Antiques in Brussels

Two Parts Coffee Table, Italy, 1970s Dimensions D: 78 cm (30.71") H: 26 cm (10.24") W: 161,5 - 79,5 cm 161,5 cm for the big one 79,5 cm for the smaller one

Very delicate diamond ring set with a center brilliant cut diamond of 1.01 Carats ( estimated J color - Si clarity ; very pleasant Si on the lower side of the diamond) and 16 brillia...

Full eternity diamond ring. 18 Karat white gold ring set with 26 brilliant diamonds for a total of approximately 1.60 Carat (H/I color - Vs clarity). Weight : 4,4 grams The siz...

Table Lamp LT226 by Carlo Nason for Mazzega, Italy

Sideboard by Enzo Mari for Poltronova, 1980s

Very decorative large Napoleon III "repoussé copper" pareclose wall mirror. Mounted on a wood base. Decorated with leaves, flowers ,foliage and putti. Around 1890-France.

Kiko Lopez is a Puerto Rican artist based in Provence since 1991. A graduate of the Rhode Island School of Design, Lopez's artistic journey began at a young age, experimenting with v...

Tourbillon ring circa 1900 - 1910. Ring set with a center old European cut diamond of approximately 0.95 Carats ( Estimated I color - Si clarity) and 7 small old mine diamonds for ...

Modular 'Pelicano' bookshelves by Vittorio Introini for Saporiti, Italy, 1960s

Brown milk stools by Bicci de' Medici Studio. Dimensions: diameter 30 cm x height 40cm Materials: Natural wood. Pigment. Technique: Carved wood. Handmade. Oiled. Stained Design...

Large carved stone rosette France, 18th century Diameter: 29.5 cm This carved rosette likely adorned a ceiling. This rounded vault key exhibits a delicately crafted decor, with deep...

Bigflow Lamp in Red Lacquered Wood by Kimy Gringoire. Dimensions: W 82 x D 22 x H 76 cm. Materials: Red Lacquered Wood. All our lamps can be wired according to each country. If sold...

Beautiful, large African-style coffee table, hand-carved in dark tropical wood. Made in 1989 by sculptor Kayembe K, who refers to a name generally from Congo (formerly Zaire). - Made...

Antoine-Louis Barye (1795 - 1875) Basset assis Bronze à patine brune nuancée H. : 12 cm; L. : 26 cm; P. : 10 cm Signé «BARYE» sur la terrasse, pas de cachet de fondeur Épreuve ...

Christ
 Umbria, Orvieto?
 Second half of the 15th century
 77 x 16.5 cm

Coffee table by Maison Baguès in gilt bronze, white original marble top. Since its establishment in 1860, the Maison Baguès has been an emblem of French sophistication in luxury lig...

Elegant late 19th-early 20th century cast iron cannon from England. We can find the inscription RM1 on its side very decorative canon side that can ...

Mid-century modulable coat rack by Carlo di Carli for Fiarm, Italy 1960s.

Mid-Century Modern Massimo Papiri Coffee Table by Mario Sabot, Italy, 1970s

Superb, large 19th-century mirror with glazing beads from the Netherlands Very beautiful mirror that stands out for its large size and fine quality All mirrors are beveled a sign of ...

Wooden Dining Table in the style of Borsani, 1960s

A fine wardrobe or cupboardof of the 17th century in oak and turning in boxwood other times alcove bed transformed into a wardrobe or cupboard probably in the 19th century The int...

XXL Space Age Floor Lamp in Nickel-Plated Copper – Iconic Piece from the 1960s Stunning XXL vintage floor lamp from the 1960s, featuring a sculptural and distinctly modern design. I...

Superb Empire period mahogany bedside table from the early 19th century. This large model is quite rare, measuring 82cm high and 42cm in diameter (they are often 74cm high). Its size...

18Kt White-Gold Ring. Old-Cut center diamond of +/- 1,00 Ct (H-Si) surrounded by 18 Calibrated Sapphires. it's a very well made ring. You can see at the back of the ring that it is ...

15 bulbs each. Set of two assorted wall lamps available.

Fine 17th century table with two extensions coming from Switzerland This uncommun extension table has a very beautiful base with Fine carvings and t...

Sophia Vari Greece 1940-2023) « Médée » Ebony and 18ct yellow gold set with a root's emerald 65,57 g (gold 32,44gr + wood 16,00gr + root's emerald 17,13gr) Limited edition 5/6 20...

Slight variations and imperfections may apply due to a handmade production process. At OWN, we stand by these artistic choices and do not accept returns related to these intentional ...

Contemporary Bench, Wood and Fabric, Italy

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper exhibited in the solo show: “The Temperature o...

Mid-Century Motorized Bar by Willy Rizzo, Wood Metal and Glass, Italy, 1970s

Brussels Tapestry After Teniers from the beginning of the 18th century Very beautiful tapestry describing a village scene at the end of the 17th ce...

Mid-Century Pair of Highback Armchairs by Guglielmo Pecorini, Italy, 1930s - New Leather

Elegant French Art Deco brass mirror dating from the 1930s, distinguished by its refined geometric silhouette and beautifully aged gunmetal patina. The rectangular frame is softened ...

large 17th century Spanish table in oak and chestnut - Castille rare table with a very good dimension posterior restorations Superb patina and in perfect condition Delivery ...

Henri Emilien Rousseau (1875-1933) Chevaux de goumiers c. 1930 Signé en bas à gauche "Henri Rousseau" Huile sur panneau 14 x 22 cm Henri Rousseau est né au Caire, en 1875. Sa famill...

Superb and rare 17th century Spanish mirror in polychrome wood This is a niche that has been transformed into a mirror Very beautiful carv...

Iconic "PH Louvre" ceiling light designed by Poul Henningsen and produced by Louis Poulsen in Denmark. Design from 1958 - Model of 1980s Poul Henningsen is famous for his lighting ...

Rotating Bookcase "Centro" by Claudio Salocchi, italy, 1960s

Large Glass Ceiling Light, Czech, 1960s

Iconic swiveling desk chair in chrome and black Hopsack fabric, designed by Charles & Ray Eames for Vitra in 1958. - Designed by: Charles & Ray Eames Produced by: Vitra
Origin: Italy...

Leather trunk Spanish, 17th century Boiled Leather, wood and iron Measures: 22 x 53 x 32 cm. Provenance : - collection Metz-Noblat, Château de Clevant, France Rectangular trunk of the form and size of a small suitcase with wrought iron hinges and lock-plate. Wood, covered with leather, cut and embossed with every surface of the thick cow hide covered in interlace, zoomorphic features. The construction method is boiled leather, often referred to by its French translation cuir-bouilli: a process used to change flexible, vegetable-tanned leather into rigid, moulded objects. For shaping of the vegetable-tanned leather, heat and moisture were used, as indicated by the term boiled leather. No written medieval sources describing the production of decorated cuir bouilli objects survive, so knowledge of the process relies on the important studies of the Scottish leather historian John William Waterer. A large range of methods, materials and techniques could be used in various combinations. The vegetable-tanned leather, made supple with moisture and heat, was stuffed, shaped and nailed to the rigid wooden coffer support. The stuffing material was probably modeled beeswax or stearin wax. To shape the leather, to create its topography, « Cushions » were made by lacing a thread through an awl hole and attaching the flexible leather and stuffing to the rigid wooden support on the bottom. Then the decoration was done: lines were incised through the upper layer of the leather (epidermis) with different thicknesses of knives or needles. Contours were created with deep v-shaped cuts, decoration with thin incision and final details with a needle point. For the incision and pouncing stage, the leather was probably kept heated and moistened for suppleness. Once dry, the leather would be hard and rigid. the saturated leather is worked over a form, possibly even damp sand, with the pattern shaped using bone or wooden tools. Compare to metal, leather was lighter and it offered protection from cuts and punctures. Cuir bouilli objects were produced by specialist leather workers and needed skillful craftsmanship. The surface is filled with roundels shaped foliages enclosing animals, lions and peacocks. The foliate arabesques creating a vegetal connection tweet the animals create the impression of a lush verdant space . The vegetal pattern here employed in combination with geometrical pattern came from the pre-islamic artistic traditions of the Byzantine and Sasanian empires. An aspect of Islamic geometry Is the basic symmetrical repetition and mirroring of the shapes that create a sense of harmony. The decoration of this truck is inspired by the islamic « arabesque » a form of vegetal ornament composed of spirals, intertwining plants and abstract curvilinear motifs. An arabesque character is given to the birds of the decorations through extreme stylisation. This arabesque maintained the classical tradition of median symmetry, freedom in Detail and heterogeneity of ornament. The presence of the peacocks is a paradisiacal allusion: in popular Islamic literature they were among the original inhabitants of the garden of Paradise expelled with Adam and Eve. Peacock as a decorative motif may have originated in the West, despite their eastern provenance. There was an ancient belief that the flesh and feathers of peacock do not decay. This led to the peacock becoming a christian symbol for Christ’s resurrection. Renowned for their decorative wall hangings, seventeenth-century Spanish leatherworkers also produced utilitarian objects, such as this trunk. A similar trunk is on display at the Metropolitan museum of art ( 09.158.1). Related literature : Davies L. 2006. Cuir bouilli. Conservation of leather and related materials, 94-102, Oxford: elsevier Butterworth-Heinemann Grabar, Oleg. The Mediation of Ornament. Princeton: Princeton University Press, 1992 Gabriela Germana Roquez, "El mueble en el Peru en el siglo XVIII...

Mid-Century Modern Wall Unit, Italy, 1970s

Pair of Armchairs, Italy, 1950s - New Velvet Upholstey

Pair of Art Deco Armchairs - New Upholstery

Superb English brown leather two-seater chesterfield sofa of 1m74 long Chesterfield sofa handmade by an English craftsman with whom we have worked for 40 years. The seat is composed ...

Mini Bigflow Lamp in Resin and Steel by Kimy Gringoire. Dimensions: W 18 x D 10 x H 25 cm. Materials: Resin and Steel. All our lamps can be wired according to each country. If sold ...

Cute table lamp in ceramic. Shaped as an owl, in the style of the French ceramist Agnes Escalas from Vallauris in the 1960’s. - Produced in: unknown Design period: 1960’s Materials: ...

Decorative Spanish wall tapestry in wool from the 70s. Please do not hesitate to contact us for any additional information. We would be delighted ...

This striking ceramic floorlamp by Ugo Zaccagnini from 1960's wears primitive and sgraphit style. Nice details and complexe intricate tribal-inspired motifs rendered in glossy white ...

Artisan Etienne Allemeersch, who refined his craft in the workshop of the Belgian artist Ado Chale, crafted this coffee table in resin adorned with inlaid fossil stone. Do not hesi...

Mid-Century Modern Coat Hanger, Italy, 1950s

Chandelier with 5-light in silvered bronze and cut crystal, France, early 20th century.

A two-fold some-e (batik) silk folding screen by Minagawa Taizō (1917-2005), with the landscape of a sunrise at Uji, Kyoto. Byodoin temple can be seen on the lower right hand side. ...

Mid-Century Modern Daybed, Italy, 1960s

Very rare coffee table in bronze by Jules Wabbes. Belgium circa 1960 Dimension with glass 120cm x 43cm. Dimension without the glass 79cm X 40cm. possibility of re-cutting the glass.

Pair of Italian lamps in brass and glass bulb.

Blop Modular Sofa by Carlo Bartoli for Rossi di Albizzate, Italy, 1970s D: 79 cm (31.10") H: 69 cm (27.17") W: 131 cm (2 seater ) W. : 71 cm ( 1 seater)

We have no information about this lamp, But we know we loved her since the very first moment. This stunning boomerang shape used as a foot is perfectly executed, it's proportions are...