Continental Europe - Art

Contemporary bronze sculpture on marble base by Polish artist Stan Wysocki. Artwork comes from limited edition of 8. Sculpture depicts female figure filtered through geometric, synth...

Gerald Berghammer - Black and white photography. Outdoor café in front of a historic building with arched windows, a few pigeons and a man walking by. Archival pigment ink print as ...

Kristine DeBell is a  vintage photo, realized by Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21101 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Gerald Berghammer - Color landscape photography. A rural landscape with a curved dirt road and a line of tall cypress trees on a hill against a pale sky. Archival pigment ink print ...

Gypsum cast - medieval tile, from Central Europe. Adjusted in a frame, ready to hang or install.

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21008 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Heron I is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 58 × 23 × 25 cm (22.8 × 9.1 × 9.8 in). The sculpture is signed and numbered, it is part of ...

In this semi-abstract expressive artwork named "Evidence" I experience the world of nature through various colors such as purple, green, blue, red. While painting, I sought to capt...

A French Impressionist Fauvist Colour-Field gouache and watercolour on paper landscape by Gabrielle Ricard-Cordingley. The painting is not signed but there is another painting of a m...

Resonance II is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 58 × 72.5 × 67.6 cm (22.8 × 28.5 × 26.6 in). The sculpture is signed and numbered, it is pa...

In this work (Inner Arrangement), Sophie Dumont continues her exploration of the stylized library as a mental and architectural space rather than a literal representation. The compos...

Snow covered Central Park 2, New York City, USA - no. 11870 // limited edition of 9 All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle Photo Rag Baryt...

Gerald Berghammer - Color minimalist landscape photography. Empty beach with closed blue and yellow striped umbrellas lined up on the sandy shore. Archival pigment ink print as part ...

Work on canvas Molded frame Diensions with frame : 87 x 73.5 x 4.5 cm This captivating work depicts a female nude in a dynamic pose, combining softness and tension. Every curve of t...

Work on canvas

Contemporary figurative painting with lots of details and movement. Beautiful statement piece for any art collection. Combining a lot of different colors in any interiors and setting...

An important grand tour Antonio Canova Ebe (Aprés), carved in white marble by an Italian sculptor artist in the 19th century from a block of white marble. The work depicts the go...

Francesco de Mura (Naples 1696 - Naples 1782) workshop Rebecca at the Well Oil on canvas 26 x 87 cm. - Framed 38 x 99 cm. NB: The darker strip at the top of the painting is t...

Screenprint realized by Enrico Benaglia in the early 2000s. Artist proof, aside of an edition of 150. Hand signed and titled.

AVEC DES ÉPINES 2024 Paris, France The French title of the work translates in English to "With Thorns". The painting captures the rose’s mysterious allure, balancing beauty with an...

Archival pigment ink print, produced in a limited edition of 8 // Gallery ID: 21052 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Salvador DALI The Cup Offered Original etching in colour Hand signed in pencil Justified EA (Éprouve d’artiste - artist proof) On Auvergne vellum 58 x 45,5 cm...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 11714 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

The Holy Family with the Infant Saint John the Baptist - Bolognese School, 17th century Attribution: Attributable to Francesco Brizio (Bologna, 1574-1623) Not signed. Medium: Oil on ...

Camille Hilaire Normandy : Reflection on a River, c. 1960 Original oil on canvas Signed bottom right Signed and Titled on the back On canvas 60 x 73 cm (c . 24 x 29 in) Presented in...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21212 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21196 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

The photo is signed and stamped on the front by Marcin Ryczek and will be send unframed A Man Feeding Swans in the Snow (2013) - edition 25 in format 30...

Oil on canvas realized by an italian painter in 1990s and hand signed "De Silvestri". Very good condition.

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower left. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artist...

VENICE - Italian landscape oil on canvas oval painting cm.44x74 by Giancarlo Gorini, Italy 2002. Gold gilded wooden frame available o...

flowers, Summer, green , Boris Lavrenko (Rostov, 1920 – St. Petersburg, 2001) Works by Boris Lavrenko can be found in various private collections in Europe, Japan, United States an...

LA RECONNAISSANCE INFINIE (THE INFINITE RECOGNITION, 1963) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 147/275 Size: 60 x 45 cm Observations: Lithogr...

Oil on canvas Unframed dimensions: 50 × 50 cm (19.7 × 19.7 in) Framed dimensions: 57 × 57 cm (22.4 × 22.4 in) Floater frame available in black or natural wood (collector’s choice) Si...

Mauve and Turquoise Arches by Natalia Roman channels the spirit of Bauhaus with a modern sensibility, balancing geometry, symmetry, and refined color interaction. This composition is...

Archival pigment ink print, produced in a limited edition of 8 // Gallery ID: 21266 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Mixed media on paper realized by Alan Davie in 1972. Hand signed and dated lower left. Titled upper left. A vibrant and highly characteristic work by Alan Davie, Magic Camp n. 16 ...

Atlas, acrylic on canvas, 150x150cm, 59x59in, 4.9x4.9ft Atlant, or Atlas is in mythology the Titan who holds the globe, the sky, the heavens on his shoulders for eternity. Part of ...

"Mirror of the Clear Water. The Primeval Landscape", from the Light series, handwoven abstract landscape, linen yarn, organic cotton, acrylic, linen cloth, gold leaves, 80 x 60 cm, ...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21204 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

The very last month of winter can be very cold, but still the sunset is already painted in warm shades. To emphasize this, the author of the painting used acrylic paints with a golde...

Artist: Bernat Sanjuan i Tarré (Barcelona, 1915 – Deià, Mallorca, 1979) Title: Mediterranean Village of Mallorca Medium: Oil on canvas Dimensions: 65 × 92 cm (25.6 × 36.2 in) Framed:...

Archival pigment ink print, produced in a limited edition of 8 // Gallery ID: 21226 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

The canticle of the stilts (with ibis) is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 70 × 30 × 25 cm (27.6 × 11.8 × 9.8 in). The sculpture is si...

In 1999, star photographer Michel Comte created a series of images with supermodel Gisele Bündchen in Cannes, France for Vogue Italia. The highly praised artworks are now part of fas...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 11752 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Screeh print with holes on BFK Rives. Realized in occasion of the exhibition at Galleria Il Quadro Biella. Published by Silvio Zamorani Editore.

This mid-century oil on canvas by Catalan painter Simó Busom i Grau presents a vibrant Mediterranean landscape with river and house, painted in an expressive postwar Spanish style associated with the Barcelona school. Artist: Simó Busom i Grau (Barcelona, 1927–2020) Title: Mediterranean Landscape with River and House Date: Mid-20th Century (circa 1950s–1960s) Medium: Oil on canvas Canvas size: 46 x 55 cm (18.1 x 21.6 in) Framed size: 59 x 68 cm (23.2 x 26.8 in) Signature: Signed lower right Condition: Good overall condition. Stable paint layer. Frame: Decorative frame included, ready to hang Location: Sitges, Spain Style: Spanish Postwar Landscape / Mediterranean Modern A refined example of postwar Catalan landscape painting, this original oil by Simó Busom i Grau captures the Mediterranean atmosphere through confident brushwork and luminous color transitions. The composition centers around a warm yellow house set against rolling terrain and flowing water. Gestural trees structure the foreground, creating depth and movement while framing the landscape. The artist’s handling of paint is energetic yet controlled, with visible impasto and layered color planes that enhance texture and spatial presence. The palette moves between cool river blues and sunlit earth tones, reflecting the light and tonal vibration characteristic of mid-20th century Spanish painting. The result is a work that balances decorative appeal with painterly authenticity. Compact in size yet visually dynamic, it functions beautifully in residential interiors or curated collections of European mid-century art. The painting is signed and offered with decorative frame, ready to hang. Simó Busom i Grau (Barcelona, 1927–2020) was a Catalan painter trained at the Acadèmia Baixas in Barcelona. He developed a career closely linked to the city’s artistic circuit, exhibiting regularly in Barcelona and Madrid and maintaining connections with the historic Sala Parés. His work focused primarily on Mediterranean and urban landscapes, characterized by expressive brushwork, structural clarity and a luminous color palette rooted in modern Catalan tradition. Catalan landscape painting Spanish mid century oil Mediterranean river landscape Barcelona school painting Simó Busom signed oil Postwar Spanish art European mid century painting...

Work on canvas dimensions with frame : 101 x 86.5 x 3 cm This painting presents a seated nude woman, expressing a captivating presence. The rich, varied tones of the palette, from de...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Gerald Berghammer - Color seascape Photography. A green, rocky island with steep, layered slopes rising from calm waters and an island lighthouse. Archival pigment ink print as part...

Oil on plywood realized by Martin Bradley in 1974.  Hand signed and dated in top right corner; hand signed and titled on rear. Very good condition.

Hendrick Corneliszoon van Vliet (Delft, 1612 – Delft, 1675) Interior of a Flemish Church Oil on canvas 75 x 89 cm. - In frame 103 x 89 cm. This gem of Flemish painting immer...

Gerald Berghammer - Black and white photo. Narrow canal with a small arched bridge, surrounded by old buildings with windows and balconies, in Venice. Archival pigment ink print, edi...

Acrylic on canvas Shipped rolled in a tube I can do commissioned works

Work on canvas without frame Painter, illustrator born in 1875 in Geneva - Died in 1937

"The painting "Laufenburg" was created in 2021 when, in search of new experiences, I discovered a beautiful medieval city that captured my heart." said Anna Shesterikova about this a...