Hungary

Hungarian Decorative Woven Tapestry, Mid-20th Century A vintage woven tapestry textile produced in Hungary during the mid-20th century, featuri...

Spectacular four sconces by Vistosi each made of five Murano discs honey color.

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Italian Murano chandelier of grandiose beauty.

Set of four chandeliers. Each chandelier has 23 fantastic honey discs in a nickel metal frame. Period: late XX century Dimensions: 44,50 inches (150 cm) height with chain; 19,40 inch...

"I was born in Budapest, I live in Budapest, I work in Budapest. I like to exhibit everywhere, this is the best game of my life'. I work with the traditional disc, so I knead and ...

Pink and ice handblown leaves in Murano glass, circa 1940. Piece of incredible beauty. From Private Collection Von Plant Baron.

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Pair of Italian antique candelabra bronze wall sconces, 19th century.

The brand's trademark wood marquetry surface, complemented by turned wooden paws, offers the viewer a precise and detailed finish inspired by the beauty and elegance of mid-century b...

Bring a touch of refined modernism to your interior with this stunning vintage Tisca rug, measuring 150x160 cm. Crafted in the 1980s using the brand’s renowned hand-tufted technique,...

Elevate your interior with this striking vintage Tisca rug, a true masterpiece of 1980s hand-tufted craftsmanship. Measuring approximately 160x240 cm, this rug features an expressive...

Young woman undecided whether to bathe in the fountain or to continue mirroring herself in the water. A small masterpiece of the early Italian Art Nouveau period. Signee L. Nardoni.

A masterpiece from the historic Murano furnace. From Private Collection Von Plant Baron.

Chandelier with sober and elegant shapes. An authentic jewel out of the Murano furnaces.  

Elegant chandelier composed of ten drops in pure Murano glass.

Rare Double painting on canvas. On the framed side a refined representation of the crucifix, on the other a depiction of the Virgin Mary holding the...

Art Deco Italian chandelier by Ercole Barovier, 1940. It is a very rare piece. The engraving on glass of two cornucopias is remarkable.

Trio of Italian antique bronze wall sconces, 19th century. Measures: The largest is 70 high, 50 width, 22 cm depth. The pair is 50 hig...

A five lights Murano glass shades and chromed steel arms.

This striking contemporary coffee table embodies industrial minimalism, showcasing a split rectangular top crafted from polished concrete slabs with a subtle veined texture that adds...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Important pair of gilded and finely chiselled bronze androni in Louis XVI style. They are surmounted by lions reclining on a base depicting a coat of arms of a Tuscan noble family and with trimmings facing the fire pots...

Portrait of a child with a hypnotic gaze. The signature of the work's author is not legible, but to assess its value, one need only stare.

Pendant lamp with hand-sculpted glass Verde Nilo in the style of Fontana Arte, Italy, 1970.

Lantern of incredible beauty in massive Murano glass with inclusions of gold.

Extraordinary chandelier mid-20th century Art Deco by Ercole Barovier, Murano, 1940. Nine lights.

Four sconces with hand-sculpted glass Verde Nilo in the style of Fontana Arte, Italy, 1970.

Built around a chrome frame with 76 thick chiseled crystal glass segments. Each glass is worked "hammered," this is not imperfections but just the characteristic of this process.

Extraordinary pendant in the shape of a large egg Fontana Arte style. Twelve carved glass Verde Nilo color.

Midcentury Mazzega pair of sconces with Pulegoso glass balls. Hanging from a wide chrome canopy.

Lantern of incredible beauty in massive Murano glass with inclusions of gold.

Large chandelier in Murano glass. Measures: Diameter 60 cm. Incredible scenic effect.

Set of Six Textured Glass Serving Plates, Eastern Europe, 1970s Mid-Century Pressed Glass Side Plate Set A set of six vintage textured glass serving plates produced in Eastern Euro...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

Chandelier with sober and elegant shapes. An authentic jewel out of the Murano furnaces.  

Great and superb oil on canvas by Krupka Ferenc.     

Very rare piece of the famous chandelier factory.

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

Unique Warrior 20 Sculptural Ristretto Cup by Tamara Barnoff. One of a Kind. Dimensions: W 6.8 x D 8.5 x H 5 cm. Materials: Hand-sculpted glazed ceramic. (Food-safe glazes used). A...