Fairfield County - Art

Available sizes: 32" x 32", Edition of 15 40" x 40", Edition of 10 48" x 48", Edition of 5 Narrative: Poodles are without question the quintessential breed for creative expression. ...

"It’s not often we get to experience awe in our day-to-day lives. With the many advances we’ve made in technology, fewer and fewer things seem to feel new or precious. One of the rea...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

"Dutton was always up to something. Originally raised to be a show bunny, he instead retired early due to his naughty ways on the show table. Mischievous to his core, Dutton is also ...

This LED light box by Mads Christensen creates mood oriented and color changing variations that brings a subtle and enhancing sensory experience to a room. Easily installed as it ha...

"Kotton is as soft as a swab and reminded me of a panda’s face and charm. Born a true mama’s boy, this gentle lamb clung to his mother’s side months after being born but has slowly c...

"Aleister is a rare breed—quite literally. With fewer than 1,000 Sultan chickens existing today, this snow-feathered fellow is helping keep the bloodline alive. He doesn’t let the pr...

"Carmela was a character. With their wild fluff and laughable likeness to a fluttering Muppet from the 1970s, silkies naturally exude charisma and charm. When in motion, their feathe...

Tom Martinelli works with simple rounded shapes, fields of color and the character of a painted edge. Using stencils, paint rollers and spray paint he ...

"Baby goats are always a blast to photograph. Bubbles was full of life and floated around like a happy-go-lucky butterfly. He was so social, in fact, that within a few minutes of bei...

Artist: Romare Bearden (1911-1988) Title: Introduction for a Blues Queen (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 47/175, plus proofs ...

Artist Statements: “My paintings are the poetry of my interpretations of reality." "After my years of formal academic training, I sometimes take my work toward the more contempora...

Artist: Peter Max (1937) Title: Statue of Liberty I Year: 2003 Edition: 455/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 10 x 5.5 inches Condition: Excellent Insc...

Idle Hour is an intricately painted Impressionist depiction of woman with her pets on her veranda. It is exquisitely framed in a French Gold Leaf frame of quality and value. Paint...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Artist: Robert Indiana (1928-2018) Title: Susan B. Anthony (Virgil Thomson, Mother of Us All Suite) Year: 1977 Medium: Silkscreen on wove paper Edition: 11/150...

Artist: Alexandra Nechita (1985) Title: Miss Switzerland Year: 1998 Edition: 50/65 A.P. Medium: Lithograph on Arches paper Size: 35.5 x 23 inches Condition: Excellent Inscription: Si...

This marvelous, colorful and light filled work is a desirable work by the painter. It is in an impressionist style carved and leafed frame. Illustrated in the book by the artist "A...

Rail Station Overpass on foggy morning Size & Edition: 40" x 50” - Edition of 5 + 2 Artist Proofs This photograph will be printed once payment has been received and will ship direc...

"These three brothers were knuckleheads on set and a welcomed source of entertainment. Watching them waddle around, bump into one another, fall off surfaces, and get lost was hilario...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Artist: Ian Hornak (1944-2002) Title: The Banyan Tree: Variation VI (Jamaica) Year: 1981 Medium: Acrylic on Canvas Size: 42 x 60 inches Condition: Excellen...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

David Shapiro’s minimalist works are meditative and quiet. This beige piece has a reductive Zen quality. Shapiro was born in Brooklyn in 1944 and passed away in 2014. He did his und...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

S&W .357 Magnum Digital C-Print / Archival Pigment Print Available sizes: 36 x 72 in - Edition of 20 48 x 96 in - Edition of 10 In Point Blank, Lusztyk’s magnification of handguns a...

Goethe was a well recognized and lauded sculptor in wood in American in the mide 20th century coming forward. He is in many museums and had an active exhibition history while aliv...

Baretta 9mm Digital C-Print / Archival Pigment Print Available sizes: 36 x 72 in - Edition of 20 48 x 96 in - Edition of 10 In Point Blank, Lusztyk’s magnification of handguns at on...

Series: Submerged Garden C Print Limited Edition of 12 Available Sizes: 24" x 36" 30" x 45" 36" x 54" 40" x 60" 48" x 78" This photograph will be printed once payment has been re...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 20" x 40" - $6,750.00 30" x 60" - $8,000.00 40" x 80" - $12,000.00 Framed Sizes: 27" x 47" - $8,250.00 37" x 6...

Artist: KAWS (1974) Title: What Party (Orange) Year: 2020 Medium: Silkscreen on Saunders Waterford paper Size: 22 x 22 inches Edition: 100, plus 20 proofs Condition: Excellent Inscri...

19-color silkscreen Prints can be rolled and shipped via tube for a flat-rate of $300 via FedEx.

This abstract painting is made with acrylic paint over metal leaf on cradled birch panel. The painting features a light tan-colored palette, with white swirling lines which form a ci...

In 1968, a review in the New York Times referred to Inukai’s paintings as “Very pure”. This fresh, graphic work features a single color with bands around the edges that are truly int...

IAN HORNAK (1944–2002) Title: Lion’s Head Rock, East Hampton, New York Date: January 1971 Medium: Acrylic on Canvas Dimensions: 42 x 66 inches (106.68 x 167.64 cm) Inscript...

A large and impressive Karel Appel of his most desirable subject, abstracted faces. Very difficult to find a work of this size and impact by the artist. Often the faces are not as ...

Artist: Karel Appel (1921-2006) Title: Moving the Wind Year: 1974 Medium: Silkscreen on Somerset paper Edition: 88/110, plus proofs Size: 27 x 39.25 inches Condition: Good Inscriptio...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Nude Figure Study Year: circa 1963 Medium: Original drawing on vélin Strathmore paper Size: 23 x 18 inches Condition: Good Prov...

Digital C-Print on Archival Photographic Paper Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 Few photographers in the world have phot...

Artist: Peter Max (1937) Title: Magic Carpet Ride Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 13.75 x 12 inches Inscription: Signed in ink Notes: Published, ...

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Nude Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: E...

Narrative: This photograph belongs to the series "Isolation Games." At the dawn of 2020, as the world receded into quarantine, our lifestyles were consequently fraught with apprehens...

Artist: Ian Hornak (1944-2002) Title: (Abstract Tropical Landscape) Untitled Year: 2001 Medium: Ink on archival paper Size: 9 x 12 inches Condition: Good Provenance: Estate of Ian Ho...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Nude Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: E...

DAVID DUNLOP is a modern-day old master whose luminous paintings draw from both Renaissance techniques and contemporary science. His paintings have been shown internationally and a...

This hybrid of circuit boards and parts from computers, collaged into patterms reminiscent of Persian carpets. Collaged digital images from a circuit board on Epson archival paper...

From Debranne Cingari's "Words in the Sky" series, this piece celebrates the playfulness that has long been a signature element of her oeuvre. Cingari combines beautiful landscapes, ...

Artist: Michel Delacroix (1933) Title: Le Rendezvous Year: 1988 Edition: CXXXVI/CL; 150 Arabic Numerals on Rives paper, 150 Roman Numerals on Japon paper, and 25 APs on Rives paper M...

This installation imagines a dipping pot that the Radium Girls might have had at a work station. Lit by black light to highlight the neon glow, this object conveys a modern view on t...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Series: Submerged Garden C Print Limited Edition of 12 Available Sizes: 36" x 24" 45" x 30" 54" x 36" 60" x 40" 72" x 48" This photograph will be printed once payment has been re...

This dreamlike composition explodes on the canvas with fiery reds, oranges, and yellows symbolizing luminous light piercing through a dark forest of trees. The distant light casts a ...

Series: The Equestrian Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $7,500.00 60" x 48" - $11,000.00 75" x 60" - $14,750.00 Framed Sizes: 47" x 39" - $9,250.00 67"...

KK Kozik is an artist living and working in Sharon, CT and Brooklyn, NY. Her paintings have ben exhibited widely in the United States and abroad and have been reviewed in publicatio...

Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 Narrative: Gavin was a good looking guy. His features were sharp and sleek, which made p...

Title*: Space Elephants, Proverbial Egg Shells, Swallowtail Wings Medium: Archival Pigment Canson Platine Print Series: Isolation Games Available Sizes: 21" x 30” Edition Size: 10, ...

Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 Narrative: Mother Nature sure had fun with Buckley! White coat with brown spots, brown e...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...