Continental Europe - Art

Two large, hand-woven canvases, works from 2016. The canvas is made of linen and hemp (thick) yarn. The warp of one of them, the silver one (the second on the right), is painted with...

"Coloured Horizons" is a painting by Spanish artist Natalia Roman. This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves ...

Josef Carl Berthold Püttner (Planá, Bohemia, 1821 – Vöslau, Austria, 1881) Locomotive Speeding Through the Snow in Winter, 1873 Oil on canvas Signed and dated lower right: “JCB Pü...

Está firmado a plancha en la parte inferior y fechado del año 1931 El estado del grabado es bueno Se presenta bien enmarcado Medidas del grabado: 12 cm. x 12,5 cm. Medidas del ma...

After a long day, the body knows what it needs before the mind does. Not silence exactly — but green. Weight lifting. Air that hasn’t been inside. This painting is not a landscape. ...

Work on canvas signed This painting by Josep Maria Mallol Suazo (1910-1986) depicts a lively country scene, bathed in warm light. In the foreground, a large leafy tree dominates the...

Rosa is a bronze sculpture by French contemporary artist Marie Louise Sorbac, dimensions are 56 × 50 × 13 cm (22 × 19.7 × 5.1 in). The sculpture is signed and numbered, it is part of...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

Sincronia Rosa - Abstract Oil on Canvas Paintng , Angelom Palazzini, Italy Angelo Palazzini was born in Lodi in 1953 where he still resides and has his own studio. His encounter wit...

A bold and vibrant reproduction of Andy Warhol’s iconic 1964 Flowers series, this striking artwork is printed on heavy art paper, showcasing the enduring brilliance of Pop Art. The c...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 21067 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Frameless. Is born in Madrid on the 21st july 1951. After attending primary school, he starts to grow an enormous tendency for drawing. At the age of 14 he begins to work in advertising and attends to the Vallecas school of arts. At the age of 14 he travels to Switzerland and in Geneve he gets intensly into painting and decides to dedicate himself only to it. When he returns to Spain he enrolls Arts Studies, and at the begining of summer '66, he visits Sitges, where he'll come back year after year and where ultimately he'll set his home. At this time he starts selling his painting in the flea market in Madrid and later in Sitges, setting himself on the street, thus completing his studies and making it economically. While he's in Madrid he recives lessons by Pedro Mozas at Bellas Artes and starts to learn profoundly about painting. In 1969 he starts painting portraits in the streets. In Sitges he creates, with other friends, a great artistic atmosphere in the Paseo de la Ribera, by the sea, that today still exists. He starts travelling through Europe, visiting and painting in Paris, London and Amsterdam. In the middle of this bohemian epoque, he moves to the Cannary Islands during the winters for 5 years in a row, he moves in the Parque de Santa Catalina "Las Palmas de Gran Canaria" where he works and meet all sorts of people in the streets, which later would mark his pictoric line. He becomes friend with Sidney Nagley in 1969, who organizes his first exhibition in Toronto, Canada. Afterwards he'll leave his studies and start painting exclusively in his studio. He gathers his first exhibition in the Ateneu of Barcelona in 1970. He befriends with the art critic of La Vanguardia, Fernando Gutierrez and the Count of Caralt orders him a set of illustration for a new edition of Garcia Lorcas Romancero Gitano. His first exhibition in a commercial gallery is done in the Majestic Gallery in Barcelona with a gorgeous collection of nudity drawings. He achieves huge success and for some years he affords his painting thanks to those drawings. During a period in Madrid, Mr Ponce de León, a consul in the Ministry of Exterior Affairs grants him with bachelor degree to study in the prestigious Academia de España in Rome. However, he can't accept it due to militar service obligations. Some days later, before joining the ranks he opens in the Cuatre Gats (Palma de Mallorca) with hiperrealist pieces that already then he presented as the first painter in that city, that later would become a fashion in 1973. After this period he meets José Maria Gudiol who advises positively. Since then, the intense work and the fight for daily improvement that has become the trademark of his life. The seek of styles and situations, the journeys through Europe always aware of all the tendencies that have in the art line that we can see nowadays. At his more than fifty years given to paint, his individual exhibitions beat the 100, his artwork is highly appreciated and valued in the complex market of art. In October 1982 hi makes his first exhibition in Tarragona. In the catalogue, writing of the unforgettable Fernando Gutierrez, he says "Fuentetaja is an artist of character and exceptional upbringing with a masterly knowledge of technique and resourses, and personality completely uncommon to the dimension of his sensitivity, as the richness of his deep and bloomed liricism. A judgement as accurate as foreseeing for the future outstanding of the artist, in where his paint soared through different phases mantaining an unquestionable quality. Lines, cubist, expressionist and hiperrealist till his current realism, in the middle of his creative maturity. Jose Luis Fuentetaja...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21130 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Il Mio -Mine is an Offset and screen print realized by Pouchard in the 1970s. Hand signed on the lower left in pencil Good condition.

Immerse yourself in the atmosphere of spring awakening with the bright, dynamic composition "Spring Twitter". This expressive work is filled with the freshness of flowering trees and...

Ancient Laurisilva Forest Study 4, Portugal - no. 21023 // Black and white fine art landscape photography print. Old trees in the fairy forest on the mystical island of Madeira, Fan...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

Alpine forests N1 is a painting by contemporary Spanish artist Calo Carratalá. Dimensions are 140 × 200 cm (55.1 × 78.7 in). The artwork is signed, sold unframed and comes with a cer...

L'Académie de Paris (The Academy in Paris). Etching on Arches wove paper (watermark), 1971. Signed and numbered 184/250 A. Plate 42.5 cm x 59.5 cm. Sheet approx. 56.5 cm x 75.5 c...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 11991 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Ephemeral Torment captures the essence of a haunting narrative, portraying a twisted and shrunken human figure in a symphony of despair. The canvas becomes a vessel for poignant emot...

Subject : Small oil painting of a landscape in the French countryside, in excellent condition. Origin: from a private collection in France Medium : Oil on archival oil painting paper...

Etching and aquatint realized by Henry Alken in 1822. Table from "The Sporting Repository", first edition. Very good condition. Henry Alken (1765-1851) was en english painter and e...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21212 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

The 1953 original exhibition poster by Raoul Dufy for the Musée National d'Art Moderne is a vibrant and captivating piece that captures the essence of Dufy's iconic style and celebra...

Mid Century Abstract in polymerised macro-molecular paint on canvas applied to a painted wooden board by Belgian artist Paul H Saffre. Signed and dated {1963) on the board below the ...

Woodcut print realized by Escher in 1948. Hand signed in pencil and annotated in pencil lower right "eigen druck". Monogrammed and dated in the plate "MCE/X-'48 upper right. One o...

The 1957 original exhibition poster titled Pâtes Blanches: Empreintes Originales éditées par Madoura et Gravures Rares by Pablo Picasso is a significant piece that reflects the artist's deep involvement with ceramic art and printmaking during that period. The poster was created to promote an exhibition at Galerie 65 in Cannes, France, showcasing Picasso’s ceramics and rare engravings, with a particular focus on his work with pâtes blanches, or white clay. By the late 1940s, Picasso had become increasingly involved with ceramics, producing a vast number of pieces at the Madoura pottery studio in Vallauris, France. The studio, owned by Georges and Suzanne Ramié, became a creative haven for Picasso, where he could explore new forms of expression beyond painting and sculpture. His work with ceramics brought forth a unique blend of classical forms and modernist abstraction, often infusing traditional pottery with his distinctive artistic style. The term pâtes blanches refers to the white earthenware clay that Picasso used for creating his ceramic pieces. This material allowed him to experiment with various textures and finishes, which he combined with his characteristic line work and engraving techniques. The poster advertises this innovative work, highlighting the original prints and rare engravings that were part of the exhibition. The exhibition at Galerie 65 in Cannes ran throughout the summer of 1957 and offered art lovers and collectors the opportunity to view and acquire some of Picasso's rarest ceramic works and prints. It was a testament to Picasso's versatility as an artist, showcasing his ability to transcend different mediums while maintaining the boldness and originality that defined his career. The poster itself, with Picasso's handwritten details and a depiction of one of his engravings, serves as both a promotional tool and a work of art in its own right. It reflects Picasso's personal touch and his deep connection to the work he produced during this period. Today, this exhibition poster remains a coveted item for collectors of Picasso’s works and 20th-century art, representing a unique moment in Picasso's extensive and varied artistic journey. Exhibition - Galerie 65 Cannes...

Severin Nilson (1846–1918) Sweden Children in a Flower Meadow signed lower right Severin Nilson oil on board laid on panel unframed 25 × 18 cm (9.8 × 7.1 in) framed 32.5 × 26.5 cm ...

Horse II-S is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 43 × 33 × 11 cm (16.9 × 13 × 4.3 in). The sculpture is signed and numbered, it is part of...

An image of the ancient god of fire, patron of blacksmiths and artisans, foundry workers, and, in my opinion, sculptors. It is a powerful and very lonely, tired figure. The sculpture...

This underwater surfer painting captures a woman suspended beneath the ocean surface, combining luminous blue water, summer imagery and figurative realism. Created by Spanish painte...

Fine Art Print Hahnemuehle, editioned, Giovanni Battista Piranesi print in Verlag von AD Lehmann in Wien, end of the 19. century, SalamonArt certificate will be included.

This painting belongs to my ongoing exploration of the relationship between nature and the human experience. Inspired by the natural world and influenced by the Eastern philosophy of...

NAPLES - Oil on oval canvas cm.30x50 by Ettore Ferrante, Italy 2003. Gold leaf gilded wooden frame cm.48x68 available on request Ettore Ferrante is a refined and excellent landscape ...

Gardens V is an oil on canvas painting by the Croatian artist, Zoran Šimunović from the series GARDENS. Dimensions are 145 × 145 cm (57 x57 in). The artwork is sold framed. Dimension...

Henri Bellery-Desfontaines Enigma (Apparition in a Blue Dream), 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) ...

Green hills and cypress trees, olive groves and mountains, all this is a typical Spanish landscape. Nature enchants, inspires and we never cease to admire it.These are wonderful land...

Untitled is an artwork realized by Giovanni Dova, 1970. Color lithograph, signed lower right. Edition number III/XXX lower left. 76.5 x 51 cm. Excellent condition.

Description: "Landscape" is an original painting on canvas (50x50 cm) by Marilina Marchica, a contemporary artist who explores the relationship between nature, material, and memory t...

➡️ Landscape Woodland and waterfall⬅️ ⏩It is signed Rohlfs 1903⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐19.5x24.3cm /7.7x9.6 inc...

Francesco Fontebasso (Venice 1709 – Venice 1769) Alexander the Great Shows Mercy to the Persians Oil on canvas 108 x 153 cm. - Framed 120 x 164 cm. Highly captivating due to ...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21315 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

An original textured artwork handcrafted on canvas using clay, acrylic, and a glossy finish. The sculptural forms, rendered in pure white, evoke the graceful flow of draped fabric, c...

Bart Koning Sea I 155 x 150 cm Oil on linen We're proud to introduce Dutch/ German artist Bart Koning. Incredibly clever how the originally Dutch Bart Koning knows how to make all ...

Oil study by a lake and mountains during sunset by Edward Rosenberg (1858-1934). This is a an oil study for a larger painting that Rosenberg did. A te...

Pierre-Yves Tremois Thésis and Pelée Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in) Very goo...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 11606 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Since ancient times, the Asian region, particularly China, has exerted tremendous influence on the entire world. It was a land of allure – shrouded in mystery and brimming with treas...

Visual Poem is an original Screen Print realized by Ennio Pouchard in 1970. Good condition on a white cardboard. Signature with pencil. Ennio Pouchard is Painter, photographer and...

Wars for faith, for inheritance, wars for resources, for land, for symbols, for the dominance of one culture over another. They stretch endlessly into the past, persist in the presen...

Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...

Possibility is a china ink Drawing realized by Mino Maccari in 1970. Hand-signed on the lower margin. Good condition on a white paper. Mino Maccari (Siena, 1924-Rome, June 16, 198...

Late 19th Century French Barbizon School oil on wood panel of poplar trees in a landscape by Richard. The painting is signed bottom left. The painting is on a quality chamfered panel. A very charming, almost impressionist, rendition of a line of iconic French trees in a landscape. Before them an earth drive has been ploughed up by the wheels of passing carts and horses. Richard has created a wonderful perspective that draws us in to the painting and he has created a contrast between the strong greens of the trees and fields against the whites and blues of the sky. The painting is reminiscent of the works of Monet from the 1890s. to whom the poplar trees were a continuing inspiration. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...

Contemporary fox painting in oil on cardboard depicting a red fox in motion, rendered through expressive brushwork and a vibrant palette of ochre, red and violet tones. This small-f...

Boulder #3 – The Tunnel is a bronze sculpture by contemporary artist Tom Price, dimensions are 85 × 140 × 135 cm (33.5 × 55.1 × 53.1 in). This artwork is available on commission. 8 ...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 18095 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Teakwood and white lava sand make this beautiful turning globe a real stunning sculpture. Made from a whole piece of wood the way the sculpture is shaped is defined by how the tree g...

Accords Intérieurs Oil on canvas, 80 x 80 cm (31.5 x 31.5 in) Framed dimensions: approx. 87 x 87 cm (34.3 x 34.3 in) Floating frame available in black or natural wood. French contem...