Antiques in Brussels

Lovely Spanish Renaissance walnut coffee table. Unusual coffee table with a beautiful 17th century walnut top in one piece with a superb flame and a beautiful thickness and a magnifi...

Black glazed vase by Swedish master ceramicist Stig Lindberg. From light brown on the edges to dark black. It is the Japanese tenmoku glaze also used by the ancient Chinese. Elegant ...

Set of 6 perforated brass lamps. Total dimensions hung: H.140cm, D.40cm Active between the 1950s and '70s—in the golden age of Scandinavian design—Swedish interior decorator and furniture designer Hans-Agne Jakobsson (1919-2009) is best remembered for his softly glowing, glare-free lighting fixtures, which were inspired by the "organic modern" approaches of Danish lighting master Poul Henningsen and Finnish icon Alvar Aalto. Though lesser known today than many celebrated midcentury lighting designers like Jo Hammerborg and Verner Panton, Jakobsson created a range of pendants, floor lamps, wall lamps, and table lamps that showcase a penchant for diverse materials and forms, as well as a deep understanding of lighting effects. Jakobsson was born in Havdhem on the island of Gotland in Sweden in 1919. He first apprenticed as a carpenter and then continued his education in Gothenburg, graduating with a degree in architecture. He was hired by General Motors as an industrial designer and subsequently worked as an assistant to both Carl Malmsten (1888-1972)—one of the most prominent figures in Swedish design—and Werner West (1890-1959). In 1951, Jakobsson founded his eponymous furniture manufacturing company, Hans-Agne Jakobsson AB in Markaryd, Sweden, which is sometimes referred to as AB Markaryd. Although Jakobsson designed and produced various types of furniture, his lighting received greater international attention. Experimenting with a wide range of materials—including brass, iron, glass, fabric, and wood shavings—Jakobsson mastered both the direction and color of light. His designs are known for their hidden bulbs and streamlined ornamentation, which created diffused, muted lighting. Jakobsson’s career was prolific to say the least. His company produced over 2,000 separate lamps in fifty years. Jakobsson’s own body of work includes laminated pine pendant lamps, large bulbous glass chandeliers, all manner of muted lighting, and even Pop Art-inspired sconces. Examples include the outdoor light Tratten S2064 (1954), Estrella V258 Wall Lamp (1950s), Lamingo T325 Celling Light (1950s), his pinewood cylindrical B128 Table Lamp (1960s), BN26 Table Lamp...

Pair of glass and chrome Italian sconces.

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

This vase was hand crafted in 1978 at the Skultuna studio were Pierre Forssell was working with he's assistant. The vase is made of a brass tube where a brass curved crown was delica...

Swedish antique pine and birch wooden barrel / basket . Fine quality of bentwood. It is a true piece from the early 19 century. Hand graved 1837. On the lid. Nice addition in a kit...

Water painting by Guy Vandenbranden, Belgium, 1993.

Water painting by Guy Vandenbranden, Belgium, 1998.

Water painting by Guy Vandenbranden, Belgium, 1989.

Water painting by Guy Vandenbranden, Belgium, 1999.

Water painting by Guy Vandenbranden, Belgium, 1996

Water painting by Guy Vandenbranden, Belgium, 1993.

Green glazed bowl / plater by Swedish master ceramicist Car-Harry Stalhane. From dark grey on the edges to dark green. It is the Japanese inspiration glaze. Elegant details and nice ...

Oil on canvas by Guy Vandenbranden, Belgium, 1999.

Vintage Swedish hand knotted on linen warp, designed by Marta Maas-Fjetterström (1873-1941). Made in the 1930's. Signed MMF which is proof Marta made this rug during her lifetime. L...

The Oracle, explores the relationship between the viewer and their environment through a simple yet powerful design. Beginning with the concept of the curve, three abstract planes ar...

Superb 19th-century beechwood fireplace mantel louis XV style This mantel stands out by its beautiful patina and blond color, which is unusual and very elegant. The two uprights an...

Beautiful two-source table lamp made of two Murano glass parts on a brushed and chromed fixture. Colored on the bottom and bubbly on top, both can be turned on independently. - Produ...

Portrait of a man. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

A charming small mahogany commode in the Empire style, dating from the late 19th/early 20th century. It features four drawers in the front and rests on straight legs terminating with...

Decorative hardwood lamp made in the 1970's in Sweden. Made of hardwood in the sculptural shape base. The total height of this lamp including the shade is 51cm. The shade is H 23 cm ...

Franca Stagi & Cesare Leonardi are both Italian designers. The present lamp was designed in 1969. It is clearly influenced by the space age period, and contemporary to the period. ...

Superb 19th century mahogany campaign or military chest of drawers. A high-quality chest of drawers that was originally in two parts, but was screwed together. This was done at the time to facilitate transport during military campaigns or on ships. The chest of drawers is made entirely of solid mahogany and has the typical square shape of military chests of drawers. English naval chest of drawers...

Black glazed vase by Swedish master ceramicist Stig Lindberg. From light brown on the edges to dark black. It is the Japanese tenmoku glaze also used by the ancient Chinese. Elegant ...

Surprising table lamp made of black and white striped Murano glass, a bit shaped like a whale jumping out of water. Designed by Res in Venezia in the 1980’s. - Produced in: Murano Is...

Vase ‘Surrea’ designed by Wilhelm Kåge for Gustavsberg, Sweden, 1940s. Algot Wilhelm Kåge (6 March 1889 – 25 November 1960) was a Swedish artist ...

Children fishing in a landscape. Original ,title 'Le Vesdre à Chaudfontaine' Oil on mahogany panel. Signed and dated 1876 lower left.

Mid-Century Modern pair of Zanuso armchairs for Arflex, Model Lady, 1950.

Rare Space-Age floor lamp with a chromed metal foot (half brushed, half polished) under a double acrylic shade (frosted, clear & white) designed in Belgium for the range Exclusif Gev...

Sabine Charoy rare desk lamp model 10596 Edition Verre Lumiere, 1981, France. Anodized aluminum, black lacquered metal base. Dimensions: 45cm H, 45cm W, 10 cm D. Original condition. Collector item rare on the market. All purchases are covered by our Buyer Protection...

Johann Kaspar HUBER is a Swiss painter.

Ceci est un ensemble de tables gigognes de l'architecte Suédois Axel Larsson. Ils ont été produits par la firme SMF Bodafors début des années 1930. Le bois sont dans son état d'origi...

Unique Swedish hand carved pine trunk red painted from circa 1700. Lots of history, patina and traces of time. Very good condition. Could be used to sit on a desk with a small cushio...

This floor lamp with fully adjustable shade was manufactured in brass by Bergboms and designed by Eje Ahlgren. The protruding brass rod at the top of the shade is intended to be used...

One of most influant Danish architect of the early 1900. Brass wall lamp that can be used down or ud and even on the side. Large reflector with a long arm. Elegant, minimal and classical at the same time. A true master piece produced by lighting manufacturer Fog & Morup in Denmark. _____________________________________________________________ Niels August Theodor Kaj Gottlob, usually known as Kaj Gottlob, (9 November 1887 – 12 May 1976) was a Danish architect who contributed much to Neoclassicism and Functionalism both as professor of the School of Architects at the Royal Danish Academy of Fine Arts and as a royal building inspector. After qualifying from Borgerdyd School in 1905, Gottlob attended the Technical School (1905-1908) and the Royal Academy, graduating as an architect in 1914. At the time, he was one of the young neoclassicists who used to meet at the Free Architecture Society (Den fri Architektforening). He taught at the Technical School (1915–17) and was an assistant at the Royal Academy's Building School (1917–24). Between 1912 and 1923, he travelled to Greece, London, North Africa, Italy, Paris and Vienna. After first working as an assistant at the Academy's School of Architecture in 1917, he was appointed professor in 1924. In 1936, he succeeded Kristoffer Varming as royal building inspector and, in 1938, gave up his post as professor at the Academy. As a young man, Gottlob showed interest in classical architecture, influenced in part by the English Arts and Crafts movement. Works in the 1920s include a residence at 45 Dalgas Boulevard (1924) and St Luke's Church in Århus (1926). But like his peers, he soon turned to Nordic Neoclassicism, appreciating its sober, contemporary style. This can be seen in his Danish Student Hostel in Paris, completed in 1929. Though it was hardly international modernism, it was something of a breakthrough for Scandinavia. In designing Ørstedhus in 1934, Gottlob maintained some of the classical ideals, especially with the symmetry and hierarchical form of the facade. Standing on the corner...

Decorative hardwood lamp made in the 1940's / 1950's in France. Made of hardwood in the sculptural shape of a jug. The total height of this lamp including the shade is 50 cm. The sha...

Very Rare Full Set Barware From Aldo Tura, circa 1960, very difficult to find in this condition and completed.. You have the tray, the shaker, the ice bucket with a mercury glass, an...

Pierre Cardin and Francesco Bocola . One of a kind storage unit made by Fransesco Bocola and Pierre Cardin . 4 doors and 4 drawers. Signed pierre Cardin in the wood at the base. Probably unique piece and made for a special command with the rest of pierre Cardin pieces . I would prefer to sell the entire set comprising desk low table and chair...

Console by Guiseppe Raimondi for Cristal Art, Mirrored Glass, Italy, 1970s

Cette sculpture est signée de l'artiste François Vandenberghe et numérotée "1/8". Le cachet de fondeur est celui de la fonderie Lauragaise. Il s'agît d'un véritable portrait. Au delà...

1. Artistic Description of "Woman with a Faun" The bronze sculpture depicts a mythological female figure, likely a nymph or bacchante, carrying a young faun on her shoulders. Subjec...

Hight adjustable side table in black lacquered metal with two glass shelves and four wheels, designed by Allegri Parma in the 1970’s. - Table d'appoint réglable en hauteur en métal l...

Large Contemporary Modular Aluminium Wall Light Panel, Belgium

Mid-Century Modern Gambadilegno Sofa by Enzo Mari for Driade, Italy, 1974 Enzo Mari (born April 27, 1932, in Novara, Italy–died October 19, 2020) was a noted Italian post-Modernist ...

Josechu Lalanda (1939 - 2015) Ours Bronze à patine brune sur un socle en bois H. : 15,8 cm ; L. : 21,5 cm ; P. : 10,6 cm Signé "J. Lalanda", daté "1990" Numéroté "25 / 250" Josechu ...

Efeso Vase, designed in 1964, Ercole Barovier Ercole Barovier was born on Murano, an island near Venice, in 1889. He began working in his family's glass workshop at the age of 20 an...

Murano glass sculpture representing a stylized fish by Mario Pinzoni, Seguso Vetri d’Arte (IT). In sommerso glass, the ruby-colored body submerged in a purple mass. (Rubino – Violett...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 40 x 32 cm (15.7 x 12.6 in) matted to 61 x 51.x 0.1 cm (24 x 20.1 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional he...

Image size is 40 x 32 cm (15.7 x 12.6 in) matted to 61 x 51.x 0.1 cm (24 x 20.1 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional he...

Image size is 40 x 32 cm (15.7 x 12.6 in) matted to 61 x 51.x 0.1 cm (24 x 20.1 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional he...

Image size is 40 x 32 cm (15.7 x 12.6 in) matted to 61 x 51.x 0.1 cm (24 x 20.1 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional he...

Image size is 40 x 32 cm (15.7 x 12.6 in) matted to 61 x 51.x 0.1 cm (24 x 20.1 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional he...

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

Diptych. The dimensions of each element are 84 x 60 cm (33.1 x 23.6 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaust...

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....