Antiques in Berlin

Azzedine Alaïa Fall Winter 1992 Rare Vintage Runway Knit Ribbon Dress Brand: Alaïa Designer: Azzedine Alaïa Collection: Fall / Winter 1992 Fabric: Stretch Viscose Knit Color: Navy w...

These contemporary stud drop earrings are made of 18 karat yellow gold with natural cabochon beryls and topazes. It has a crocodile detail on the side of one gem. We work with german...

A sculptural pencil skirt from Tom Ford’s Fall/Winter 2003 collection for Gucci, exemplifying the era’s rigorous sensuality and technical precision. The design is defined by a high-w...

This sculptural trio of table lamps pairs strong mid-century silhouettes with the earthy refinement associated with Bitossi ceramics. Each lamp is formed as a tapered, architectural ...

Beautiful Berthold Muller Mosaic table with rare gold elements, wood and brass legs and very nice patinated brass frame. No chips!

This rare set consisting of three armchairs and two corner elements was designed by Tito Agnoli for Arflex. The seating combination can be arranged in various ways. The dimensions ar...

A delirium of color, a sculpture of seduction, this Spring Summer 1988 Été Africain Collection corset by Thierry Mugler is less garment than manifesto. Cut with Mugler’s signature ar...

This multifunctional daybed was manufactured by Robert Slezák in the 1930s and is a fine example of Bauhaus-era tubular steel furniture. Designed to function as both a sofa and a day...

Azzedine Alaïa vintage Fall Winter 1991 black textured skirt M Brand: Alaïa Designer: Azzedine Alaïa Collection: Fall Winter 1991 Fabric: Viscose...

Set of four decorative Art Nouveau brass/bronze bookends. Germany, 1900s.   

Elegant Louis XVI Style Chandelier – Handcrafted Masterpiece with Crystal Drops This exclusive chandelier is a true work of classical craftsmanship, inspired by the refined elegance...

Bespoke bedside cabinets crafted from lacquered wood and chrome-plated tubular steel. Also available in a version with drawers. Production time: ca. 12 weeks.

The jacket stands like architecture rather than clothing, an unmistakable signature of Thierry Mugler at the height of his sculptural imagination. Cut in deep, beautiful black, the p...

A Masterpiece of Jewelry Art by Hancocks, London! The deep orange-red natural coral drops are each set in yellow intricately decorated gold caps mounted on golden balls which are con...

Jens Risom lounge chair U-430 for Risom Inc., USA 1950s Upholstered in new Kvadrat Fabric.

Prices vary dependent on the size and chosen material of the table. The base is available in solid ash wood or American walnut. The table is available in a rectangular or round version (the latter measures 130 cm in diameter and 75 cm in height) Table designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. Franco Albini designed this table using the strut element that he had already employed in the design of the Veliero and Infinito bookshelves. In this instance, the legs serve as the vertical elements, solid, turned along their entire surface except for the square section onto which the horizontal table...

An original 'LADY' lounge chair designed by Marco Zanuso for Arflex, Milano. The chair has been upholstered in fine English burnt orange velvet material. Brass legs. Seat height 36 c...

Introducing a stunning Brass Basket Empire Sac a Pearl Chandelier, an exquisite piece adorned with captivating crystals, reminiscent of the classical style of the Empire era. This an...

**Exquisite Chandelier - Lovingly Restored and Professionally Enhanced in Berlin** Presenting a captivating chandelier that seamlessly combines timeless elegance with modern functio...

A stunning object with the mood of a Victorian curiosity cabinet, this Alexander McQueen leather pouch / phone - pouch turns utility into dark romance. Cut in structured black textured leather and suspended from a silver chain, it has the proportions of a modern small bag to be used for wallet or phone or lipstick, yet the attitude of a talisman: part accessory, part amulet, part gothic keepsake. Across the surface, McQueen’s familiar language of beauty and mortality unfolds in miniature. A cobalt dragonfly gleams like a jewel against the black ground, while the butterfly motif below reveals a skull-like apparition within its wings: delicate, macabre, unmistakably McQueen. The flash of scarlet lining gives the piece a private, almost anatomical intensity, as though the darkness has been opened to reveal something vividly alive. Rich in symbolism, it belongs to that McQueen universe where nature is never merely pretty: insects become omens, decoration becomes drama, and luxury carries a faint, thrilling sense of danger. Alexander McQueen “Obsession...

Stunning extremely rare MUGLER gown - FW 1998 'Lingerie Revisited / Helmut Newton' Collection - charged with seduction and kinetic electricity. This dress is breathtaking: a body-ski...

Rendered in blush silk that beautifully reflects the ligh, this 1995 Thierry Mugler dress captures the designer at his most unexpectedly tender. Known for architectural severity and ...

1 of 2 Kalmar Leuchten Leather Wrapped solid Brass floor lamp, Austria - 1960s. The measurements given apply to the lampbase. Please note: Lamp should be fitted professionally in ac...

Beautiful vintage gilt metal and brass floor lamp in the style of Tommaso Barbi. Belgium, 1960s. Lamp sockets: 3 x E27 (US E26).    

There is something unapologetically theatrical about this Shannon Rodgers for Jerry Silverman creation, an era when fashion didn’t whisper, it declared. Emerging from the liminal spa...

A masterstroke of provocation, this evening gown by Thierry Mugler is truly gorgeous. The silhouette is pure liquid couture: a slender nude column that clings to the body like beauti...

This stunning sculptural Vivienne Westwood Couture piece is a study in provocation, precision, and power, cut with the kind of audacity only Westwood could command. This beautiful ja...

Time to Bloom from the Inner Landscapes series Acrylic on canvas Contemporary Abstract Landscape Painting Time to Bloom is a contemporary abstract landscape acrylic painting from th...

There is something almost cinematic about this Spring 2019 Alexander McQueen dress, as though it belongs to the heroine of a forgotten romance, wandering through a windswept field at...

Seating Combination by New Rug Studio Commissioned for Galerie OM, this piece consists of a rug and bench conceived as a single composition, in which the fine black linework of th...

**Restored Vintage Chandelier - Preserving History with Care in Berlin** This vintage chandelier has been thoughtfully restored in Berlin, capturing the essence of its historical ch...

Pair of large blown glass and lacquered metal wall lamps by Hans-Agne Jakobsson. Sweden, 1960s. Lamp sockets: 1 E27 (US E26).  

LIGHT OBJECT 030.1 Wall light The small wall light is crafted from hand-blown glass, offering a delicate yet expressive presence. Its compact scale allows it to be used multiple tim...

Carl Friedrich Deiker (1838 Wetzlar - 1892 Düsseldorf). Vigilant fox. Pencil drawing on brown paper, 18 × 29.5 cm (inside measurement), 31.5 x 43.5 cm (mount), signed and dated "Deiker [18]54" at lower right. - a little bit stained, with a light water stain at lower right About the artwork Carl Friedrich Deiker's consummate ability to depict animals is already evident in this early work. He brought a whole new psychological dimension to animal painting, so that one could literally speak of animal portraits. The naturalistic appearance of the fox alone makes it seem alive. Every strand of muscle, even every hair, is captured, which requires an intensive artistic study of animal anatomy and physiology. But the fox's real liveliness comes not from its natural appearance, but from its internal movement: Stretched out, it has been brought out of rest. It turns around and, with its ears pricked up, looks intently in the direction from which it has seen something. His mouth is slightly open and his pointed teeth are bared, as if he were growling. Tension gradually takes hold of his whole body. While the hind legs were still in a relaxed position, closely observed by Deiker, one front leg was already raised, ready to begin a rising movement. The fox seems so alarmed with all its senses that one gets the impression that, at any moment, its tail will move jerkily and the animal will jump up. While wild animals have traditionally been portrayed as beasts or anthropomorphised, often for caricatural purposes, Deiker explores their inherent nature by attempting to capture their psychic impulses. The wild animal is neither bestial nor human, but a creature in its own right, valued by Deiker for its own sake. In this way, he brought the dignity of the animal into representation and raised animal painting to a whole new artistic level. About the artist Carl Friedrich Deiker was the son of the drawing teacher Christian Friedrich Deiker and the younger brother of the animal painter Johannes Deiker. In addition to the family art lessons, Christian Friedrich shared a studio with his brother Johannes at Braunfels Castle, Deiker attended the drawing academy in Hanau, and from 1858 he was a student at the Karlsruhe Art Academy, where he studied under the landscape painter Johann Wilhelm Schirmer. Carl Friedrich Deiker was already in demand as an artist during his first year: Grand Duke Frederick I of Baden, Margrave Max of Baden and Grand Duke Michael of Russia bought hunting scenes by him. In 1859 he went on a study trip to the Reinhardswald. Just as the Barbizon School had rediscovered the landscape, Deiker opened up the forest for animal painting. From 1861-64 Deiker had his own studio in Karlsruhe, then moved to Düsseldorf, where his brother Johannes followed four years later. Deiker married a daughter of the landscape painter Karl Hilger and remained in Düsseldorf until his death. In 1868 he finally achieved international fame with his painting 'Pursued Noble Deer' and was regarded as a virtuoso new founder of animal painting. "Deiker brought for the first time a truly great artistic quality to animal painting [...]". - Hans Vollmer From 1870 he participated in the academic art exhibitions in Berlin, Dresden, Munich and Hanover. He was also very busy as an illustrator. He drew for the Gartenlaube, the Salon, the Universum, and produced many of the finely illustrated hunting and animal books of the period. He also worked as a printmaker, while his oil paintings circulated as reprints by Franz Dinger. From 1865 to 1892 Deiker was a member of the artists' association Malkasten. Carl Friedrich Deiker's life's work was honoured with a large posthumous memorial exhibition at the Düsseldorf Kunsthalle in 1892. His son Carl Deiker, born in 1879, also became a painter. Selection of art museums that own works by Carl Friedrich Deiker: Hamburger Kunsthalle / Kunsthalle Karlsruhe / Kunstmuseum Düsseldorf / Wallraff Richartz Cologne. Selected Bibliography H. Schmidt: Johannes and...

In the theatrical universe of Thierry Mugler, fashion was spectacle, sculpture, and seduction fused into one. This extraordinary corset from the Fall/Winter 1990 “Music Hall” collec...

Restored Brass and Crystal Chandelier, circa 1900 This magnificent chandelier originates from the late Historicist period around 1900. It elegantly combines the refined opulence of ...

Beautiful pair of modernist chrome and brass wall sconces. Italy, 1960s-1970s Lamp sockets: 3.

Executive waterfall metal desk in Art Deco, Streamline Design, Germany, 2015.

Custom-made three-door wardrobe, designed and manufactured by GMD Berlin, exclusively presented in our Rudolf Vichr collection. This high-quality, handcrafted piece of furniture wit...

Wir bieten ein wunderschönes großes Wandregal vom dänischen Traditionshersteller Cado aus den 1960er Jahren zum Verkauf an. Das Regalsystem wurde von Poul Cadovius entworfen und erla...

Black leather knee-high boots from Christian Dior’s Fall/Winter 2005 collection, designed by John Galliano. A closely related version appeared on the season’s runway, sharing the elo...

Stunning choker composed of 12 strands of seed pearls (circa 2,5 mm to 3 mm) well matched, of cream body color with faint rose overtones. They are of good quality and luster. The st...

This table lamp by Paolo Caliari is a geometric composition of two interlocking, bent metal elements, creating a sculptural, almost architectural presence. The contrast between the m...

Black suede and metallic gold leather heels from Prada’s Spring/Summer 2008 “Fairy” collection, designed by Miuccia Prada. This design appeared on the season’s runway. The open-toe ...

Reupholstered 932 3-seater sofa by Mario Bellini for Cassina. Designed 1964, price on request.

This Spring/Summer 1994 skirt suit is Thierry Mugler at his most iconic: fashion as architecture, command, and seduction in equal measure. Cut razor-sharp and fitted, the jacket scul...

Pair of wire chairs designed by Warren Platner for Knoll International in the early 1960s. Early production pieces with steel wire bases, upholstered in blue and grey fabric. A true ...

Wir bieten ein wunderschönes 2er Set USM Haller Dreieck-Schreibtische in der Farbe weiß zum Verkauf an. Der Preis bezieht sich auf beide Tische und versteht sich als Setpreis. Zusta...

Imagine a chandelier that channels the iconic elegance of the mid-century era, reborn for modern spaces. This new production piece combines the warmth of brass with the striking cont...

Natural, unheated Ceylon sapphire halo ring set in solid 18k gold. The center sapphire weighs approximately 3.00 carats and is surrounded by 14 round brilliant-cut diamonds totaling ...

The price of the sofa is dependent on the chosen fabric and size. The two-seater is available in 156cm oder 166cm width. The three-seater is available in 228 or 238cm width. In 201...

Wir bieten ein wunderschönes 4er Set Midcentury Stühle von Rainer Daumiller aus den 1970er Jahren zum Verkauf an. Das Design des deutschen Designers zeichnet sich nicht nur durch sei...

This jacket from Prada Sport, dating to the early 2000s, embodies the label’s distinctive fusion of technical performance wear and fashion-forward design. Under Miuccia Prada’s direc...

Black slingback heels from Gucci’s Spring/Summer 1998 collection, designed by Tom Ford. A very similar model appeared in the season’s advertising campaign, featuring the distinctive ...

Mid-Century bar cabinet by Aldo Tura. Made from wood with laquered goatskin. Inside we find an illuminated mirrored compartment to store bottles and glasses. Good condition. The cabi...

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

Wonderful vintage bubble glass flushmount. Germany, 1960s. Lamp sockets: 2x E27 (US: E26).

This contemporary Peacock ring is in 18 karat yellow gold with natural blue sapphire, 2,55 carats, 0,35x0,3 inches / 9x7,8 mm (or bigger), and small round sapphire. The ring is easy ...

This rare Prada blazer, produced in 2008, captures the brand’s signature fusion of strict tailoring and subversive femininity under the creative direction of Miuccia Prada. Expertly...

From John Galliano’s visionary menswear line at Maison Margiela, this deconstructed skirt debuted as part of the Fall/Winter 2020 runway collection (Line 10). The piece embodies Gall...