Australia - Paintings

The painting features dark, rich tones that shift subtly depending on the light, revealing layers of burgundy, fuchsia, and lilac throughout the piece. This painting is unstretched ...

Andy Harwood (b. 1983) is a prominent Australian abstract artist whose work explores the intersection of mathematical precision and the sensory mechanics of perception. A significant...

At Escat Gallery, we are committed to upholding the highest standards of trust and professionalism for our collectors. Every artwork in our collection includes a Certificate of Authe...

The piece is signed by the artist on the reverse and includes a Certificate of Authenticity officially stamped by the gallery. We are committed to upholding the highest standards of...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spa...

Andy Harwood (b. 1983) is a prominent Australian abstract artist whose work explores the intersection of mathematical precision and the sensory mechanics of perception. A significant...

At Escat Gallery, we are committed to upholding the highest standards of trust and professionalism for our collectors. Every artwork in our collection includes a Certificate of Authe...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spa...

At Escat Gallery, we are committed to upholding the highest standards of trust and professionalism for our collectors. Every artwork in our collection includes a Certificate of Authe...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spa...

At Escat Gallery, we are committed to upholding the highest standards of trust and professionalism for our collectors. Every artwork in our collection includes a Certificate of Authe...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spa...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spa...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spa...

Andy Harwood (b. 1983) is a prominent Australian abstract artist whose work explores the intersection of mathematical precision and the sensory mechanics of perception. A significant...

Ronnie Tjampitjinpa was born around 1943 at Tjiturrunya, about 100km west of the Kintore ranges in Western Australia. Following an extended drought in the 1950s, Ronnie's family move...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spa...

Foundational Studies 25(B) The Composition A refined entry point into the studio’s practice, Foundational Studies 25(B) is a deliberate exploration of form and verse. Executed on ha...

This work will be shipped rolled. Andy Harwood (b. 1983) is a prominent Australian abstract artist whose work explores the intersection of mathematical precision and the sensory me...

At Escat Gallery, we are committed to upholding the highest standards of trust and professionalism for our collectors. Every artwork in our collection includes a Certificate of Authe...

Peter Max Peace On Earth II, 2006 Mixed-media with acrylic painting and color lithography on paper. A unique work Hand signed in acrylic low right. Image size 58 x 43 cm Frame siz...

Peter Max Blushing Beauty, 2006 Mixed-media with acrylic painting and color lithography on paper. A unique work Hand signed in acrylic low right. Image size 23 x 18 cm Frame size ...

George Rodrigue She Lit my Fire, 1993. Acrylic on canvas on card. Measurement: 35,5 x 27,5cm Frame: 46,5 x 38,5cm Signed lower left: Rodrigue. As well as with copyright stamp verso:...

At Escat Gallery, we are committed to upholding the highest standards of trust and professionalism for our collectors. Every artwork in our collection includes a Certificate of Authe...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

Foundational Studies 25(i-2) The Composition A focused extension of the studio’s color theory, Foundational Studies 25(i-2) marks the transition from abstract pigment exploration t...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

Peter Max United We Stand, 2006 Mixed-media with acrylic painting and color lithography on paper. A unique work Hand signed in acrylic low right. Image size 58 x 43 cm Frame size ...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

Bell Butterfly (Abstract painting) Acrylic on Aluminum honeycomb - Unframed Brent Hallard is an Australian - born artist and co organiser of The Shape of Things. His work is deeply...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spa...

Andy Harwood (b. 1983) is a prominent Australian abstract artist whose work explores the intersection of mathematical precision and the sensory mechanics of perception. A significant...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

Foundational Studies 25(E) The Composition A refined entry point into the studio’s practice, Foundational Studies 25(E) is a deliberate exploration of form and verse. Executed on ha...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

Brent Hallard is an Australian-born artist and co-organizer of The Shape of Things. His work is deeply rooted in the fundamentals of art history, especially building on the tendencie...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

Peter Max Land of The Free, Home of The Brave, 2006 Mixed-media with acrylic painting and color lithography on paper. A unique work Hand signed in acrylic low right. Image size 58...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spa...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

A2 Acrylic & Enamel on Archival Paper – Custom Framed Artwork & Framing Specifications Artwork Dimensions: A2 – 420 × 594 mm / 16.5 × 23.4 in Overall Framed Dimensions (estimate...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

Studio Archive No. 87 is a seminal work that explores the visceral connection between human form and raw materiality. What makes this piece unique is the intentional dialogue between...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spa...

PGB Slurp (Abstract Painting) Acrylic on aluminum - Unframed Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to challe...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

This work will be shipped rolled. Andy Harwood (b. 1983) is a prominent Australian abstract artist whose work explores the intersection of mathematical precision and the sensory me...

Capella Sydney Hotel art collection Star Princess cruise Selling houses Australia 5 Fake- Paramount + Dream homes The Block Gran design Australia Magazine "Creating large-sca...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

Foundational Series Studio Archive No. 220 ​The Work ​"Studio Archive No. 220" is a sophisticated mixed-media study exploring the quietude and structural elegance of the solitary hu...

Studio Archive: No. 219 ​The Work ​"Studio Archive No. 219" is a sophisticated mixed-media study exploring the fluidity and shared geometry of the human form in unison. Part of a cu...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...