 86 mm by 24 mm by 18 mm (3.40 x 0.94 x 0.71 Inches). Hallmarks: Stamped with French marks, the silver assay mark, the maker's mark of SF inside a lozange cartouche, the edition number and signed, "JEAN LOUIS SCHERRER PARIS 925 Sterling #0202" Edition: Number 0202 from 1000 pieces produced. Jean-Louis Scherrer born in Paris in February. He was a Parisian fashion designer and couturier. Although he had name recognition and was known for his work, he is mainly noted for being the first couture designer to be sacked from their own-name label in 1992. Scherrer trained as a dancer at the Conservatoire de Paris until he injured his back, which put him out of action for three months. He then decided to focus on fashion design, and in 1956, joined Christian Dior as an assistant designer alongside Yves Saint Laurent. Following Dior's death in 1957, Scherrer worked under Saint Laurent, and then for Louis Féraud, before launching his own fashion house in 1962 on the Rue du Faubourg Saint-Honoré with the backing of Jacques Chabrol, a French millionaire. In the mid-1960s Scherrer had an agreement with the American department store Bergdorf Goodman to grant them exclusive rights to reproduce and resell his designs in the United States. His clients included Anne-Aymone Giscard d'Estaing, Jacqueline Kennedy Onassis, and Raquel Welch, who wore Scherrer animal-print dresses in the 1977 film L'Animal. By the 1980s, his work was known for its opulence and luxury, with many garments hand-beaded, embroidered and lavishly trimmed. His extremely expensive designs were popular with the wealthy wives of Middle East oil tycoons, but after the Gulf War...

This beautiful round compact has squared off edges, the enamel is in an unusual duck egg blue and a contrasting deeper blue on the front, being completed...

This is a very attractive and good quality piece. Delightfully Art Deco in style, the slightly domed top is decorated in an abstract design in chrome, red and black enamel. The base ...

A beautiful rectangular love letter box made of heavy gauge silver and inset with a key hole, the cover decorated with a circular raised foliate motif ...

Victorian gilt silver hair comb/hairpin with peacock motif starring purple colored stones.

On wonderful bright blue silk we see two cranes looking at each other, peach trees with peach blossom, water with a softly ondulating pattern and lotus flowers.

Gold box or snuffbox in chased gold with leaf foliage patterns and floral friezes. The hinged lid is decorated with a Rogat medallion representing the profile of Napoleon Bonaparte: "The return of the mortuary ashes of Napoleon 1st...

Antique Chinese Enamel Cloisonné Jade Silver Bangle Bracelet

A guilloche enameled pill box designed by David Andersen. Extremely rare early 20th century enamel pill-box, created in Norway during the late Edwardian and art nouveau period at the workshop of David Andersen, circa 1910. This beautiful box was carefully crafted with impeccable details in solid .925/.999 standard silver with gilded interiors finish. Made of rectangular form with curved edges and fitted with a five barrels hinged lid, that can be raised by a simple thumbpiece. Engine turned guilloche decoration topped with applications of translucent silvered-white and light purple enamels and finally embellished with tiny flowers motifs decorations in high relief. Weight: 59.40 Grams, (38.08 Dwt). Measurements: 65 mm by 38 mm and a height of 13 mm (2.56 x 1.50 x 0.51 Inches). Hallmarks: Stamped with French and Norwegian marks, the maker's mark associated to David Andersen inside a cartouche, the mark for the assay of the silver S .925 and stamped twice with the French import mark of the swan, for importation. Very interesting exports and imports marks. Note: The hallmark of a swan facing to the left inside an oval (Osprey-124), was introduced in 1893 for small silver items imported into France. The silver product need to have at least a standard assay of .800/999 or over. The swan mark indicates that the item was produced in a non-treaty country and served as an import identification. The swan mark used until 1970. David Andersen David Andersen was born in 1843 in Østre Toten, Innlandet to Anders Svendsen and Anne Margrethe Gulbrandsdatter, and was the father of goldsmith Arthur David-Andersen. He was one of the most important Norwegian goldsmiths. From 1859 he was in apprenticeship with the jeweler Jacob Tostrup in Christiania (now called Oslo). He spent several periods abroad, in Berlin, Stockholm, Paris and London. During his stay in London he also imported Norwegian filigree works to the United Kingdom. He established his own goldsmith workshop in Christiania 1876, which eventually became a leading company in the goldsmith industry in Norway. A significant part of his filigree works was exported to Great Britain. As of 1899 his company employed 92 men...