Berkshires - Art

Gustave Madelain French, 1867-1944 Notre Dame, Paris Oil on board 14 ½ by 20 ¾ in, w/ frame 21 ½ by 27 ¾ in Signed lower right Gustave Madelain exhibited in Paris at the Salon des ...

Emanuele Cappello Italian, born 1936 Still Life with Bouquet of Flowers Oil on canvas 19 ½ by 27 ½ in, w/ frame 28 ¼ by 36 ¼ in Signed lower right

Albert Leon Gleizes French, 1881-1953 Trees in Autumn Oil on canvas 21 ¼ by 25 ½ in, w/ frame 30 ⅝ by 34 ¾ in Signed lower right This French painter and writer born Albert Leon Gle...

Everett Lloyd Bryant American, 1864-1945 Woman in Kimono Oil on canvas Signed lower right 30 by 25 in. W/frame 35 by 30 in. Everett studied wit...

Marcel Dyf French, 1899-1985 A Look at the Menu Oil on Canvas 21 ¼ by 25 ½ in, w/ frame 27 ¾ by 32 ¼ in Signed lower right Marcel Dyf (Marcel Dreyfus) was born in Paris on October ...

Arthur Vidal Diehl British, 1870-1929 Venetian Canal Oil on canvas 24 by 36 in, w/ frame 32 by 44 in Signed lower left Best known for his sand dun...

Prosper Louis Senat American, 1852-1925 Monhegan Oil on Canvas 20 by 36 ¼ in, w/ frame 26 ¼ by 42 ¼ in With artist's plaque Born in Germantown, Pennsylvania, March 13, 1852, Prospe...

Mary Brewster Hazelton American, 1868-1953 Hillside in Autumn Oil on canvas 20 by 24 in, w/ frame 29 ½ by 33 ¼ in Signed and dated 1908 lower left Mary Brewster Hazelton was a dist...

Remo Michael Farruggio American, 1905-1981 Signals Oil on canvas 24 by 35 in. W/frame 28 by 39 in. Signed lower right & titled on stretcher “Signals” Circa 1959 Remo Michael Farru...

Jean Salabet French, 20th Century Montmartre Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work is comparable to those of Jules Herve, An...

Roger Montané French, 1916-2002 Woman Listening to the Band Oil on canvas 18 ¼ by 21 ¾ in, w/ frame 27 ¾ by 31 ¼ in Signed lower right Roger Montané, born in Bordeaux, was champion...

Morston Constatine Ream American 1840-1898 Still Life with Peaches Oil on canvas Signed Lower Middle 16 by 20 in.  w/frame 22 ½ by 26 ½ in. Morston Constatine Ream was a specialist in fruits and dessert still lifes...

Francois Gerome French, 1895 Place Vendôme Oil on canvas 9 by 12 in, w/ frame 15 ¼ by 18 ¼ in Signed lower right Francois Gerome was born in Budapest in 1895. He attended the fine ...

William Wells Goodrich American, 1846-1906 Stream in the Woods Oil on canvas 11 by 16 in, w/ frame 17 ½ by 22 ¾ in Signed lower left

Wilhelm von Gegerfelt Swedish, 1844-1920 Moonlight Over the Promenade Oil on canvas 27 by 45 in. W/frame 39 by 57 in. Signed lower right Wilh...

Maurice Greenberg American, 1893-1996 Mayan Chief Scene Oil on canvas 22 ¾ by 26 ¾ in, w/ frame 29 by 32 ¼ in Signed lower left Maurice was born in Milwaukee, where he received his...

"ALL WAR IS IN BAD TASTE," Al Diaz, 2022 Silkscreen on 320 gram Coventry Rag paper Dimensions: 14" x 20" Signed and numbered by the Artist in pencil An edition of 50 Al Díaz’s career spans five decades. Born and raised Puerto Rican in New York City, by age 15 he was an influential first-generation subway graffiti artist known as “BOMB-ONE.” His friendship and artistic collaboration with high school schoolmate Jean-Michel Basquiat on SAMO, (a late 70s Avant-garde graffiti tag project) has been noted often in contemporary art history. Díaz later contributed percussion to numerous musical recordings and performances, including Basquiat’s historic 1983 record, “Beat Bop,” (considered to be one of the earliest hip-hop albums...

John Von Wicht American, 1888-1970 Abstract Composition Oil & mix media on Paper 19 by 25 in. W/frame 30 ½ by 36 ½ in. Signed lower right Johannes Von Wicht was born in Malente, ...

Silkscreen in 7 colors with diamond dust 40 x 54 inches 2-Ply Museum Board Edition of 50 2014 Bob Gruen is one of the most well-known and respected photographers in rock and roll. F...

Denes Holesch Hungarian, 1910-1983 The Violinist Oil on board 26 ½ by 22 in. W/frame 33 by 28 ½ in. Denes Holesch (Denes de Holesch) was born in 1910...

Rudolf Hirth du Frenes German, 1846-1916 A Dog’s Trick Oil on panel 19 ⅜ by 14 ½ in, w/ frame 23 ⅜ by 18 ½ in Studied at the L’Ecole Des Beaux Art de Nuremberg under Kreling; he al...

Andre Picot French, 1910-1992 La Madeline, Paris Oil on Canvasboard 8 by 10 in, w/ frame 14 ¾ by 16 ½ in Signed lower left Inventory Number: 01826 Although Picot studied briefly a...

Renowned painter and printer, Gary Lichtenstein demonstrates true abstract expressionism via his spectacular use of color. His paintings and silkscreen prints, more than 200 oil-based and water-based works to date, exhibit mastery of the properties of light absorption and reflection, specifically with regard to the visual impact of color. Inspired by artists such as Robert Motherwell and Helen Frankenthaler, Lichtenstein creates canvases which have frequently been described as ethereal, and he has been praised as one who manages to capture a “sense of no-self…” In fact, the composition of Lichtenstein’s work has been referred to as atmospheric... “evocative of natural forms and phenomena.” In addition, Lichtenstein has collaborated with over one hundred artists during the course of his 49-year career. Despite, and because of, rich historical influences, Gary Lichtenstein’s vision and artistic intellect are uniquely his own and clearly evident throughout the enormous portfolio of work that spans his career. Lichtenstein’s work has been shown and collected by, among others, The Aldrich Contemporary Art Museum, Ridgefield, CT, New York’s Museum of Modern Art, the San Francisco Museum of Modern Art, the Smithsonian, the San Francisco Art Institute, the San Francisco International Art Expo, the Chicago Art Institute, the Butler Institute of American Art, the College of Art & Architecture at the University of Tennessee, the Silvermine Arts Center, the International Print Center NYC, the Boston World Art Fair, the New York International Exhibit of Contemporary Art, and Art Asia (Hong Kong). Solo exhibitions in New York, San Francisco, Tokyo, and Hong Kong have been celebrated at the Rubicon Gallery, Susan Todd Gallery, Galerie Enatsu, and the Modernism Gallery. The Fried screen print collection can be found at the Museum of Modern Art in New York City, the Whitney Museum, and the Museum of Modern Art in San Francisco. “Not enough has been written about Gary’s personal work as a painter and printmaker. The work, which can be categorized as “Color Field” has been informed by diverse influences, many of them not readily apparent to the casual viewer. One inescapable fact is despite Gary’s roots on the East Coast his artistic outlook has really been tempered by his thirty years in California, and by the Bay area in particular. Working with fabled San Francisco screen printer Robert Fried...

Walter Blackman American, 1847-1928 Young Beauty Oil on canvas 20 by 16 in, w/ frame 32 by 28 in Studied under Gerome, Paris Exhibited: Society of American Painters 1878 Paris Sal...

Jean Baptiste Duffaud French, 1853-1927 St. Tropez Oil on canvas 13 by 21 ¾ in. W/frame 24 by 32 ¾ in. Signed lower left Jean-Baptiste Duffaud studied at the Ecole des Beaux-Arts in Marseilles under the direction of Dominique Antoine Magaud (1817-1899). Wishing to complete his artistic training, he went to Paris and received the teaching of Jean-Léon Gérôme. He exhibited at the Salon from 1875 to 1892, obtaining several honorable mentions. He was awarded the prestigious Marie Bashkirtseff...

Silkscreen and diamond dust on canvas Dimensions: 22" x 30" An edition of 25 Signed and numbered by the Artist Bob Gruen is one of the most well-known and respected photographers in Rock and Roll. By the mid 1970's he was already regarded as one of the foremost documenters of the scene working with major artists such as John Lennon and Yoko Ono, Tina Turner, The Rolling Stones, Led Zeppelin, Elton John, Kiss and others, also covering the emerging New Wave and Punk bands including The New York...

Pierre Cornu French, 1895-1996 Jeune Femme Alonge Oil / Canvas 14 by 18 in. W/frame 20 by 24 in. Signed lower right Pierre Cornu was born November 16, 1895 in Salon de Provence. Born into a prosperous family of merchants oils and soaps, Cornu knows a pampered childhood and happy during which his attraction to drawing and color manifests itself fairly quickly. He will have the opportunity, throughout his life to be able to concentrate on his passion of painting. His paintings are often honored in all the great Parisian salons. He exhibits regularly with René Auguste Chabaud and Seyssaud in Marseille. Financial troubles forced him to emigrate several years in Morocco where he begins a new life, never abandoning painting, perfecting his art (abundance of beautiful colors, resembling oriental tapestries...

In 1984, Eric Orr and Keith Haring joined forces to create a series of chalk drawings in the NYC subways. As their work evolved, the artists shifted their focus from the subway to the studio and embarked on the production of a suite of drawings. Included in the group was Repeat which had made its first appearance in the 23rd Street IRT uptown station. Little did Orr and Haring know that the reimagined drawing would be auctioned at Christie’s six years later. 2020 heralds a new beginning for Repeat, a truly unique silkscreen print that both illustrates and celebrates a fierce friendship that began in the early 1980s at The Roxy roller rink in NYC, when two young artists decided to trade t-shirts on the dance floor. Repeat, Eric Orr and Keith Haring, 2020 Silkscreen on 320 gram Coventry Rag paper with hand-deckled edges Dimensions: 20 x 28 inches Edition Size: 250 with 25 Artist Proofs and 25 Printer Proofs Signed and numbered in pencil by Eric Orr Plate signed by Eric Orr and Keith Haring Courtesy of Eric Orr and the Keith Haring Foundation Printed and Published by Gary Lichtenstein...

Jacqueline Caroline Marie Cerrano French, 1920-2007 Antibes Oil on canvas Signed & dated “1967” on reverse 32 by 39 ½ in. W/frame 40 by 47 ½ in. Jacqueline made her debut at the S...

Silkscreen on 2-Ply Museum Board 38 x 30 inches Edition of 10 2014 Carole Feuerman is one of the world’s foremost hyperrealist sculptors. Her resin, bronze and marble sculptures of swimmers and bathers evoke notions of tranquility and serenity. Feuerman’s life-like works are nearly indistinguishable from the subjects that inspire them. Her newest silkscreen edition is a testament to the same sense of realism. Soft and subtle blends of color support the tactile qualities of her bathing caps...

A skilled chef as well as an artist, Jay Batlle treats his art much like a recipe, with careful preparation and a methodical process. His layered compositions often incorporate image...

Edward Francis Rook American, 1870-1960 Brittany Oil on Canvas 30 by 30 in. W/frame 38 by 38 in. Signed lower left Circa, 1898-1900 Item number: 01879 Rook, born in New York City on September 21, 1870, became one of the most original impressionists at Old Lyme. First he was a student of Benjamin Constant and Jean-Paul Laurens at the Académie Julian.  Life started out to be rather promising for Rook, around the turn of the century.  He exhibited at the Cincinnati Art Museum and at the Pennsylvania Academy of the Fine Arts, both in 1898, when his harbor scene, entitled Pearl Clouds — Moonlight was reproduced in International Studio, in April.  In addition, the PAFA presented him with the Temple Gold Medal for Deserted Street, Moonlight, which the Academy purchased.  Three years later, Rook was awarded a bronze medal at the Pan-American Exposition in Buffalo, where he exhibited three landscapes.  Caffin (1902, p. xxxvi) praised the artist's "translucent quality of color," which suggests a study of color theory.  Also in 1901, Rook married Edith Sone.  For most of 1902, the Rooks were in Mexico. Rook came to Old Lyme in October of 1903.  The date is significant because Childe Hassam was also there that month.  Hassam would more or less re-orient the artists' colony from Tonalism to impressionism.  Rook would move there permanently two years later.  He took two medals at the St. Louis Universal Exposition (1904) where his landscapes from the Mexican trip were displayed.  More awards followed: a silver medal at the International Fine Arts Exposition in Buenos Aires, 1910, a gold medal at San Francisco's Panama-Pacific International Exposition in 1915,  a Corcoran Bronze Medal, and a William A. Clark Award in 1919 for Peonies.   By 1924, the artist was made a National Academician.  Despite all these awards and recognition, Rook did little in the way of selling his art and reportedly, his prices were too high.  His paintings were handled by Macbeth and Grand Central Art Galleries. Rook was active in Old Lyme's art community.  As stated above, he would have met Hassam that October in 1903 but Willard Metcalf had departed at the end of the summer.  As several writers have explained (Connecticut and American Impressionism, 1980, p. 123), Hassam "was the catalyst around whom [impressionism] coalesced."   Rook's niece, Virginia Rook Garver, who happened to be the grand-niece of Hassam, confirmed that Rook and Hassam knew each other in Europe — before they went to Old Lyme (Fischer, 1987, p. 19).  Rook was one of the relatively young painters to come to Old Lyme, along with Gifford Beal, William Chadwick, and Robert Nisbet, on the wave of impressionism, initiated there by Hassam and Metcalf.  Old Lyme became a center of American impressionism, and as Donelson F. Hoopes remarked, "under Hassam, the shoreline of Connecticut became a kind of Giverny of America."  Among Ranger's group, palettes started to become lighter, except those of the most determined tonalists.  Ranger himself, perhaps admitting defeat, moved to Noank in 1904.  Rook is best known for his views of Bradbury's Mill, which was soon called Rook's Mill, owing to the painter's many versions of the scene.  One, called Swirling Waters, dated ca. 1917, is in the Lyme Historical Society.  Even more famous is Rook's Laurel, dated between 1905 and 1910 (Florence Griswold Museum), in which a profuse laurel bush (the state flower), is set off by a spectacular Constable-like background.  But Swirling Waters could never be confused with Constable, with its violent brushwork, impasto-layered water, and bright, almost chalky, plein-air palette.  Gerdts (1984, p. 226) compares the paintings of Walter...

George Frost America, 1843–1907 View of Alexander Nevsky Cathedral, Nizhny Novgorod Oil on Canvas 20 by 30 in. W/frame 28 by 38 in. Signed lower l...

"Roley," Shelter Serra, 2015 Silkscreen and diamond dust on 320 gram Coventry Rag paper Dimensions: 30" x 22" An edition of 20 Signed and numbered by the Artist in pencil Shelter Se...

A skilled chef as well as an artist, Jay Batlle treats his art much like a recipe, with careful preparation and a methodical process. His layered compositions often incorporate image...

A skilled chef as well as an artist, Jay Batlle treats his art much like a recipe, with careful preparation and a methodical process. His layered compositions often incorporate image...

A skilled chef as well as an artist, Jay Batlle treats his art much like a recipe, with careful preparation and a methodical process. His layered compositions often incorporate image...

A skilled chef as well as an artist, Jay Batlle treats his art much like a recipe, with careful preparation and a methodical process. His layered compositions often incorporate image...

George Botti Italian, 1923-2003 Family in a Park Oil on canvas 36 by 36 in. W/frame 42 by 42 in. Signed lower right Barrel Item number: 01863 George ...

"Cheetah (black & white)," Amir Akhavan, 2017 Silkscreen and iridescence on 290 gram Coventry Rag paper Dimensions: 25" x 19.25" Signed and numbered by the Artist in pencil An editio...

"WILDCAT," Irwin Hasen, 2005 Silkscreen on 320 gram Coventry Rag paper Dimensions: 24" x 18" Signed by the Artist in pencil Artist's Proof Irwin Hasen (1918-2015) was a cartoonist a...

"Falling for You," Eric Orr, 2022 Silkscreen on 290 gram Coventry Rag paper Dimensions: 13 3/4" x 17 1/4" Signed and numbered by the Artist in pencil An editio...

Louis-Emile Adan French, 1839-1937 A Lady in a Garden Oil on board 9 ⅝ by 13 in, w/ frame 14 ⅞ by 18 ⅛ in Signed lower left French painter Louis-Emile Adan was born in Paris. Little is known of his earliest introduction to the visual arts, but he was admitted to the École des Beaux-Arts, where he initially studied with François-Edouard Picot (1786 – 1866), a successful painter who had himself been part of Jacques-Louis David’s studio, and who was one of the most popular professors at the École. Adan’s work during the 1860s embraced the mainstream tradition of neo-classicism espoused by J.A.D. Ingres (1780-1867). Simultaneously, Adan seems to have taken an interest in painting elegant young women. These images had considerable popular appeal, especially when they featured fashionable clothing in the latest styles. The decade of the 1880s was very busy, both with annual painting submissions to the Salon and with an expanding role as a book illustrator. Toward the end of the decade, Adan’s painting changed significantly. His earlier curiosity about Realist themes took on a new urgency as the artist explored the rigors of rural life. By the middle of the 1880s, Adan was actively engaged in the naturalist movement. Adan’s submissions for the 1889 Exposition Universelle in Paris showcased his naturalist aesthetic. His reputation as a distinguished painter was further recognized in 1892 when he became a Chevalier of the Legion of Honor, and again in 1900 when he was asked to sit on the jury of both the Salon and the Salon des Artistes Français. Museums: Macon, Agen, Pau, Alençon, Lyon, Mulhouse, Rouen, Nice, Péronne, Nantes, Pfister Art...

Jacques Bouyssou French, 1926-1997 Le Cafe Noir Oil on canvas 28 ¾ by 36 ¼ in, w/ frame 39 ½ by 47 ¼ in Signed lower left Born near Honfleur in 1926, Jacques Bouyssou became enchan...

Doris Jenney American, 1912-1996 Daisies Oil on canvas 24 by 30 in, w/ frame 32 ½ by 38 ½ in Inventory Number: 01860

Antonio Barone American, 1889-1971 Mother Hen Oil on canvas 22 ½ by 30 in, w/ frame 29 ⅞ by 37 ⅝ in Inventory Number: 01880

oil on canvas

Oil on canvas

Oil on canvas

Arnold Marc Gorter Dutch, 1866-1933 Sheep by the River Oil on canvas 26 ¾ by 32 ¾ in, w/ frame 34 ½ by 40 ½ in Signed lower right Arnold Marc Gorter studied at the National Academy...

Morris Hall Pancoast American, 1877-1963 Harbor Scene Oil on canvas 28 by 32 in, w/ frame 35 ⅜ by 39 ¼ in Signed lower left Inventory Number: 01870 Morris Hall Pancoast was an art...

Paul Renard French, 1941-1997 Winter in Paris Oil on canvas 18 by 24 in, w/ frame 25 ⅛ by 31 ¼ in Signed "P. Renard" lower right The art of Paul Renard, who was born in 1941, can b...

White spatial spiral "Arch II" ceramic sculpture by Michael Boroniec - ceramic, glaze Michael Boroniec’s “Spatial Spiral” series is an ...

Flash Flood oil on canvas

Joan Miro Spanish, 1893-1983 Poster For The Exhibition Serie Mallorca Lithograph in colors 28 by 22 in. W/frame 34 by 28 in. Pencil signed lower right...

Charles Cousin French, 1904-1972 A Venice Canal Oil on canvas 20 by 26 in. W/frame 28 by 34 in. Signed lower right Charles made his debut at the Sal...

This artwork is hand signed and editioned by the artist and comes directly from the artist's studio. Girls in the Windows, 1960 has been widely published all over the world includi...

Set of 3 black ceramic gourd sculptures by Michael Boroniec - ceramic, glaze Dimensions: Left. 17.25 x 4.5 x 4.5 in Center. 24.5 x 6.5 x 6.5 in Right: 20.5 x 5.25 x 5.25 in Michael Boroniec’s "Gourd Vessels" are works that stem from a long tradition of emulating the gourd in utilitarian wares since the Neolithic age. The works are wheel thrown with a localized clay body found in Berkshire County...

Armand-Marie Guérin French, 1913-1983 The Obelisk of Luxor Oil on Canvas 20 by 28 ¼ in, w/ frame 26 ⅝ by 34 ¾ in Signe A. M Guerin lower right Inventory Number: 01491

Andre Marchand French, 1907–1997 Still Life Oil on canvas 32 by 39 ½ in, w/ frame 35 by 42 ½ in Signed lower left Inventory Number: 01918 Andre Marchand was born in the Aix-en-P...