Cleveland - Paintings

Clarence Holbrook Carter (American, 1904-2000) Venus, 1940 Signed Clarence H. Carter and dated 40. (ur) Oil on canvas 40 x 27 inches 48 x 35 inches, framed Clarence Holbrook Carter ...

Charles Mayes Wigg (British, 1889-1969) Sailing the Norfolk Broads Oil on canvas Signed lower left, signed and inscribed verso 12 x 16 inches 16 x 20.5 inches, framed Charles Mayes ...

Luigi Morgari (Italian, 1857–1935) The Nun Oil on canvas mounted on board Signed lower right 14 x 12 inches 21.5 x 19.5 inches, framed Luigi Morgari was an Italian painter, primaril...

18th Century French School Portrait of an Actress Oil on canvas 30 x 23 inches 36 x 30 inches, framed

19th Century British School Ship at Sea Oil on canvas laid on panel 11 x 14.5 inches 14.5 x 18 inches, framed Frame has chips and paint loss. See photos.

Edwin Mieczkowski (American, 1929-2017) Broken Ice, 1976 Gouache and pencil on paper Signed, dated (Feb. 2, 1976) and titled lower right 27.5 x 37.75 inches 35 x 45 inches, framed Edwin Mieczkowski, born in Pittsburgh, was a leader of geometric and perceptual abstraction during the latter part of the 20th century. Mieczkowski's work first came to prominence in "The Responsive Eye" exhibition, the nation's first major exhibition of perceptual art, held at the Museum of Modern Art in New York in 1965. Mieczkowski was also featured in the 1964 article in Timemagazine that first used the term "Op Art" to describe paintings that manipulated visual cues in order to reorder and excite viewers' perceptual responses. With a complex aesthetic that over time has transcended mere tricks of optical art, Mieczkowski has spent nearly four decades producing geometrically paintings, drawings and sculptures, a genre of modern art that is known broadly as perceptual abstraction. His output of static and dynamic forms create a body of work, still largely intact, that uses visually disorienting, meticulously arranged lines, dazzling kaleidoscopic colors, and alluring juxtapositions of hue and tone, to playfully and seductively present new challenges for the viewer's eyes. The desired result is an optical effect of perpetual motion, harmonics and rhythm. . . . Along with Frank Hewitt and Ernst Benkert, Mieczkowski was a co-founder in 1959 of the Anonima* group that worked together in Cleveland and New York and declared itself free from the pressures of the art market and the pursuit of personal fame. Members of Anonima often left their works unsigned and vowed to shun the usual art market venues such as commercial galleries, biennials and competitions. Instead, they engaged in a rigorous, self-imposed program of painting exercises to explore the effects of geometry and color on visual perception. Although Mieczkowski's work hung side-by-side in the MOMA "Responsive Eye" exhibition with such colleagues as Josef Albers, Victor Vasarely, Richard Anuszkiewicz, Morris Louis, Kenneth Noland, Carlos Cruz-Diaz, Ad Reinhardt and Bridget Riley, all of whom went on to considerable fame and fortune, Mieczkowski chose to eschew commercial exhibition and career promotion. Instead, he spent 39 years teaching at the Cleveland Institute of Art and quietly executing a number of public art commissions while independently pursuing his own intuitive explorations in geometric abstraction. Mieczkowski pursued virtually no commercial sales of his work. Consequently, the body of work he left behind consists of hundreds of paintings, drawings and sculptures only recently viewed...

Guillermo Meza (Mexican, 1917-1997) Sentada Desnuda, 1941 Oil on canvas Signed and dated lower right 23.5 in. h. x 19.5 in. w. 31 in. h. x 27 in. w., as framed He was born in México...

Abel Warshawsky (American, 1883-1962) Mural Study Oil on board Signed and inscribed verso 9.5 x 18 inches 15.75 x 24.25 inches, framed Impressionist painter A.G. Warshawsky was acti...

James Massena March (American, 1953-2021) Untitled Oil on canvas 30 x 30 inches 31 x 31 inches, framed "My paintings are about space, form and energy. I generally start painting wit...

Surrealist Landscape Oil on canvas 'R. Lee Glenn' verso 30 x 24.25 inches 31.75 x 26.75 inches, framed Surrealism aims to revolutionize human experience. It balances a rational visi...

19th Century German School Br: Venus aus Chemnitz 50 Jahre alt 58 24/5 39, 1839 Oil on canvas Signed lower left 25.5 x 20 inches 30.5 x 24.75 inches, framed The gentleman is Johann ...

Richard Anuszkiewicz (American, 1930-2020) Temple of Evening Reds, 1983 Acrylic on canvas Signed verso 36 x 36 inches 36.75 x 36.75 inches, framed Richard Anuszkiewicz was born in E...

Johann Till II (Austrian, 1827-1894) Plethora, c. 1860 Oil on canvas Signed lower right 47.5 x 35.5 inches 54.5 x 43 inches, framed Johann Till the Younger trained in Vienna under h...

Andreas Roth (American, 1871-1949) Grand Canyon, 1943 Oil on canvas Signed and dated lower right 24 x 34 inches 29.5 x 39 inches, framed Andreas Roth was a German painter. Son of th...

Joseph B. O’Sickey (American, 1918–2013) Backyard Landscape Oil on canvas Signed lower right 5'10" x 6'7" Joseph O'Sickey, born in Detroit in 1918, was a painter and teacher through...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

James Massena March (American, 1953-2021) Untitled Oil on canvas 30 x 24 inches "My paintings are about space, form and energy. I generally start painting without preconceived notio...

Mary Spain (American, 1934–1983) Janet and Bill, 1970s Oil on canvas Signed middle right, titled verso 26 x 30 inches 32.5 x 36.5 inches, framed Set in a realm of fantasy, Mary Spai...

John Opper (American, 1908-1994) Ninth Avenue El (New York City), c. 1935 Oil on canvas Signed lower left and verso 30.125 x 24 inches The Ninth Avenue El was the first elevated rai...

Clara Deike (American, 1881-1965) Canterbury Bells, c. 1932 Oil on canvas 26 x 24 inches 31.25 x 29.5 inches, framed Exhibited: The Women's Art Club of Cleveland, 1932 A graduate of...

Frank Nelson Wilcox (American, 1887-1964) Cliffs at Paramé, France, c. 1926 Watercolor on paper Signed lower right 14 x 17.5 inches Frank Nelson Wilcox (October 3, 1887 – April 17...

Carl Frederick Gaertner (American, 1898-1952) Winter Rooftops, 1945 Oil on board Signed and dated lower right 9.5 x 13 inches 17 x 20.5 inches, framed Carl Gaertner was one of the g...

William C. Grauer (American, 1895-1985) Scrub and Pines, 1929 Oil on canvas Signed lower right 18 x 20 inches 24.5 x 26.5 inches, framed Exhibited: Cleveland Museum of Art, May Show ...

Clara Deike (American, 1881-1964) My Studio Stove, 1936 Oil on canvas Signed and dated lower right, titled verso 23.5 x 19.5 inches 29.75 x 25.5 inches, f...

Henry George Keller (American, 1869-1949) The Bug Gouache on illustration board Signed lower left 30 x 21 inches 39 x 31 inches, framed Keller, a leading painter in Cleveland, was b...

Constant Troyon (French, 1810-1865) Le Berger et la Mer (The Shepherd and the Sea), c. 1840 Oil on canvas 32.75 x 50.75 inches 40 x 57 inches, framed This work depicts a shepherd an...

Cathy Diamond (American, 20th Century) Forest Park Path, 2023 Watercolor and acrylic on paper Signed lower right 11 x 14 inches 19 x 16 inches, framed Cathy Diamond currently lives ...

Kate A. Williams (American, 1877-1939) Salt Marshes, Cape Cod Oil on board Signed lower left 16 x 20 inches 21 x 25.25 inches, framed KATE ANTOINETTE WILLIAMS (December 15, 1877 – A...

Leonard Lieb (American, 1912-1977) Abstract in Green and Black, c. 1950 Oil on masonite Signed lower center 48 x 24 inches Leonard Lieb was a Pittsburgh painter of genre scenes who ...

Armand Manago Guerin (French, 1913-1983) Notre Dame, Paris Oil on masonite Signed lower right 23.5 x 28.75 inches 34 x 38.75 inches, framed The painter known as Armand Manago Guérin...

George Gustav Adomeit (American, 1879-1964) Barn Scene Oil on canvas mounted to masonite Signed lower right 16 x 20 inches 21.5 x 25.5 inches, framed A major painter of American sce...

Frank Nelson Wilcox (American, 1887-1964) The Stonecutter's Evening, c. 1915 Oil on canvas Signed lower right 36 x 27.5 inches 42.25 x 34 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer...

Beni E. Kosh/Charles Elmer Harris (American, 1917-1993) Untitled Oil on canvas board Estate stamped #611 verso 24 x 18 inches Charles Elmer Harris was born in 1917 in Cleveland, Oh...

Rolf Stoll (American, 1892-1978) Kae Dorn Cass, 1940 Oil on canvas Signed upper right 32 x 25 inches 38 x 31 inches, framed Exhibited: The 27th Annual May Show, Cleveland Museum of Art, Cleveland, OH, 1940 This work won first prize for oil painting- Portrait category Provenance: Collection of Kae Dorn Cass's niece Kae Dorn Cass Rolf Stoll Rolf Stoll, a painter of figure subjects, landscapes and floral still lifes, was an important member of the Cleveland art scene during the second quarter of the century. He was also an influential teacher, as well as one of Ohio’s foremost portrait painters. Rolf Stoll was born in Heidelberg, Germany, in 1892. As a boy, he attended a military academy, during which time he developed an interest in art. He received his early formal training at the Academy of Fine Arts in Karlsruhe and at the Academy of Fine Arts in Stuttgart. He emigrated to the United States in 1912, settling in New York City. A decade later, after studying at the school of the National Academy of Design and supporting himself by working as a commercial artist, Stoll decided to leave New York. Upon the recommendation of Warren Pryor, one of his teachers, he decided to move to Cleveland, Ohio. After arriving in Cleveland, Rolf Stoll continued to work as a commercial artist. However, in 1926, he joined the faculty of the Cleveland School of Art, where he taught drawing. Two years later Stoll was appointed head of the school’s portrait painting department. A talented portraitist, Stoll’s sitters included industrialists, community leaders and many prominent members of Cleveland and Ohio society, as well as over twenty faculty members from Case Western Reserve University. Stoll also gave portrait classes at the John Huntington Polytechnic Institute from 1926 to 1953. In his male portraits especially, he was admired for his ability to convey the dignity of his sitter’s professional position without sacrificing individuality. As noted by one contemporary reviewer, Stoll was a “master of rich color, a searching student of human types, a forceful portrayer of all that the face reveals of the mind and the soul.” In addition to his activity as a portraitist, Rolf Stoll painted figure subjects and floral still lifes. He was also known for his views of the Ohio countryside...

Lucile E Lundquist Blanch (American, 1895 - 1981) Abstract Oil on panel Signed lower right 10 x 8 inches 17 x 15 inches framed Painter and lithographer Lucille Linquist Blanch, born in Hawley, Minnesota in 1895, was, by her mid-thirties, already represented by a number of paintings in the collection of the Whitney Museum of American Art. She would receive a Guggenheim Fellowship in 1933. She studied at the Minneapolis Art Institute during World War I, 1914 to 1918, with fellow students Harry Gottlieb...

Sandor Vago (Hungarian/American 1887-1946) The Chinese Girl, 1925 Oil on canvas Signed lower right 34 x 30 inches 38 x 34 inches, framed Exhibited: Clevela...

Clarence Holbrook Carter (American, 1904-2000) Dichotomy, 1962 Oil on paper Signed and dated upper left 20 x 25 inches Mid-century figural abstract green painting of woman swimming ...

August Vilhelm Nikolaus Hagborg (Swedish, 1852-1921) In the Garden of His Eminence Oil on wood panel Signed lower left 21 x 25.5 inches 34 x 38.25 inches, framed August Vilhelm Nikolaus Hagborg was a Swedish painter who spent most of his life in France. His father was an associate professor. Against the wishes of his parents, he decided on a career in art and, from 1872 to 1874, he studied at the Royal Swedish Academy of Fine Arts in Stockholm with Vicente Palmaroli...

Joseph Glasco (American, 1925-1996) Seated Male, 1969 Ink on paper Signed and dated lower right 25 x 19.5 inches 27.5 x 22 inches, framed Joseph Glasco was born in Paul’s Valley, Okl...

Carl Frederick Gaertner (American, 1898-1952) Rocky Cove, 1947 Oil on canvas Signed lower left 24 x 30 inches 31 x 37 inches, framed Carl Gaer...

Eleanor Arnold Clark (American, 1911-1982) The Meeting Oil on canvas Signed lower right 25 x 29 inches 36 x 40 inches, framed Eleanor Arnold Clark was born in Pittsburgh, Pennsylva...

Addison Thomas Millar (American, 1860-1913) Barn scene, 1892 Oil on board Signed and dated lower left 10.25 x 13.5 inches 15 x 18.5 inches, framed Addison Thomas Millar was an American painter and artist; best known for his genre scenes and Orientalist paintings. He was born to William H. Millar and Permelia Kennedy Millar. His father had emigrated to the United States from Scotland in 1845. He grew up in Warren, Ohio. During his primary education, he took some painting lessons from John Bell, a local landscape painter. In his late teens, he won three consecutive awards from The Youth's Companion, in their annual art contests. This prompted his parents to allow him to go to Cincinnati to take formal lessons from the genre painter, De Scott Evans...

James Massena March (American, 1953-2021) Untitled Oil on canvas 30 x 48 inches "My paintings are about space, form and energy. I generally start painting without preconceived notio...

Hazel Janicki (American, 1918-1976) Ballet Mirage, 1945 Oil and encaustic on panel Signed and dated lower left 18.25 x 16 inches 26.5 x 24.5 inches, framed Exhibited: Cleveland Muse...

Ora Coltman (American, 1858-1940) House in Hudson, OH Oil on canvas Signed lower left 22 x 26 inches 27.5 x 31.5 inches, framed 21 Aurora Street is locally known as the Isham-Beebe ...

Louis Bosa (American, 1905-1981) Costa Brava, Spain Oil on board Signed lower right 14 x 24 inches 23 x 33 inches, framed Born in Codroipo, a small village only a few miles from Ven...

Cathy Diamond (American, 20th Century) Rain Garden II, 2023 Pigment dispersion and acrylic on paper Signed lower left, signed and dated verso 11 x 14 inches Cathy Diamond currently ...

Hazel Janicki (American, 1918-1976) Nature Walk, 1960 Tempera on masonite Signed lower left, dated and titled verso 18 x 28.5 inches 23.5 x 34 inches, framed Hazel Middleton was bor...

Erik Ortvad (Danish, 1917 - 2008) Abstract Landscape, 1946 Oil on canvas Signed and dated lower right 32 X 37.5 inches 35 x 40.5 inches, framed Born in 1917 in Copenhagen, Erik Ortvad was a surrealist painter and a founding member of the COBRA art...

View Towards Christmas Cove, Maine, c. 1923 Watercolor on paper Signed lower right 14 x 19.5 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1...

Louis Bosa (American, 1905-1981) Flood in Venice, c. 1970 Oil on canvas Signed Bosa lower left and verso 34 x 50.5 inches 40.5 x 56.5 inches, framed Exhibited: 148th Annual Exhibiti...

Richard Andres American, 1927-2013 Mirror, 1984 acrylic and ink on paper mounted on canvas signed lower right, dated and titled verso 12 x 12 inches Richard Andres was born in Buff...

James Massena March (American, 1953-2021) Cosmic Woman Acrylic on canvas Signed center right, signed and titled verso 30 x 40 inches "My paintings are about space, form and energy. ...

Richard Andres American, 1927-2013 Reflections, 1985 acrylic and ink on paper mounted on canvas signed lower right, signed, dated and titled verso 52.5 x 72.5 inches 53 x 73 inches, ...

Max Herve (French, 1926-2018) La Clarinette et La Baignoire oil on canvas signed lower right 21.5 in. h x 25.75 in. w., canvas 28 in. h. x 31.25 in. w., as framed Max Hervé was an a...

Mary Spain (American, 1934–1983) Man with Bird Oil on canvas Signed middle right 13.5 x 11.75 inches 17 x 15 inches, framed Set in a realm of fantasy, Mary Spain’s work exhibits odd...

Alessandro La Volpe (Italian, 1820-1887) View of Mt. Etna From the Ruins of the Theatre at Taormina, 1883 Oil on canvas Signed and dated lower right 29.5 x 52.5 inches 39 x 62 inches...

Richard Andres American, 1927-2013 The Challenge, c. 1982 acrylic and ink on paper mounted on canvas signed lower right, signed and titled verso 60 x 41.5 inches Richard Andres was...

Julian Stanczak (American, 1928-2017) Twist and the Rain, 1975 acrylic on canvas signed verso 30 x 24 inches Julian Stanczak (American, b. November 5, 1928) was an American painter...

Louis Bosa (American, 1905–1981) Bucks County, 1934 Oil on canvas Signed and dated lower right 17.5 x 21.5 inches 25.5 x 29 inches, framed Born in Codroipo, a small village only a f...