Florence - Paintings

ARTIST - Vittorio Augusto Piano (Turin 1882–1970), signed lower left “Vitt. Piano” // PERIOD - Early 20th century // ORIGIN - Italy // MEDIUM - Pastel // STYLE - Italian Symbolism wi...

ARTIST - Florentine School, Circle of Cesare Dandini (1596–1657) // PERIOD - circa 1640 // ORIGIN - Florence, Italy // MEDIUM - Oil on Canvas // STYLE - Florentine School / Early Bar...

Christ the Redeemer – Jacopo Giorgi, Florence, a pupil of Cesare Dandini, 17th century. Jacopo Giorgi (Florence, 1623–1665) Christ the Redeemer. Oil on canvas, octagonal format. 35...

Holy Family with the Infant Saint John – Bolognese School, Second Half of the 16th Century Oil on wooden panel with two horizontal braces on the reverse Bolognese School, second hal...

Portrait of a Gentleman in Pastel, Empire–Restoration Period, Oval Format, French School, 19th Century A pastel on paper depicting a young gentleman shown in half-length, wearing a ...

Landscape with hunters by a lake. 18th century. Oil painting on canvas, from the French or Northern Italian school, Louis XV period. Probably part of the door decoration in an interi...

Cityscape with skyscrapers. Stylized and almost abstract representation of a city with skyscrapers, some of which have the shape of a sail. Oil on canvas. In a 1970´s aluminium / wood period frame. Signed lower right: Raimondo. Landscape appears at first glance as a series of abstract, geometric, very bright objects. Very good condition. Painting comes from a collection in Turin, Italy which had numerous signed works...

Francine Chimène, Signs in Grey, French Woman Painter, Chatou, circa 1980. Artist: Francine Chimène (1929–2019) //
Descriptive title: Signs in Grey //
Circa 1980 // Medium: Oil and ...

ARTIST – Claude Vanier (Simon Abramovitch, 1903–1958) // PERIOD – Circa 1940 // ORIGIN – France // MEDIUM – Oil on Canvas // STYLE – Post-Fauvism, French Modernism // SUBJECT – Portr...

Oil painting on canvas, 89 x 75 cm; framed dimensions: 109 x 94 cm. The extraordinary quality and distinctive stylistic features of this enchanting portrait clearly point to Giuseppe...

Reverse glass paintings with gallant and musical scenes in the taste of Pietro Longhi Venice (?) - 18th century Dimensions with frame: approximately 28 x 22 cm each. Pair of revers...

17th Century Madonna With The Book. Genoese School. Follower Of Bernardo Strozzi. Artist: L'école Génoise Madonna with the book. 17th century. Oil painting on canvas. Width: 60cm H...

Reverse glass painting depicting Samson and Delilah, 18th century, Venice (?) Dimensions: 22.5 x 29 cm Rare 18th century reverse glass painting depicting Samson and Delilah. The sc...

Patrick Boudon. Inner Family. Post-war Expressionism. 1970s. Patrick Boudon. Art Informel. Ecole de Paris. Technique: oil on cardboard. This painting by Patrick Boudon from the 197...

Henry Déziré (1878–1965) – Still Life with Strawberries and Flowers, signed circa 1930 Oil on canvas 80 × 65 cm Signed H. Déziré Circa 1930 Still life depicting a pierced bowl fill...

View of Toledo, Spain – Bridge over the Tagus (Puente de San Martín), circa 1935–1936 h 54 cm x w 66 cm oil on canvas original canvas and original stretcher View of the historic ci...

Reverse glass painting with siege scene and military encampment, 18th century, Venice (?) Dimensions: 22.5 x 29 cm Reverse glass painting depicting a siege scene before a fortified...

Salvator Mundi. Jacopo Giorgi (Florence 1623–1665), circle of Cesare Dandini Not signed. Oil on copper circa 1660–1665 22 × 15.5 cm (unframed) The painting is accompanied by an exp...

ARTIST - Unknown // PERIOD - 19th century // ORIGIN - Germany // MEDIUM - Mixed Media on Paper: Charcoal, Chalk Highlights and Red Earth // STYLE - Portrait Drawing // SUBJECT - Port...

Marco Silombria - Eros on a Dolphin, from the "Dionysian" series Textured painting on paper, signed and dated '90 Size: approx. 100cm x 72cm Condition: a small tear in the upper pa...

ARTIST - Northern Painter Active in Italy // PERIOD - First Half of the 17th Century // ORIGIN - Italy // MEDIUM - Oil on Wood Panel // STYLE - Flemish-Dutch Italianate Landscape, La...

ARTIST - Anonymous // PERIOD - Second half of the 17th century – early 18th century, before circa 1720 // ORIGIN - Northern or Central Europe // MEDIUM - Reverse-glass painting // ST...

Circa 1970 – Abstract Geometric Composition with Dome-Like Silhouettes Date: Circa 1970 Medium: Gouache on cardboard Dimensions: H 64 cm x W 49 cm approx. Description: This abstract...

Oil painting on canvas 52 x 68 cm, with gilt wood frame, 58 x 75 cm. is the work of the painter couple Viviano Codazzi (Valsassina 1603-Rome 1670), who specialized as a quadraturist...

ARTIST - Entourage of Willem Cornelisz. Duyster (Amsterdam 1599–1635) // PERIOD - Late 17th–Early 18th Century // ORIGIN - Netherlands // MEDIUM - Oil on Oak Panel // STYLE - Dutch G...

Charlatan with Snakes in a Roman Square, Bamboccianti, 17th Century Not signed 17th Century // Circa 1640–1660 // Italy, Possibly Rome // Roman-Flemish Bamboccianti Milieu // Oil o...

ARTIST - French School // PERIOD - Circa 1930 // ORIGIN - France, probably Paris // MEDIUM - Oil on Canvas // STYLE - French Modernism / Interior Painting // SUBJECT - Parisian Apart...

Artist: Anja Decker (German, 1908-1995) Period: Late 1950s Painting size: 29.5 x 21 cm With frame: 63 x 53 cm. Condition: Good vintage condition. This work was exhibited in 2024 a...

German Abstract Expressionist Works on Paper by Anja Decker, Art Informel, c. 1950–1965 Anja Decker (Berlin, 1908 – Munich, 1995) was part of the generation of German artists who he...

Veronica Offering the Holy Veil to Christ – Flemish School, oil on copper. Oil on copper. Framed size: 41 × 47 cm Unframed size: 36 × 30 cm 19th-century later frame. Copper plate ...

Portrait of a Young Woman in a Fur-Trimmed Cloak with a Red Ribbon and pearl necklace. Circle of Pietro Rotari (Verona, 1707 – Saint Petersbu...

Sunflower is a symbol of the sun, warmth, light, it is always a reminder of summer and childhood.

ARTIST - Workshop of Alessandro Allori (1535–1607) // PERIOD - Circa 1570–1580, 16th Century // ORIGIN - Florence, Italy // MEDIUM - Oil on Copper // STYLE - Late Florentine Renaissa...

Still life with musical instrument. Circa 1940. Oil painting on very thick cardboard. The colors are soft and opaque, similar to gouache. The style of the painting could be define...

Follower of Marie Laurencin, Female Portrait with Rose, oil on canvas, circa 1930. Oil on canvas. Dimensions: 34.5 x 40.5 cm (unframed); 47 x 38.5 cm (framed). Follower of Marie La...

ARTIST - Signed Poirier, French School // DATE - Circa 1940–1960 // PERIOD - Mid-20th Century // MEDIUM - Oil on coarse jute-type canvas // STYLE - Post-Impressionist // SUBJECT - Me...

Patrick Boudon (1944–2019), Abstract Composition, École de Paris, 1963 Medium: oil on canvas. Signed in cursive with red letters and dated 1963. Dimensions: 65 × 54 cm. Created in ...

Oil on canvas, 97 x 74.5 cm; framed dimensions: 117 x 94 cm As stated in the inscription affixed to the column of the musical instrument in the years following the painting’s creatio...

Gouache of a Shipwreck in a Storm with Gothic Ruins, Early 19th Century Technique: Gouache on paper Period: Early 19th century Description: This romantic painting depicts a dramatic ...

This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...

The painting depicts "Ossian tells Malvina about the exploits of his son Oscar" and is dated at lower right "Filippo Bellati did the year 1811" and the unframed measurements are 233 ...

Anja Decker, gestural abstract tempera painting on paper, 1950s - 29.5 x 21 cm. Medium: tempera on paper Painting size: 29.5 x 21 cm With passe-partout: 50 x 60 cm. Mounted on an or...

Oil on canvas, 62 x 50 cm, framed 77 x 65. The painting is unsigned and comes with an expert appraisal by Silvestra Bietoletti, who attributes it to the Russian painter Karl Pavlovic...

Pair of copper paintings, military march with cavalry. Adam Frans van der Meulen, 17th century. Artist: Adam Frans Van Der Meulen. Attributed. Dimensions without frame: 21 × 18 cm e...

Owl, Circa 1970 - Op Art-Inspired Geometric Composition Date: Approximately 1970 Medium: Gouache on cardboard with embossed stamp Dimensions: H 64 cm x W 49 cm approx. A stylized o...

Antonio Monasterio - Woman in a Dream. no.1 Technique: Mixed media on paper (pastels, wax, and pen) Dimensions: Approximately 45 x 55 cm Period: 1970s This work presents an enigmatic...

1996: Gianluca Peruzzi - Juventus Goalkeeper, Champion of the UEFA Champions League Technique: Charcoal on paper, Signed and dated '96 Author: Marco Silombria (Savona, 1936 - Albiss...

Anja Decker, Abstract Informal Painting on Paper, Munich, Late 1950s An abstract informal painting on paper by Anja Decker (Berlin 1908 - Munich 1995), executed in the late 1950s, d...

Aldo Caselli. Venice. Industries and the Dragon. Dated 1978. Born in Venice, in 1942 where he lives and works. The painting, at first impression abstract, with more accurate observ...

The painting is entitled Arion of Metimna, a poet and cantor of 6th-century B.C. Greece. C., a figure straddling the historical and the mythical. In particular, depicted here is the ...

Oilstick on fine cotton canvas, stretched on aluminum frame :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to ...

Acrylic on linen stretched on aluminum frame, no warping, ready to hang :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist ...

Female torso and portrait of the 1920s. Double sketch on canvas. The very rough canvas, similar to jute, is painted both on the front and on the back. The painting is in good conditi...

Self-portrait of the painter with beret and brush in hand, 1930s Period: Circa 1930s Italian school. Technique: Oil on wooden panel Frame: Painted wooden frame, coeval Dimensions: ...

Paesaggio italiano con un ponte, una torre, pastore ed animali. Ambito di Jan Both ( Utrecht, 1618-1652), arrivo a Roma e Venezia oltre al suo paese natale, Olanda. Il dipinto del X...

Francine Chimène, Traces and Imprints, French Woman Painter from Chatou, 1985. ARTIST – Francine Chimène (1929–2019) // TITLE – Traces and Imprints // PERIOD – October 1985 // ORIGI...

Oilstick on fine cotton canvas, stretched on aluminum frame, no warping :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist ...

Oilstick on fine cotton canvas stretched on aluminum frame , no warping :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist ...

Portrait of Francisco de Reynoso y Baeza.   Secretary of Pope Pius V, abbot of Husillos and bishop of Córdoba. Francisci de Reynoso. Early 17th century. Small-format portrait from the late Renaissance period. Spanish school. Size: Cm 19 x Cm 13.5 Oil on wooden panel. On the back the fine tablet is strengthened (already in ancient times) by a sheet of parchment. About 1600-1610. As often in Mannerist / Late Renaissance portraits, the image of the character is accompanied by the writing that runs at the top, adding a celebratory, historicising touch to the effigy. Let's bring back the sentence here: DON FRANCISCO DE REINOSO. CAMARERO SECRETO IESCALCO PIO QUINTO OBISCOPO CORDOBA. 68 (? O 7?) (1534, Autillo de Campos, Spain - 1601, Córdoba) Francisco de Reynoso was a Spanish cleric, chief chamberlain, and secretary to Pope Pius V, abbot of Husillos, and bishop of Córdoba. He was the fourth of eleven children. His father was the seventh Lord of Autillo de Campos, and his mother was Juana de Baeza y de las Casas, daughter of Manuel de Baeza, a lawyer of the Royal Council and at the Court of Valladolid. Francisco de Reynoso was deeply devoted to the Virgin Mary and showed a strong inclination toward religion and piety from an early age. He studied Latin, arts, and theology at the University of Salamanca. In 1562, he traveled to Rome with his brothers Pedro and Luis. In January 1566, following the death of Pope Pius IV, Cardinal Antonio Michele Ghislieri was elected pope, becoming Pius V. From this period until Ghislieri's death in 1572, Francisco de Reynoso served as his chief chamberlain and secretary. After Pope Pius V died, Francisco de Reynoso returned to Spain and lived for several years in the city of Palencia, where his brother Manuel was a canon. He supported the Society of Jesus when it was established in Palencia, providing alms to the school's clergy and funding chairs of Letters and Theology at his own expense, as well as donating a significant number of books. During the brief outbreak of the Black Plague...

ARTIST - Francine Chimène (1929–2019) // PERIOD - Painted in 1970 // ORIGIN - France, Chatou // MEDIUM - Oil on canvas // STYLE - French Post-Impressionism, Modernism, Emerging Abstr...