Continental US - Art

A joyous colorful countryside painting depicting a serene landscape, capturing a winter scene with trees, foliage, and a creek with vibrant and muted tones. The piece is done in a highly impressionistic manner and is a wonderful display of Reilly's more impromptu style, with bold colors of joyful yellow, deep rouge, and softer colors of light blue, hints of brown, and pops of rose and peach. The brushwork denotes a skilled use of color and texture, offering a sense of depth and tranquility with much whimsy and detail. The artwork comes housed in a plein air gold frame...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

In this very large piece titled 2 Parrots, Walasse Ting captures a tender moment between two parrots sharing a moment of love on a branch. The artwork bursts with vibrant tropical hu...

Contemporary landscape painting of a peaceful outdoor scene, a grassy field beneath a tree with dark green leaves, beautifully capturing the idyllic feel of an afternoon in mid July....

Linocut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Musée d’art moderne de la ville de ...

This painting is in excellent condition and has only been shown in a gallery setting. Please note that given the characteristics of the silver and gold leafing the work will photogr...

All that Glitters ain't Gold - 2017, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inven...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. Etching with drypoint on laid watercolor paper, 9 7/8 x 11 3/4 inches, (251 x 229 mm), full...

Antique American realist landscape oil painting by John Ross Key (1837 - 1920). Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood mo...

Born in 1982 in Manzanillo, Cuba, artist Darwin Estacio Martinez honed his artistic skills at the Professional Academy of Fine Arts "El Alba" in Holguin, and furthered his education ...

Original museum grade exhibition prints on acid-free archival photographic paper. Edition of 150 These are the highest quality NASA prints ever produced. The bright clusters and ...

Medium: original lithograph. Catalogue reference: Mourlot 82. Printed in 1952 at the atelier Mourlot for the art revue Verve (Volume 7, Number 27-28) and published in Paris by Teriad...

"Distant Lights" by Dan Young is an original oil painting depicting warm lights from dwellings with a sunset backdrop. Dan Young was born in Denver, and grew up in western Colorado...

KAWS Clean Slate (grey) new & unopened in its original packaging. A well-received work and variation of KAWS' large scale Clean Slate sculpture - a key highlight of KAWS’ major mus...

In this contemporary landscape in oil on panel, ivory clouds float in an idyllic pink sky over brown rolling hills and mountains. Signed, dated and titled on verso. David Konigsberg...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts delicate butterflies in ascension placed in a wonderful gold tone landscape. Slonem t...

Medium: original lithograph. Executed by Andre Masson for XXe Siecle (issue No. 32) in 1969. Size: 12 1/4 x 9 1/2 inches (310 x 240 mm). Not signed.

"A Step Beyond" is part of Christopher Kennedy's "Trees Revered" series that uses his abstract PhotoLuminism technique combined with trees from the real world to create an otherworld...

First edition exhibition poster for a retrospective of Rauschenberg's works organized by NCFA, Washington DC, with mutual sponsorship of N.E.A. a Federal Agency, Museum of Modern Art...

Archivio delle Indie II, Siviglia 1990 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches Fra...

Up for sale is an original large antique oil painting on canvas, depicting a picturesque European landscape, featuring a grand countryside house with red-tiled roofs and stone walls,...

Medium: original lithograph. Printed in 1981 for the art revue Derriere le Miroir (issue number 247) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 560 mm). There is a...

Artist: Keith Haring Title: Plate 5 from Story of Red and Blue (L. pp. 128-133) Medium: Screen print in colors on wove paper Sheet Size: 22 x 16.5 inches Frame Size: approx 28.5 x 22...

5-3737 Oil on artist board set in a vintage wood frame

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

A wonderful impressionist pastoral landscape with beautiful color tones throughout. Waltsak has portrayed this piece in a most intimate, yet energetic way, and has packed much feelin...

Greg Chann Wall Stack IV, 2024 Acrylic and ink 16 x 13 x 4 in. (cha013)

Antique American modernist portrait oil painting. Oil on board. Framed in a period wide wood molding. In excellent original condition. Handsomely framed in a wood molding. Exce...

Medium: original lithograph. Printed in Paris in 1960 by the Mourlot Freres atelier. Size: 12 1/2 x 9 1/2 inches (320 x 240 mm). Not signed.

Gorgeous Banksy Monkey Parliament lithograph. Released at Banksy’s exhibition Banksy vs. Bristol Museum in 2009. The original tube that this ...

In this abstract vertical painting in colored pencil and acrylic on canvas by Elizabeth Gourlay, a thick, vertical stripe in a coral shade of red orange is...

6002 A French vintage fauvist oil painting of a French village on artist board displayed in a wood frame, signed lower left by Groendain

Medium: lithograph (after the original). Printed in Paris in 1954 by Mourlot and published by Berggruen for a scarce catalogue. Image size: 4 1/2 x 4 inches (115 x 100 mm). There is ...

Title: Autumn Chorus Medium: Oil on canvas Size: 25 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight paper create an undulating composition suggesting layers of the earth's crust and geological forma...

"Apriel" captures a serene underwater moment in striking black and white. This fine art underwater photograph showcases delicate interplay between light, shadow, and movement as hair...

Medium: original lithograph. Printed in 1974 for the art revue Derriere le Miroir (issue number 209) and published in Paris by Maeght. Size: 15 x 22 inches (378 x 555 mm). There is a...

Laura M. GREENWOOD (1897-1951). Portrait of Woman in Winter Coat Oil on canvas, 18 x 24.5 inches. Signed lower left. Excellent condition. Would beneifit from a cleaning. Origina...

This artwork by Henri Matisse is a lithograph from the book Cinquante Dessins, published by Les Soins de L'Artiste in 1920. First Edition. The portfolio was edited and printed by M...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: New Mexico Museum of Art, Phoenix Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

#5-3333 A white tulips still life ,oil on canvas applied on board, set in a vintage curved white painted wood frame .Signed lower left by P.Russo Neapolitan artist

This print was created by Albers for the occasion of an exhibition at Goethe House in Manhattan in 1973. It is in an excellent white contemporary frame. Artist: Josef Albers, German...

Rare 1940s Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of bodybuilder and Mr. America contender MIKE DUBEL. Dubel competed in the 1...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

signed and numbered lower image edition 7/40 Catalogue raisonné 00269 Internationally recognized painter and printmaker Alex Katz was born in 1927 in Brooklyn, New York. Over a thir...

Hunt Slonem's artistic trajectory has always been characterized by a deep exploration of spiritual themes. His use of repetition in form—particularly with his beloved bunnies—serves ...

Le Mont Saint Michel is a 1947 English language French travel poster by Starr. The poster carries the tagline, "The Pearl of French Medieval Art," for the medieval architecture of th...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Zoa Ace's (US based) "Cat Ladies" is an original, handmade mixed media collage on wood that is unframed and ready to hang. About the Artist: "My work is figurative and deals primari...

Hand-pitched chrome metallic glazed ceramic sculpture vessel by Jessamyn Go. Jessamyn Go's work is deeply rooted in the visceral, meditative experience of working with clay. Drawn t...

Edgar Levy (1912-1975). Floral Still Life with Shell, ca. 1955. Oil on canvas measuring 28 x 36 inches. Unframed. Signed with artist monogram lower left. Edgar Levy is remembered ...

Lithograph on vélin paper. Paper Size: 12.4 x 19.3 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle sé...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a light lavender background with thick use of paint...

Gerdine Duijsens’ spirited and evocative figures are instantly recognizable and unforgettable. Through lush, bold colors and energetic marks, her paintings emit a sense of pleasure and contentment. Their candid nature brings delight into the rooms in which they hang. Enjoyment is at the heart of her figurative artworks, and the people she creates are always savoring the moment. We can’t help but be charmed by their lust for life. This one-of-a-kind 39 inch square artwork is stretched, wired and ready to hang. Duijsen's painting includes wonderful textures created with an intriguing balance of bold, colorful brush strokes and thin black lines, adding a distinct character to the people and their surroundings. She captures the essence of each figure though her abstract treatment of the artwork. The sides of this unique artwork are painted black. It does not require framing. Gerdine signs her paintings on the bottom in black, blending the signature with her captivating brushwork. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Gerdine Duijsens was born in Utrecht, Netherlands, and studied at the Art Academy and the Academy of Fine Arts in Belgium. The work of Gerdine Duijsens is a synthesis between figurative and abstract art. In their unguarded moments, Gerdine displays her characters with a slight derision as their vulnerable and insecure selves, when in their seemingly unobserved moments they briefly try to escape from a world in which status, knowledge, protocols and power keep them prisoner. Her people are "bon-vivants," somewhat blasé, comical, cheerful, and bored. The partying, dining, happy single, and Botox paintings have become Gerdine's trademarks and have generated a steadily growing club of collectors internationally. We recognize the people on the canvasses, they're our families, they're our friends, they're us. They move us and make us laugh. We love them and want to have them with us. We want them with us because they make us happy. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2023 "Postcards From Nowhere", Artspace Warehouse, Los Angeles, CA 2021 “Representation of Imagination”, Artspace Warehouse, Los Angeles, CA 2019 Mixed Exhibition, Byard Art, Cambridge 2019 Affordable Art Fair Hong Kong 2019 Artspace Warehouse, Los Angeles, CA 2018 Affordable Art Fair Hong Kong 2018 Affordable Art Fair New York, NY 2017 Affordable Art Fair Hong Kong 2017 Affordable Art Fair New York, NY 2016 Art Hamptons, NY 2015 Affordable Art Fair Singapore 2015 Affordable Art Fair Amsterdam, NL 2015 Affordable Art Fair, New York, NY 2015 Palm Springs Fine Art Fair, Palm Springs, CA 2015 LA Art Show, Los Angeles, CA 2014 Red Dot Art Fair, Miami, FL 2014 Art Toronto, Canada 2014 Houston Fine Art Fair, TX 2014 Artspace Warehouse, Los Angeles, USA 2013 Galerie Daniel Guidat, Cannes, France 2013 Fondaco Arte Architettura, Rome, Italy 2013 Galerie Patries van Dorst, Wassenaar, Netherlands 2012 Affordable Art Fair, Amsterdam, Netherlands 2012 Affordable Art Fair, Brussels, Belgium 2012 Lille Art Fair, France 2011 Biennale Florence, Italy 2011 Vindemia Art Gallery, Abu Dhabi 2011 Galerie Gerdine, Keulen 2011 HeArt Show, Istanbul, Turkey 2011 Gallery Amersfoort, Netherlands 2011 Affordable Art Fair Amsterdam, Netherlands 2010 Holland Art Gallery, Eindhoven, Netherlands 2010 Fine Fleur Art Gallery, Amsterdam, Netherlands 2010 Gallery Pascale Froessel, Strassbourg, France 2010 The Elephant parade Emmen, Netherlands 2010 Workshop Liliane Fonds, Sri Lanka 2010 Giga kunst Goirle, Netherlands 2010 Mirtos Animal Project 2010 Docters Art Maastricht, Netherlands 2010 Galeria del Arte Breda, Netherlands 2009 Gallery Fondaco, Roma, Italy 2007 Kunsthal Holland Art Gallery, Eindhoven, Netherlands 2007 Museum Bydgoszsz, Poland 2006 Holland Art Gallery, Amsterdam, Netherlands 2005 Holland Art Gallery, Amsterdam, Netherlands 2005 Holland Art Gallery, Eindhoven, Netherlands 2004 Galerie Dejavu, Son en Breugel...

Medium: original lithograph. Printed in 1972 for the art revue XXe Siecle (issue No. 38). Size: 12 1/4 x 9 1/4 inches (310 x 237 mm). Not signed.

Emperor Jahangir and Empress Nur Jahan exchanging lotus blossoms; a symbol of beauty, purity, honesty, rebirth, self-regeneration, and enlightenment....