Bay Area - Art

This artwork titled "Seven Deadly Sins, Thou Shalt Not" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 124/150 in pen...

This artwork "l'Entree du Port, Netherland" c. 1930 is an original color aquatint on wove paper by French/Armenian artist Heran Chaban, 1887-1939. It is h...

Alexander Aizenshtat is considered the founder of a new art movement called metaphysical expressionism. This painting can be described as a metaphysical exploration of perception, in...

From Mona Kuhn's abstract series Folds in Time (2026), a series of monochromatic studies capturing the tactile interplay of light and shadow on reflective materials. The interplay o...

A 1920s Detroit-based company baseball team gathered for this photo. The Sewell Cushion Wheel Company’s players wear uniform shirts bearing the timeless term “All Cush,” (frankly, wo...

This early 1970s photograph, taken by society photographer Slim Aarons, features former fashion model Helen Dzo Dzo Kaptur (in white lace), Nelda Linsk (in yellow), wife of art deale...

This early 1970s photograph, captured by society photographer Slim Aarons, features former fashion model Helen Dzo Dzo Kaptur (in white lace), Nelda Linsk (in yellow), wife of art de...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O lll by Eri...

This artwork titled "Bird Form" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sutherl...

An iconic image. Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As an authorized Getty Images...

Fred Kenknight Vintage 1960s "Midday Sun" Abstract Oil Painting Fantastic vintage oil painting signed by Fred Kenknight. Though untitled, we are call...

This is a ‘dancing peacock Japanese maple’ (Acer Japonicum Aconitifolium) also known as ‘Maiku-jaku' in Japanese. Its massive leaves have nine points instead of 5. They can be as b...

'Geraniums' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Intern...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a paint...

Oil painting by Willard Dixon featuring figures enjoying an evening at a beach. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coas...

This artwork titled "Rabbit Series #3" 1980, is an original mezzotint with embossing by noted Hungarian artist Radovan Kragulj, b.1935. It is hand signed, dated, titled and inscribed A.P. (Artist Proof) in pencil by the artist. The sheet size is 25.5 x 19.5 inches, framed size is 26.75 x 20.75 inches. It is custom framed in a silver metal frame, with white backing. It is in excellent condition. About the artist: Radovan Kraguly...

Willard Dixon is celebrated for contemporary landscapes that offer viewers a place of quiet reflection. Known for his luminous depictions of the American West, he captures space, lig...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...

Locked in an embrace, two of the three primary colors set against a yellow background might represent the contentment of enduring intimacy, or the grip technology has on all of us, o...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

This early-1980s photograph, taken by society photographer Slim Aarons, features an aerial view of a parasols shading customers at cafes and restaurants in the Piazza Umberto, on the...

Internationally acclaimed watercolorist Gary Bukovnik has devoted his career to celebrating the beauty, abundance, and vitality of the natural world. Renowned for his exuberant flora...

This artwork titled "Baden Baden, Casino" 1988 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered 261/375 in pencil by the artist. The image size is 36 x 42 inches, sheet size is 42 x 48 inches. With the blind stamp of the printer Styria Studio at the lower left corner margin. It is in excellent condition, three small pieces of hanging tape remain on the back. About the artist: Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival. Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes. Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions. When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union. In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars. Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care. Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out." His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995. LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather. He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess. As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid." After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war. On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s. When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint. While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine. In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician. Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation. In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter. Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world. "Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962. Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him. A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters. Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS. Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne Farrell...

This artwork titled "El Esforzado Rendon Picando un Toro, De Cuya Suerte Murio en la Plaza de Madrid" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravur...

This is a hand-colored copperplate engraving entitled "Tulipa viridiscoloris, Fritillaria iuncifolns, Allium Vrsinum" depicting flowering tulip, fritillary and wild garlic plants fro...

Hand printed photograph. Printed 2007 Edition 2/40 Excellent condition

An homage to Caspar David Friedrich, towering thunder clouds over the Pacific Ocean, from a series of dramatic cloud atlas observations and abstract skyscapes above the winter sea, c...

Armando Villagran (Mexican, 1945-1995) Untitled (Figure with Animal), 1991 Oil on canvas, signed and dated lower right Canvas: 55"h x 43.5"w, overall (with frame): 56"h x 44"w Born ...

Hand printed by artist. Signed in pencil lower right Signed, titled, dated on verso. Edition 15 The 15x19" is Edition 45 Printed in 2023 with signature and title on verso. Mint Cond...

There’s an instant in a competitive horse race—whether it’s at Churchill Downs, Del Mar, Santa Anita Park, Saratoga or Belmont—of the utmost ferocity. That’s when the riders are jamm...

Donald Judd (American 1928-1994) Untitled, 1978-79. Aquatint on etching paper Signed and numbered 18/175 in pencil (there were also 15 artist's proofs) Published by the artist, with ...

This artwork titled "MayDay Flag" 2010, is an original colors screen print on cream, Speckletone fine art paper. by noted American artist Shepard Fairey, b.1970. It is hand signed, d...

Late 19th Century Italian School Oil Painting Bread and daily work of the people Original oil painting over relined canvas Canvas dimensions approximately 12" x 16" Frame dimensi...

a highly detailed still life photograph of the king of pop's iconic sequin and rhinestone crystal glove Black Glove (Michael Jackson) by Tom Schierlitz...

large scale photograph morphing into a mesmerizing abstract tapestry, a highly detailed aerial photograph, on closer observation morphing into an abstract pictorial tapestry of deser...

This lithographic colored advertising poster entitled "Tom Sawyer Detective, A New Story by Mark Twain" was created by Edward Penfield in 1897 for Harper & Brothers. The artist's signature appears in the plate in the lower left. The poster depicts a man in a long black bathing suit sitting with his knees up, aimlessly smoking a cigarette, but looking out of the corner of his eyes at a woman in a olive green dress and tan blouse and a black hat, who sits to his left with her head propped in her left hand and a bored or concerned look on her face. The look on the faces of the couple creates an air of mystery. The title of the book is printed in red in the upper left and the issue "Harper's August" in bold letters in the lower poster. The poster promotes a new book by Mark Twain that was published initially in two issues of Harper's Monthly and also in book form by Harper & Brothers in 1896. It is a sequel to "The Adventures of Tom Sawyer", published in 1876, "The Adventures of Huckleberry Finn", published in 1884, and "Tom Sawyer Abroad", also published in 1894. The plot of the book involves Tom Sawyer attempting to solve a mysterious murder. The story is told using the first-person narrative voice of his friend Huck Finn...

Contemporary 'Storm Source' depicts severe weather at the center of a storm. An intense and electrically radiant sky, ocean, sunset painting from American Realist, Willard Dixon. The unique sky-scape is a birds-eye view to the dramatic and unfolding scene. Framed in dark ebony wood, and ready to hang and enjoy. The original painting is 58 x 60 inches. Signed and dated by the artist. Condition is excellelnt. One of our finest American contemporary realist painters, Willard Dixon has painted Northern California and western landscapes for over 35 years. His work captures the undeniable beauty of the West with its grand and humble spirit. The same sensitivity can be found in Dixon’s urban street scenes that offer viewers a resting place to contemplate our rapidly changing world, and his portraiture, which largely focuses on his artist friends and illustrious colleagues. Willard Dixon’s art has been shown extensively in San Francisco, Los Angeles, and New York, He has had over 40 one-man shows and numerous group shows. His work is in the collections of The Metropolitan Museum of Art in NY, The SFMOMA, and the Oakland Museum of California Art. He has executed large-scale commissions for The California Supreme Court, The Oakland Museum and The Las Vegas Federal Courthouse. He received an NEA Fellowship Grant in 1989. In 2013, one of his portraits was included in The Outwin Boochever Portrait Competition, at the National Portrait Gallery in Washington, DC. Dixon’s works are included in prominent private and museum collections worldwide. Born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish...

Alejandro Rubio Transition, 2024 Acrylic on canvas 60 x 60 inches This one-of-a-kind acrylic painting on canvas is stretched across wooden stretcher bars.

William DeKoornbolt "Wonton Malice" Original Mixed Media Abstract Painting c.1981 Fine mixed media abstract painting by noted artist William DeKoo...

The pale gray-green of this monotype calls to mind the celadon glaze of Japanese pottery. Each was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along th...

This late-1960s photograph, taken by society photographer Slim Aarons, features holidaymakers in France in August 1969. This is an estate-stamped and hand-numbered edition of 150 wi...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief ",...

A scene from an early hike in the woods when the rising sun was backlighting the trees. The native California madrone tree has such beautifully twisted and bending branches while its...

We might share with you the biography of Texas-born Steven Seymour Thomas (1868-1956), but it would take pages. Consider his precocious talent, which catapulted him to fame in New Yo...

This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...

This is an original 19th century 1st octavo edition hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. For this portrait, Hoo-Wan-Ne-Ka appeared in the costume that he wore at the time of his address to Congress. McKenney described his costume as "...fantastic style, and clad in these wild and picturesque habiliments". This included a single feather and a comb in his hair, two metallic bands on each arm, a large medallion over his abdomen, a silver necklace and his presidential peace medal...

First of all, it’s not from Renaissance Italy, and certainly not by Leonardo. The artist is likely Cehaku Okamoto (Japanese/American, 20th Century). And this painting should be title...

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. The iconic Monterey cypress trees can be found all up and down the coast ...

This is an original 19th century duotone lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, ...

Early evening light bathes a sailing boat in Northern California's Tomales Bay with rolling foothills in the distance, in this serene and calming painting ...

large-scale framed original art photography from a series of mesmerizing cloud atlas observations and abstract skyscapes above the horizon line of the Medi...

Created in the mid 1970s by California artist Raymond Howell (1927–2002), “Chinese Dim Sum Feast,” depicts diners being served in a Chinese restaurant, ...

A tranquil oil painting featuring an early evening sunset with people strolling on the main beach in Carmel in front of a majestic sky from Willard Dixon, who is one of the finest American contemporary realist painters today. Dixon has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The painting, with its atmospheric light and calm color palette in natural sky blue and setting sun warm red to purple, is contemporary and serene. The colors are reminiscent of Rothko as they shift in natural bands. Looking at this painting is like looking through a window to a lovely moment as the close of a day. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art and his work is collected Internationally. Artist signed and dated. A classic Dixon that will sure to bring those who view it a life time of pleasure. Carmel Beach, 18 x 53 inches. Oil on canvas, and traditionally framed in contemporary, minimal oak floater frame. The artist was born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015: REAL with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014: Stillness and Activity / A father and daughter exhibition, Gallerie Citi, Burlingame, CA. 2013: Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012: Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011: California: A Landscape of Dreams/ Fresno Art Museum 2010: Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009: On Beauty /I. Wolk Gallery, St. Helena, CA. 2008: At Water’s Edge / I. Wolk Gallery, St. Helena, CA. 2007: San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006: Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005: 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002: H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001: Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000: Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999: Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999: What is Art For? What are Museums For? What are You For? curated Curated for the Oakland Museum by William T. Wiley & Mary Hull Webster, Oakland, CA 1998: Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997: 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996: Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996: Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996: New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995: Facing Eden: 100 Years of Landscape Art in the Bay Area / De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein Gallery, Birmingham, MI 1994: Still Life/ Fischbach Gallery, New York City, NY New Bay Area Painting/ Contemporary Realist Gallery, S.F., CA A Room with a View/ The North Point Gallery, S.F., CA 1993: Bay Area Painting/ Contemporary Realist Gallery, S.F., CA Vanishing Point: A Look at Contemporary Landscape Painting”, Bedford Gallery, Walnut Creek, CA Tribute/ William Sawyer Gallery, S.F., CA Revolution: Into the 2nd Century at the San Francisco Art Institute, One Market Plaza, S.F., CA Contemporary Realism: Central and Northern California Landscapes/ Monterey Museum of Art, Monterey, CA The Artist as Native: Reinventing Regionalism/ a traveling exhibition curated by Alan Gussow and Babcock Galleries, N.Y., NY 1992: A Day in the Country, California Landscape Painting / I. Wolk Gallery, St. Helena, CA West Art and the Law/ Weat Publishing Co., St. Paul, MN(traveling ex.) The New York Academy of Art, New York, NY In Support of Contemporary Bay Area Artists / One Market Plaza, S.F., CA 1991: The Landscape in 20th-Century American Art: Selections from the Metropolitan Museum of Art/ New York, NY, National Traveling Exhibit 1990: Contemporary Landscapes/ 21st Anniversary Exhibition Tortue Gallery, Los Angeles, CA. 1990: New Bay Area Painting Contemporary Realist Gallery, S.F., CA 1989: The Modern Pastoral/ Robert Scholekopf Gallery, New York, NY 1988: Images of the Land/ William Sawyer Gallery, San Francisco, CA 1988: Ten Artists from the William Sawyer Gallery / Shasta College Gallery, Redding CA Works on Paper/ William Sawyer Gallery, San Francisco, CA 1987: The Contemporary American Landscape/ Swain Gallery, NJ 1986: Landscape, Seascape, Cityscape/ Contemporary Arts Center, New Orleans, LA 1985: The Bay Area Seen/ Bay Area Regionalists Show, Hall of Flowers, Golden Gate Park, San Francisco, CA Large Scale/ Harris Gallery, Houston, TX A City Collects/ Transamerica Pyramid, San Francisco, CA American Realism/ William Sawyer Gallery, San Francisco, CA 1984: San Francisco Bay Area Painting/ curated by George Neubert for the Sheldon Memorial Art Gallery, Lincoln, NE American Landscape Painting/ California State University, L.A. CA Western Landscape Painters/ The Museum of the West, Houston, TX The Urban Landscape / One Market Plaza, San Francisco, CA 1982: Collectors Gallery 16/ McNay Art Institute, San Antonio, TX Thirty Approaches to Realism/ William Sawyer Gallery, S.F., CA 1981: Views of California Past and Present/ Triton Museum, Santa Clara, CA Landscapes/ Harris Gallery, Houston, TX 110th Anniversary S.F. Art Institute Alumni Group Show/ William Sawyer Gallery, S.F., CA 1980: Realism/ Walnut Creek Civic Arts Gallery, Walnut Creek, CA 1979: Bay Area Artists Exhibition/Sale/ Oakland Museum, Oakland, CA Omnium Gatherum/ Tortue Gallery, Los Angeles, CA California Viewpoints/ Sunne Savage Gallery, Boston, MA 1978: New Work/ Mills College Art Gallery, Oakland, CA Images of the Land/ William Sawyer Gallery, S.F., CA 1977: Contemporary California Artists/ Marshall-Meyers Gallery Alternative to the Whitney Annual/ James Yu Gallery, N. Y, N.Y. San Francisco Art Festival/ ( Airport Competition Purchase Prize) 1977: Eight Young Americans/ Montclair Museum of Art, Montclair,NJ 1976: Three From California/ Francine Sedars Gallery, Seattle, WA Faculty Show/ California College of Arts and Crafts, Oakland, CA 1975: Realism in Painting and Ceramics/ Helen Euphrat Gallery, De Anza College, Cupertino, CA 1975: A Tribute to the Art Institute/ Hansen Fuller Gallery, S.F., CA California Artists/ Utah Museum of Fine Art, Salt Lake City, UT 1974: Our Land, Our Sky, Our Water/ by Alfred Frankenstein Expo 74, Spokane, WA A Sense of Place/ curated by Alan Gussow for the Joslyn Museum, Omaha, NE The Discovery Gallery, Montclair, N.J. 1973: College of Marin Gallery, Kentfield, CA California Artists/ Kaiser Center, Oakland, CA 1972: Visiting Artists/ California State University, Hayward, CA 1970: Drawing Invitational/ Emanuel Walter Gallery, San Francisco Art Institute, S.F., CA 1970: San Francisco Art Institute Centennial Exhibition, San Francisco Museum of Modern Art, S.F., CA 1967: Society for the Encouragement of Contemporary Art Annual, San Francisco Museum of Modern Art, S.F., CA 1966: California Landscape Painters/ San Francisco Art Institute, S.F. CA. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank, NY Swissre Corporation, NY The Insurance Company of North America First National Bank of Midland, Texas Commerce Bank AMA Headquarters, Washington, DC Hughes Tool, Houston, TX ATT, NY Morgan Stanley Dean Witter, San Francisco, CA IBM Corporation, San Jose, CA Northern Trust Company, Chicago, IL Smith Kline and French Corp., Philadelphia, PA Wells Fargo Bank, San Francisco, CA Republic National Bank Chevron Trammel Crow Company, Dallas, CA U.S. Insurance Group, N.J. Southwestern Bell Corp., MO Union Bank Pacific Bell United States Trust Company, NY The United Bank of Denver, CO Cigna Corp., Philadelphia, PA Atlantic Richfield Corp., Los Angeles, CA Show, Pittman, Pots and Trobridge, Washington, DC San Francisco Zen Center Hughes Aircraft Co. Los Angeles, CA Minnesota Mining and Manufacturing (3M), St. Paul, MN Bank of America, NY Commerce Bancshares, Inc., Kansas City,MO Robinson Humphrey/American Express, Atlanta, GA Merrill Lynch, San Francisco, CA Goldman Sachs, NY Metropolitan Life Insurance Co., NY Victoria Bank and Trust, Victoria, TX NYNEX, NY Coca Cola, U.S.A., Atlanta, GA TransAmerica Corporation Pacific Telesis Group Brobeck, Phleger, & Harrison Exxon Corporation U.S. Trust Selected Private Collections Estate of Ahmet Ertegun, New York, NY Mr. Harrison Ford, Los Angeles, CA Estate of Irving Lazarr, Los Angeles, Ca Mr. and Mrs. Leonard Holzer, New York, NY Mr. and Mrs. Peter Asher, Los Angeles, CA Mr. John Irvin, London, England Ms. Joan Didion, New York , NY Ms. Sabrina Guinness, London, Eng. Mr. and Mrs. Austin Hills, San Francisco, CA Mr. and Mrs. Peter Duchin Ms. Linda Ronstadt Ms. Faye Dunaway Mr . Peter Morton Mrs H.J. Heinze, New York, NY Mr. Rupert Lowenstein Mr. and Mrs. Robert Emery, San Francisco, CA Mr. Earl Mc Grath, New York, NY Mr. Nat Weiss, New York, NY Mr. Luca Barilla Mr. Bruce Schnietzer, New York, NY Dr. and Mrs. Robert Carroll, New York, NY Mrs. Nicholas Boyd, San Francisco, CA Mr. and Mrs. Robert Green, San Francisco, CA Mr. Chappy Morris, New York, NY Ms. Carla Kirkeby, Los Angeles, CA Mr. and Mrs. Elliot Caplow, Los Angeles, CA Mr. and Mrs. Robert Meyerowitz, New York, N.Y. Mr. and Mrs. Steven Gilsendaine Mrs. Caroline Cushing Graham, Los Angeles, CA Mr. Michael Nesmith, Los Angeles, CA Mr. Griffen Dunne, New York, N.Y. Mr. and Mrs. Paul A. Erskine, Pasadena, CA Mr. N.J. Friedman, Hillsborough, CA Mr. Harold Hollingsworth...

Signed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large format camera to allow epic scale print sizes with incredible image details Marmo di Carrara...

In this work by Laurie Barmore, the artist's hand is exceedingly present. Using strong strokes of black creates its own essences of form atop washes of whites, yellow and rust. Spill...

Artist: Marc Chagall (Russian/French) (1887-1985) Title: Lovers with Bouquet, Front Cover of Chagall Lithographe vol 1 Date: 1960 Medium: Color Lithograph Sheet size: 12 7/8 x 10 ¾ i...

Philip Pearlstein (1924-2022) View Over Soho, Lower Manhattan, 1977 Aquatint in colors on wove paper Edition 7/41 Signed, editioned and titled in pencil lower left Printed by the Orl...

'Thin Dahlias' - unframed by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Internationally exhibited and celebrated worldwide, Bukovnik’s iconic works express a spiritual exultation - a joie de vivre - a vivid celebration of beauty. The painting captures the season of nature’s rebirth when the world awakes from its winter repose — Forever Spring...

This artwork "Clown with Balloons" c.1980 is an oil painting on canvas by American artist Chuck Oberstein, 1935-2002. It is signed at the lower left co...