Budapest

A pair of bentwood armchairs, model 715/F, conceived by Gustav Siegel in 1899 and produced by Jacob & Josef Kohn in Vienna around 1905. The chairs measure 76.5 cm in height, 53 cm in...

An exceptional Meiji period Japanese bronze sculpture by the renowned master Genryusai Seiya, signed SEIYA zo to the underside. Naturalistically cast in the form of a standing Bactri...

Original Sputnik 12 brass arms and opaline glass.

Made of brass and solid stainless steel it keeps the lines incredible elegance. The glasses in the Classic Verde Nilo color give the lights a fascinating effect. From private Collect...

Art Deco Italian chandelier by Ercole Barovier, 1940. It is a very rare piece. The engraving on glass of two cornucopias is remarkable.

A masterpiece from the historic Murano furnace. From private collection Von Plant Baron.

Chandelier with sober and elegant shapes. An authentic jewel out of the Murano furnaces.  

Antique sofa table in the Napoleon III manner, totally ebonized with gilt bronze decorative moldings and Boulle style marquetry in the centre of th...

A five lights Murano glass shades and chromed steel arms.

Empire Walnut and Giltwood Open Bookcase, Austria, circa 1810–1830 This finely crafted Austrian Empire open bookcase, dating from around 1810–1830, is an exceptional example of earl...

The chandelier is made by 389 alternating "tronchi" ice, snow and amber. The effect is of majestically elegance.

Spectacular four sconces by Vistosi each made of five Murano discs honey color.

The chandelier is made with 19 handmade pink glasses that create a spider's web design, hanging from a nickel-plated metal frame.    

Set of four chandeliers. Each chandelier has 23 fantastic honey discs in a nickel metal frame. Period: late XX century Dimensions: 44,50 inches (150 cm) height with chain; 19,40 inch...

Pair of sconces with hand-sculpted glass Verde Nilo in the style of Fontana Arte, Italy, 1970.

Classic Murano chandelier transformed through intricate finishing and vibrant color, a cult piece amongst the ragtime décor. Classic chandelier finished to the smallest detail, in gl...

Large Biedermeier sofa circa 1830 in a typical cream material with yellow flowers. This beautiful cream sofa is made out of walnut. It is an elegant piece. The Biedermeier period r...

Restored J.J. Kohn Piano Stool in Black Lacquered Beech, circa 1900 This beautifully restored piano stool by renowned Austrian furniture maker J.J. Kohn features a timeless silhouet...

Four fabulous glass of Alessandro Pianon. The glasses are also available for the same color compositions.

Gray enamel. Coming from an old factory in Budapest. 12 pieces available Weight: 2.35 kg.

This striking contemporary coffee table embodies industrial minimalism, showcasing a split rectangular top crafted from polished concrete slabs with a subtle veined texture that adds...

Piece of incredible beauty in massive Murano glass with inclusions of gold.

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Copy made in the early 19th century of the famous painting by Nicolas Fouché Troyes 1653 - 1733 Paris exhibited in the Museum of Fine Arts in Budapest   

A show of porcelain flowers and esmeraldo drops. Bronze frame. Piece of extraordinary elegance.

Lantern of incredible beauty in massive Murano glass with inclusions of gold. Three pieces are available.

Pair of Italian antique candelabra bronze wall sconces, 19th century.

Designed for the Cafe Lurion in Vienna, Lit.: Giovanni Renzi, Il mobile moderno, Mailand 2008, Thonet Zentral Anzeiger 1014.

The eight-glass leaves or three cattails appear to be free of any chips, cracks or repairs.

Gorgeous and very extraordinary large ceiling light by Carlo Nason for Mazzega, circa 1970, from Hotel Fuenti in Amalfi coast. Is composed of 30 big alternated sheets of glass ice an...

Young woman undecided whether to bathe in the fountain or to continue mirroring herself in the water. A small masterpiece of the early Italian Art Nouveau period. Signee L. Nardoni.

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

A wonderful multifunctional Italian sideboard by Vittorio Dassi, 1950s. Measures: Sideboard 39.5 in. H x 115 in, W x 23 in, D 100 cm H x 292 cm W x 58 cm D.   

Pendant lamp with hand-sculpted glass Verde Nilo in the style of Fontana Arte, Italy, 1970.

Miklós Bánovszky (1895-1995): Table still life with fruits oil on canvas Size: 80x61 cm (95,5x75,5 cm. with the frame) Signed on lower left The frame visible in the photo is included...

Antal Berkes (1874-1938) Street scene from the Fin de Siécle Signed Size with the frame : 46x56 cm This atmospheric street scene by Antal Berkes captures the elegance and vitality of...

Gorgeous and very large pair of sconces 24-karat gold by Barovier & Toso with gold inclusions.

Rare 'Pulegoso' Murano glass chandelier.

Set of six Italian wood chairs with a precious white velvet with bronze color insert new upholstery. Made in Italy 1950'. The wood is in perfect vintage condition. Each chair has ...

‘Portrait of Yer’ by Ivan Maria Friedman (limited series of 15) PhotoRag Baryta Portrait of Yer, a young lady from the Hmong tribe standing at the window of her home in the Vang v...

Very rare piece of the famous chandelier factory.

Charming chandelier by Barovier & Toso, 1950, blown Murano glass with gold inclusions. Six-light attack small.

JUSZKÓ, BÉLA TATA-TÓVÁROS, 1877 - 1969, BUDAPEST Painter. He trained in the Budapest School of Drawing between 1893 and 1898. His masters were Ede Balló and Bertalan Székely. In 190...

Vintage Italian Murano chandelier in Vistosi style. The chandelier has 23 fantastic iridescent alabaster pink discs in a nickel metal frame...

Pink and ice handblown leaves in Murano glass, circa 1940. Piece of incredible beauty. From Private Collection Von Plant Baron.

Pink and ice handblown leaves in Murano glass, circa 1940. Piece of incredible beauty. From Private Collection Von Plant Baron.

Luxurious pair of sconces in Murano glass with gold inclusions. To complete a modern atmosphere with refined taste.

Chandelier with sober and elegant shapes. An authentic jewel out of the Murano furnaces.  

Flamboyant chandelier from the famous Barovier & Toso furnace. 12 ruby red arms to make the protagonist of a representative hall. A six-armed pair is also available.

Six-arm chandelier gold inclusions, Italy. Hand blown glass using the ‘Reticello’ technique.

"I was born in Budapest, I live in Budapest, I work in Budapest. I like to exhibit everywhere, this is the best game of my life'. I work with the traditional disc, so I knead and ...

Chandelier of incredible beauty. 12 cups distributed around two circular basins in massive Murano glass with inclusions of gold.

Gorgeous and very extraordinary large ceiling light by Carlo Nason for Mazzega, circa 1970, from Hotel Fuenti in Amalfi coast. Is composed of 30 big alternated sheets of glass ice an...

Extraordinary pendant in the shape of a large egg Fontana Arte style. Twelve carved glass Verde Nilo color.

Four sconces with hand-sculpted glass Verde Nilo in the style of Fontana Arte, Italy, 1970.

Mid-Century Italian Murano Table Lamp Art Deco, attributed to Barovier&Toso. From Private collection.  

Extraordinary chandelier mid-20th century Art Deco by Ercole Barovier, Murano, 1940. Nine lights.

Chandelier by Barovier & Toso of incredible beauty. Very fine fountain of the light.

A very fine Murano chandelier, each one composed by 30 hand blown cylindrical glass pieces height each 30 cm.

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...