Fairfield County - Art

Wilson US OPEN 4 Tennis Ball Digital C-Print / Archival Pigment Print Edition of 5 per size Available sizes: 24" x 24" 36" x 36" 48" x 48" Lusztyk’s “Collectible” series is a macro ...

Artist: Salvador Dali (1904-1989) Title: Locomotion paradisiaque intra-utérine (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Paradise intrauterine locomo...

Artist : Julian Barrow (1939-2013) Medium : oil on canvas , gilt frame Title : 'Strathrusdale , Ross-shire- Scotland' Note : signed lower right ,also titled, with the art...

Live Transmission Morgan O'Hara's conceptually based performative drawing researches the vital movement of living beings, the human experience of time and space. It is culturally co...

Series: Decadence Chromogenic Print on Kodak Endura Luster Paper Available Sizes: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Edition of 3 + 2 Artist Proofs Tyler Shields is...

A large and impressive Karel Appel of his most desirable subject, abstracted faces. Very difficult to find a work of this size and impact by the artist. Often the faces are not as ...

Artist: Peter Max (1937) Title: Angel with Spread Wings Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 15 x 11 inches Inscription: Signed in ink Notes: Publishe...

"It isn't possible to visit Amboseli and not go searching for Craig. He has become a celebrity of Amboseli, with thousands of people travelling across the globe each year in the hope...

Series: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes & editions: 16" x 20" 24" x 30" 32" x 40" 48" x 60" 57" x 72" 67" x 84" Editions of 3 + 2 A...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Milgrim’s sculpture practice is restless by nature, evolving every few years and incorporating new materials and concepts. She utilizes a diverse range of industrial, found, and dist...

Artist: Andrew Wyeth (1917–2009) (after) Title: Canvasbacks Year: 1962 Medium: Lithograph on velin paper Paper Size: 17 x 13 inches (43.2 x 33 cm) Condition: Well preserved, consistent with age and medium Inscription: Signed in the plate and unnumbered, as issued Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Notes: Excerpted from the folio, In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry. Additional notes: This exquisite lithograph after Andrew Wyeth (1917–2009), titled Canvasbacks, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition reflects Wyeth’s masterful study of nature and mood through his dry-brush technique. The composition captures the serene grace of waterfowl, rendered with Wyeth’s characteristic precision and quiet introspection that bridge realism and emotional depth. ANDREW WYETH (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph, Canvasbacks Wyeth, The Four Seasons Wyeth, Wyeth 1962 portfolio, Art in America Company New York, Wyeth velin paper lithograph, Wyeth dry-brush drawings, Andrew Wyeth after lithograph, Wyeth nature study, Wyeth waterfowl print, American realism, 20th century American art, Brandywine School, Chadds Ford artist, Wyeth collectible print, Wyeth modern art edition, Andrew Wyeth signed...

Artist: Georges Braque (1882–1963) (after) Title: Red Flowers (Fleurs rouges) Year: 1959 Medium: Lithograph and pochoir on velin d’Arches paper Paper Size: 7.25 x 9.375 inches (18.42...

Artist: Peter Max (1937) Title: Heart Suite III, Four Artworks Year: 1997 Edition: 136/300, plus proofs Medium: Lithograph on Arches paper Size: 2.75 x 2.5 inches, each. Condition: E...

WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an accurate drawin...

Four & Six No. 1 is a significant example of Naohiko Inukai’s hard-edge abstraction from this period. This fresh, graphic work features geometric clarity and crisp, interlocking...

Artist: Andrew Wyeth (1917–2009) (after) Title: The Corner Year: 1962 Medium: Lithograph on velin paper Paper Size: 13 x 17 inches (33 x 43.2 cm) Condition: Well preserved, consisten...

This untitled artwork by Stanley Bate was created circa 1960. It is a Modern abstract oil painting on canvas, featuring an earthy palette of sandy brown and umber, light blue, muted ...

Artist: Peter Max (1937) Title: Woodstock Profile on Blends Year: 2006 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.75 x 10 inches Condition: Exce...

This textured abstract diptych by Teodora Guererra features a light blue-green palette with warm yellow accents throughout. The artist layers thick strokes of paint using a palette k...

Artist: Ellsworth Kelly (1923–2015) Title: Three Panels [Black] (Trois panneaux (noir)) Year: 1964 Medium: Lithograph on velin paper Paper Size: 15 x 22 inches (38.1 x 55.9 cm), with...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

Series: Girls Night Out Silhouette Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Ed...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from the folio Parallelement (Parallel), Paul Verlaine, illustre de lithographies originales de Le...

A remarkably fresh, naturalistic and rare depiction of the environs of Lake George! It is possibly from the late 1860’s, after the Civil War when his work became more naturalist in m...

This abstracted landscape painting by Molly Doe Wensberg features a cool blue and green palette and captures a landscape scene with lush foliage and...

Artist: Peter Max (1937) Title: Space Angels Year: 1999 Edition: 199/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 6.5 x 12 inches Condition: Excellent Inscripti...

Series: Figurative Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice tha...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Hand Figure Study Year: circa 1964 Medium: Charcoal on vélin paper Size: 18 x 23 inches Condition: Good Provenance: Estate of I...

Series: Suspense Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs ...

Charlie Milgrim is a multidisciplinary artist from New York City who attended the California College of the Arts and later received her MFA from the University of California, Berkele...

Series: Silhouettes Chromogenic Print on Kodak Endura Luster Paper All available sizes & editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Pro...

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

This contemporary seascape painting by Molly Wensberg, titled Perfect Day, radiates joy through its playful palette and layered, expressive composition. The piece features a bright, ...

This abstract painting by Teodora Guererra features a teal, pink, and white palette. The artist layers thick strokes of paint using a palette knife in broad, horizontal sweeping stro...

Archival Pigment Print Under Acrylic Glass Edition of 15 All available sizes and editions: 53" x 40", Edition of 15 63" x 48", Edition of 15 73" x 55", Edition of 15 80" x 60",...

Artist: Peter Max (1937) Title: Cosmic Jumper, Detail III Year: 2002 Edition: 451/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.87 x 4.5 inches Condition: Excell...

This abstract contemporary painting is made with acrylic pain, cardboard, and Persian tea on canvas. It features a neutral palette, with a warm, light beige background, and brown, bl...

"S stands for Suzie, but on this day, it also stood for skittish. While it’s common for horses to be a bit jumpy, we knew this black beauty was high energy and extra prone to excitem...

This contemporary piece is made with dichroic film on mirror and is framed in a modern white frame. The application of the film creates a changing colorful aesthetic so that the viewer sees different colors like pink, blue, purple, and orange as they change the angle at which they view it. Areas around the periphery that look metallic give the mixed-media piece an almost painterly aesthetic. This abstracted mirror invites interaction and adds a playful alternate view to any space. It can hang vertically or horizontally, and is ready to hang. "I seek to find balance between the creative process and the present moment using color as a direct and indirect language," the artist says. "Color series paintings explore the dynamics between light, pigment, and the viewer. To achieve this, I work with mirrors as my canvas and a medium that allows for drastic shifts, effected by natural exposures, like light, the angle of a space, and the viewer themselves. Combining the reflective areas of a mirror with color...

En Face, Agneta Hobin, mica and steel, 70" x 48", 2007. This 7-piece mica and steel hanging installation and sculpture is by Finnish artist, Agneta Hobin...

A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the va...

This large statement painting by Sofie Swann features a cool, neutral palette. Made with acrylic paint and Persian tea on canvas, it features blue, creme, and deep brown rectangular ...

René Romero Schuler’s expressionistic paintings depict delicate female figures that she paints using a dry-brushed, minimalist hand, leaving her subjects mostly featureless but nonet...

This abstract bright colorful painting is by Brooklyn artist, John Platt who studied at the Boston Museum of Fine Arts and has exhibited exten...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from the folio Parallelement (Parallel), Paul Verlaine, illustre de lithographies originales de Le...

Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ...

Gelatin-silver, signed and numbered American rock guitarist, singer, and songwriter Jimi Hendrix, photographed in London, 1967. Edition size 24 This photograph will be printed onc...

Series: The Americana Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $7,500.00 48" x 60" - $11,000.00 60" x 75" - $14,750.00 Framed Sizes: 39" x 47" - $9,250.00 55" ...

Waterman Palms No. 1 by California artist, Ferdinanda Florence is part of a new series. It is 24x22, acrylic on canvas. Ferdinanda Florence was born in Washington, DC, and grew up ...

About the artist: As an American artist, Wright’s travels have taken him to paint and/or teach throughout the United States and visiting over a dozen National Park sites in addition...

All available sizes & editions for each size of this photograph: 21” x 21" Edition of 7 32” x 32" Edition of 7 44” x 44” Edition of 10 59" x 59" Edition of 5 While the spaces th...

This large, colorful abstract painting by Sofie Swann measures 48" x 48" and is made with acrylic paint on gallery wrapped canvas. It features a bright blue background with ribbons a...

Artist: Rene Magritte (1898-1967) (after) Title: Composition, Les Enfants Trouves de Magritte Year: 1968 Medium: Lithograph in colors on wove paper Size: 17.5 x 23.5 inches Edition: ...

Series: The Americana Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $7,500.00 48" x 60" - $11,000.00 60" x 75" - $14,750.00 Framed Sizes: 39" x 47" - $9,250.00 55" ...

Series: The Equestrian Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $7,500.00 60" x 48" - $9,500.00 75" x 60" - $14,750.00 Framed Sizes: 47" x 39" - $9,250.00 67" ...

Artist: Peter Alexander (1939) Title: San Blas II Year: 1988 Edition: 75, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Signed...

Artist: Willem de Kooning (1904-1997) Title: Rainbow: Thelonious Monk, Devil at the Keyboard Year: 1976 Medium: Color lithograph on cream wove Beckett paper Edition: 125, plus proofs...

This beautiful, optical oil painting is by John Platt, a Brooklyn artist who studied at the Boston Museum of Fine Arts and has exhibited extensively in New York. This abstract multi...

As a direct carver, Goulet would take her material as-is and begin to work without making any preparatory studies or maquettes. In Arcadia, the artist was able to uncover a loving co...