Continental Europe Mounted Objects

A collector's item, this brass tram bell with a leather strap hails from a Copenhagen tram, circa 1910-20. The leather strap was used to "pull the cord to ring the bell." The bell ...

Architectural brutalist wall mounted sculpture made from cast metal. Imposing wall sculpture 1970s - Belgium Height: 100cm Width: 195cm Depth: 13cm Ref.: 24102303

This is an authentic antique Dogon door lock from the early 20th century, originating from the Dogon tribe of Mali. Beautiful hand-carved from wood, this piece is adorned with intri...

Removable Wooden Mannequin Bust with Fashion Collages, Paris, 1960s Description: This elegant wooden mannequin bust, created in Paris in the 1960s by a fashion artisan, is a stunning blend of art and design. Covered in vibrant fashion-inspired collages, this piece transcends its utilitarian origins to become a modern sculpture that brings life and sophistication to any space. Design and Craftsmanship: The mannequin is crafted from a sturdy wooden structure, painted in black for a refined finish, and covered with collages featuring colorful fashion illustrations. These collages reflect the artistic spirit of the 1960s, with bold, dynamic imagery that captures the essence of the era. Removable Structure: Designed with modularity in mind, the bust can be dismantled, making it not only an artistic statement but also a versatile piece. Dimensions: Standing 146 cm tall, this mannequin has a commanding presence, making it suitable as a focal point in a room or as a unique decorative accent. Artistic and Functional Appeal: Perfect for use in interior decor, fashion ateliers, or art collections, this piece brings an air of Parisian sophistication and creativity to any setting. Versatility: Its combination of vibrant colors, artistic craftsmanship, and modernist design ensures it fits seamlessly into contemporary, eclectic, or even industrial-style interiors. This one-of-a-kind mannequin bust is more than just a decorative object—it is a statement piece that embodies the creativity and elegance of mid-century Parisian fashion and art. Keywords: 1960s mannequin...

Extra large and extremely rare, antique sculpture of Mephistopheles from the Faust Opera. This striking and famous historical work of art depicting Mephistopheles is another one of ...

An adze is a cutting tool similar to an axe but with a cutting edge perpendicular to the handle rather than parallel. Toraja people from Sumatra Island, used for wood carving, were made from nephrite (also known as jade) in the South Island. In the North Island they were commonly made from greywacke or basalt. At the same time on Henderson Island, a small coral island...

An exceptional set of 4 archaeological pieces and their 3 custom-made bases, Post-Modernist, Neo-Classical, Antique, Brutalist, Shabby-Chic, i.e. 2 large spears, 1 fibula and 1 sharp...

Vallauris wall mounted decoration tiles handcrafted and signed. Beautiful decor of summer flowers glazed tiles in bright colors orange, yellow, blue, gray and red, all signed by Vall...

The horse skull has been opened up on one side showing the inplant of the teeth below the gum line and the inside of the cranium.

Nice couple of two small gilded Baroque style wooden ornaments, Italy, circa 1850. Weathered and small losses. Measurement here below of the largest one and includes the wooden base.

Large sculpture of a majestic big cat. Over the years we have owned and sold a fair number of beautiful quality sculptures in all kinds of materials, but we never had the pleasure o...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Wall-mounted relief in glazed stoneware with wooden frame. Signed on the back. 1969.

19th century wooden riding boot trees, molds or forms. Great decorative and conversational piece, ideal for decorative purpose.

Gilt bronze sculpture on black marble basement. Creation by Studio Glustin.

Designed in 1987 by Toso Murano, these vases are classic but rather elegant. They will give a touch of class to your room. Tobacco color with 24-karat gold leaf decoration and inter...

A large and heavy casted bronze cow bell manufactured in Switzerland around 1930. The antique bell features high relief motifs of farm animals, human heads and foliages. The bell com...

Set of 18 Kamyki Mirrors by Zieta Mounted sculpture Color : Cosmic Blue Dimensions [cm]: Ø 7- 20 cm 6 different forms Dimensions of the set : H. 76 cm W. 150 cm D. 6 cm The Heat C...

Brutalist wall sculpture designed and manufactured by the Danish artist Henrik Horst, circa 1970s. Patinated metal construction mounted on a frame of wood.

Superb sculpture of a laying doe from the Chinese Han Dynasty (206BC-220AD). Remainders of polychromic paint, namely red, symbol of good fortune and joy as well as the season of summer, and green, symbol of vigor and vitality and the season of spring. Mounted on base. A similar sculpture in bronze is kept at the Met Museum with the following description " A low bed, small table, and screen were often the only furnishings in a Han-dynasty room. The floors were generally covered with mats kept in place with weights in the shape of single animals, fighting beasts, or entertainers." Condition seen in pictures. Dimensions in cm ( H x L x l ) : - Sculpture : 35 x 40 x 10 - With base : 45.5 x 44 x 15 The Han Dynasty ruled China from 206 B.C. to 220 A.D. and was the second imperial dynasty of China. It is known for its promotion of Confucianism as the state religion and opening the Silk Road trade route to Europe, permanently altering the course of Chinese history. Han Dynasty art and inventions like paper still influence the world today. From the Han Dynasty to the present, deer can be found in many materials and media—rock crystal, nephrite, ink on paper, porcelain, cloisonné enamel, jade, bamboo root, textile, bronze, etc.—alone or in groups, among trees and rocks and in various positions. They appear on everyday objects, from boxes to incense burners, incense holders, lamps, mirror holders and the droppers scholars used when they wrote. A symbol of longevity and grace in Chinese mythology, the word deer is pronounced lu, a homonym for emoluments—favors granted to officials. They therefore represent wealth, nobility and success in imperial examinations (civil service exams for selecting candidates for the state bureaucracy in Imperial China). Deer were the faithful companions of Shu Lao, the god of longevity, and the goddess Magu. They were reputed to live long and to be the only creature able to find the mushroom of immortality, linghzhi. Although its spots are different, deer are sometimes confused or associated with stags, a Manchu hunting trophy whose antlers served to make prestigious furniture. (La Gazette Drouot, Claire Papon) For the colours found on this piece, in Chinese culture, red symbolizes good fortune and joy. Green, symbolizes the spring when everything is brimming over with vigor and vitality. The Han Dynasty (206 B.C. to 220 A.D.) continued the Qin Dynasty’s use of dark colours, but incorporated red. During the earlier years, or Western Han Dynasty, ordinary people wore red while court dress was black. Shoes were red in color. The clothing worn for sacrificial rites was black edged with red. In the later Eastern Han Dynasty, red symbolized the dynasty’s “fire Virtue” and became predominant. Court dress was red. Sacrificial rites called for a red-edged white layer under robes with red socks...

This set of six charming small metal bells, manufactured in France circa 1940, embodies the craftsmanship and elegance of early 20th-century design. Each bell is finely crafted with attention to detail, creating a harmonious set that is both functional and decorative. The subtle sound of these bells evokes a sense of nostalgia, while their petite size makes them ideal for various decorative uses. Preserved in their original condition, these bells show minor wear that reflects their age and use, enhancing their vintage appeal. A beautiful patina has developed on the metal surfaces over the decades, adding depth and character to each bell. This natural aging process highlights their authenticity, making them a perfect addition to any collection of vintage French items...

Beautiful weathered oak panel with an wonderful primitive angel figure. On the bottom of this angel you can also see two small eagle heads. France, circa 1550-1650, weathered, small...

Traditional rustic metal hand bell bottle opener, by unknown manufacturer from Spain, circa 1950. In original condition, with minor wear consistent with age and use, preserving a ...

Small size, early 1900s Gothic Revival light fixture. In architecture, a chimera or grotesque is a fantastic or mythical figure used for decorative purposes, but in the 12th and 1...

A pair of faux elephant tusk bookends or decorative ornaments for your desk, dresser or in front of your entrance hall mirror. They are constructe...

Antique museum quality bronze male sower on a marble base with signature, sculptor Max Valentin (1875-1931). This antique is for the collectors and connoisseurs, because the quality...

Exclusive working of Murano glass to produce this fantastic venetian blown glass vase with murrine Millefiori and covered with gold leaf 24 c...

Unique and very beautiful pair weathered white marble baroque ornaments. They most likely once adorned a church altar. Original period pieces, Italy, ci...

Discover a rare piece of Mid-Century Modern design with this Charlotte Perriand architectural piece, originally designed for Les Arcs France in 1960. Made of high-quality wood, this piece has been carefully preserved in its original condition, with only minor wear consistent with its age and use, which adds to its unique character. Charlotte Perriand (1903-1999) was a French architect and designer who studied at the École de l'Union centrale des Arts décoratifs from 1920-1925. She collaborated with Le Corbusier and Pierre Jeanneret until 1937, designing innovative tubular steel furnishings and system furniture. In 1937, she and Pierre Jeanneret designed a mountain chalet made of sheet aluminium, which they showcased at the Exposition Internationale des Arts et Techniques dans la Vie Moderne. She went on to become a design consultant to the Japanese Board...

Architectural brutalist wall mounted sculpture made from cast metal. Imposing wall sculpture 1970s - Belgium Height: 90cm Width: 190cm Depth: 3cm Ref.: 824134 *Images are part o...

COPY OF AN ANCIENT ROMAN MASK MADE IN TERRACOTTa

Rare, beautiful, practical, decorative and meaningful bookends. In all our years of collecting, buying and selling antiques we have never seen a pair of alchemist bookends. They come from the same home as the alchemist painting...

Up for sale two lovely sconces from Skultuna, Sweden in brass. Designed by Pierre Forssell and manufactured in the 1990s. Very good condition. Delivered whit the original box.

Xai Limited Edition Salvador Dalí manufactured by BD Barcelona Design inspired on an artwork by Salvador Dalí Limited Edition of 20 unique pieces in white and 1 in black Dimension...

Antique Swiss Casted Bronze Cattle Bell ca. 1900s Item e7313 An antique cast bronze cattle bell, made in Switzerland around 1900. The bell comes with its ...

Ceramica di Giuseppe Cappe Gelle Buone condizioni. Grazie

The 'Eye' is not only a luxury refined piece of furniture but it is also a hand carved sculpture designed to embellish with uniqueness, beauty and charming any living area or bedroo...

Authentic copper jaguar emblem, mascot on metal base, car ornament, made of solid brass, nice as a paperweight or as a decorative piece on a desk, collector's item for lovers or owne...

Large wall-mounted sculpture colored stone in concrete Mid-Century Modern, 1952 This wall Sculpture was taken out of a building by Dutch Architect Jan Duiker. It should be made circa 1952, the sculpture is signed with ACK. Jan Duiker (also Johannes Duiker) (The Hague, 1 March 1890 – Amsterdam, 23 February 1935) was a Dutch architect. Partnership with Bernard Bijvoet from 1919 until 1925. For the commission of the Zonnestraal project the architects were recommended by Hendrik Berlage. Bijvoet left the Netherlands in 1925 to work in Paris with Pierre Chareau for projects such as Maison de Verre...

Ettore Sottsass grew up in Turin, and graduated in architecture from the Turin Polytechnic in 1939. In 1947, he founded his own studio in Milan. In 1956, Sottsass moved to New York w...

Incredibly beautiful flower arrangement on a ceramic tile with a gloss of glaze in the brightly colors blue, pink and brown. Three separately baked tiles mounted on a wooden frame. This tall ceramic tile plaque...

Small hand carved mirror with grapes. Unique period piece. France, circa 1780-1850 Weathered, small , small losses. Measurements include the wooden base. H:38cm W:26,5cm D:9cm

Italian white/cream glazed ceramic table centrepiece, with a relief of assorted fruits on a lower body in the form of a raised oval bowl. Italy, 20th century.

Set of 18 Kamyki mirrors by Zieta Mounted sculpture Color: Inox finish Dimensions [cm]: Ø 7- 20 cm 6 different forms Dimensions of the set : H. 76 cm W. 150 cm D. 6 cm Zieta Colle...

Set of 12 Kamyki Mirrors by Zieta Mounted sculpture Color : Flamed Gold Dimensions [cm]: Ø 7- 20 cm 6 different forms Dimensions of the set : H. 86 cm W. 102 cm D. 6 cm The Heat ...

Italian white/cream glazed ceramic table centrepiece, with a relief of assorted fruits on a lower body in the form of a raised oval bowl. Italy, 20th century.

Lovely Carved Wooden Lady Towel Holder ca. 1900 A large unique towel rail, hand carved and painted. The artwork is modeled as a beautiful Victorian maid carrying a bar as a towel ho...

Antique Leather Strap with Six Brass Bells, Switzerland ca. 1900s Item e6991 An antique leather strap with six brass bells from the swiss Alps manufactured ca. 1900. These bells are ...

Beautiful antique bronze tazza, a bowl on a high foot. The bowl is decorated with graceful flowers and dates from the late 19th century. Multicolored patina. The bowl is signed Oudry, a well-known French designer of bronze statues and ornamental objects. The tazza is of a very fine quality and in good condition. L. Oudry & Cie stands for Leopold Oudry...

Antique Black Forest Deer Head Bavaria ca. 1890s A lovely carved wooden Black Forest deer head. Handcarved in Baroque style around 1890. It features a real 6 point deer horn trophy....

Brown Patinated wood modern sculpture Circa 1960.

A 15th century French recuperated floor slab of huge proportions. Because of its beauty, unusual size and the richness of fossilles we decided to mount this piece as a sculpture. We...

We can notice the organic curves. The Driftwwod is a Root. We have a socket in plastic, with a plastic switch You can use any kind of bulb up to 100 watt, but choose by priority, bul...

Unusual mounted object in the shape of a antique/1920s brass vehicle horn set on a brass rod and a patinated oak rectangular base. Unknown Danish sculptor/artist circa 1970-80. There...

This peculiar archeological piece is described as a 'cup stone'. These cup marked stones have been found worldwide and been dated from 300.000 bc up to 1000 bc. The exact purpose of ...

Alberi Scultura Italy, 1970 Rame lavorato completamente a mano Ottima fattura Ottimo stato di conservazione

Spanish Vintage Ceramic Hand Bell. By unknown manufacturer. Vintage ceramic bell with a beautiful patina, but it has lost its inner clapper. I...

Weighing Machine, circa 1920 Manufactured in Spain. In original condition, wear consistent with age and use, preserving a beautiful patina. Materials: Metal Dimensions: H 27cm W 5...