Asia - Art

At the bottom, 91x70cm, oil on canvas The work is sold without a frame.

This work of art captures a moment filled with timeless elegance and mystery. Every detail invites the viewer to ponder the stories hidden in the atmosphere of a luxurious dressing r...

Bouquet, 80x60cm

mountain landscape , 70x70cm, print on canvas Edition 20 pcs. A different print size can be made upon request.

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Vases 100x100 cm The work is sold without a frame.

Titanium, 120x100cm, oil on canvas

Suhas Roy - Christ Mixed Media on Paper , 12 x 16 inches , 2011 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a...

Suhas Roy Radha Soft Pastel & Acrylic on Paper 14 x 18 inches 35.6 x 45.7 cm 2004 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel ...

Aditya Dicky Singh, Untitled diptych, photograph on fine-art Hahnemuhle archival paper Two photographic works, each photograph 44 x 65" unframed (91cm x 135cm). Total size 44" x 1...

Blues, 100x80cm, oil on canvas

Wild boars, 69x68 cm, Rice paper, ink, mineral paints

Palm Tree Beach – Original Oil Painting, Moonlit Seascape Coastal Landscape, Impasto Ocean Art This original seascape painting captures a ...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 65" x 44" unframed (165.1cm x 112cm) 2019 Edition 2/10 *Should you wish the photograph to ...

This seascape painting invites you to experience the magic of a hidden island oasis. With lush foliage, rocky cliffs, and shimmering ocean hues, this artwork is an ideal choice for l...

The transparent time of creation is the creation of the beautiful, taking place in the flicker of inspiration, in dialog with a form that is still searching for its final expression.

Two heads, 70x100 cm

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

New Dimension is a step into a space where there is a sense of transition, a movement towards something unknown, but at the same time tantalizing. It is a work about inner search, ab...

A chair and flowers, 100x120cm, acrylic on canvas The work is sold without a frame.

Shahabuddin Ahmed - Untitled Oil on Canvas 13 x 9.5 inches, 2024 This intimate portrait by Shahabuddin Ahmed captures the human face as a site of memory, emotion, and lived experien...

Edition of 20 pieces

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 49.5" x 33" *please note this artwork can be printed at any size so long as the ratio re...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Voted Dyas II, Lino-cut/ chine colle, on German Ivory paper Edition: 5 of 8, 1999 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Flowers

series "Permeable borders", 50x35 cm, acrylic on paper, marker The work is sold without a frame and mat

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

An original seascape painting that brings the essence of island beauty to life. Featuring a richly textured, tree-covered rock formation surrounded by stunning blue-green waters, thi...

Escape to a tropical paradise with this original seascape painting, capturing the serene beauty of a lush island surrounded by emerald waters. Created with rich textures and vibrant ...

"It's for love" Canvas, mixed media, 100x150cm The work is sold without a frame.

Calochortus white on blue, Canvas, mixed media, 100x70cm The work is sold without a frame.

70x70cm, print on canvas Edition 20 pcs. A different print size can be made upon request.

From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi. Art 1821 is selling the last 14, different works, of th...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

An Offering from the Garden , 120x130 cm, oil on canvas

David Shrigley I Hate Human Beings, 2021 Screen print on wove paper Signed, dated, and numbered on the COA Edition 86/125 on the verso Published by AllRightsReserved, Hong Hong Accom...

Compelling set of 6 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 6 works come from a series of 25 works, Edition 4/7...

Compelling set of 25 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 25 works are Edition 4/7. Editions 1, 2 & 3 have already sold, Edition 2 has been purchased by a Museum Collection in Belgium. Loved by private clients and Interior designers alike, Sonal has exhibited at International art fairs and exhibited with leading Galleries. Vachik, Edition 4/7, 25 Etchings on Archival paper, dated 2022, signed and titled under each piece in pencil 65" x 50" (depending on hanging layout), without framing, comprising 25 etchings. Each etching, sheet size 17" x 14", image size 13" x 10" 2022 Signed, Editioned, dated and titled in pencil Provenance: From the artist's studio Sonal is a storyteller. Her primary medium of choice is printmaking, exquisite etchings whose protagonists jump off the page to tell their stories. Like all good narratives that lucidly roll from one tale to the other the artist works in series. Be it her Kissa Goi or her new Vachik stories, each work comprises of many parts, all fitting together as one large work, or, equally as pleasing, as individual works that may or may not speak to each other in any combination of pattern. Sonal lives and works in Lucknow, in India, the City famous for its tradition of Ghazal poetry. In past times the poems were displayed in Diwan's (illustrated books) a calligrapher and artist would be commissioned to illustrate the poems. Sonal references these traditions and we can see traces of this in her contemporary images. Ghazal's delight and employ elements of playfulness, anecdote and surprise. They take their audience on a bitter-sweet journey and Sonal invites us to do the same. The artist explains that in the evenings the women gather on the roof terraces of her town to tell the tales that are passed from the older generations to the younger women. These are stories that primarily revolve around the woman and their everyday role in a patriarchal society. These tales become mixed with the contemporary, both local and global events that effect the lives of the women. At first glance there is an anecdotal quality to the visual narratives but look a little longer and you will be rewarded by layer upon layer of meaning. Through the clever use of text and images of objects which may at first appear to be dislocated, each part of the image pulls together the narrative, expanding it into many different levels. In Sonal's own words, 'This work is very close to my heart, a lot of emotions are attached to this work. Some such feelings that awakened for the first time and they were priceless. I have lived that time, felt it very closely, whatever happened to me at that time, I have tried my best to make it work. Kajal has a very important role, when there are children and grandmothers complete it, it is said that by applying Kajal in the eyes of the children, the eyes become bigger. Which we call Nazarota which is a small iron vessel. Kashmiri shawls...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Frenzy M3, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed 'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi. Art 1821 is selling the last 14, different works, of th...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper *please note this artwork can be made up to 99" x 44" - HUGE! It can also be printed at any ...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper *please note this artwork can be made up to 99" x 44" - HUGE! It can also be printed at any ...

Yellow Bird.54x44cm, Watercolor, paper, gouache, colored pencils.

Little Black Birds.54x44cm, Watercolor, paper, gouache, colored pencils.

A view from the outside, 70x70cm, oil on canvas, oil pastel

Everything is ahead, 70x50cm, oil on canvas, oil pastel

White melancholy, 130x80 cm, oil, acrylic, coal, canvas

Message, 120x100 cm, oil, acrylic, coal, canvas

Lilies of the valley, 60x60 cm, acrylic , Canvas

Autumn, 60x60 cm, acrylic , Canvas

My yard, 110x110 cm, acrylic , Canvas

My yard, 110x110 cm, acrylic , Canvas

He and She, 75x75 cm, acrylic , Canvas

Offer, 65x85 cm, acrylic , Canvas

Morning coolness, 55x55 cm, acrylic , Canvas

The desired call, 55x55 cm, acrylic , Canvas

Good news, 70x90 cm, acrylic , Canvas

Silkscreen Edition of 100 (Edition number unknown as the print is unopened, to preserve condition) Signed and numbered on the front Mint, as issued Sold in the original KaiKai KiKi p...