Illinois Candelabras

Brass double-arm candleholder designed by Gunnar Ander for Ystad Metall. Each cup is shaped in the form of a tulip, supported by stem-like arms with leaf-like detailing. Designed for...

Folio candleholders are available in copper, brass or stainless steel. Its spontaneous oxidation will appear with time and is due to its natural finishings. The structure is made by...

Erik Höglund for Kosta Boda, candleholder in cast iron with mouth blown glasses. Sweden mid 20 c. In good condition. Measures 44 x 23 cm.

Constantin 1 is a simple but charming candleholder with a geometric shape with circles. The body is in solid oak wood. The cylinder in natural brass on the top is the place where to put a 18 mm candle. In the same collection 3 different models of candlesticks in wood...

Cast iron, mouth blown and pressed glass 12-arm chandelier for 12 candles by Swedish designer Erik Hoglund with images of animals and faces. Boda glassworks, Axel Stromberg ironworks, Sweden, 1957. Early edition on welded chain...

Brass Mid-Century candleholder by Gunnar Ander for Ystad Metall, Sweden. With place for 7 candles and in a very good condition with few signs of wear. Marked underneath with the manu...

Pair of 19th century Georgian Sheffield plate candlesticks with gadroon borders and removable bobehces.   

Candelabra designed by Erik Höglund. Made by hand in iron at Boda smide and clear glass prisms from Boda glass. Three arms and six glass shards. Very good vintage condition with ligh...

Constantin 1 is a simple but charming candleholder with a geometric shape with circles. The body is in solid oak wood. The cylinder in natural brass on the top is the place where to ...

Constantin II is a simple but charming candleholder with a geometric cross shape. The body is in solid oak stained black. The cylinder in natural brass on the top is the place where to put a 18 mm candle. In the same collection 3 different models of candlesticks in wood or in marble. A perfect set for a present. Constantin collection owes its name to its inspirer. It is in fact the modern art of Constantin Brancusi that has guided the designer’s hand to conceive candelabra, bookends, containers and centre pieces...

A beautiful three glass votive candleholder in hand hammered iron by Erik Hoglund for Kosta Boda, circa 1960s. The piece is in very good vintage condition with no chips or cracks to...

Beautiful candelabra by Erik Höglund, made from wrought iron and glass. The rustic iron stem is adorned with four pear shaped glass medallions that bring rain drops on a bare tree to mind. Fits regular candles. Erik Höglund was one of Sweden’s foremost glass artists, whose innovative designs and glass making techniques revolutionized the scene of both art glass and serve ware in the 1950s. His bold and personal designs gave him and the glassworks Boda worldwide acclaim. Erik Höglund is considered the most influential Swedish glass artist of the 1950s and 1960s, alongside Ingeborg Lundin. Höglund was admitted to the prestigious school Konstfack at the age of 16, first studying to become an art teacher, but later changing to the sculptor’s line. He rebelled against many of what he considered to be conventional ideas at the school, and was almost expelled. His nonconformism would follow him through his career, aiding him in following his own path and repeatedly breaking new ground. Erik Höglund started working at Boda glassworks in 1953. At the time, Boda focused on producing high-quality serve ware in ethereal, cut-glass designs under the direction of Fritz Kallenberg. Höglund brought new perspectives and ideas, experimenting with the glass mass to give it a bubbly look and introducing colored glass and irregular finishes. These ideas were in direct opposition to the traditional ideas of what quality glass is, and Höglund was initially met with skepticism. He created rustic designs that allowed for everyday, multiple uses of glass, allowing it to be both functional and aesthetic. This down-to-earth IDEA appealed to both critics and collectors, although it took some years into the 1950s to win over the general public. In 1955, Erik Höglund’s glass was presented at the H55 Exhibition and one of his vases, whilst considered scandalous due to its suggestive decor, was purchased by the Swedish king. In 1957 he was awarded the Lunning Prize, its until then youngest awardee. Following that, his glass was exhibited in the Georg Jensen store on 5th Avenue in New York, making Erik Höglund and Boda world renowned. Erik Höglund was a master of all artistic trades. His glass murals...