Continental US - Clocks

French 19th century clockset with dore bronze and marble. Urns measure to be 12" H x 3.25" D.

French 19th century Louis XVI style mantel clock signed by J Marti. Made from marble and gilt bronze with porcelain dial.

A neoclassical bronze and rouge marble mantel clock, retailed by Miller & Sons, London, clockworks by Japy Freres marked with number 15411, 44, and...

Pair of 18th century Italian carved wood fragments with clock and barometer.

An exquisite French 19th century Louis XVI st. white Carrara marble and ormolu clock. The clock is raised by ormolu topie shaped supports below a marble base with ormolu scrolling foliage and ormolu beaded row. Above is the central fluted marble column...

A striking and very high quality French 19th century Renaissance st. Rouge Griotte marble, patinated bronze, and ormolu garniture clock set. The clock at the center is raised by hand...

A magnificent French mantel clock in patinated bronze and original ormolu. Modeled with figures of two classically dressed females sitting back to back against the clock drum and rea...

An important & rare silvered and gilt bronze 3-piece Chinoiserie clock garniture comprising a clock and two side pieces. The Pagoda form clock with 2 Chinese figures, one sitting pla...

A Palatial and Extremely Rare Napoleon III French Ormolu and Patinated Bronze Regulateur de Parquet Clock by Louis-Constantin Detouche, Paris, Circa 1850 An exceptional testament to the grandeur and technical mastery of 19th-century French horology, this palatial and extraordinarily rare Napoleon III ormolu and patinated bronze Regulateur de Parquet clock stands as a crowning achievement of the renowned Parisian horologist Louis-Constantin Detouche. Created circa 1850, this monumental timepiece exemplifies the perfect synthesis of artistic opulence and mechanical precision, distinguishing itself as one of the most impressive works from Detouche’s illustrious oeuvre. At over six feet tall, this clock’s imposing scale and decorative grandeur make it an object of immense historical and aesthetic significance. The case, crafted from the finest French ormolu, features two majestic patinated bronze seated putti, serving as allegorical figures and underscoring the artistic sophistication characteristic of the Second Empire style. The white enamel dial, elegantly signed "C. Detouche/Paris," affirms its prestigious maker, while the movement, meticulously numbered 7064 and bearing the stamps "C. Detouche RUE St. MARTIN" and "C. DETOUCHE 158 R. St MARTIN 160," speaks to the highest standards of 19th-century horological craftsmanship. Further distinguishing this piece is the medaille d’argent stamp, a testament to the numerous accolades and awards bestowed upon Detouche for his innovations in timekeeping. A Masterpiece of Horological Artistry: Louis-Constantin Detouche was not merely a clockmaker; he was a visionary whose contributions to horology redefined precision and complexity. This particular regulator clock...

Unusual pair of Gustavian corner clock cabinets, origin: Mora, Sweden, circa 1780 Each cabinet with matching working, tall case clocks decorated with four fluted diamond patterns an...