Antiques in Berlin

Fabulous rare Thierry Mugler corset top - a masterful creation with amazing sculptural dramatic tailoring. A rare piece from his 1986 Collection...

Rare Thierry Mugler Ensemble, documented featured on the Runway, Fahsionshow 2000 Black two piece skirtsuit, jacket/blazer and skirt. Gorgeous deep V-neck and fabulous sculptured ta...

This exquisite ring is a true treasure for lovers of elegant and timeless accessories. Crafted from high-quality 10-karat yellow gold, it impresses with its warm golden hue, perfectl...

With a silhouette that cuts through the air like a blade and a colour that pulses with unapologetic sensuality, this Thierry Mugler Fall/Winter 1990 ensemble is labsolutely beautiful...

Prices are dependent on the chosen material. Gio Ponti 699 Superleggera by Cassina. Available in ASHWOOD LACQUERED BLACK or ASHWOOD LACQUERED WHITE or NATURAL ASHWOOD. Manufactured since 1957, the Superleggera wood chair is the rare combination of the architect’s innovative quest and the cutting-edge experimentation by the Meda-based company, becoming the indisputable icon and masterpiece of modernity and extreme artisanal elegance. A highlight of Cassina’s catalogue...

Kat and Roger hand-painted Studio ceramic stool. We have two similar stools with different motives listed, also by Kat + Roger.

"MILANO" Table Lamp by FABIAN FREYTAG STUDIO – Lava Edition Limited to just 16 unique pieces, the MILANO Table Lamp – Lava Edition by Berlin-based design studio FABIAN FREYTAG STUDI...

Elegant 14k yellow gold ring featuring a natural, untreated star ruby from Sri Lanka (Ceylon), approximately 2.5ct. The stone’s vivid color and distinct star effect offer a subtle, c...

Sideboard (Model 116) from 1954, designed by Florence Knoll for Knoll International – this particular version was manufactured in 1954 by Knoll International in Stuttgart. The slidin...

Enter a world of enchantment with this mesmerizing 14-karat yellow gold bracelet—a true work of art, as flexible as it is beautiful. The links are gracefully flexible and gentle, des...

Stilnovo floor lamp with brass and marble base, Italy 1950s. Labeled. Socket: 6 x E27 / Model A.

Pair of baroque style floor lamps, Venetian candlestick figures, H 203 cm, 20th century. This stunning pair of 20th century floor standing lamps is a superb example of the ornate cr...

A natural sapphire weighing 1.40 ct. A gemstone report is included, confirming the authenticity and characteristics of the stone.

Carl Auböck Dust Brush, Austria 1960s.

This very rare and eccentric closet is made of solid wood, it has drawers and shelves and a coat rack. The door can be locked with a key. Brass finishing on top and foot. Manufactured in Cantú by Bruno Longoni...

This contemporary Peacock ring is in 18 karat yellow or rose gold with natural oval cut blue sapphire. The ring is easy to wear, and the gem catches eye'...

Extremely decorative and large oil painting from the 17th century. Restored in places.   Signed and dated Simon Peter Tileman 1658 fecit 'lower right Dimensions without frame. From Wikipedia, the free encyclopedia: Simon Peter Tilemann (1601, Lemgo – 1668, Vienna), was a German Baroque painter who was active Bremen, Kassel and Italy. According to Houbraken he first learned to paint flowers and he had a daughter who could paint flowers in watercolors. He was a good landscape painter who spent many years in Italy, but later switched to portrait painting and who painted the portrait of Ferdinand...

Fine quality Moonstone silver ring Moonstone origin - Sri Lanka size of the ring - 7 3/4 US, diameter 18 mm, N 16.5, 56.5 circumference ring weight - 3.8 grams stone measurements - 0...

Two enchanting little table lamps made from raffia. Each stands on three filigree legs. A really typical 50s Design. Create a charming light. New wiring with black and white textile...

Carl Auböck #7231 "Hourglass" Vase, Austria 2022.

Magnificent Ladies Garnet Bracelet, 14K Gold. Bracelet is hallmarked. Including certificate of authenticity.

Beautifully carved malachite and rose gold dome ring made in Russia, ca. 1915. The rich color in shades of green is enhanced by the expertise of the carver. A statement piece for the independant lady - colorful but elegant at the same time. The luxuriant, swirling patterns of malachite have striking light and dark green marbling that is unmistakable. The startling beauty of this stone has come to represent sensuality and beauty. With its concentric, eye-like rings of green that mimic the eye of a peacock feather, this stone has captured the imagination of many cultures for ages. The first culture to use malachite for adornment was ancient Egypt around 4,000 BC. The Egyptians used malachite as an ornamental stone in jewelry and art. The stone was imported from King Solomon's infamous copper mines on the Red Sea. Archeologists have found Egyptian tomb paintings using malachite gemstones that had been ground into paint that colored the walls. It was also ground into a fine dust and mixed with galena, a thick paste used to make kohl, on slate palettes to be painted onto eyelids as a cosmetic and talisman against evil. Vivid green malachite kohl is believed to be Cleopatra's favorite cosmetic, and she was buried with a large vase of it for use in her afterlife. Malachite also played an important role in European paintings during the Renaissance period of the 15th and 16th centuries as a pigment for paints and dyes. It is believed that many of the green colors found in Michelangelo's Sistine Chapel painting were painted with malachite-based oil paints. It was the Russian Romanov...

This Nature Morte Style Peacock ring is in 18 karat yellow gold with natural oval cut blue sapphire, and round emerald. The ring is easy to wear, an...

The work is created in the fluid art technique on canvas, where the primary expressive element is the movement of paint. The composition is structured around a dynamic diagonal flow ...

This ring is made of 18 karat yellow gold and features a huge 4.35 carat neon copper-bearing Paraiba tourmaline (11.6x9 mm). The gemstone is already quite large and catches the eye w...

Wir bieten einen hochwertigen Qualitätstisch des Schweizer Herstellers USM Haller zum Verkauf an. Die Tische verfügen über eine quadratische Arbeitsfläche von 75x75cm und abnehmbare ...

Small wall mirror (many models available: different shapes, sizes and colors). "Saturn 1910ab" Measures: 18 x 9.5 cm. Made from vintage glass bowls. Specially developed and t...

Premium Craftsmanship for Sophisticated Strength Training These exclusive dumbbells are designed by kenko and manufactured in Berlin, Germany. Made from finely machined stainless ste...

Wir bieten ein wunderschönes 3er Set gepolsterte Thonet Stühle aus dem Jahr 1951 zum Verkauf an. Die Stühle sind bekannt unter der Modellnummer A811/1 sind hier in der begehrten Ausf...

#5072-1 Paperweight in the shape of a chain by Carl Auböck. Made of gold plated steel. Austria. New.

This black lantern in glazed ceramic is handmade by Stan Bitters. Warm light soaks through the different openings. One model A / E27 Bulb 40 watts. To be on the safe side, the lamp...

The Australian Black Opal Silver Ring is an exquisite piece of jewelry that beautifully showcases the splendor of natural opal. With its mesmerizing p...

A crisp example of Italian 1970s glass minimalism, by Gallotti & Radice. Thick, lightly tinted glass panels form a low, architectural volume, animated by shifting reflections and a...

Sofa designed by Gerrit Thomas Rietveld in 1935. Relaunched in 1988. Manufactured by Cassina in Italy. Prices vary dependent on the chosen material/color.

Brass bowl by Werkstätte Carl Auböck with a wide, shallow form and raised foot, featuring an inset medallion at the center with a classical profile relief. Beautiful aged patina with...

Stunning Thierry Mugler Ensemble, Fall Winter 1995 Collection. Masterful construction, a fabulous Thierry Mugler creation. Navy /dark blue skirtsuit, jacket and skirt. Silver meta...

Wir bieten ein schönes 2er Set Tischleuchten im Vintage/ Antik Stil zum Verkauf. Die Beschichtungen der Lampenschirme sind innen etwas beschädigt und sollten getauscht werden. Zusta...

Small wall mirror (many models available: different shapes, sizes and colors). "Saturn 219d" Measures: 21 x 9 cm Made from vintage glass bowls. Specially developed and tailor...

Winged Highback Italian Lounge Chair in the manner of Carlo Molino in a beautiful texturized blue fabric. We can also offer to reupholster the Chair in our in house atelier.

Pair of Ceramic table lamps by Soholm, Denmark - 1960s. The lamps are being sold without shade. The measurements given apply to the lampstand. Søholm Stentøj, also known as Søhol...

This painting has heavily textured acrylics in shades of greys and white on carton. The artist created the piece using multiple techniques like palet knife, brush and chalk. The blac...

LIGHT OBJECT 015 – Horizontal Pendant Light A modern, minimalist horizontal pendant light designed as a sculptural light object, defined by two clean linear lines. This contemporary...

Luxurious eye-catcher. Beautiful, antique snake gold bracelet. Studded with countless turquoise, diamonds and rubies. Very fine goldsmith work. Case beautifully cisiled. At the ta...

Men's 14k gold ring with natural crystal of fire garnet andradite garnet origin - Japan ring weight - 7.7 grams stone weight - 4.9 carats ring size - 7 US stone measurements - 0.28 ...

Small wall mirrors. Many models available: different shapes, sizes and colors. Measures: Diameter between 12.5 cm and 21.5 cm Prices from 210€ to 315€ Made from vintage glas...

Adalbert Holzer (1881 Munich - 1966 Munich). Wettersteinkamm. Watercolour, 29 x 34.5 cm (visible size), 37.5 x 43 cm (frame), signed and dated at lower right 'ADALBERT HOLZER [19]23'. Framed behind glass. Frame shows signs of wear. - The blue of the mountains - About the artwork The Wetterstein ridge is revealed to the viewer from a gentle, snow-covered hill. In contrast to conventional depictions of mountains, the painting is composed entirely of shades of blue, which condense into the blue-grey of the rock or fade into the white of the snow. As a complementary colour to the blue, Holzer virtuously activates the ochre ground. The uniform yet exciting polarity of the colours emphasises the massive majesty of the mountains and at the same time underlines the special character of the Wetterstein ridge. Holzer transferred the translucency of glass painting, in which he was originally trained, to watercolour and developed a pictorial language related to the art of Ferdinand Hodler, which earned him the nickname 'Master of Blue' and led to the appreciation of his watercolours in particular. About the artist After an apprenticeship as a stained glass painter at the Kunstgewerbeschule, Adalbert Holzer studied at the Munich Art Academy under Carl von Marr...

‘Chamotte’ vase in ceramic by Gunnar Nylund Chamottered stoneware from Rörstrand. Additional information: Material: Ceramic Artist: Gunnar Nylund Size: 12 H cm.

Johannes Friedrich Heinrich Hänsch (1875-1945), Red blooming war landscape with dead soldier, 1918. Watercolor and gouache on paper, 15 x 24.5 cm (image), 27 x 37 cm (sheet size / frame), monogrammed and dated "19JH18" at lower left. - Paper slightly darkened About the artwork Despite the relatively small format, the watercolor with an internal frame depicts a panoramic view of a flat landscape stretching to the horizon. As far as the eye can see, the poppies bloom in flaming red. The flowers are not rendered individually, however, creating an almost cohesive red surface. The bright red is interspersed with vegetal green. A complementary contrast that creates an intense color effect. In this color contrast, a white area breaks through from the middle ground, widening towards the foreground and surrounding a brown hole. Next to it, in blue, is the actual protagonist of the painting, the first thing that catches the eye: a dead soldier. Next to him is his helmet, revealing the empty interior. The brown, hollow shape corresponds to the hole in the ground. A shell funnel is surrounded by bright ash, which, like the inverted helmet, becomes a sign of death. The soldier's arms point to the funnel, while the empty helmet paraphrases the calotte of the skull and, like the funnel, thematizes the empty darkness of death. The soldier's body, however, is intact and not - as in Otto Dix's triptych "The War" - a dismembered corpse. Instead, Johannes Hänsch activates the landscape, especially the color, to illustrate a blooming landscape of death that extends from the shell funnel in the foreground to the rising column of smoke on the horizon. If the soldier's body is intact, the tangle of barbed wire emblematically placed over the empty helmet also appears tattered. On the right side of the picture, the barbed wire even seems to stretch its arms to the sky in horror. Against the background of this allegory, the content of the bright red also becomes clear: the landscape is drenched in blood, literally a sea of blood, and the single unknown soldier stands pars pro toto for all those who died on the battlefield. Dying in war is not dying in community, but in solitude. In order to emphasize the isolation in death, Johannes Hänsch has set the blue of the soldier in the axis given by his body in the middle ground of the picture into the red sea. A master of landscape painting, Hänsch succeeds in creating a natural-looking landscape allegory that illustrates the horror and death of war, without depicting the brutality of war itself. This singular 'war memorial' of the unknown soldier is the opposite of heroization and yet the dignity of the deceased soldier is preserved through the integrity of his body. About the artist As the son of the sculptor Adolf Haensch, the young Johannes received his first artistic training in his father's Berlin studio. However, he eventually decided to become a painter, and in 1897 he entered the Berlin Academy of Arts. He initially studied under Paul Vorgang and Eugen Bracht, and was particularly influenced by Bracht's increasingly colourful landscape painting. In 1901 he moved to the class of Friedrich Kallmorgen, with whom he spent several weeks on excursions into nature. In 1905 he became a master pupil of Albert Hertel, who taught him watercolour painting. From 1903 to 1933 he exhibited annually at the Great Berlin Art Exhibition, the exhibitions of the Berlin Artists' Association and the Munich Glaspalast. In 1905 he was awarded the Carl Blechen...

These exquisite stud earrings combine elegant design, high-quality materials, and sparkling accents into a piece of timeless jewelry. Crafted from 14-karat yellow gold, they radiate ...

Printed in 2011. Signed in pencil, titled, dated, inscribed and with the photographer's black copyright stamp, on the verso. Number 7 from a limited edition of 25.

This charming heart-shaped pendant combines classic elegance with a loving symbolism, making it an expressive piece of jewelry for special moments. Crafted from high-quality 10-karat...

This is the most gorgeous dress! It is made of such a beautiful delicate silk fabric and lovely strong saturated colours, the shape is typical 1970s. The construction is so well done and there are so many beautiful handmade details. The upper silk is super soft and pleated, it falls in ruffles. The black undersirt has a strengthened hem to create and maintain the shape. The collar falls in ruffles and the front part closes with little hooks. The buttons are covered with the silk fabric. It has two labels inside, one says Walter Gross Zürich (now called GROSS COUTURE, a distrubutor of Haute Couture fashion) and the other one says Paul-Louis Orrier, the designer. This is such a rare one of a kind Couture dress. It comes with a matching belt. The belt had a velcro fastening, I am very sure this was added afterwards, also it didn't work so I removed it. The belt no only closes if you tie it, I would recommend to maybe add press button for your desired fit. Paul-Louis Orrier is an amazing 20th century French designer whose work can be found in the Mint Museum, NC and in the Texas Fashion...

We are offering a beautiful dining table from a renowned designer for sale. The design comes from a talented artist who is known for his timeless and functional pieces of furniture. ...

Jacques Hitier Coffee Table with solid iron base and delicate glass top.

Themistokles von Eckenbrecher (1842 Athens - 1921 Goslar), Norwegian pine grove, 1901. Watercolor on blue-green paper, 30 x 22 cm. Signed, dated and inscribed in his own hand "TvE. Fagermes [i.e. Fagermes]. 26.6.[19]01." - Slight crease throughout at left margin, otherwise in good condition. About the artwork Themistokles von Eckenbrecher often traveled to Norway to study the nature that fascinated him there. On June 26, 1901, near the southern Norwegian town of Fagernes, in the summer evening sun, he saw a small pine grove, which he immediately captured in a watercolor. He exposed the trees growing on a small hill in front of the background, so that the pines completely define the picture and combine to form a tense motif. The tension comes from the contrast of form and color. The trunks, growing upward, form a vertical structure that is horizontally penetrated by the spreading branches and the pine needles, which are rendered as a plane. This structural tension is further intensified by the color contrast between the brown-reddish iridescent trunks and branches and the green-toned needlework. Themistokles von Eckenbrecher, however, does not use the observed natural scene as an inspiring model for a dance of color and form that detaches itself from the motif and thus treads the path of abstracting modernism. Its inner vitality is to be brought to light and made aesthetically accessible through the work of art. It is precisely in order to depict the inner vitality of nature that von Eckenbrecher chooses the technique of watercolor, in which the individual details, such as the needles, are not meticulously worked out, but rather a flowing movement is created that unites the contrasts. The trees seem to have formed the twisted trunks out of their own inner strength as they grew, creatingthose tense lineations that the artist has put into the picture. The inner strength continues in the branches and twigs, culminating in the upward growth of the needles. At the same time, the trunks, illuminated by the setting sun, seem to glow from within, adding an almost dramatic dimension to the growing movement. Through the artwork, nature itself is revealed as art. In order to make nature visible as art in the work, von Eckenbrecher exposes the group of trees so that they are bounded from the outside by an all-encompassing contour line and merge into an areal unity that enters into a figure-ground relationship with the blue-greenish watercolor paper. The figure-ground relationship emphasizes the ornamental quality of the natural work of art, which further enforces the artwork character of the group of trees. With the presentation of Themistokles von Eckenbrecher's artistic idea and its realization, it has become clear that the present watercolor is not a study of nature in the sense of a visual note by the artist, which might then be integrated into a larger work context, but a completely independent work of art. This is why von Eckenbrecher signed the watercolor. In addition, it is marked with a place and a date, which confirms that this work of nature presented itself to him in exactly this way at this place at this time. At the same time, the date and place make it clear that the natural work of art has been transferred into the sphere of art and thus removed from the time of the place of nature. About the artist Themistocles' parents instilled a life of travel in their son, who is said to have spoken eleven languages. His father, who was interested in ancient and oriental culture, was a doctor and had married Francesca Magdalena Danelon, an Italian, daughter of the British consul in Trieste. During a stay in Athens - Gustav von Eckenbrecher was a friend of Heinrich von Schliemann and is said to have given him crucial clues as to the location of Troy - Themistokles saw the light of day in 1842. After an interlude in Berlin, where Themistokles was educated at the English-American School, the journey began again. From 1850 to 1857 the family lived in Constantinople, after which the father opened a practice in Potsdam, where Themistokles, who wanted to become a painter, was taught by the court painter Carl Gustav Wegener. In 1861 the von Eckenbrechers left Potsdam and settled in Düsseldorf. There Themistokles received two years of private tuition from Oswald Aschenbach, who greatly admired the talented young artist. After his artistic training, he undertook extensive travels, often accompanied by Prince Peter zu Sayn-Wittgenstein, which took him to northern and eastern Europe, but above all to the Middle East and even to South America. The paintings that resulted from these journeys established his artistic reputation and led to his participation in large panoramas such as the 118 x 15 metre Entry of the Mecca Caravan into Cairo, painted for the City of Hamburg in 1882. 1882 was also the start of a total of 21 study trips to Scandinavia, most of them to Norway, and the unique Norwegian landscape with its rugged fjords became a central motif in his work. Along with Anders Askevold and Adelsteen Normann...

Fabulous rare Thierry Mugler jacket, FW 1990s Collection. This dramatic sculptural silhouette is truly spectacular. Extremely rare collectors' piece. Iconic Mugleresque hyper femini...

Large silver ring with natural Topaz in fantasy square cut gemstone origin - Brazil gemstone size - 0.16 х 0.31 х 0.31 in / 4 х 8 х 8 mm gemstone weight - 2.69 carat ring weight - 1...

This contemporary pendant necklace is crafted from 18-karat yellow gold and features round-cut sapphires, diamonds and emeralds. We source our gemstones from a renowned German compan...

This contemporary cocktail ring is in 18 karat yellow gold with natural blue cushion sapphire, 4,32 carats, 12,8x8,5mm. It belongs to Tea collection, which was featured in Vogue UA. ...

Round coffee table n ° 34, Tubauto edition, designed by Jacques Hitier. The top is in oak veneer plywood, the base in tubular black lacquered metal. Jacques Hitier (1917-1999) was a ...