Berkshires - Art

"Cheetah (black & white)," Amir Akhavan, 2017 Silkscreen and iridescence on 290 gram Coventry Rag paper Dimensions: 25" x 19.25" Signed and numbered by the Artist in pencil An editio...

Eric Sloane American, 1905-1985 New England Landscape with Barn Oil on panel 22 by 30 in, w/ frame 30 ½ by 39 in Signed lower right Eric Sloane was born, Everard Jean Hinrichs, on ...

Louis Kronberg American, 1872-1965 Girl with a Green Parrot Oil on Canvas 19 ¾ by 23 ¾ in, w/ frame 24 ½ by 28 ½ in Signed Louis Kronberg 1907 upper right Louis Kronberg, a popular...

George Laurence Nelson American, 1887-1978 Spring Landscape Oil on canvas 20 ⅛ by 24 ⅛ in, w/ frame 28 by 32 in Signed and dated 1912 lower right George Laurence Nelson was born in...

oil on canvas

Alfred Nathaniel Oppenheim German, 1873-1953 Park Terrace in St. Cloud Oil on board 12 ¾ by 16 ¼ in, w/ frame 19 by 22 ½ in Signed and dated 1908

Gaston Sebire French, 1920-2001 French Beach Scene Oil on canvas 25 ⅝ by 32 in, w/ frame 35 ½ by 42 in Signed lower right Gaston Sebire was born A...

Harry A. Neyland American, 1877-1958 Rocks on the Shore Oil on canvas 26 by 32 in, w/ frame 34 ½ by 40 ½ in Signed lower left Harry A. Neyland — painter, sculptor, illustrator, and...

Otto Eichinger Austrian, 1922 – 2004 Still Life with Peaches Oil on panel 10 ¼ by 12 ¾ in, w/ frame 17 ¼ by 19 ¾ in Signed lower right Otto Eichinger was born in 1922 in Vienna, Au...

Silkscreen in 9 colors on 320 gram Coventry Rag Dimensions: 29" x 29" Signed by the Artists in pencil An edition of 75 John “CRASH” Matos and Eric Orr met for the first time as high school students. Although the exact location is unclear, both agree that it would have been at either Fashion Moda or the Writers’ Bench at 149th Street and Grand Concourse. Founded by Stefan Eins in 1978, Fashion Moda began as a “cultural concept” whose principles revolved around the fact that art can be made by anyone, anywhere and art should be accessible to anyone, anywhere. Located in the South Bronx, Fashion Moda embraced new talent and encouraged creative production across all mediums. The gallery has been credited as a major force behind the recognition of graffiti writing as an art form and it played a pivotal role in a community where Hip Hop was rapidly emerging. CRASH was only 19 years old when he curated “Graffiti Art Success for America” at Fashion Moda and his varied experiences at the gallery would later inspire his founding of WALLWORKS. The 149th Street Writers’ Bench, located at the back of the uptown...

Paul-Emile Pissarro French, 1884-1972 Le Vieux Saule au Bond de l’Orne Oil on canvas 21 ¾ by 25 ¾ in, w/ frame 30 ½ by 34 ½ in Signed lower left Paul-Emile Pissarro was born in Era...

Richard Hayley Lever American, 1876-1958 Between the Red Rocks Oil on Canvas 20 ¼ by 24 ¼ in, w/ frame 28 ½ by 33 in Signed Hayley Lever lower right Richard Hayley Lever was born o...

oil, neon paint, & pastel on paper

Silkscreen and diamond dust on canvas Dimensions: 22" x 30" An edition of 25 Signed and numbered by the Artist Bob Gruen is one of the most well-known and respected photographers in Rock and Roll. By the mid 1970's he was already regarded as one of the foremost documenters of the scene working with major artists such as John Lennon and Yoko Ono, Tina Turner, The Rolling Stones, Led Zeppelin, Elton John, Kiss and others, also covering the emerging New Wave and Punk bands including The New York...

Guy Carleton Wiggins American, 1883-1962 Winter’s Day at the Plaza Oil on canvas 24 by 36 in, w/ frame 30 ⅜ by 42 ⅛ in Signed lower right, dated 1957 verso Guy Carleton Wiggins ado...

Dietz Edzard German, 1893-1963 The Bar Oil on panel 27 ½ by 42 ¾ in, w/ frame 33 ¼ by 48 ½ in Signed lower right Dietz Edzard was born in Bremen in 1893 Germany. He traveled extens...

Antoine Blanchard French, 1910-1988 Café de la Paix, L’Opera, Paris Oil on canvas 13 by 18 in. W/frame 19 by 24 in. Signed lower right Framed in a fi...

Antoine Blanchard French, 1910-1988 Flower Market, La Madeleine, Paris Oil on canvas 13 by 18 in. W/frame 19 by 24 in. Signed lower right Provenance: Catalda Fine Arts, Inc., New York Private Collection, New York Trinity House Paintings, London Private Collcetion, New York Alexander Avenard Collection Le Trianon...

Pal Fried, Hungarian/American, 1893-1976 Mona Lisa Oil on canvas 30 by 24 in.W/frame 38 by 32 in. Signed lower left Pal was born in Budapest and studied at the Hungarian Academie ...

Jean Salabet French, 20th Century Marche de Fleurs, La Madeleine Paris Jean Salabet was a School of Paris painter know for his colorful Parisia...

Yolande Ardissone French, b. 1927 The Lighthouse Oil on canvas 19 ¼ by 25 ⅛ in, w/ frame 28 ⅛ by 34 in Signed lower right Yolande Ardissone was born in Normandy in 1927, of an Ital...

Jean Salabet French, 20th Century La Place de L'Opera, Paris Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work is comparable to those of...

Jean Salabet French, Born 1900 Rainy Street in Winter Oil on canvas 10 ¾ by 13 ⅞ in, w/ frame 16 ½ by 19 ½ in Signed lower right Jean Salabet was a School of Paris painter known fo...

Louis Kronberg American, 1872-1965 La Premiere Danseuse Pastel on board 18 by 24 in, w/ frame 25 ½ by 31 ½ in Signed lower left Louis Kronberg, a popular portraitist of the early 2...

"ALL WAR IS IN BAD TASTE," Al Diaz, 2022 Silkscreen on 320 gram Coventry Rag paper Dimensions: 14" x 20" Signed and numbered by the Artist in pencil An edition of 50 Al Díaz’s career spans five decades. Born and raised Puerto Rican in New York City, by age 15 he was an influential first-generation subway graffiti artist known as “BOMB-ONE.” His friendship and artistic collaboration with high school schoolmate Jean-Michel Basquiat on SAMO, (a late 70s Avant-garde graffiti tag project) has been noted often in contemporary art history. Díaz later contributed percussion to numerous musical recordings and performances, including Basquiat’s historic 1983 record, “Beat Bop,” (considered to be one of the earliest hip-hop albums...

André Vignoles French, b. 1920 Still Life of Three Vases Full of Flowers Oil on canvas 32 ½ by 39 ½ in, w/ frame 39 ¾ by 47 ¼ in Signed lower left André Vignoles is a painter of st...

LOUIS GRANER Y ARRUFI (Spanish, 1863-1929) The Glow 1923 oil on canvas Signed & dated 23 lower left In a Fine Giltwood Carved Frame 33 by 25 ½ in. W/frame ...

Dietz Edzard German, 1893-1963 At the Masquerade Oil on canvas 25 ½ by 31 ¾ in, w/ frame 31 ¼ by 37 ½ in Signed lower right Dietz Edzard was born in Bremen in 1893 Germany. He trav...

Jean Salabet French, B. 1900 Le Grand Hotel, Paris ,1954 Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work i...

Louis Valtat French, 1869-1952 Portrait of Madame Susanne, the Artist’s Wife Oil on canvas 19 ⅝ by 25 ⅝ in, w/ frame 28 ½ by 34 ⅜ in Initialed lower left Louis Valtat was a French ...

Antoine Blanchard French, 1910-1988 Quai Du Louvre, Paris Oil on canvas 13 by 18 in, w/ frame 21 ¾ by 26 in Signed lower left Antoine Blanchard is the pseudonym under which the Fre...

Spatial Spiral Crawl ceramic sculpture by Michael Boroniec - ceramic, glaze Michael Boroniec’s “Spatial Spiral” series is an adventure in three dimensions and expands the concept of...

Antonio DeVity Italian, 1901-1993 L'Opera, Paris Oil on canvas 16 by 20 in. W/frame 20 by 24 in. Signed lower right Antonio De Vity was born in Reggio-Calbria in southern Italy. ...

Antoine Blanchard French, 1910-1988 Rainy Evening in Paris Oil on canvas 13 by 18 in, w/ frame 23 ⅞ by 27 ⅞ in Signed lower right Antoine Blanchard is the pseudonym under which the...

Andre Raffin French, 1927-2005 Les Fruits Oil on Canvas 18 in. by 22 in. W/frame 25 ½ in. by 29 ½ in. Signed & dated 61 lower left André Raffin was bor...

Frank Myers Boggs American, 1855-1926 Pont Neuf Oil on Canvas 21 ⅜ by 25 ½ in, w/ frame 27 ⅜ by 31 ¾ in Signed and dated 1896 At an early age, Frank Myers Boggs moved from Springfi...

Lucien-Hector Jonas French, 1880-1947 Canal View Oil on Canvas 21 ¼ by 29 in, w/ frame 32 ½ by 40 in Signed lower left Jonas was born in the town of Anzin in northern France. He fi...

Marcel Dyf French, 1899-1985 Djeuner Champtre Oil on canvas 23 ½ by 28 ¾ in. W/frame 31 ½ by 36 ¾ in. Signed lower left Marcel Dyf (Marcel Dreyfus) was born in Paris on October 7,...

Jean Salabet French, Born 1900 Night in Montmartre Oil on canvas 10 ⅝ by 13 ¾ in, w/ frame 15 ⅜ by 18 ⅜ in Signed lower left Jean Salabet was a School of Paris painter known for hi...

White spatial spiral "Arch II" ceramic sculpture by Michael Boroniec - ceramic, glaze Michael Boroniec’s “Spatial Spiral” series is an ...

Susan Ricker Knox American, 1874-1959 Lady in a Sun Hat Oil on canvas 28 by 36 in, w/ frame 36 by 44 in Signed upper left Susan was born in Portsmouth, New Hampshire, Susan Knox ex...

Ginette Rapp French, 1928-1998 Village on the Shore Oil on canvas 25 ½ by 32 in, w/ frame 33 by 40 in Signed lower left

Jules Rene Herve French, 1887-1981 Mother and Children Having a Picnic Oil on canvas 28 ¾ by 36 ¼ in, w/ frame 38 ¼ by 45 ½ in Signed lower right J.R. Herve, an impressionist of ou...

Joan Miro Spanish, 1893-1983 Affiche pour l'Exposition Miro-Artigas, 1963 Lithograph on Rives paper 33" x 22 1/4" W/frame 33 ¾ by 23 in. Pencil signed lower right from an edition of 174/200. Joan Miró Ferra was born April 20, 1893, in Barcelona Spain, the son of a goldsmith and watchmaker.  At the age of 14, he went to business school in Barcelona and also attended La Lonja's Escuela Superior de Artes Industriales in the same city.  Upon completing three years of art studies, and under pressure from his parents, he took a position as an accounting clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Galí's Escola d'Art in Barcelona from 1912 to 1915.  Miró's work before 1920 showed the latest artistic influences, including the bright colors of the Fauves* and the geometric forms of Cubism*. It was in Paris through the 1920s-1930s where, under the influence of Surrealist* poets and writers, Miró evolved his mature style.  His latest works drew on the Surrealist principles of memory, fantasy, and the irrational to create visual art.  Miró's works were also shaped by the flat, two-dimensionality of his native Catalan folk art, Spanish Romanesque...

Gabriel Godard French, Born 1933 Le Gouter Oil on canvas 36 by 29 in. W/frame 38 by 31 in. Signed lower right & dated 62 Gabriel Godard was born on April 28, 1933 in Delouze in Lo...

René-Xavier Prinet French, 1861-1946 La Plage de Cabourg Oil on canvas 18 by 31 in, w/ frame 25 ¼ by 38 ¾ in Signed lower right Coming from a family of notable Franche-Comté (Prinet notaries from Luxeuil-les-Bains), René-Xavier Prinet is the son of Henry Prinet (born in 1824), imperial prosecutor in Vitry -the-François, and the brother of Gaston Prinet, diplomat. Appointed to Paris, Henry Prinet lives with his family on rue Bonaparte just a stone's throw from the Ecole des Beaux - Arts, to which René - Xavier seemed destined. His father, an amateur painter (a Madonna with Child is kept in the church of Suaucourt, Haute-Saone), is willing that his son acquires an artistic training and he makes him receive the advice of the painter Louis Charles Timbal, strong employee for decorations of the churches of Paris. By his maternal grandmother, René-Xavier Prinet is related to the painters of the Court Hubert Drouais (1699-1767) and François-Hubert Drouais (1727-1775). Around 1880, he began his education as a painter by being admitted into the studio of the painter Jean-Léon Gérôme. He stayed with the master until 1885. He then became associated with the Frankish painters Georges and Lucien Griveau, Antonio de La Gandara, classmates at the Beaux-Arts, Louis-Auguste Giradot, Felix Desgranges and Jules-Alexis Muenier. At the same time, he studies at the Julian Academy. His picture Jesus Child is his first painting accepted at the Salon of French Artists in 1885. He exhibited at this Salon until 1889. At that time he became associated with a group of young painters called the Black Band : Lucien Simon, André Dauchez, René Ménard and Charles Cottet. He became a professor at the Beaux-Arts in Paris, where he created and directed the first workshop for women artists. In 1891, he received an order from the State for the decoration of the Palace of the Legion of Honor: The Four Seasons. His sketches are accepted. The same year, he exhibited in Paris at the Durand-Ruel gallery with Albert Besnard , Jules-Alexis Muenier and Henri Fantin-Latour. One of his most famous works, The Kreutzer Sonata, is exhibited in 1901 at the exhibition "Contemporary French Art" in Stuttgart where it is sold to the Prince Regent of Bavaria . The year 1904 sees the creation, with Lucien Simon and Antoine Bourdelle , of the workshops of the Académie de la Grande Chaumière. In 1909, he illustrated Rene Boylesve's Young Girl. In 1913, he was named secretary of the National Society of Fine Arts. He travels to the United States as a jury member at the Carnegie Institute exhibition in Pittsburgh. His paintings The Cavaliers and Interior dining room are presented on this occasion. He frequented the Sundays of Besnard, rue Guillaume-Tell. Prinet painted the reception of Albert Besnard at the Academy of Fine Arts in 1912. In 1916, he painted the painter Felix Desgranges in his family room in Luxeuil with the Australian artist Bessie Davidson...

Dutch School Dutch Still Life of Hanging Flower Basket Oil on board 14 by 18 in, w/ frame 17 ¾ by 21 ¾ in

Samuel Edmund Oppenheim American, 1901-1992 Portrait of a Woman with Flowers Oil on canvas 12 by 16 in, w/ frame 19 by 23 in Signed upper left Samuel Edmund Oppenheim (1901-1992) o...

Joaquín Mir Y Trinxet Spanish, 1873-1940 Coastal View Oil on board 11 ¾ by 16 in, w/ frame 25 ¼ by 29 ¼ in Signed lower right Joaquín Mir Trinxet was a Catalan Spanish artist. Livi...

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Eugen Osswald German, 1879-1960 La Course Oil on canvas 14 by 16 ¾ in, w/ frame 22 ½ by 25 ⅜ in Signed Eugen Osswald lower left

Jean Salabet French, Born 1900 Marche De Fleurs, Paris Oil on canvas 20 by 24 in, w/ frame 25 ¼ by 29 ½ in Signed lower left Jean Salabet was a School of Paris painter known for hi...

Henri Bénard French, 1860-1927 A Love Letter By the Sea Oil on Canvas 19 ¾ by 24 in, w/ frame 26 by 30 in Signed Henri Bénard lower left

Jean Salabet French, 20th Century La Madeleine, Paris Oil on canvas 10 ¾ by 13 ¾ in. W/frame 16 ½ by 19 ½ in. Signed lower right Jean Salabet was a School of Paris painter know ...

Esther Williams American, 1907-1967 Washington Square Oil on canvas 23 ¼ by 36 in, w/ frame 31 ¾ by 44 ⅝ in Signed lower left Esther exhibited at the Boston Museum of Fine Arts Sch...

Henry Ward Ranger American, 1858-1915 Morning In the Village Oil on Academy Board 12 by 16 in, w/ frame 19 ¼ by 23 ¼ in Signed lower right A key person in the establishment of the ...

Arthur Vidal Diehl British, 1870-1929 Venetian Canal Oil on canvas 24 by 36 in, w/ frame 32 by 44 in Signed lower left Best known for his sand dun...

Jules Rene Herve French, 1887-1981 Boat Racing Oil on canvas 8 ½ by 10 ½ in, w/ frame 15 ½ by 17 ¼ in Signed lower left J.R. Herve, an impressionist of our time, is the very type o...

Liquid State (Exhale) 22" x 22" x 22" High Chromium Stainless Steel Unique $160,000

Jacques Martin-Ferrieres French, 1893 – 1972 Mountainous Landscape Oil on canvas 25 ½ by 32 in, w/ frame 34 by 40 ¼ in Signed lower right “Martin Ferrieres” A painter remarkable ...