Quartz Vanity Items

A beautiful perfume bottle or flacon, the smoky rutilated quartz tear-drop shaped body entirely hand carved in the classical manner with a spiraling design. Fitted with a rutilated q...

Enter a world where elegance and convenience converge in our exceptional perfume bottle. Picture the shimmering glow of abstract faceted golden quartz at the bottle's base, radiatin...

French scent bottle with gemstones. Gorgeous antique scent perfume bottle, created in France in the first quarter of the 19th century, circa 1820....

100% handmade green Serpentine stone box in a shape of square 61 x 95 x 95 mm - 1.96 x 3.74 x 3.74 in total weight - 665 grams

Fox Essex glass scent bottle designed by Tiffany & Co. An exceptional very rare piece, created during the Edwardian period at the Tiffany Studios, back in he 1905. This fabulous scent bottle has been carved from translucent rock quartz and mount with an oversized Essex glass reverse carved piece depicting the enameled three dimensional head of a fox. Both parts are mounted with hinged round frames crafted in solid yellow gold of 18 karats with high polished finish. Fitted with a push opening button, an invisible hinges and an interior gold screw lid. The head of the fox is magnificent, very well carved with realistic details and exceptionally painted. Weight: 137.50 Grams, (88.14 Dwt). Measurements: 34 mm by 40 mm by 80 mm (1.34 x 1.57 x 3.15 Inches). Hallmarks: Stamped with the maker's mark, the mark for the assay of the gold and signed, "TIFFANY & CO.". The gold parts has been independently tested using state of the art technology (Niton XL2 Analyzer) and verified as over 18k gold .770/.999 assay. Essex Glass Essex crystal pieces are formed from a rock crystal cabochon (polished domes of rock crystal with a flat base), an image or motif is then reverse carved into the flat base, and then painted, to give them impression of a three dimensional object or image encapsulated in the cabochon when viewed from above. Production of a reverse crystal intaglio begins with the mining and cutting of fine rock crystal from Brazil or Madagascar. A well-formed cabochon is the key to a beautifully made reverse intaglio and the tedious process of hand polishing it to perfection had to be completed before the design work could begin. A watercolor rendering of the image was painted on the underside of the cabochon and an oil and diamond dust mixture was used along with up to 250 scribing tools to carve the design into the interior of the crystal “…the deeper the carving the more pronounced trompe l’oeil effect.” Once the carving was established the painting process began with extremely fine brushes and paint working in reverse to create incredibly detailed images. This process of carving into the back of the cabochon is sometimes referred to as reverse intaglio, not be to mistaken with intaglio, which is designed to be viewed from the same side on which it is carved, unlike Essex crystal. Particularly when the image is of something which is itself small in reality, such as an insect, they can be very convincing when created by skilled craftsman. Thomas Cook was believed to be responsible for introducing them to Britain from the continent in the 1860s, and there were initially sold by Hancock’s in London. During the same period the artist William Essex, was a great favourite of Queen Victoria, and known for his enamel painting and miniatures. It would seem that the public put two and two together and came up with five, in that they believed these exquisite miniature painted jewels could only have been created by such a celebrated talent as Essex, and the name stuck despite him having nothing to do with their creation. Interestingly, William Bishop...

Edwardian parasol handle made in France. Very beautiful and elegant piece, created in Paris France during the Edwardian and Belle Epoque periods, back in the 1900. This fabulous parasol handle has been designed with French neo-classic patterns in the style of Louis XVI. Crafted by assembling pieces made up in 18 karats yellow gold, carved citrine and amber color faux tortoise. The baton is fitted with a screw to attach to any parasol or cane. The round gold parts on top are made with multiple leaf motifs, bows, tassels and floral clusters, typical from the Belle Epoque period. Gemstones: The top part is mounted, with 1 cylinder cabochon cut of natural translucent citrine quartz of about 120 carats. Birthstone: Citrine, for the month of November. Weight: 66.95 Grams, (42.91 Dwt). Measurements: 248 mm by 20 mm (9.75 x 0.79 Inches). Hallmarks: Both gold parts are stamped with French marks; the head of the eagle for the assay and warranty of the 18kt gold and the maker's maitre mark inside a lozange cartouche. Edwardian era, like the Georgian and Victorian eras before it, derives its name from the reign of the English King, Edward VII (1901-1910). Edwardian jewelry is known for representing femininity while incorporating a lot of the color white. Think diamonds, pearls and white metals like platinum and white gold. Diamonds often had an Old Mine or European cut and sapphires were a popular choice for a pop of color. They tended to be made from platinum and diamonds – the more, the merrier – and used fashionable, intricate techniques such as filigree and millegrain. Edwardian rings are works of art and best worn alone or alongside a simple wedding band...