Illinois - Paintings

An Introspective, Post-War Modern Southwestern Landscape Painting of an Adobe House in New Mexico by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A subtle tonal, archi...

A Striking, Colorful Post- War Modern Studio Portrait of an African American Male Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). Titled "Three Hours", the painting a is well executed, intimate figurative work by the artist, depicting a distinguished looking African American male model seated in colorful studio interior during a figure painting class, with a self portrait of the artist painting beside an easel and smoking a pipe in the background. The painting exemplifies the artist's adept, practiced skill at portraiture, and was likely completed in Evanston, Illinois, at the studio painting class held by the artist's longtime friend and colleague, Arnold Turtle. Artwork size: 18 x 14 inches, oil on canvas, accompanied with the artist's original hand-painted strip frame (framed size: 18 1/2 x 14 1/2 inches). Signed "Walter Burt Adams" and dated 1971 center left; signed, titled and dated on the reverse. Provenance: Estate of the artist. Walter Burt Adams was a dedicated painter of the American Scene and a singular personality among his peers in the Chicago Modern Art community. His no-nonsense manner, devotion to his craft and sardonic sense of humor characterize a man whose paintings capture life in and around Chicago between the early 1920s and the late 1970s. Born in Kenosha, Wisconsin just after the turn of the last century, Walter Burt Adams spent his childhood in Fargo, North Dakota and began his artistic education there through a correspondence cartooning class as a boy. After finishing high school in Fargo, Adams moved to Chicago in 1922 in order to enroll at the school of the Art Institute of Chicago. Adams’ instruction at the school with artists such as George Oberteuffer, Frederick V. Poole, Charles Wilimovsky...

Diogenes is a compelling oil portrait that reimagines the legendary Greek philosopher through the lens of classical beauty and symbolic expression. The contemplative figure, crowned ...

A Colorful, Modern Maine Coastal Scene Painting, "White Boat in Harbor" by Famed Chicago Artist and Printmaker, Charles Turzak (Am. 1899 - 1986). The painting depicts a vibrant, sunlit autumn landscape painting most likely painted near the quiet rural harbor town of Penobscot, Maine. The painting is acrylic on canvas, dates from the 1950s and has a great visual appeal- a perfect complement to any New England coastal home or summer cottage in Maine. Artwork size: 20 x 36 inches, accompanied with the artist's original, hand-painted frame (Framed size: 21 3/4 x 36 1/2 inches). Signed "Turzak", lower left; titled on artist's label on reverse. Provenance: Estate of the artist. Charles Turzak was one of Chicago’s greatest printmakers of the Art Deco-era. Son of a coal miner, Turzak was born in Streeter, IL in 1899. In 1920, Turzak won the first prize a cartoon contest sponsored by the Purina company and he used his prize money to enroll in the Art Institute of Chicago. Best known as a print maker, in the 1920s & 30s, he created woodcuts of many of Chicago’s most notable buildings, including the Merchandise Mart, Palmolive Building and the Old Water Tower, among others. In 1933, he was commissioned to create woodcuts of many of Chicago’s most iconic buildings to illustrate a guidebook called “All About Chicago” by John and Ruth Ashenhurst” that featured the upcoming Century of Progress Exhibition in Chicago. During the 1933 World’s Fair...

This painting makes a bold statement! A large, dynamic and colorful Abstract Expressionist painting by notable Post-War artist, Lee R. Chesney (Am. 1920-2016). Executed in a palett...

A Charming 1940s Mid-Century Modern Watercolor of Pirate's Alley, New Orleans by Arlene S. Ezickson (Am. 1927-2003). Titled "Vieux Carre, New Orleans" the artwork is watercolor and ...

A Unique, Visually Striking, Surrealist Mid-Century Modern Abstract Beach Scene by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting an abstracted female bathers stan...

A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Living Face in Pompeii", the painting is oil and acrylic on canvas presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 38 1/2 x 32 inches; Framed size: 39 1/4 x 33 1/4 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

A vibrant, colorful Mid-Century Modern abstract harbor scene of Martha's Vineyard by notable Chicago artist, Francis Chapin (Am. 1899-1965). Depicting a bustling harbor scene with n...

An Elegant, Stylish Gilded Age Themed Interior Scene / Set Design by notable stage set, costume and fashion designer, Andre Delfau (Fr./Am. 1914-2000). Artwork is gouache on paper, ...

A Bustling 1950s Mid-Century Modern Harbor Scene of Martha's Vineyard by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). A busy harbor scene of sandy shoreline, docks and boat...

A Charming, 1950s Painting of Lisbon, Portugal by Famed Chicago Modern Artist Francis Chapin (Am. 1899-1965). Depicting a bustling, colorful view of Lisbon's historic Black Horse Sq...

A vibrant, colorful, 1950s Mid-Century Modern painting of a bull fight by notable Chicago artist, Francis Chapin. Oil on canvas, presented in a period, dark walnut brown stained flo...

A lively 1950s Mid-Century Modern Western landscape painting with cowboys wrangling cattle by famed Chicago artist, Francis Chapin. Most likely a working study for a larger painting...

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet, picturesque view of the rooftops and cathedral...

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet, picturesque view of the rooftops and cathedral...

A Lively 1950s Surrealist Mid-Century Modern Sporting- Themed Abstract Painting, "Swimmers", by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Oil on Masonite, dating from 1...

A Vibrant, Mid-Century Modern 1960s Studio Interior Scene of a Standing Female Nude by Notable Chicago Woman Artist, Vivian Kinsley Chapin (Am. 1909-1984). Very "Mod" in style and a...

A captivating, Modern 1930s portrait painting of a young woman in a black sweater by famed Chicago artist, Francis Chapin (Am. 1899-1965). A skilled and expressive portrait of a sty...

A Charming 1930s City Rooftop Scene by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). Depicting a colorful, early springtime view likely painted from the artist's stu...

A contemporary cowboy is rendered with the gravity of a classical male nude. Surdo treats the body with the care of an Old Master while layering in the mythology of American masculin...

A large, expansive 1950s Mid-Century Modern Southwestern landscape painting of Sedona, Arizona by notable Chicago artist, Francis Chapin. Depicting a scenic, colorful view of Cathed...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's active wear by Hattie Carnegie. Inscription reads: Left - White jersey slack suit Red gaberdine jacke...

A charming 1950s Modern painting of a little red house, titled "Corner of the Brick House with Last Snow Bank, Calais, VT" by notable Chicago artist, Harold Haydon. Painted near the...

A dynamic ca. 1958 Mid-Century Modern painting titled "Refreshment" by Woman Artist, Lucille Leighton. Oil on canvas, in original frame. Artwork size: 22" x 18". Framed size: 27 1...

This painting, depicting the mythological Abduction of Europa, situates Bruno Surdo squarely within the grand tradition of European history painting while simultaneously revealing th...

A Vibrant, 1950s Mid-Century Watercolor of Provincetown, Massachusetts by Famed Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A superb example of Chapin's Post-War landscap...

John Rush's Hermes presents the messenger god as a liminal figure navigating the space between opposing worlds. Through a dynamic interplay of color, abstraction, and the human form,...

A striking, vintage early 1940s fashion study featuring an elegant young woman wearing a stylish hat, suit and clutch. Image size: 11 x 8 1/4 inches. Archivally matted to 16 x 1...

A lively, colorful 1950s Mid-Century Modern city park scene with a horse & carriage ("Rome Street") by famed Chicago artist, Francis Chapin. Possibly a scene painted near the histor...

A dynamic 1930s, WPA era industrial scene watercolor of a steel mill and factory workers by notable Chicago Modern artist, Harold Haydon. A wonderful example of early Twentieth Cent...

A Large, Colorful, Modernist Art Deco Cubist Painting, "The Dancers" by Famed Chicago Painter and Printmaker, Charles Turzak (Am. 1899 - 1986). A large, vertical composition relating to the artist's notable 1930s woodcut of the same title. The painting is completed in a vividly textured Cubist style, with striking hues of rich greens and yellows, deep blues and rose pinks. The painting is oiI on canvas mounted to Masonite (artist's original mount), and offers a superb visual appeal. A perfect complement to any Mid-Century Modern home or collection. Artwork size: 38 x 24 inches (Framed size: 38 1/4 x 24 1/4 inches). Signed "Turzak" lower right. Provenance: Estate of the artist. Charles Turzak was one of Chicago’s greatest printmakers of the Art Deco-era. Son of a coal miner, Turzak was born in Streeter, IL in 1899. In 1920, Turzak won the first prize a cartoon contest sponsored by the Purina company and he used his prize money to enroll in the Art Institute of Chicago. Best known as a print maker, in the 1920s & 30s, he created woodcuts of many of Chicago’s most notable buildings, including the Merchandise Mart, Palmolive Building and the Old Water Tower, among others. In 1933, he was commissioned to create woodcuts of many of Chicago’s most iconic buildings to illustrate a guidebook called “All About Chicago” by John and Ruth Ashenhurst” that featured the upcoming Century of Progress Exhibition in Chicago. During the 1933 World’s Fair...

This crowded theater scene shifts focus from performance to spectatorship, drawing inspiration from the cult spectacle of The Rocky Horror Picture Sho...

A Striking 1940s Modern Portrait of a Young Woman by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A large, well executed, figurative work by the artist, depicting a young woman fashionably dressed in a green blouse anddpatterned scarf seated in profile in a muted studio interior. Titled "Portrait of Ms. Anderson, Student at Northwestern U." the painting exemplifies the artist's adept and practiced skill at portraiture, and was completed at the painting class of the artist's friend and instructor, Arnold Turtle, in Evanston, Illinois Artwork size: 30 x 23 inches, oil on canvas, accompanied with the original Modernist frame (Framed size: 33 1/2 x 26 1/2 inches). Signed "Walter Burt Adams" and dated "46" lower right. Provenance: Estate of the artist. Walter Burt Adams was a dedicated painter of the American Scene and a singular personality among his peers in the Chicago Modern Art community. His no-nonsense manner, devotion to his craft and sardonic sense of humor characterize a man whose paintings capture life in and around Chicago between the early 1920s and the late 1970s. Born in Kenosha, Wisconsin just after the turn of the last century, Walter Burt Adams spent his childhood in Fargo, North Dakota and began his artistic education there through a correspondence cartooning class as a boy. After finishing high school in Fargo, Adams moved to Chicago in 1922 in order to enroll at the school of the Art Institute of Chicago. Adams’ instruction at the school with artists such as George Oberteuffer, Frederick V. Poole, Charles Wilimovsky...

This oil painting on panel titled "Carriers On", depicts a quiet procession of repeated figures, each bowed forward in a gesture of weight and endurance. Rendered in warm, earthy ton...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographi...

A large, finely detailed 1950s Mid-Century Modern watercolor of a castle, moat and village by French artist and architect, André Nejavits-Mery. Watercolor and ink on paper, signed a...

A Brooding, Compelling 1940s American Scene, Social Realist Oil Painting, "Tenement Ruins" by Notable Canadian / American artist Emil Weddige (1907-2001). Oil on canvas, dating from...

In this striking monochromatic interpretation inspired by Bernini’s angels, Ivan Marković distills Baroque drama into raw, gestural intensity. Against a deep black ground, the angeli...

This mixed-media painting by contemporary artist Patrick Burns is a departure from his "Concrete Gardens" flower paintings, yet continues his use of heavy texture and reverberating, ...

Aeling frequently depicts landscapes at moments when atmosphere dominates the ground, a fascination born from his time living in the West, where storms roll in across unbroken horizo...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographi...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. With Suk Ja Kang...

The love affair between the Emperor Hadrian and his Greek companion Antinous is perhaps the most famous and tragic romance in Ancient Rome. So great that it inspired the final great...

A stylish, vintage, 1940s woman's fashion study featuring an elegant graphic design for a portfolio cover featuring ladies resort clothes by Hattie Carnegie. Artwork size: 11 x 8...

A Charming 1940s Watercolor of a City in Mexico with Cathedral and Rooftops by Noted Chicago Artist, Rudolph T. Pen. A well executed early work by Pen, completed during the artist's...

A Charming, 1940s Mid-Century Modern Landscape Oil Painting of a Summer Night in Vermont, "English Dance" by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a livel...

Albert Vidal paints a view of the Historical Landmark Reid Murdoch Building and world famous Marina Towers sitting at the edge of the Chicago River. Using vibrant colors and an abstr...

"Late Afternoon North of Chatham" is a minimalist landscape painting depicting vibrant orange skies over the expansive horizon. Ahzad Bogosian Late Afternoon North of Chatham oil on...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. Wit...

This mixed-media painting by contemporary artist Patrick Burns is a departure from his "Concrete Gardens" flower paintings, yet continues his use of heavy texture and reverberating, ...

The Bustling of Time captures one of Bruno Surdo’s recurring strengths: his ability to turn an ordinary public moment into something quietly theatrical and emotionally resonant. At t...

A Large, Striking 1930s Modern Painting of the Historic St. Louis Cathedral in Jackson Square, New Orleans by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A painterly view of the historic landmark and park located in the heart of the French Quarter of New Orleans, Louisiana. Completed circa 1938 during one of the artist's painting trips to New Orleans, and most likely painted in the quiet hours after dawn before any pedestrians or sight-seers walk the typically bustling city square. Artwork size: 36 x 30 inches, oil on canvas (framed size: 36 1/2 x 30 1/2 inches). Unsigned. Provenance: Estate of the artist. Walter Burt Adams was a dedicated painter of the American Scene and a singular personality among his peers in the Chicago Modern Art community. His no-nonsense manner, devotion to his craft and sardonic sense of humor characterize a man whose paintings capture life in and around Chicago between the early 1920s and the late 1970s. Born in Kenosha, Wisconsin just after the turn of the last century, Walter Burt Adams spent his childhood in Fargo, North Dakota and began his artistic education there through a correspondence cartooning class as a boy. After finishing high school in Fargo, Adams moved to Chicago in 1922 in order to enroll at the school of the Art Institute of Chicago. Adams’ instruction at the school with artists such as George Oberteuffer, Frederick V. Poole, Charles Wilimovsky...

Michael Van Zeyl’s oil painting captures a richly nostalgic Chicago evening, where the glow of the iconic “Chicago Cubs” marquee shines through a rain-kissed window at dusk. Inside, ...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's evening gown. Artwork size: 11 x 8 1/2 inches. Colored pencil and pencil on paper. Archivally ma...

In Never Enough, Mary Strasevicius transforms the canvas into a densely layered field of color, gesture, and visual incident. Flecks, loops, drips, lines, and partially obscured form...

A Unique, Mid-Century Modern 1960s Chicago Harbor Scene Watercolor by Noted Artist, Rudolph T. Pen. Artwork is formatted in a trapezoid shape, an innovative compositional device for...

A beautiful 1940s painting of a seated female nude in a summer landscape by renowned Chicago artist, Francis Chapin (Am. 1899-1965). Painted at the Oxbow School in Saugatuck, Michig...

A Fabulous, Abstract 1960s Mid-Century Modern Painting of a Sleeping Female Nude by Noted Chicago Artist, Rudolph Pen. A sensuous, intimate studio depiction of a sleeping nude femal...

“Seduction” by Bruno Surdo is a lush, contemporary oil painting that blends Rococo elegance with a surreal, almost dreamlike sensibility. A porcelain-skinned figure gazes outward wit...