Continental US - Interior Paintings

"Nude Breakfast", A Fantastic Surrealist Mid-Century Modern Oil Painting of a Nude Couple at a Breakfast Table by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Executed in ...

"The Tailor" is an original artwork by Eustace Mamba and measures 24"h x 30"w x 2"d. The artists cuts, arranges, sews, and collages fabric and paints to create layers of texture and ...

Contemporary painting in oil on canvas of a bright and inviting interior scene with a botanical still life arrangement of two vases with yellow daffodils and orange tulips, a pair of...

"Ascent" is a beautiful original oil painting created by Raymond Bonilla, depicting a succulent cactus plant in the dim late afternoon sun, resting near a windowsill. This piece meas...

In this contemporary painting in oil on canvas, a cheerful interior scene is bright and inviting with a still life arrangement of red poppies, red flowers and pale pink dahlias in a ...

Hiroshi Sato’s "Lone" (2025) is a masterful oil painting that captures a moment of quiet introspection within an interior space. Measuring 46 x 60 inches, this large-scale work exemp...

Antique American modernist interior still life oil painting. Oil on canvas. Framed. In excellent original condition. Handsomely framed in a modernt wood molding. Excellent cond...

#5-3464 Naive contemporary figurative acrylic on canvas applied to a board, set in a black -wood frame painting, signed by Neapolitan artist P.Russo. Image size 9.75 H x 13 W

Up for sale is an original antique 19th-century oil painting on canvas depicting a scene in the interior of a house with a male figure dressed in a traditional hooded robe seated at ...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

"Of Ships and Men" - Nautical Trompe l'Oeil Composition in Oil on Board Maritime still life by Russell Tripp (American, 1942-2025). This hyper-realistic painting captures a collecti...

Early realist still life painting of a stack of books set against a black background. Signed Kaplan on the reverse. Currently hung in a wood frame with velvet matting. Would recommen...

Leigh Ann Van Fossan's "Breath in the Warm Salty Air" is an original acrylic and charcoal painting depicting a blue vase with flowers next to a picturesque scene featuring a blue oce...

Roosters and Hens in a Barn 19th century E. Binam (Belgian? 19th century) Oil on wood panel 8 1/4 x 5 /12 (10 1/4 x 13 1/4 frame) Though little is known about E. Binam, he was clea...

A charming oil painting depicting an interior scene of a mother and child reading together while sitting on a table round table with a mantel, and a window on the background with the...

This contemporary impressionist painting represents the deepest ocean with its varied blues and textures.

Clean and refreshing. Easy on the eyes yet distinct in a classic appeal. White on white has the subtlety of a quiet personality in a room full of people. When it speaks everyone li...

Antique American oil painting. Oil on canvas. Signed. Framed. Measuring 26 by 34 inches overall and 20 by 28 painting alone. In excellent condition. Handsomely framed in a period ar...

Very finely painted late 19th or early 20th century portrait painting. Oil on canvas. In excellent original condition. Handsomely framed in a giltwood molding. Excellent conditio...

Ida Sedgwick Proper At the Claremont (View of the Hudson River and Palisades) circa 1912 Signed lower right Oil on canvas 45 1/4 x 57 1/2 inches Exhibited New York, Heterodoxy, Malv...

Whistlers Mother by Anonymous Artist Original Oil on Canvas 1924 Nicely executed painting after James McNeil Whistler of his mother by an anonymous artist (American, 19th-20th C.) I...

Yana Beylinson's (US based) "Four Peonies" is an oil painting that depicts impressionistic pink flowers with vivid green leaves. Artist Bio: Yana is driven by a deep r...

Incredible signed early American dog portrait painting. Oil on board. Signed. Housed in a period gold giltwood frame.

An outstanding oil painting depicitng 3 figures seated around a table with flower vase. The bright colors and quick brush strokes are what makes this piece so attractive and desirabl...

A Fabulous, 1950s Mid-Century Modern Still Life Painting of a Colorful Bouquet of Spring Flowers by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Completed in the vibrant,...

"Every Shad of Joy” is a luminous jewel of a painting. Vivid warm, Spring colors dance this canvas creating a visual harmony that feels both regal and refreshing. This contemporary...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

This framed and matted 16" x 19" watercolor painting by an Unknown artist depicts an historic English chapel interior. The interior of the church features the large stained glass window pane...

The overall dimensions including the frame are 70 x 42 inches. Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Voge...

This painting depicts a whimsical scene of a figure reclining and reading. The figure is done in a quick way, where the scene almost is abstracted. The bright colors and quick brush ...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Beautiful Dutch School painting dating from 17th century. Oil on wood panel measuring 10 3/8 x 14 7/16 inches. Unsigned. No inpainting or conservation. Depicted is a scene with a beautiful young woman singing...

In this contemporary painting in oil on canvas, an interior scene is bright and inviting with a still life arrangement of a green leafy plant in a yellow pot, purple, red and orange ...

Impressive early American modernist flower still life oil painting. Framed. Oil on canvas. Signed. Image size, 12H by 10L.

This painting confronts the art world's prejudice towards age. The book on the table is a copy of James Joyce's Portrait of the Artist as a Young Man. The seated figure is meant to c...

Exquisite antique portrait painting of a young fashionable woman. Framed. Oil on canvas. Signed. Image size, 31H by 24L.

Impressive early American impressionist still life oil painting by Harriette Bowdoin (1880 - 1947). Framed. Oil on board. Signed. Image size, 18H by 22L.

Signed lower right, 'Pauer' for Jacalyn Pauer (American, 20th century) and dated 1991. Additionally signed, verso, and titled, 'The Family Dinner'. A su...

Finely painted antique American school oil painting. Oil on canvas. Framed. Measuring 29 by 38 inches overall and 23 by 32 painting alone. Unsigned. Painted in a striking Ashcan s...

1664 Antique oil painting of a blacksmith shop in the south Image size 17.5x 23.5" Framed

Still Life With Mimosa Flower Arrangement - Oil On Canvas Original 1988 still life oil painting depicting a small blue vase of yellow mimosa flowers by Francisco Giordano (Italian, ...

Artist: Fermin Santos Alcade Title: Catedral de Toledo, Espana II Year: Circa 1960 Medium: Oil on canvas board Canvas board size: 28.5 x 21.25 inches...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Go...