Florida

Rustic Spanish chateau champagne grape harvesting basket constructed from woven wicker reeds. Features a thick braided top with handles ...

This beautiful solid handblown vase features clear crystal that encases underlays in ombre pink and warm amber. The vase has a tall heavy base and spherical cavity with narrow openin...

Designed in 1952, with its slender silhouette, both elegant and avant-garde, the Giraffe Tablet floor lamp perfectly embodies the spirit of innovation of the Rispal house. Finish: F...

Cocktail ring designed by Bvlgari. This is a beautiful and rare cocktail ring created in Roma Italy by the jewelry house of Bvlgari , back in the late 1970's. This colorful cocktail...

Exquisite, monumental, brutalist, fiberglass figural wall sculpture entitled “Lovers” by Espada for Finesse Originals. Monumental, three dimensional, raised gold figures, mounted o...

Art Deco pair of wrought iron 2 light sconces, wall lamps in black satin finish. Made in France circa 1950. US Rewiring and each Sconces takes 2 candelabra Light Bulbs with max. 40...

18k Yellow gold hoop earrings with two horses touching noses. A perfect gift for an equestrian or just someone who loves horses. Marked 750 for 18k on the post. They are lightweigh...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Modern Print" *Numbered, signed, and dated by Lichtenstein in pencil lower right Year: 1971 Medium: Original Lithograph and Scr...

A vibrant and classic set of crystal champagne flutes from the re known factory of Saint Louis. These versatile glasses feature rich cased green glass with a fully cut knob stem and ...

A 19th century Country French wine tasting, or tilt-top table made of solid walnut. Beautiful grain and character to the wood with waxed finish. Sturdy and well crafted with mortise ...

Set of Six Harry Bertoia Model 420 Chairs with Cushions for Knoll, USA Highly desirable black leather cushions on black bent wire chairs by Harry Bertoia for Knoll International. The...

A pair of rare Edward Wormley for Dunbar three tier occasional tables # 4423. Refinished in dark brown walnut.

“Swim for Life, Miami Beach": Figurative Oil Painting by Eduardo Lluria Miralles, 1998 A dynamic and highly evocative figurative oil painting titled Swim for Life, Miami Beach, by M...

This versatile and unique polychrome headboard was completely carved and painted by hand in Italy during the 1800’s. The headboard has a stylized garland which transitions seamlessl...

Original Eliel Saarinen White Chair, Leather, Cream Color finish. Made by Adelta OY in Finland. In good condition. Price is for one chair. In total two chairs available.

A stunning Art Nouveau vase featuring intricate floral motifs painted on a teal background. The vase is adorned with gold accents and is supported by ornate bronze handles and base, ...

Lou Hodges for Mersman Waldron Oak Glass Console Table, 1970s Offered for sale is an oak and beveled smoked glass console table by Lou Hodges for Mersman Waldron. The table is versa...

A monumental 20th century Spanish trestle table, having a rectangular framed solid walnut board top, resting on hand carved, classical lyre legs joined by beautifully iron stretchers...

Vintage Van Cleef and Arpels Paris ladies quartz watch in 18K yellow gold featuring a double row diamond bezel and signature quilted scale-pattern integral bracelet. White dial with ...

Highly carved late 19th century antique Spanish end table or nightstand with 2 drawers These versatile tables were very popular, characteri...

A vintage Art Deco Italian Modernist dining chairs made of hand crafted gilded brass, designed and produced in Chiavari in good condition. The legs of the small detailed side chairs are slightly splayed, connected with pairs of cross supports. Newly upholstered in a white velvet. Two chairs have a small stain. Wear consistent with age and use. Circa 1930, Italy. Seat: 18.25" H x 14" W x 13" D The Chiavarina was created in 1807, in Chiavari, near Genoa, by an Italian cabinetmaker. In 1855, about 600 workers were designing and making Chiavari chairs. After the success, the chair was praised by the King of Sardinia...

Vintage Rolex Cellini Danaos ladies quartz watch in 18K rose gold, reference 6229, featuring a cushion-shaped case with a black graduated dial, white Arabic numerals, rose gold leaf hands, and "Cellini" script signature, with original Rolex buckle on an aftermarket black leather strap. 26mm case, scratch-resistant sapphire crystal. Product Specifications: Item Type: Vintage Ladies Luxury Dress Watch Brand: Rolex Model: Cellini Danaos Reference: 6229 Metal: 18K Rose Gold Case Size: 26mm cushion-shaped Movement: Quartz Dial: Black graduated with white Arabic numerals Indices: Arabic numerals 1–12 in white Bezel Type: Smooth, polished Bezel Color: Rose gold Crown: Rose gold fluted at 3 o'clock Crystal: Scratch-resistant sapphire Band Material: Aftermarket black leather strap Band Color: Black Clasp: Original Rolex buckle (rose gold) Features: Sapphire crystal, original Rolex buckle Style: Vintage, ladies dress watch Period: 1990 About the Rolex Cellini: The Rolex Cellini collection...

- Brown monogram exterior - Black leather cord shoulder strap - Red Tassel Condition: The bag is in overall great condition with no major imperfections Measurements: ( App...

Statement-making and full of character, this vintage rattan and bamboo sideboard features a handwoven body with whitewashed detailing and sculptural brass elephant head pulls at the ...

Early version of the Arredoluce Triennale Floor lamp Adjustable Arms and lights brass,enameled steel and enameled aluminum

Cartier Ronde Solo de Cartier 29mm quartz watch in stainless steel with 18K gold bezel, reference 2987, featuring a white dial with black Roman numerals, inner 24-hour track, blued s...

A very nice Comtoise Morbier tall clock in a floral paint decorated Pine case, France - late 19th century. Rings on the hour and two minutes after the hour...

Lofty Anglo Indian art deco wall bracket with a bow front beveled shelf over a hand carved hardwood stylized bird or parrot with the original paint now worn to perfection.

Pair of Italian Neoclassical Wrought Iron and Gilt Urn Wall Sconces Italy, 21st century Dimensions: 20" H x 14" W x 6" D Pair of Italian Neoclassical Wrought Iron & Gilt Urn Candle ...

19thc French Antique Louis Rococo style Floral Aubusson Tapestry. I found this beauty in Nice France. There is a small stain on border top left. Not detracting at all. Birds, trees p...

Classic Stunning Hermes Birkin 25 Gold Togo Leather complimented by Gold Hardware. As New, Plastic on all Hardware. B Stamp 2023.

A light-brown, antique German model of an Egyptian temple made of handcrafted, partly painted Mahogany and Walnut, in good condition. The inside of the de...

Artist: Margaux Halloran (American, 1999-) Title: "Love and Rage" *Monogram signed by Halloran lower right. It is also signed, dated, and titled on verso Year: 2021 Medium: Original ...

French Louis XV style kingwood veneer commode, the shaped marble top above a bombe case with ormolu bronze mounts, highly decorated throughout with marquetry inlay with two drawers, ...

Antique cast iron French pastry style black scrolling "Butterfly" coffee table with marble top. Item features impressive cast iron construction, four "butterfly wing" legs, fancy scr...

The new Lola chair is a remarkable testament to the beauty of natural materials and expert craftsmanship. Skilled artisans in the Philippines meticulously weave the chair from wicker...

Stamped Edition Padilla Picasso Pottery Handled Portrait Vase After Pablo Picasso, signed on the front 'Picasso' in blue script. Stamped on the bottom: 296 1994 Edition 29A /500 Picasso by Padilla Mexico Bears Paper Padilla Label This limited edition Padilla Picasso pottery vase is a stunning tribute to Pablo Picasso’s iconic ceramic designs. Created circa 1994 as part of a limited run of 500 pieces, this handled portrait vase is stamped 296 Edition 29A out of 500 Picasso by Padilla Mexico and bears an original Padilla paper label. The front is signed "Picasso" in blue script, reflecting the artist’s unmistakable style. Standing 12 inches high, 5.5 inches wide (including the handle), and 3.5 inches deep, this piece features a striking hand-painted abstract portrait. The cream/ivory base is accented with dark green outlining the rim, while ochre tones are used for the expressive scraffito hair-like design. The face and decorative swirl patterns are rendered in deep blue, while lavender brushstrokes elegantly swirl around the lower half. The handle is adorned with black and red striped accents, adding to its unique visual appeal. A beautiful collector’s item, this Padilla Edition Picasso vase...

English Regency 19th Century Mahogany Table. Table features an oval mahogany top enriched by a carved and banded edge. Table is raised on deeply carved baluster column, which transit...

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

Roberto Cavalli F/W 2023 Runway Unworn Lace Velvet High Slit Train Evening Dress Gown Look 31 from the Fall 2023 Runway Collection. Size: IT 40 Condition: New with tags

Unique vintage European blown glass , Mercury I glass , skillfully painted winter landscape on a purple background.

“Magic Umbrella” by Serg Graff is an original, one-of-a-kind acrylic painting that blends realism with whimsical fantasy. Set on a sunlit Florida beach, the composition invites viewe...

"This first edition exhibition poster was designed and created by Jasper Johns for a retrospective of his work at the Whitney Museum in 1977-1978. It was published by the Whitney Mu...

Infuse your home with the timeless elegance of this Georgian-style lantern by the esteemed British lighting house, Vaughan. This classic four-sided pendant features a refined architectural silhouette, characterized by graceful arched glass panels set within a slender metal frame. The vibrant red finish offers a sophisticated and daring update to traditional English design, providing a striking focal point that transitions effortlessly between classic and contemporary interiors. Whether illuminating a grand entryway or a cozy breakfast nook, its balanced proportions and clean lines embody premium craftsmanship. Constructed from high-quality metal and glass, the interior houses a three-arm candelabra that provides a warm and multi-directional glow. The lantern measures 10.5" square and stands 21" tall, offering a versatile scale that is well-suited for hallways, mudrooms, or paired over a kitchen island. It is in great vintage condition, showing minor scuffs and blemishes appropriate to its age and use, which add to its authentic character and storied charm. This designer piece is a perfect acquisition for those seeking to blend historical influence with a modern edge. Add this exceptional Vaughan lantern...

Two very nice elegant France nightstands. White marble tops on brass wheels. The interior compartment was made of white marble. Bronze handles. Walnut wood.

Beautiful antique Murano hand blown Millefiori Murrina flower mosaic Italian art glass decorative flower vase. The piece is documented to the Fratelli Toso company, circa 1910-1930. ...

Original acrylic on wooden panel by the well known American folk art artist, Black Joe Jackson. Circa 1985. Condition is excellent. Titled along the right side and titled along the...

Available now in the U.S. with no lead time, the Hawk dining table by Uultis Contemporary Furniture is defined by its refined proportions and sculptural simplicity. Crafted in almon...

This exquisite Italian writing desk is a masterclass in Rococo-inspired design, featuring a graceful serpentine silhouette and elegant cabriole legs. The entire surface is meticulous...

Vintage Italian Carved and Painted Two Branch Sconces, Pair, Featuring Monkey Seated on a Ball Wearing gold Colored Jacket, Resting Under white Color Banana Tree with Banana Cluster...

Introducing a one-of-a-kind wall mirror sculpted and cut by Mark Leblanc for Leblanc Studios. Cut from a solid piece of architectural steel this wall mirror sports a perfect patina t...

Murano Glass “Scavo” 8-Tier Chandelier, Italy, in stock Elegant Murano glass chandelier composed of eight tiers of handblown “Scavo” parchment finish glass, arranged in an overlappi...

An iconic mid-size screen depicting a library shelf on one side and musical instruments on the verso. A period example, circa 1954. Measures: 53 1/2" high.

Beautiful vintage Murano hand blown sky blue and gold flecks Italian art glass pheasant bird sculpture. The piece is documented to designer Alfredo Barbini, circa 1950-60s. The bird ...

A pair of Japanese vase table lamps. Hand painted with a pair of Komainu guardian lions used to protect against evil spirits. One has an open mouth and the other closed. The open mou...

Seated Shaman Colima culture Mexico ca. 300 BCE - 300 CE Pre-Columbian, West Mexico, Colima, ca. 300 BCE to 300 CE. A hollow-cast and highly-burnished terraco...

Exquisite Empire chandelier, having a frame of finely chased gilt bronze, basket shape, draped in beaded crystals; floral swags connect the four external candlearms, four additional ...

Platinum GIA Certified 11.54ctw Cushion Cut Engagement Ring Style: Engagement Ring Material: Platinum Diamond Details: This ring features GIA Certified Radiant Cushion Cut Diamond ...

Elevate your home’s curb appeal with this elegant pair of vintage solid brass outdoor lanterns. Finished in a breathtaking, natural Verdigris patina, these sconces offer an authen...

Platinum & 18k Yellow Gold Detail Weight 7.1g Center Old Mine Diamond Approx. 1ct VS1-H Sapphire Approx. 0.32ct Art Deco Style Ring Size 7 Measurements 0.63in x 0.83in