Florence - Art

Pair of copper paintings, military march with cavalry. Adam Frans van der Meulen, 17th century. Artist: Adam Frans Van Der Meulen. Attributed. Dimensions without frame: 21 × 18 cm e...

Italian Portrait White Marble Bust in a Heroic Attitude. Carrara statuary Marble. Tuscan school. Circa 1850.  Bust depicting a young man with bare shoulders. This model draws inspira...

Self-portrait of the painter with beret and brush in hand, 1930s Period: Circa 1930s Italian school. Technique: Oil on wooden panel Frame: Painted wooden frame, coeval Dimensions: ...

Resurrection of Christ Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560) Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame) The work was exa...

Cityscape with skyscrapers. Stylized and almost abstract representation of a city with skyscrapers, some of which have the shape of a sail. Oil on canvas. In a 1970´s aluminium / wood period frame. Signed lower right: Raimondo. Landscape appears at first glance as a series of abstract, geometric, very bright objects. Very good condition. Painting comes from a collection in Turin, Italy which had numerous signed works...

**Diogenes.** **Terracotta sculpture, 1939, Giorgio Rossi (1894-1981): Tuscan Sculptor.** **Material:** Hand-modeled terracotta by the artist. **Unique piece.** **Dimensions...

Veronica Offering the Holy Veil to Christ – Flemish School, oil on copper. Oil on copper. Framed size: 41 × 47 cm Unframed size: 36 × 30 cm 19th-century later frame. Copper plate ...

Aldo Caselli. Venice. Industries and the Dragon. Dated 1978. Born in Venice, in 1942 where he lives and works. The painting, at first impression abstract, with more accurate observ...

View of Toledo, Spain – Bridge over the Tagus (Puente de San Martín), circa 1935–1936 h 54 cm x w 66 cm oil on canvas original canvas and original stretcher View of the historic ci...

Holy Family with Saint John the Baptist, Circle of Orazio Samacchini, Bolognese School, 16th Century Oil on panel Not signed 88 x 74 cm unframed 100 x 85 cm framed Antique carved w...

Tin Florias, Dance of Corfu, Greek artist of the 20th century between Greece and Paris. Constantin (Tin) Florias Corfu, 1897 – 1969. Dimensions with fram...

Academic Study of a Nun’s Head, Florentine School Late 18th – Early 19th Century Pencil on handmade cotton paper. Dimensions: 38.5 × 53.5 cm. Large study depicting the head of a v...

Portrait of a Gentleman by Jean Jacques Marie Castin, Signed and Dated 1838 Oil on canvas signed and dated "Castin 1838" lower right. Dimensions with frame: 53 x 44.5 cm Canvas dime...

Portrait of a Young Woman in a Fur-Trimmed Cloak with a Red Ribbon and pearl necklace. Circle of Pietro Rotari (Verona, 1707 – Saint Petersbu...

Division of the Spoils in a Military Encampment Entourage of Willem Cornelisz. Duyster (Amsterdam 1599 – 1635) Not signed. Dutch school, late 17th – early 18th century Oil on oak pa...

Antonio Monasterio – Woman with a Large Hat and Table with Vase. Nr.2 • Technique: Mixed media on paper (pastels, wax, and red pen) • Dimensions: 56 x 44 cm • Signature: Lower ri...

Marco Silombria (1936-2017) - Juventus, 1995-96, UEFA Champions League Victory Charcoal on paper, signed and dated 1996 Dimensions: 101 x 72 cm Marco Silombria captures the triumph ...

Bust Of A Young Girl In Arte Povera Style, Italy,mid 20th century. Bust of a young girl , follower of Arte Povera artistic movement, Italy, around 1970. Sculpture in fir wood. Italy...

Portrait From The Dutch School, Circa 1670, Young Lady In A Garden Before A Balustrade. Dutch school, ca. 1670. Gouache on parchment laid down on a wooden support (oak). Dimensions...

Portrait of a Lady with Ferronnière and Blue Dress. Austrian or North Italian School, ca. 1830 Portrait from about 1825-1835. Oil on a rectangular wooden panel with an oval image. D...

Juventus 1995-96 - Stretching Before the Match. Drawing by Silombria, 1996 Large pencil drawing on paper, signed and dated lower right: Silombria '96. Dimensions: H 101 cm × W 72 cm...

Oil painting on canvas 52 x 68 cm, with gilt wood frame, 58 x 75 cm. is the work of the painter couple Viviano Codazzi (Valsassina 1603-Rome 1670), who specialized as a quadraturist...

Portrait of Countess Carolina Reuss Ebersdorf. Nineteenth century. Mixed media on paper: charcoal, chalk highlights, red earth. The drawing is in an antique gilded wooden frame. On ...

Pair of Maiolica Plates with Pagodas, Felice Clerici Manufacture, Milan, c. 1750-1770 Rare pair of 18th-century Milanese maiolica plates, attributable to the Felice Clerici manufact...

Orientalist Painter Pierre Alexandre Salles (Algeria 1867 - Algiers 1915) Portrait of a Young Algerian Woman Pierre Alexandre Salles (Saint-Denis-du-Sig, Algeria 1867 - Algiers 1915...

Portrait signed Darbes, 1781. Russo-Baltic period, Riga address on the reverse Oil on canvas, oval format, 61 × 46.5 cm Signed on the left and dated 1781, this portrait is by Joseph...

Sunflower is a symbol of the sun, warmth, light, it is always a reminder of summer and childhood.

Artist: Edoardo Gordigiani. E. Gordigiani, Portrait of Lina Bietoletti, Florence 1949, oil on canvas. Dimensions with frame: 79 × 69 cm. Without frame: 58 × 48 cm. Portrait of Lin...

This Italian tempera painted on gilt wood gold ground panel is a Tuscan religious artwork in the style of late Renaissance - early Gothic period. The sc...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

Decorated with a cartouche on which the family coat of arms was probably engraved, this interesting small bronze object is a "cheer mortar" (also called a "mascolo" or "mastio" of ch...

Dancing male figure, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 45 cm. The choice of ter...

Still Life in Green with Grapes, Plums, Pears, and Mushroom, Enzo Faraoni (Santo Stefano Magra, 1920 - Florence, 2017) Signed: Bottom right "E. Pharaohs." Technique: Oil on cardboar...

Artist: Anja Decker (German, 1908-1995) Period: Late 1950s Condition: Good vintage condition Notes: Mounted on original orange exhibition board, bearing period numerical annotations ...

Artist: Anja Decker (German, 1908-1995) Period: Late 1950s Condition: Good vintage condition Dimensions: 35 × 50 cm. Abstract spatial composition. Mixed media: ink and watercolor...

Self-portrait, 1933 August Hirsching (Unterheimbach / Weinberg 1889 – Stuttgart 1962) Oil on board, 60 × 44.5 cm Signed and dated 1933. Inscribed on the reverse: Früh Sommer 1933 – ...

Antonio Monasterio - Woman in a Dream. no.1 Technique: Mixed media on paper (pastels, wax, and pen) Dimensions: Approximately 45 x 55 cm Period: 1970s This work presents an enigmatic...

Signed lower left V . Igoshev. Dated 1961 Old labels from soviet period gallery. Painted in 1961, this work belongs to Vladimir Igoshev’s celebrated cycle dedicated to the Indigenous...

André Petroff, Russian painter from Saint Petersburg - Village in the hinterland of the French Riviera, 1920s-30s Oil on cardboard, 46 × 44 cm Signed lower right Painted by André ...

Piccola terracotta a soggetto mitologico firmata sul retro sulla base "Zambini", che per la grafia (in particolare la Z che ricorda una F) permette di identificar...

Dutch School, circle of Ruysdal Late 17th – early 18th century Mountainous landscape with travellers (111 × 75 cm with frame; 103 × 65 cm without frame) The painting develops a land...

Nocturne, Venice, 1924 – Gino Albieri (1881–1949) Gino Albieri (Cavarzere, near Venice, 1881 – Rome, 1949) was an Italian painter with a distinctive international career. Trained at...

Portrait of a Bay Horse with Docked Tail in a Landscape. Dutch School, 18th Century. Oil on oak panel.u2028 Panel dimensions: 28 × 23 cm.u2028 Framed dimensions: 38 × 33 cm. This s...

Artist: Anja Decker (German, 1908-1995) Medium: Felt pen on paper Period: Late 1950s Condition: Good vintage condition Notes: Mounted on original orange exhibition board, bearing per...

André Lauran 1966, Oysters and Onions, Sanz-ism movement of Lyon, French New Figuration Size: 46 × 65 cm. In 1966, André Lauran (Valence, 1922 - Lagny-sur-Marne, 2009) painted this ...

Head with Halo, Academic Study Inspired by Perugino, Tuscan School, 40 × 28 cm Mid-19th century Pencil on paper Academic drawing depicting a youthful head with a halo and upward gaz...

Ernest Rouart (1874–1942), Girl with a dog 60 x 50 cm. French Impressionist in the Degas–Manet circle The painting is signed lower right with rosaceous red letters, preserved on its...

Portrait of a lady . Louis Ferdinand Elle the Younger. ( Paris, 1612-1689), attributed. Circa 1680. Oil on canvas, resting on cardboard. In 19th-century giltwood frame. A female...

Juventus Player in Acrobatic Fall - UEFA Champions League 1995-96 Marco Silombria (1936-2017) Charcoal on paper, signed and dated '96 Dimensions: 101 x 72 cm Juventus, 1996. A playe...

Artist: Anja Decker (German, 1908-1995) Medium: Felt pen on paper Period: Late 1950s Condition: Good vintage condition Notes: Mounted on original orange exhibition board, bearing per...

The painting depicts "Ossian tells Malvina about the exploits of his son Oscar" and is dated at lower right "Filippo Bellati did the year 1811" and the unframed measurements are 233 ...

Academic Study of Eyes after Michelangelo’s David, Tuscan School, mid-19th century, 18.5 × 18 cm Pencil on paper Mid-19th-century academic study inspired by Michelangelo’s David, a...

The Holy Family with the Infant Saint John the Baptist - Bolognese School, 17th century Attribution: Attributable to Francesco Brizio (Bologna, 1574-1623) Not signed. Medium: Oil on ...

Portrait of Francisco de Reynoso y Baeza.   Secretary of Pope Pius V, abbot of Husillos and bishop of Córdoba. Francisci de Reynoso. Early 17th century. Small-format portrait from the late Renaissance period. Spanish school. Size: Cm 19 x Cm 13.5 Oil on wooden panel. On the back the fine tablet is strengthened (already in ancient times) by a sheet of parchment. About 1600-1610. As often in Mannerist / Late Renaissance portraits, the image of the character is accompanied by the writing that runs at the top, adding a celebratory, historicising touch to the effigy. Let's bring back the sentence here: DON FRANCISCO DE REINOSO. CAMARERO SECRETO IESCALCO PIO QUINTO OBISCOPO CORDOBA. 68 (? O 7?) (1534, Autillo de Campos, Spain - 1601, Córdoba) Francisco de Reynoso was a Spanish cleric, chief chamberlain, and secretary to Pope Pius V, abbot of Husillos, and bishop of Córdoba. He was the fourth of eleven children. His father was the seventh Lord of Autillo de Campos, and his mother was Juana de Baeza y de las Casas, daughter of Manuel de Baeza, a lawyer of the Royal Council and at the Court of Valladolid. Francisco de Reynoso was deeply devoted to the Virgin Mary and showed a strong inclination toward religion and piety from an early age. He studied Latin, arts, and theology at the University of Salamanca. In 1562, he traveled to Rome with his brothers Pedro and Luis. In January 1566, following the death of Pope Pius IV, Cardinal Antonio Michele Ghislieri was elected pope, becoming Pius V. From this period until Ghislieri's death in 1572, Francisco de Reynoso served as his chief chamberlain and secretary. After Pope Pius V died, Francisco de Reynoso returned to Spain and lived for several years in the city of Palencia, where his brother Manuel was a canon. He supported the Society of Jesus when it was established in Palencia, providing alms to the school's clergy and funding chairs of Letters and Theology at his own expense, as well as donating a significant number of books. During the brief outbreak of the Black Plague...

This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...

Moreno Torricelli - Juventus Football Legend, UEFA Champions League 1995-96 - Determination Technique: Charcoal on paper, Signed and dated '96 Author: Marco Silombria (Savona, 1936 ...

Head of a Warrior with Helmet, Academic Study, 19th Century, 57 × 43 cm Pencil on paper 57 × 43 cm Academic study depicting a male head with helmet, drawn from a model used in draw...

Oil painting on canvas ( 43 x 53.5 cm; with 59 x 70 cm with gilt wood frame), Title: King Amulius, in the presence of Rea Silvia, orders to kill Romulus and Remus as children Ancien...

This beautiful Italian 18th Century old masters oil painting on oval canvas with giltwood frame is attributed to Solimena and features a religious scene. In this splendid oval-shaped painting are depicted Saint Dominic...

Juventus 1995-96 - The Embrace of Victory Artist: Marco Silombria (Savona, 1936 - Albissola, 2017) Medium: Charcoal on paper Dimensions: 101 x 72 cm Signed: Lower right, "Si...