Continental US - Clocks

A magnificent 19th century French Renaissance Revival patinated bronze mounted carved walnut "Day and Night" mantel clock.  The dial with Roman numerals flanked by allegorical figures of night and day after Michelangelo. France, circa 1870 Maker: Victor Paillard The movement stamped: Vr. Paillard, Paris. Rodier Paris Stamp & Medaille Dor', 1837 Dimensions: Height 22" (56 cm) Width 37" (94 cm) Depth 9" (22 cm) Victor Paillard (1805-1886) designed and made various bronze decorative and functional objects including chenets, lighting and clocks. He also cast bronzes for some of the most important sculptors of the day including Barye, Carrier-Belleuse and Pradier He opened his first workshop in the 1830s at 105, boulevard Beaumarchais and 6, rue Saint-Claude and by the 1850s was employing around 100 people. His success at numerous international exhibitions including the 1851 Great Exhibition (where he displayed a bronze of the Standing Sappho after Pradier) further enhanced his reputation Day and night by Michelangelo: Though never finished, the tomb of Giuliano de' Medici in the Medici Chapel is the only one of Michelangelo great architectural-sculptural projects to be realized in a form approaching completion. Built between 1520 and 1534, it is widely held to be one of Michelangelo's most stunning achievements. The pose of the central figure on the tomb of Giuliano de' Medici, arms resting at his sides and legs comfortably apart, and its open composition suggest a cheerful Duke, generous in both mind and spirit. In fact, the figure holds in his hand several coins, as if an intended gift. Light plays freely on his beautiful face, yet the figure is lacking in energy and seems to wilt under the burden of the Roman armor...

"L'amour Non Partagé" or "Unrequited Love", an allegorical timepiece by Max Blondat. The base of the clock is stamped with the artist name "Max Blondat", and carries a Valsuani found...

FACTORY / HOUSE: Black Starr and Gorham STYLE / REFERENCE: Gothic Motif METAL / MATERIAL: Nickle Finished CIRCA: 1940s/ 50s MOVEMENT / CALIBER: High Grade 15 Jewels Swiss Made DIAL / HANDS: Silvered Roman / Filigree Hands DIMENSIONS: 16 Inches tall X 9 Inches Wide / 40cm X 23cm (box 17" X 11") ATTACHMENT: Wall Mount WARRANTY: 18 months on the movement. This is am impressive wall clock sold by one of the premier American jewelry houses. Remarkably it comes with its original box, in excellent condition. Black, Starr and Frost are considered America's oldest jewelry house. They merged with Gorham, one of America's oldest silver companies in 1929. Just in time for the Great Depression. This clock, or rather weather station as it is normally called, appears to have never been used. It was likely made in Switzerland of the finest materials some time mid century. Gothic in style while dating to later part of the Art Deco Era This would be an impressive piece in entry of an elegant old home. Or, conversely it would look great in an ultra modern entry...

Beautifully designed mantel (fireplace) clock with ornate bronze embellishments. Carved and gilded griffins flank the clock face. A gilt eagle is the finial. The beautiful wood case is embellished with painted geometric designs and marble pilasters...

FACTORY / HOUSE: Alfred Dunhill London STYLE / REFERENCE: Art Deco Desk Clock METAL / MATERIAL: Stone and Metal CIRCA / YEAR: 1930's DIMENSIONS / SIZE...

19th century French Empire doré bronze clock, France, 1880s.

French 19th century clockset with dore bronze and marble. Urns measure to be 12" H x 3.25" D.

French 19th century champleve enamel clock set signed by Henry Paris Dimensions: Clock: 11" H x 6" W x 3.25" D Candle Holders: 8.25" H x ...

Mid 19th Century Orientalist Bronze Mounted Siena Marble Mantle Clock, France. The classically robed maiden wearing an intricately detailed turban and holding a pen, while leaning on...

Pair of 18th century Italian carved wood fragments with clock and barometer.

A very handsome little clock. The patterns in the pale rose/coral quartz are pleasing.

Louis XVI style mantel clock made of bronze fire gilded figures, white marble inlays and parts.

An extraordinary and high quality French 19th century Louis XIV st. ormolu three piece clock and candelabras garniture set. Each raised by square tapered fluted feet with fine acanth...

A most exquisite French mid 19th century Louis XVI st. ormolu and white Carrara marble clock. The clock is raised by topie shaped ormolu supports, The rectangular marble base is deco...

A Fine Louis XVI Marble & Gilt Bronze Clock 18th Century Signed Corrier A Paris A large Louis XVI ormolu French clock by Corrier à Paris. The symmetrical case has numer...

FACTORY / HOUSE: Shreve and Co. STYLE / REFERENCE: Bedside Alarm MOVEMENT / CALIBER: Manual Winding DIMENSIONS: 5" X 4" WARRANTY: 18 months on the movement. LIFETIME SERVICE COMM...

An exceptional large 19th century French figural clock set after a model by Jean Antoine Houdon. Mounted with a large bronze model of a cupid holding a gilt bow and arrow, upon a naturalistic base with flowers and doves, supported on a rouge marble and ormolu mounted circular base with inset clock. Each candelabra modeled with a sitting putti holding a branch with two lights in each hand, raised upon a circular ormolu mounted rouge marble base. Signed: Houdon, circa 1860 Dimesions: Clock Height 36? (91 cm) Width 15? (38 cm) Depth 20? (20 cm) Candelabra Height 26? (66 cm) Width 12? (30 cm) Depth 9? (22 cm) Jean-Antoine Houdon a French neoclassical portrait...

FACTORY / HOUSE: Shreve & Co. STYLE / REFERENCE: Arts and Crafts Desk Clock MOVEMENT / CALIBER: 8 Day DIAL / HANDS: Silvered with Blued Steel Luminous Hands DIMENSIONS: 4 Inches X 4 ...

A Palatial and Extremely Rare Napoleon III French Ormolu and Patinated Bronze Regulateur de Parquet Clock by Louis-Constantin Detouche, Paris, Circa 1850 An exceptional testament to the grandeur and technical mastery of 19th-century French horology, this palatial and extraordinarily rare Napoleon III ormolu and patinated bronze Regulateur de Parquet clock stands as a crowning achievement of the renowned Parisian horologist Louis-Constantin Detouche. Created circa 1850, this monumental timepiece exemplifies the perfect synthesis of artistic opulence and mechanical precision, distinguishing itself as one of the most impressive works from Detouche’s illustrious oeuvre. At over six feet tall, this clock’s imposing scale and decorative grandeur make it an object of immense historical and aesthetic significance. The case, crafted from the finest French ormolu, features two majestic patinated bronze seated putti, serving as allegorical figures and underscoring the artistic sophistication characteristic of the Second Empire style. The white enamel dial, elegantly signed "C. Detouche/Paris," affirms its prestigious maker, while the movement, meticulously numbered 7064 and bearing the stamps "C. Detouche RUE St. MARTIN" and "C. DETOUCHE 158 R. St MARTIN 160," speaks to the highest standards of 19th-century horological craftsmanship. Further distinguishing this piece is the medaille d’argent stamp, a testament to the numerous accolades and awards bestowed upon Detouche for his innovations in timekeeping. A Masterpiece of Horological Artistry: Louis-Constantin Detouche was not merely a clockmaker; he was a visionary whose contributions to horology redefined precision and complexity. This particular regulator clock...

Unusual pair of Gustavian corner clock cabinets, origin: Mora, Sweden, circa 1780 Each cabinet with matching working, tall case clocks decorated with four fluted diamond patterns an...