Bay Area - Art

This artwork, entitled "Beach in Provence," is an original oil painting on canvas by French impressionist artist Claude Gardy (b. 1949). It is hand signed in the lower right corner by the artist. The canvas size is 8.75 in. x 10.65 in. and is framed in a custom wooden gold frame. The piece depicts a tranquil beach scene with provincial houses in the background. In excellent condition. Claude Gardy was born in the city of Lille in north of France in 1949. He is a self taught artist that gained recognition for his colorful small impressionist paintings...

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Spring mornings often begin with gray overcast skies that give way to bright blue sunshine mid day. This painting depicts Texas Hill Country as the sun begins...

This is an original John James Audubon hand-colored royal octavo lithograph entitled "American Black Bear", No. 29, Plate CXLI from Audubon's "Quadrupeds of North America". It was dr...

Vintage "Bodega View" Original Oil Painting by McCabe C.1941 Original oil on masonite Masonite dimensions 36" wide x 24" high The frame measures 42" wide x 30" high The painting ...

Willard Dixon is celebrated for contemporary landscapes that offer viewers a place of quiet reflection. Known for his luminous depictions of the American West, he captures space, lig...

"Lush Sky" is a luminous cloud painting with a warm sunlit hue over clear blue indicating sunlight through clouds. created with a calm and etherial palette of natural blues, and gold...

This artwork "Untitled" c.2000 is a watercolor and gouache on paper by noted Sudanese artist Ahmed Abushariaa, b. 1966, It is signed at the lower right corner by the artist. The artwork size is 20 x 16 inches, framed is 29.25 x 25.5 inches. It is custom framed in a wooden gold frame, with green color matting. it is in excellent condition. PLEASE NOTE, the discolored line at the bottom of the mat is not a part of the item, it is the reflection on the glass, as stated above it is in excellent condition. About the artist: Ahmed Abushariaa was born in 1966 in Sudan.Son of a tailor, he developed his own artistic style from playing with color patches left over from his father”s work. Abusharria has a Bachelor of Fine Arts from Sudan University's College of Fine and Applied Arts. Abu lived in Nairobi, Kenya for many years, in the mid-nineties and after a short stay in Germany he had an exhibition at AKA Gallery, fell in love with the country and moved to Kampala permanently. Ahmed is working with watercolors and acrylic. He has gained several national awards for his work and exhibitions in many different countries, including Canada...

This is a hand-colored copper plate engraving entitled "Matricaria Flore Simplici, Matricaria Flore Pleno, depicting flowering Feverfew and Double-flowered Feverfew plants, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. The feverfew plant is also known as featherfew, featherfoil, or bachelor’s buttons...

Someone had Coltrane on the HiFi as they channeled Jackson Pollock. There’s a dark Gauloise going—a habit picked up in those student years in Paris—with smoke emitting from the chrom...

Tomales Bay Morning- The painting was created in 2024 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. ...

This is a scarce 17th century beautifully hand-colored copperplate engraved map of Asia entitled “Exactissima Asiae Delineatio in Praecipuas Regiones Caerterasque Partes divisa et de...

Keith Haring Growing (Plate 4), 1988  Vibrant, energetic, and instantly recognizable, Growing (Plate 4) exemplifies Keith Haring’s iconic visual ...

This artwork titled "Schallaburg" 1970, is an original colors etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate mark...

Persephone VII by Erik Pawassar 24 x 19 inches (61 x 48cm) edition of 25 signed 40 x 31 inches (102 x 79cm) edition of 25 signed 62 x 48 inches (157 x 122cm) edition of 7...

Donna McGinnis is a painter and draftsman whose work is celebrated for its refined sensitivity and observational clarity. Her drawings have been exhibited widely and are included in ...

In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Cascade (2022) Kings Road: A Rudolph Schindler House 60" x 45" / 152cm x 114cm / edition of 3 40" x 30" / 102cm x 76cm /edition of 12 limited edition photograph printed under artist supervision + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2025 Mona Kuhn: Y Tu Desnudo será Un Gran Poema, Museum of Contemporary Art, Malaga, Spain Mona Kuhn: Kings Road, Lianzhou Museum of Photography, China 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII...

Signed large scale photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large format camera to allow epic scale print sizes with incredible image details Marmo di Carrara...

An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Le Soldat Du Chene, An Osage ...

Brian Sindler was born in Chicago in 1957. He received a bachelor of arts from Columbia College in Columbia, Missouri. Working as a musician for years, he did not take up art until h...

Lynette Cook’s shadow-centric urban scenes — executed using exceptional concentration, patience, and skill — pay homage and provide clues to the individual lives of those who inhabit...

Artist: Rafael Bogarin – Venezuelan (1946- ) Title: Jupiter 4 Year: 1980 Medium: Screen Print Sight size: 19.5 x 25.5 inches. Sheet size: 22.5 x 28.5 inches. Signature: Signed lower right Edition: 295 This one: 116/295 Condition: Excellent Unframed This exceptional geometric abstract serigraph is by the noted Venezuelan artist Rafael Bogarin (1946- ). This is Jupiter 4. I have others from the series, also for sale. The print has never been framed and is in excellent condition. It measures 22.5" x 28.5". Rafael Bogarin is an established contemporary Venezuelan artist known for his abstract serigraphs. Bogarin was born in 1946, in El Tigre, where he grew up making his own toys and learning to draw. He studied in Caracas at the Cristobal Rojas School of Fine Arts, specializing in lithography and etching. From 1970 to 1992, Bogarin, like so many artists, lived in New York. As he explored various techniques, he became an expert in serigraphs, earning himself acclaim in Latin America as a pioneer. In South America he traveled the continent giving classes and learning about native cultures. When he returned to the land of his youth, he was inspired to create the concept of the entire world in the Museo Vial in El Tigre in 1982. Later he made others along the route between Colombia and Venezuela. Recently he has been creating and realizing ideas like the Museo de Murales a Cielo Abierto (Museum of Murals to the Open Sky). Detailed biographical information (source: artist's website): Rafael Bogarín was born in El Tigre, Anzoátegui state, Venezuela, on January 20, 1946. He studied at the Cristóbal Rojas School, which he finished in 1966; Among his teachers are Luis Guevara Moreno, Pedro León Zapata, Luisa Palacios and Luis Chacón. Upon returning from school he founded the Zapato Roto group with other artists, with the aim of taking art to the streets. In 1966 he directed the outdoor exhibitions of the Venezuelan American Center, and two years later he participated in the XXVIII Official Salon, where he received the Rome Prize. During that time he ordered elements such as nuts and serrated blades in relation to discs engraved with burin and other techniques, and made the final impression in planes of one color. In 1970 he received a scholarship and traveled to New York; He studies at the Pratt Graphic Center and the Blackburn Printmaking Workshop. In 1973 he founded, together with Manuel Kohn, the Bogarín Printmaking Workshop, a workplace for Venezuelan artists living in the United States; This workshop, of which he has been master printer, allowed continuity to his artistic work. Bogarín investigates the possibilities of super eight cinema and makes films with quality similar to commercial formats; From these experiences emerge The Lonely World (1975) and New World Symphony (1976). In 1977 he deepened his study of color with The New Color, a portfolio where he produced superimposed colors through transparencies and glazes. His teaching experience includes courses at the Rafael Monasterios School of Plastic Arts in Maracay (1969-1970), Ceagraf (1979), as well as workshops in various cities around the world. In 1980 he made an exhibition of silkscreen prints in cities in Italy, El Salvador, Colombia, Mexico and the United States. That year he resumed his interest in outdoor exhibitions with a museum project with murals by 30 artists for El Tigre (Venezuela); The Rafael Bogarín Road Museum was inaugurated in 1982 and brought together 30 murals on 2 x 4 meter fences, by artists such as Mario Toral, Édgar Sánchez and Paul Davis. He carried out the project to recover the architectural spaces of El Tigre (Venezuela), through murals, sculptures, plazas and humanized spaces. In 2006 he painted the largest painted flag in the world in El Tigre, Venezuela. Bogarín has exhibited his work on all 5 continents and currently lives and works in Panama City in his private workshop and in the Articruz workshop. Individual exhibitions Ø 1966. Gallery of the Medical College. Caracas Venezuela. Ø 1966. Venezuelan American Center. Caracas Venezuela. Ø 1970. Protobello Gallery. Caracas Venezuela. Ø 1977. First National Bank of Louisville. Luosville, Kentucky, USA. Ø 1978. Venezuela Gallery. New York City, USA. Ø 1979. Julián Marchena Room, Museum of Costa Rica. San Jose Costa Rica. Ø 1979. La Otra Banda Gallery. Merida, Venezuela. Ø 1980. Galeter Center. Adro, Italy. Ø 1980. Gallery of Modern Art. Santo Domingo Dominican Republic. Ø 1980. Jewish Community Center. Monmouth, New Jersey, USA. Ø 1980. Frank Fedele Fine Arts. New York City, USA. Ø 1980. El Túnel Gallery. Guatemala, Guatemala. Ø 1981. Garcés – Velásquez Gallery. Bogota Colombia. Ø 1982. Siete Siete Gallery. Caracas Venezuela. Ø 1984. Acquavella Gallery. Caracas Venezuela. Ø 1985. Cultural Center. Santa Cruz, Bolivia. Ø 1992. Sotage Gallery, Puerto La Cruz, Venezuela. Ø 2017. Arteconsult Gallery. Panama City, Panama. Awards Ø 1969. Rome Prize. XXIX Official Salon of Venezuelan Art, Museum of Fine Arts. Caracas Venezuela. Ø 1971. Honorable mention. First Young Artists' Salon. Maracay, Venezuela. Ø 1984. First prize, Salón Aragua. Maracay, Venezuela. Murals Ø 1974. Venezuelan Consulate. New York City, USA. Ø 1982. Creator of the First Road Museum in the World. El Tigre, Venezuela. Ø 1983. Road Museum. Roldanillo, Colombia. Ø 1984. Bicentennial Road Museum. Cucuta, Colombia. Ø 2000. Ceramic mural. Dairy, Venezuela. Group exhibitions Ø 1963 to 1966. Spiral Gallery. Caracas Venezuela. Ø 1966. El Pez Dorado Gallery. Caracas Venezuela. Ø 1966. “Zapato Roto” Festival. Caracas Venezuela. Ø 1967. D´Empaire Hall. Maracaibo Venezuela. Ø 1970. Drawings and engravings room. Central University of Venezuela. Caracas Venezuela. Ø 1966 and 1971. Arturo Michelena Hall. Valencia, Venezuela. Ø 1966 to 1968. Annual Venezuelan Art Salon. Museum of Fine Arts. Caracas Venezuela. Ø 1968. Luis Ángel Arango Library. Bogota Colombia. Ø 1969. Tertulia Room. Cali, Colombia. Ø 1969. Lunn Gallery. Washington, DC, USA. Ø 1969. Gallery of Visual Arts. Maracay, Venezuela. Ø 1970. Venezuelan Cultural Week. Miami and Jamaica. Ø 1972. Two Rivers Gallery. Binghampton, New York City, USA. Ø 1972. Moos Gallery. Montreal, Canada. Ø 1973. Spoleto Festival. Italy. Ø 1974. Young Artists, Union Carbide Building. New York City, USA. Ø 1975. Government of Caracas. Caracas Venezuela. Ø 1975. Graphic VII, Mendoza Gallery. Caracas Venezuela. Ø 1976. Brooke Alexander Gallery. New York City, USA. Ø 1977. Denise Rene Gallery. New York City, USA. Ø 1978. Sam Flax...

On offer is a traditional Russian Orthodox icon known as "Joy of All Who Sorrow.” It’s a highly venerated image of Mary that emerged in the late 17th century and remained revered thr...

This artwork "Landscape" c.1980, is an oil painting on canvas by noted California artist Bill Shaddix, b.1930. It is signed at the lower left corner. The ...

Alejandro Rubio Ladders, 2020-2024 Oil on canvas 20 x 16 inches This one-of-a-kind oil painting on canvas is stretched across wooden stretcher bars.

This artwork "Landscape" c.1980 is an original color lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand signed and numbered 168/200 in pencil by the...

This early 19th century etching entitled "Veduta di Piazza Navona sopra le rovine del Circo" was created by Jean Barbault (1718-1762) after a painting by...

This vibrant abstract work is by Gustavo Ramos Rivera (1940-) The work is a mixed media composition on paper. It measures 20.5 x 26.5 inches. It is mounted on heavy matboard that measures 26 x 33 inches. There are various techniques and materials employed in the creation of this painting. Collage, drawing, painting with oil paint, pastel crayon cardboard and other materials that I cannot identify. The painting is in very good condition. The matboard mounting has a bit of time stain on the edges. It is not presently framed. Gustavo Ramos Rivera was born in Ciudad Acuna, Mexico in 1940, and immigrated to the United States in 1969. He has lived and worked in San Francisco for over 40 years. Ramos Rivera’s work is in the permanent collections of prominent institutions including the Fine Arts Museum of San Francisco, The Mexican Museum in San Francisco and The Nevada Museum of Art. In 2006, the San Jose Museum of Art presented a retrospective exhibition of the artist’s work, which then traveled to additional institutions in California and Mexico. Through his use of color and a personal symbology, Ramos Rivera has created a language that is written throughout his paintings, monotypes, and collages. This singular expression functions on both an intellectual and emotional level and its deployment is reminiscent of the work of Paul Klee, Joan Miró, and Cy Twombly.(1) It also harkens back to the pre-Columbian Mesoamerican art...

18th century style, “Young aristocrat with pet dog”. The work is a modern copy of a portrait of Pierre Van Cortlandt, first lord of Van Cortlandt manor in NY. ...

On offer is a framed example of the renowned textile art originated by the indigenous Otomi people of Hidalgo, Mexico, particularly from the municipality of Tenango de Doria. A story...

There is something captivating about a night scene, when all are asleep, glowing in full moonlight. On offer is a nocturne, as such works are called, of a 19th-century serene rural s...

This is an original John James Audubon hand-colored royal octavo lithograph entitled "Prairie Wolf", No. 15, Plate LXXI, 71 from Audubon's "Quadrupeds of North America". It was drawn...

This artwork "Woman with Cityscape" c.2010, is a watercolor on paper by noted Israeli artist Patricia Govezensky, b.1961. It is signed at the lower...

Artist: David Fox (American, 1920-2011) Title: Geometric Figure #21 Year: 2003 Medium: Acrylic on paper Paper: Watercolor paper Image size: 10 x 8...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Common Scaup Duck, 1. Male, 2. Female", No. 100, Plate 498 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia in 1856. It depicts male and female Scaup ducks sitting on a mound, looking to the right at water. A lighthouse is seen on a point of land in the background on the right. This original hand-colored Common Scaup Duck lithograph...

Alvar Sunol Pencil Signed Lithograph C.1970s Three women around a table Dimensions 21.5" wide x 12.5" high The frame measures 32.75" wide x...

Nadezda's "Garden Wind" (2025) is a beautiful handmade oil painting on panel. Part of her 2026 solo exhibition "She is Garden", this piece depicts a portrait of a woman in a cocktail...

Elizabeth Geisler is best known for her dazzling contemporary water reflection paintings that bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet...

large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christ...

Framed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large format camera to allow epic scale print sizes with incredible image details Marmo di Carrara...

Wallace Nutting Antique Hand Colored Photograph Photo dimensions 75" wide x 9.5" high The frame measures 14" wide x 18" high The pho...

This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...

This is an original 19th century duotone lithograph entitled "Portico of the Temple of Kalabshi" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publis...

It’s the hopeful, intelligent expression that grabs you. Especially in a boy framed by the evidence of abject poverty. How long can he endure? The artist, Roy Little, was described a...

This artwork titled "Arch of Septimius, Rome" 1923, is a color etching and aquatint on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by t...

This artwork titled "Meditation" c.2000 is an oil painting on canvas by Italian/American artist Karl Gasser, 1948-2017. It is signed at the lower right corner by the artist. The size...

California Dusk by Frank Schott from a series of photographs capturing the Golden State's vast desert landscapes 27 x 40 inches / 68cm x 102cm edition of 25 signed 48 x 72 inches...

It’s such a “Great Gatsby” thing, owning the 100-foot-plus motor yacht, especially when proudly sporting on the bow a distinctive burgee representing membership in an exclusive yacht...

large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag Marshall by Frank Schott 48 x 75 inches (122 x 191cm) edition of 7 signed 25 x 40 inches (64 x 102cm) edition of 25 signed archival fine art pigment print signed & numbered by artist on certificate label Frank Schott was born in Germany where he spends nights shooting the great bands and musicians of the 80s, while attending the Academy of Arts in Cologne under Professor Arno Jansen. His early photography work focuses on beauty and fashion, later evolving to include conceptual landscapes and large scale environments, while never losing the eye for details. In 1998 Frank moves to California. He draws inspiration from the epic landscapes and distinct architecture of the American West as much as from his travels abroad. Edition EKTAlux offers an evolving curated selection of collectable large-scale photography in strictly limited editions, while working closely with each artist to guarantee state-of-the-art museum level print and framing quality. Custom / larger print sizes available on request Images can be printed with white border [ 2" L prints & 4" XL prints...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

A steep path in the woods curves upward with the distant pines at the top disappearing into morning fog and the leafy trees in the foreground bright and sharp. These are the foggy wo...

Donna McGinnis’ abstract paintings are composed freely, without concrete ideas of what they will ultimately be. As an intuitive painter, McGinnis’s paintings come into being without ...

'Cinnabar' is a contemporary cast glass sculpture by David Ruth from the Chill Project Series. The series is one of David's first explorations in casting natural forms in natural gla...

This artwork titled "Yosemite" 1952, is an oil painting on board by noted California artist Jean Martin (Eugenia Victoria Weir Martin) 1906-1986. It is signed at the lower right corner by the artist. The artwork (board) size is 16 x 20 inches, framed size is 24.25 x 28.25 inches. Framed in original wooden gold with grey patina frame, with fabric liner. It is in excellent condition. About the artist: Eugenia "Jean" Victoria Weir Martin 1906-1986 San Diego, California Landscapes, Seascapes artist Eugenia Victoria Weir Martin was a painter and art instructor in Southern California. She was born in Tennessee on March 7, 1906. "Jean", as she was called, was brought to La Jolla, California as a small child by her parents, and remained in that area the rest of her life. Her Father was a businessman in the early stages of the development of La Jolla. He operated a General Store in the early village. They resided in "Windemere", which is now the home of the La Jolla Historical Society. At the age of 10 she studied art with a Mrs. Fletcher, an artist in residence at the 1916 California Exposition in Balboa Park. She also studied at the San Diego Academy of Fine Arts. Early in her career she also studied with Maurice Braun, Alfred Mitchell, Edward Langley...

Featured is a color lithograph by Alvar. Created circa 1970 and numbered 207/225 in pencil by the artist, it is also hand signed by the artist. The artwork features a beautiful contr...

'Altair' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. David fused various colored glass to create a layered, suspended, and vibrant ...

Much about this late 19th-century painting remains a mystery, including the name of the artist who only left their identity in a single-letter monogram. But the work's moody embrace ...

large format photograph of a sea of green sun umbrellas and yellow-green striped sun chairs, a Mediterranean pre-summer season study of Italian beach clubs in the iconic coastal resort town of Forte dei Marmi, Italy FORTE DEI MARMI by Frank Schott 48 x 72 inches / 122cm x 183cm edition of 7 signed 26.5 x 40 inches / 67cm x 102cm edition of 25 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, Ed Rusha...

"St. Jean D'Acre" is a 19th century folio sized hand-colored lithograph from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition,...

Victor Vasarely Majus II, 1974 is a screenprint on polyester on metal that is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) in pen and ink the lower right margin and...

This is a hand-colored folio-sized lithograph entitled "Nycticorax Griseus" (Night-Heron) by John Gould from his monograph "The Birds of Great Britain...