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Item Ships From: Indiana
Moving Flag
By David Datuna
Located in Indianapolis, IN
David Datuna (1974-2022) Moving Flag (2013) Mixed media construction with collage, paint, and acrylic glasses lenses. Size: 32 x 57 x 9.5 in (81.3 x 144.8 x 24.1 cm) Hand signed on ...
Category

21st Century and Contemporary Conceptual Indiana - Mixed Media

Materials

Mixed Media, Paint, Acrylic Polymer

I'll See You In My Dreams
By David Spiller
Located in Indianapolis, IN
David Spiller (1942-2018) I'll See You In My Dreams (2014) Acrylic and pencil on stitched canvas panels Size: 34 x 35 in (86.4 x 88.9 cm) Frame size: 34.25 x 37.25 in (87 x 94.62 cm...
Category

Late 20th Century Pop Art Indiana - Mixed Media

Materials

Acrylic, Pencil

Breaking Down, Contemporary Textile Art, Contemporary Art, 21st Century
By Marco Querin
Located in Mexico City, MX
Old constructs finally breaking down, 2020 Contemporary Textile Artwork Wool rowing, silk, Michigan wool, Japanese Cotton 24x24in Signed and dated
Category

2010s Contemporary Indiana - Mixed Media

Materials

Textile, Wool, Cotton, Silk

Promised Land, Contemporary Textile Art, Contemporary Art, 21st Century
By Marco Querin
Located in Mexico City, MX
From the series Observing Multiculturalism - Despite having already settled in his promised land, anxiety still rules all his thoughts, 2019 Contemporary Textile Artwork Minimalist, neutral colors Raw Mexican wool...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Textile, Wool, PVC

Is This The Real Life
By Chris Bracey
Located in Indianapolis, IN
Chris Bracey (1954-2014) Is This The Real Life (2014) Found lettering and signs constructed with new neon lettering Size: 36 x 48 in (91.4 x 121.9 cm) Hand signed on the side === ...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Metal

Ali (Moroccan White)
By Russell Young
Located in Indianapolis, IN
Russell Young (1959) Ali, (2023) Acrylic and enamel screenprint on linen with diamond dust 36 x 27.5 in (91.4 x 69.8 cm) Signed, dated, and marked with the artist's archive number o...
Category

2010s Conceptual Indiana - Mixed Media

Materials

Linen, Mixed Media, Screen

Glory 2
By David Datuna
Located in Indianapolis, IN
David Datuna (1974-2022) Glory 2 (2012) Mixed media construction with collage Size: 22 x 40 x 4.5 in (55.9 x 101.6 x 11.4 cm) Hand signed on the side *Black frame is part of the ar...
Category

21st Century and Contemporary Conceptual Indiana - Mixed Media

Materials

Mixed Media

Liberty Head
By Peter Max
Located in Indianapolis, IN
Peter Max (1937) Liberty Head (2009) Mixed media on paper Size: 11 x 8.5 in (27.94 × 21.59 cm) Frame size: 20 x 17.25 in (50.8 × 43.82 cm) Signed ===
Category

21st Century and Contemporary Pop Art Indiana - Mixed Media

Materials

Paper, Mixed Media

Bardot Thunder (Fame White)
By Russell Young
Located in Indianapolis, IN
Russell Young (1959) Bardot Thunder (2019) Acrylic and enamel screenprint on linen with diamond dust 48 x 62 in (121.9 x 157.5 cm) From a series of 10 plus proofs; unique in this co...
Category

2010s Conceptual Indiana - Mixed Media

Materials

Linen, Mixed Media, Screen

Closure
By Gregory Scott
Located in Indianapolis, IN
Gregory Scott (1957) Closure (2011) Pigment print, oil on panel, and HD video 29 x 41 in (73.7 x 104.1 cm) From the edition of 6 plus 2 AP ===
Category

2010s Contemporary Indiana - Mixed Media

Materials

Oil, Panel, Pigment, Video

Orbis L
By Paul Feiler
Located in Indianapolis, IN
Paul Feiler (1918-2013) Orbis L (1968) Oil on canvas laid on board Size: 20 x 17.75 in (51 x 45.5 cm) Frame size: 27 x 25 in (68.5 x 63.5 cm) Hand signed, titled, dated, and inscrib...
Category

1960s Abstract Indiana - Mixed Media

Materials

Canvas, Oil, Board

abstract
Located in Indianapolis, IN
Believed to be signed lower right, but little is known of this works' artist or origin.
Category

Mid-20th Century Abstract Indiana - Mixed Media

Materials

Paper, Found Objects, Acrylic, Newsprint

industrial landscape
Located in Indianapolis, IN
Signed lower left. Mary Gehr was born in Chicago around 1910 and toured as an ingénue with the Chicago Opera Ballet for four years, summered with the Schubert Light Opera Company, a...
Category

Mid-20th Century Abstract Expressionist Indiana - Mixed Media

Materials

Masonite, Oil

Related Items
hello beautiful
By Mary Jo McGonagle
Located in New York, NY
Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. Whit...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Neon Light

hello beautiful
hello beautiful
$4,800
H 20 in W 32 in D 3 in
Jose Palacios, Skylight 15, Mixed media on board, 2022
By Jose Palacios
Located in New York, NY
This vibrant circular acrylic painting, “Skylight 15,” by Jose Palacios exemplifies his distinctive pop art style. The artwork features bold and dynamic tropical-inspired shapes and patterns in a striking palette of yellow, blue, pink, white, green, black, and red. The composition is divided into sections, each containing abstract geometric forms that evoke a sense of movement and energy. The interplay of solid, vibrant colors and curved lines creates a harmonious yet electrifying visual effect. The round shape of the canvas enhances the modern and playful feel of the piece, making it stand out as a captivating centerpiece. The painting measures 27.5 inches in diameter and comes with a white circular mat that complements its clean, contemporary aesthetic. Palacios’s mastery of geometry and precision is evident, as is his ability to infuse his work with both structure and spontaneity. Jose Palacios, born in Spain in 1970, is a self-taught artist who began his career in comic books and illustration. He later transitioned into graphic design and street art, drawing inspiration from the “Movida Madrileña,” an explosive cultural movement of the 1980s during Spain’s transition to democracy. This vibrant cultural era also shaped renowned artists such as Ceesepe, Fernando Vicente, Ana Juan, Ouka Leele, and Javier de Juan...
Category

2010s Pop Art Indiana - Mixed Media

Materials

Laminate, Paper, Acrylic

Savannah Spirit, Film Strip
By Savannah Spirit
Located in Los Angeles, CA
Erotica to save our souls. Archival pigment print on Hahnemühle Photo Rag. ARTSY: May 28, 2019: The Photographers Fighting Instagram’s Censorship of Nude Bodies, by Kelsey Ables. ...
Category

2010s Conceptual Indiana - Mixed Media

Materials

Archival Pigment

Because I Said So Neon Light Art, Contemporary, 2010+, Ready to Hang
By Mary Jo McGonagle
Located in New York, NY
This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Neon Light

In Between
By Amy Genser
Located in Westport, CT
Mixed Media artist Amy Genser makes dimensional paper collages. These colorful, textural, one-of-a-kind wall pieces embody movement and processes. She masterfully manipulates paper -...
Category

2010s Contemporary Indiana - Mixed Media

Materials

PVC, Acrylic, Mulberry Paper

In Between
In Between
$5,000
H 29 in W 29 in D 1.5 in
if only these walls could talk
By Mary Jo McGonagle
Located in New York, NY
Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. Whit...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Neon Light

Life is beautiful - neon art work
By Mary Jo McGonagle
Located in New York, NY
This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Neon Light

Savannah Spirit, Hold Onto Power (Black and White Nude Photography B&W)
By Savannah Spirit
Located in Los Angeles, CA
In this self portrait, Savannah Spirit turns the tradition of black and white female portraiture back on itself. The muse is the artist, and the gaze is her own. Through her artistic, social and curatorial projects, Spirit also takes on technology and social media censors, who assume that the unclothed body of a human, especially of those who identify as female, is pornography that must be controlled. Her artwork asserts that a woman is her own muse. Archival pigment print on Hahnemühle Photo Rag. Press FORBES: Savannah Spirit Wants to Trigger Your Trump VICE: Erotic Art Fights Trump with Scenes of Female Pleasure BULLETT: The Art Show Fighting Fascism with Erotica HUFFINGTON POST: Artists Are Resisting Trump's Misogyny with Erotic Art DAZED: The Erotic Show Taking on Donald Trump Archival pigment print on Hahnemühle Photo Rag. Published: City Journal Huffington Post The Color Theory Expert Snap The Nation Global Yodel THE magazine Live Mag! The Villager Ravelin D/Railed Magazine Open Letr Style: This photograph combines a feminist eye and modern feminism with classic vintage pinup...
Category

2010s Conceptual Indiana - Mixed Media

Materials

Archival Pigment

State of Mind, Contemporary Woven Tapestry, Geometric Abstract Textile Sculpture
By Ane Henriksen
Located in Wilton, CT
State of Mind, Contemporary Woven Tapestry, Abstract Textile Wall Sculpture, Viscosed silk, cotton cloth, jersey dots, 102” x 95”, 2016 by textile artist, Ane Henriksen...
Category

2010s Abstract Geometric Indiana - Mixed Media

Materials

Fabric, Textile, Tapestry, Cotton, Silk

I Am My Own Muse (Black and White Nude Photography, Self-Portraiture)
By Savannah Spirit
Located in Los Angeles, CA
In this rich self portrait, Savannah Spirit takes the tradition of black and white female nude photography, and turns the gaze back on itself. In this series, the muse is the artist, and the gaze is her own. Spirit believes that an image of a woman's body should not be viewed through a purely sexual lens. Through her artwork and curation, Spirit takes on technology and social media censors who operate on the assumption that any unclothed body is pornography. Archival pigment print on Hahnemühle Photo Rag. Savannah Spirit Listening to Debussy Edition 2/3 Edition of 3 "We are unique beauty, we are strong, we are equal, we are body-positive, we are elegant, we are powerful, we are vulnerable. We are our own muses." Exhibition History: Woman March 31st – May 1st, 2018 Undercurrent Projects Also featuring works by: Lillian Bassman, Elinor Carucci, Louise Dahl-Wolfe, Nona Faustine...
Category

2010s Conceptual Indiana - Mixed Media

Materials

Archival Pigment

Yellowpop Neon Flowers lighted Wall Hanging/Sign - brand new in box
By Andy Warhol
Located in New York, NY
Yellowpop after Andy Warhol Neon Flowers lighted Wall Hanging/Sign, 2022 Neon flex material, consisting of PVC or Silicon piping with LED lights mounted on a recycled acrylic board Edition 258/500 (numbered on COA) Box is plate signed; accompanied by official numbered COA authorized by the Warhol Foundation...
Category

2010s Pop Art Indiana - Mixed Media

Materials

PVC, Mixed Media, Neon Light, Acrylic Polymer, Silicone

Cy Twombly - Allusions Bay of Naples, ex-collection of Donald Baechler Signed/N
By Cy Twombly
Located in New York, NY
Cy Twombly Allusions, Bay of Naples (from the collection of Donald Baechler), 1975 Color offset lithograph and photo lithograph on wove paper Signed and numbered 56/80 in ink on the ...
Category

1970s Conceptual Indiana - Mixed Media

Materials

Lithograph, Offset

Previously Available Items
Commission Work October 2021, Contemporary Art, Textile, 21st Century
By Marco Querin
Located in Mexico City, MX
Commission Work 24x24inches Contemporary Art, Textile Wool, cotton and plastic About the artist I began using threads due to the memory of an early age image; I was 3 or 4.  In 1978, the year I was born, my father made 3 pieces of art on pressed wood boards. They were painted in black and on their surfaces many nails were hammered strategically.  These nails were used as support to pull copper threads that formed abstract figures, figures from which I was able to easily imagine more figurative images as they were so familiar.  These 3 pieces entered my psyche, I believe. My life has been one of constant change and adaptation, both unsettling and exciting conditions by which one can still grow and thrive, but that can make it difficult to anticipate outcome and overall direction.  Consequently I am intrigued by all that can be controlled.  My fiber-based work has, in itself, characteristics derived by this reality such as fragility, tension, elasticity and equilibrium, and only through a precision-based controlled execution, my work comes to life and tells a story that has a clear beginning and an end in sight. Marco Querin...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Textile, Wool, Cotton

Commission Querin, Contemporary Art, Textile, 21st Century
By Marco Querin
Located in Mexico City, MX
Commission Work To be shipped first week of August 2021 Contemporary Art, Textile Wool, cotton and plastic About the artist I began using threads due to the memory of an early age image; I was 3 or 4.  In 1978, the year I was born, my father made 3 pieces of art on pressed wood boards. They were painted in black and on their surfaces many nails were hammered strategically.  These nails were used as support to pull copper threads that formed abstract figures, figures from which I was able to easily imagine more figurative images as they were so familiar.  These 3 pieces entered my psyche, I believe. My life has been one of constant change and adaptation, both unsettling and exciting conditions by which one can still grow and thrive, but that can make it difficult to anticipate outcome and overall direction.  Consequently I am intrigued by all that can be controlled.  My fiber-based work has, in itself, characteristics derived by this reality such as fragility, tension, elasticity and equilibrium, and only through a precision-based controlled execution, my work comes to life and tells a story that has a clear beginning and an end in sight. Marco Querin...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Textile, Wool, Cotton

Opposing thoughts coming in and out, Contemporary Art, Textile Art, Minimalist
By Marco Querin
Located in Mexico City, MX
Opposing thoughts coming in and out of my head 2020 silk, mohair, wool 24x24in Contemporary Art, Textile Art, Minimalist About the artist I began using threads due to the memory of...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Textile, Wool, Silk

Observing multiculturalism series, Contemporary Art, Textile, 21st Century
By Marco Querin
Located in Mexico City, MX
Observing multiculturalism: After crossing the Mediterranean Sea, a mother breathes in relief while looking at her hungry children. 2019 Contemporary Art, Textile Low grade cotton, pvc, wool About the artist I began using threads due to the memory of an early age image; I was 3 or 4.  In 1978, the year I was born, my father made 3 pieces of art on pressed wood boards. They were painted in black and on their surfaces many nails were hammered strategically.  These nails were used as support to pull copper threads that formed abstract figures, figures from which I was able to easily imagine more figurative images as they were so familiar.  These 3 pieces entered my psyche, I believe. My life has been one of constant change and adaptation, both unsettling and exciting conditions by which one can still grow and thrive, but that can make it difficult to anticipate outcome and overall direction.  Consequently I am intrigued by all that can be controlled.  My fiber-based work has, in itself, characteristics derived by this reality such as fragility, tension, elasticity and equilibrium, and only through a precision-based controlled execution, my work comes to life and tells a story that has a clear beginning and an end in sight. Marco Querin...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Textile, Wool, Cotton

Spacing out on my own two feet, Contemporary Art, Textile, 21st Century
By Marco Querin
Located in Mexico City, MX
Spacing out on my own two feet 2020 Contemporary Art, Textile Wool, cotton and plastic About the artist I began using threads due to the memory of an early age image; I was 3 or 4.  In 1978, the year I was born, my father made 3 pieces of art on pressed wood boards. They were painted in black and on their surfaces many nails were hammered strategically.  These nails were used as support to pull copper threads that formed abstract figures, figures from which I was able to easily imagine more figurative images as they were so familiar.  These 3 pieces entered my psyche, I believe. My life has been one of constant change and adaptation, both unsettling and exciting conditions by which one can still grow and thrive, but that can make it difficult to anticipate outcome and overall direction.  Consequently I am intrigued by all that can be controlled.  My fiber-based work has, in itself, characteristics derived by this reality such as fragility, tension, elasticity and equilibrium, and only through a precision-based controlled execution, my work comes to life and tells a story that has a clear beginning and an end in sight. Marco Querin...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Textile, Wool, Cotton

Postponing the death, Contemporary Art, Textile, 21st Century
By Marco Querin
Located in Mexico City, MX
Postponing the death of a corroded fence with a thick coat of enamel 2020 Contemporary Art, Textile Plastic on t-shirt About the artist I began using threads due to the memory of an early age image; I was 3 or 4.  In 1978, the year I was born, my father made 3 pieces of art on pressed wood boards. They were painted in black and on their surfaces many nails were hammered strategically.  These nails were used as support to pull copper threads that formed abstract figures, figures from which I was able to easily imagine more figurative images as they were so familiar.  These 3 pieces entered my psyche, I believe. My life has been one of constant change and adaptation, both unsettling and exciting conditions by which one can still grow and thrive, but that can make it difficult to anticipate outcome and overall direction.  Consequently I am intrigued by all that can be controlled.  My fiber-based work has, in itself, characteristics derived by this reality such as fragility, tension, elasticity and equilibrium, and only through a precision-based controlled execution, my work comes to life and tells a story that has a clear beginning and an end in sight. Marco Querin...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Plastic

My good deeds don't need an audience, Contemporary Art, Textile, 21st Century
By Marco Querin
Located in Mexico City, MX
My good deeds don't need an audience 2020 Contemporary Art, Textile Wool, cotton and plastic About the artist I began using threads due to the memory of an early age image; I was 3 or 4.  In 1978, the year I was born, my father made 3 pieces of art on pressed wood boards. They were painted in black and on their surfaces many nails were hammered strategically.  These nails were used as support to pull copper threads that formed abstract figures, figures from which I was able to easily imagine more figurative images as they were so familiar.  These 3 pieces entered my psyche, I believe. My life has been one of constant change and adaptation, both unsettling and exciting conditions by which one can still grow and thrive, but that can make it difficult to anticipate outcome and overall direction.  Consequently I am intrigued by all that can be controlled.  My fiber-based work has, in itself, characteristics derived by this reality such as fragility, tension, elasticity and equilibrium, and only through a precision-based controlled execution, my work comes to life and tells a story that has a clear beginning and an end in sight. Marco Querin...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Textile, Wool, Cotton

Layer upon layer Series, Contemporary Art, Textile, 21st Century
By Marco Querin
Located in Mexico City, MX
From the Series Layer upon layer - I think you should see at least some blood in your plate when you eat steak, no? 2019 Contemporary Art, Textile Wool, raw Mexican wool, cotton and twine About the artist I began using threads due to the memory of an early age image; I was 3 or 4.  In 1978, the year I was born, my father made 3 pieces of art on pressed wood boards. They were painted in black and on their surfaces many nails were hammered strategically.  These nails were used as support to pull copper threads that formed abstract figures, figures from which I was able to easily imagine more figurative images as they were so familiar.  These 3 pieces entered my psyche, I believe. My life has been one of constant change and adaptation, both unsettling and exciting conditions by which one can still grow and thrive, but that can make it difficult to anticipate outcome and overall direction.  Consequently I am intrigued by all that can be controlled.  My fiber-based work has, in itself, characteristics derived by this reality such as fragility, tension, elasticity and equilibrium, and only through a precision-based controlled execution, my work comes to life and tells a story that has a clear beginning and an end in sight. Marco Querin...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Textile, Cotton, Wool

Observing Multiculturalism: Motive. Contemporary Textile Art, Minimalist
By Marco Querin
Located in Mexico City, MX
From the Series Observing Multiculturalism, 2019 (2 pieces) - The fundamental motive behind your presence here seems to be accumulating more power and He finally decided to open up to me and loads of anger just poured out Contemporary Textile...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Textile, Wool

Observing Multiculturalism: Threat. Contemporary Textile Art, Minimalist
By Marco Querin
Located in Mexico City, MX
From the series Observing Multiculturalism - My family was persecuted for our religious beliefs and even here and now we are considered a threat, 2019 Contemporary Textile...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Textile, Wool

CONTEMPORARY TEXTILE ART, Minimalist, Iranian Wool, Beige Black and Orange, 2019
By Marco Querin
Located in Mexico City, MX
From the series Observing Multiculturalism - I used to be an architect in my homeland, but here all they say I'm good for is manual labor, 2019 Contemporary Textile Artwork Minimalis...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Textile, Wool

CONTEMPORARY TEXTILE ART, Minimalist, Raw Mexican Wool, Yellow and Beige, 2019
By Marco Querin
Located in Mexico City, MX
From the series Observing Multiculturalism - Despite having already settled in his promised land, anxiety still rules all his thoughts, 2019 Contemporary Textile Artwork Minimalist, neutral colors Raw Mexican wool...
Category

2010s Contemporary Indiana - Mixed Media

Materials

Textile, Wool