Antiques in Brussels

Mid-Century Modern Sofa Model Le Bambole by Mario Bellini for B&B Italia,1970s - New Upholstery

Unique large Murano glass vases. Designed by Gino Cenedese and Maurizio Albarelli for Cenedese et Albarelli, circa late 1970s. Deep gradient amethyst colouring, fading to a pinkish c...

From the 1970s comes this pair of table lamps in sculptural brass and amethyst. The lamps received new electric al wires according to the latest safety standards and new polish. Sign...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

Coffee table etched brass inlaid agate by Lova Creation in perfect condition. An iconic motif of spider web with an off-center agate. From the same school of Georges Mathias, Willy ...

Drawing inspiration from ancient ceramic traditions, including Korean pottery and the Japanese wabi-sabi aesthetic, Laura Pasquino (Grège Gallery) explores the beauty of imperfection...

Mid-Century Modern Wooden Bench by Ico and Luisa Parisi, Italy, 1950s

Pair of Mid Century Modern Armchairs by Sapporo for Mobil Girgi, 1970S

Mid-Century Modern Rodica Lounge Chair and Ottoman by Mario Brunu for Confort Italy, 1970s - Original Leather

'Albenga' Armchair by Gustavo Pulitzer Finali for Arflex, 1955

Untitled No. 46 Vase by Marea Hildebrand Handmade Dimensions: D 28 x W 28 x H 28 cm Materials: Stoneware with slip, glaze. Marea Hildebrand (b. 1989) is a Zurich-based ceramic arti...

Mid-Century Modern wall unit by Vittorio Dassi, Italy, 1960s.  

Fine Art Deco period Chinese rug with a gold yellow base, border, vegetal and dragon. Hand- knocked wool on a cotton base. Art Deco period around 1930.

Very nice pair of pink marble font from the 19th century Very nice work from the south of France In superb condition and beautiful patina

Mid-Century Modern wood foldable 6M desk and chair, Italy, 1960s Measures: Chair : 55 x 50 x 36cm Seat height : 40cm.

Modernist pine chairs. This 1960s chair will add a unique touch to your interior. The chair was barely used, with the seat having been “protected” by cushion.

Elegant Globe Wernicke London oak bookcase from the late 19th century-early 20th century from England that features 4 elements with a drawer in its base Beautiful model that feature...

Circle Bench by Pol Quadens Unique Piece. Dimensions: D 45 x W 45 x H 300 cm. Materials: Polished stainless steel. Pol Quadens was born in Brussels. His ...

Large carved stone rosette France, 18th century Diameter: 29.5 cm This carved rosette likely adorned a ceiling. This rounded vault key exhibits a delicately crafted decor, with deep...

This mid-century style snail sculpture by Camilli Sergio is crafted from semi-transparent fiberglass, embodying the design principles of the era with its organic form and warm amber ...

Vintage White gold 18 Karat ring set with a cushion Ceylon bleu sapphire of 21.16 Carats ( natural no heated) and six baguette shape diamonds for a total of approximately 1 Carat ( e...

Mid-Century Modern Wall Console with Mirror, Italy, 1960s

Elegant oak stacking bookcase from the late 19th/early 20th century from England, with 6 elements and an advanced lower part. making it ideal for large books and objects. the total h...

Egg Chair and Ottoman by Arne Jacobsen for Fritz Hansen, 2000s

Mid-Century Modern Desk Table by Gianfranco Frattini for Bernini, Italy, 1960s

The loss of craft at its purist form due to economic circumstances of the last centuries. Going back to basics in a chaotic world where social media takes over. Where expectations an...

Wooden Dining Table in the style of Borsani, 1960s

Objects with Narratives is founded by three complementary Belgian individuals: Nik and Robbe Vandewyngaerde & Oskar Eryatmaz based in Geneva, Brussels & Bruges. The brothers Vandewyn...

Mid-Century Modern Pair of Nightstands, Italy, 1960s.

George Nelson Miniature chest Model 5215, 1950s.

Cloudy landscape. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Embriachi workshop marquetry casket Northern Italy, 15th century Alla certosina inlays (bone, stained bone, pewter and wood) H 28.2 x W 18 x D 14 cm This beautiful casket of rectangular form is richly decorated with the characteristic geometric patterns of the Embriachi style. The intricate geometric patterns are fashioned by juxtaposing lighter and darker pieces of wood, (colored) bone, horn and pewter. The lid and base are framed by a broad band of horn. When ivory became scarce in Europe due to disrupted trade routes, bone was substituted. The attention to Symmetry and balance created an harmonious visual effect Enhancing the overall aesthetic appeal of the casket. The application of geometrical motifs is in Italy known as marquetry ‘alla Certosina’, named after the Certosina Church in Pavia with its famous altarpiece decorated in this way. This is ‘intarsia technique’, a term derived from the Arabic 'tarsi', which means ‘incrustation' recalling ancient mosaics made from various materials. These geometric elements not only enhance the aesthetic appeal of the caskets but also demonstrate the versatility and skill of the artisans in creating multifaceted works of art. ‘Alla Certosina’ became famous through the Northern Italian Embriachi family who achieved a particularly high standard in working in this technique. Venice in particular was known for the production of these luxurious boxes. The caskets, hexagonal or rectangular, surmounted by a lid decorated in several registers constitute the secular, albeit equally renowned component of the workshop’s production, in addition to mirror frames and various everyday objects. The method of fabrication of those objects was based on two concepts that underlay pre-industrial production: standardization and modularity, thanks to a distribution of skills according to the different phases of fabrication. even the realization of the marquetry motifs (in the form of ingots from which portions of the desired size were cut) were therefore entrusted to various specialized craftsmen, as were the assembly phase. Today better known thanks to the extensive research work recently carried out by Michele Tomasi, this workshop owes its name to its founder and owner, the Florentine Baldassare Ubriachi (or degli Embriachi), a merchant and banker established in the Tuscan capital before he settled in Venice in 1395. Together with sculptor Giovanni di Jacopo, who directed the workshop, from the last years of the fourteenth century, Baldassare oversaw a production that was truly original, and still easily recognizable today, comprising monumental altarpieces and various objects, primarily triptychs and caskets. The precise location of the workshop is unknown, except that it originated in Florence and in ca. 1431 there was apparently a workshop in Venice, in the area of S Luca. They employed local workers specializing in 'certosina' (inlay of stained woods, bone and horn), and the workshop produced items carved in bone (usually horse or ox) with wood and bone marquetry. The geometric decoration of Embriachi caskets reflects the artistic complexity and attention to detail that characterized their work. this inlaid casket is a testament to the skill and artistry of the Embriachi family and serves as a stunning example of the decorative arts of the late Middle Ages. Related Literature : E. Berger, Prunk-Kassetten: Europäischen Meisterwerke aus acht Jahrhunderten / Ornamental Caskets...

Coffee table etched brass inlaid 3 agates by Lova Creation in perfect condition. An iconic motif of spider web with 3 agates. From the same school of Georges Mathias, Willy Daro, an...

9 Cubes Table by Pol Quadens Limited Edition Of 8+4 Pieces. Dimensions: D 150 x W 150 x H 40 cm. Materials: Polished stainless steel. Pol Quadens was born in Brussels. His father w...

Loetz Glass bowl

Designed by Belgian modern design pioneer Jules Wabbes (1919 - 1974) and manufactured by Le Mobilier Universel in the late 1950s, this desk embodies structured charm. Its sturdy chro...

Nice serving trolley, sideboard, or bar-cart in warm wood with drawer and brass wheels made in Italy in the 1970s. The tabletop must have been wallpapered in the 60’s and 60’s by the...

Mid-Century Modern Set of 6 Armchairs by Derk Jan De Vries, 1960s

Set of Hunting Chairs by Heinz Heger for PGH Erzgebirgisches Kunsthandwerk Annaberg Buchholz, former GDR, 1960s

Mid-century wool rug - Belgium 1970s.

Bookcase " Nuvola Rossa" by Vico Magistretti Designed in 1977, Nuvola Rossa is a timeless icon featuring unexpected geometric shapes and a clever folding design. It offers flexible ...

Modernist Art Deco ceiling lamp attributed to Perzel-France. Mint condition chromed metal base and a large glass disc partially sanded. Three lights. France 1930.

Late 18th-Century Chest, Veneered with Walnut and Austrian Ash

This floor lamp is a 1950s design by Maison Arlus, Paris. Its form is defined by a slender, graphic structure — a combination of black lacquered metal and a central brass rod that ri...

Very beautiful font in pink marble from the 19th century Very beautiful work from the south of France In superb condition and beautiful patina

curious art nouveau oak dresser from the early 20th century from Brussels Small model composed of 4 doors and two drawers with 2 glass doors Very beautiful work on the windows with ...

Mid-Century Modern set of 4 chairs by Mario Sabot, Italy, 1970s.

Nesting Tables "986" by Josef Hoffmann, Vienna, 1900s.

Nice Angelo Brotto mid-century signed wall mirror, for Esperia, circa 1970, Italy. Brass, mirror. Dimensions: 100 cm H, 66 cm W, 6 cm D. Good original condition of the mirror. All p...

a fine terrestrial globe by Lebègue & Cie Bruxelles Very nicemodel with a stunning base in cast iron with the presence of 3 heads and ending with lion claws A very beautiful globe in...

Lovely pair of 2 similar oak chairs by Danish designer Henning Kjaernulf. They are from the 1960’s and made out of massive wood. They were cleaned and waxed and the seats are complet...

Mid-Century Modern Round Graphic Rug, 1970s

A graceful Louis Poulsen torchiere floor lamp from the 1930s embodies the quiet elegance of Danish design. Rising with slender confidence from its balanced base, the lamp’s silhouett...

Tourbillon ring circa 1900 - 1910. Ring set with a center old European cut diamond of approximately 0.95 Carats ( Estimated I color - Si clarity) and 7 small old mine diamonds for ...

Auguste Piece 01 White Onyx Limited Edition Armchair by Tristan Montabord-Marc Limited Edition Of 12 Pieces Dimensions: D 69 x W 85 x H 68 cm. Materials: Onyx. Also available in Ze...

Heavy Lucite piece with a silk pagoda shape lampshade. One light.    

Jos Seeuws (1912-2003) painting, Belgium, 1970s.

This brooch, in gilded bronze named "Marotte", beautifully showcases the humorous aspect and the art of reinterpreting things by LV. A "marotte" in French is a theatrical prop, typic...

Mid-Century Modern Coffee Table, Wood, Italy, 1970s

Pair of Modern Conical Wooden Table Lamps, Boucle Lampshade, Italy