Kolkata

Arup Das - Ganesha 13 x 11 inches (unframed size) Acrylic on Canvas , 2020 ( FRAMED ALL IN DELIVERED PRICE ) About the Artist and his work : Born : 1957 in West Bengal. Educati...

Mintu Naiya - King - 16 x 9 inches ( unframed size ) Wash on Paper ** Shipped in roll form. About the Artist & his Art work : Born : November, 1976. Education : Graduate from Calc...

Murali Nagapuzha - Untitled - 36 x 24 inches (unframed size) Oil on Canvas, 2021 . Can be sent framed or unframed as per requirement About Murali Na...

Sekhar Kar - Flower Vase : by Sekhar Kar made in Gorgeous Mixed Media works in serene colors - 24 x 30 inches (unframed size) Mixed Media on Paper ** Free shipping ** Delive...

Subrata Gangopadhyay - Untitled Pastel on Paper 15 x 11 inches, 2000 ( Unframed & Delivered ) This evocative pastel artwork by Gangopadhayay captures a graceful, intimate moment of ...

Sekhar Kar - Untitled, Mixed Media on Paper, 2019 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

Lalu Prasad Shaw Babu & Bibi 20 x 26 Inches Tempera on Board, 2017 ( Unframed & Delivered ) Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu...

The Crown Lounge Chair is a magnificent seat inspired by the radiance of a halo. Clad in our iconic logo pattern in gold and ivory, this seat grabs the spotlight! Inspired by the ti...

Sekhar Kar - Untitled, Mixed Media on Paper, 2019 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

Samik De - Ganesha Acrylic on Paper 12 x 12 inches, 2024 ( UNFRAMED & DELIVERED ) Style : Sekhar Kar's paintings depict men and women in swirling masses of color with cesspools of...

Murali Nagapuzha - Butterflies - 36 x 24 inches (unframed size) Oil on Canvas, 2021 . Can be sent framed or unframed as per requirement About Murali...

A sculpture that works with the wonderful vibrations that are meant to come to your home. Layer by layer. Totem I is a conversation piece to reflect at and elevate. In pure natural b...

Satish Gujral - Untitled Pencil on Rice Paper 32 x 22.5 inches, 2006 ( Framed & Delivered ) A refined pencil drawing by Satish Gujral on rice paper, portraying a fisherwoman in moti...

Ramananda Bandyopadhyay Untitled (Mother & Child) Pastel Ink on Paper 15 x 11 inches ( Unframed & Delivered ) This enchanting work by Ramananda Bandyopadhyay blends folk-inspired mo...

Sunil Das - Horse Ink on Paper 11 x 14 inches, 2011 ( Unframed & Delivered ) Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extremely successful right from his...

Bikash Bhattacharjee - Untitled Charcoal & Pencil on Paper 8.25 x 10.75 inches, 1987 ( Framed & Delivered ) A 1987 untitled charcoal and pencil drawing by Bikash Bhattacharjee, depi...

Somnath Hore - Untitled (Face of a Man) Pen, Ink & Watercolour on Paper 7.6 x 6 inches (Unfamed & Delivered) An untitled portrait by Somnath Hore, this pen, ink, and watercolor stud...

Sanat Kar - Defeated Tempera on Paper 17.5 x 13 inches, 2001 (Unframed & Delivered) “Defeated” (2001) by Sanat Kar is a surreal tempera painting that portrays a haunting, mask-like ...

The Capucine Black & White Table is a playful writing table in the shape of a monkey with a light at the end of its tale, and cute facial features in burnished brass. A little drawer...

An extraordinary piece of furniture, the Drippity Bar Charcoal is hand crafted in resin with stylised giant drops and brass details. It has a guest and a service side Drippity Bar i...

Sunil Das - Bull Ink on Paper 11 x 14 inches, 2009 ( Framed & Delivered ) Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extremely successful right from his co...

R.K. Laxman - Deduction Watercolour & Ink on Paper 8 x 11 inches ( Framed & Delivered ) Born in Mysore (now Mysuru), Laxman was the youngest of seven siblings, one of whom was autho...

Bolgum Nagesh Goud - Astalakshmi ( Goddess Lakshmi ) Metallic Acrylic, Pen & Ink on Canvas, Deep Edge Stretcher 30 x 30 x 2 inches (unframed) , 2023 ( Rolled & Delivered ) Born July...

KG Subramanyan Untitled (Palm Tree), Water colour on Paper 5.5 x 8 inches 1999 ( Unframed & Delivered ) Style : K G Subramanyan was one of the leading artists who was part of India’...

Suhas Roy - Landscape AP - 19/12 Etching on Paper 11 x 10.5 inches, 1985 ( Unframed & Delivered ) Style : He is one of the biggest and the most enduring names in the genre of Indian...

Bolgum Nagesh Goud - Ardhanaareeshwara Metallic Acrylic & Ink on Canvas 48 x 48 x 2 inches ( Rolled & Delivered ) Born July 18, 1965 Education 1993 Bachelor of Fine Arts, Colleg...

Ramananda Bandopadhayay - Untitled Pastel & Ink on Paper, 15 x 11 inches ( unframed size ) ( Unframed & Delivered ) A beautiful rendition of the Bengal Maestro adept in making work...

Manik Talukdar - Landscape AP - 19/12 Etching on Paper 11 x 10.5 inches, 1985 ( Unframed & Delivered ) Talukdar has done diploma in Fine Arts, specializing in sculpture. He has had ...

Jogen Chowdhury - Untitled, 14 x 11 inches ( Unframed Size ) Ink with Brush & Dry Pastel on Paper, 2014 Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised - the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist & his works : Born : 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background: His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury's father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education: 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience: 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled 'Hridoy Train Beje Othey'. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions: 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi . 1979: The Sao Paolo Biennale . 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale 1989: 'Festival of India', in Geneva 2002: Saffron art...

Suhas Roy - Landscape Etching on Paper , 9.5 x 9.5 inches , 1985 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are ...

Sekhar Kar - Untitled, Mixed Media on Paper, 2019 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

Samir Sarkar - Sound-70 - 72 x 36 inches (unframed size) Acrylic on Canvas Style : He says, “All my paintings have people wearing some headgear that has a face painted on them. Th...

Ganesh Pyne - Untitled AP - 6/32 Etching on Paper 11 x 10.5 inches, 1985 ( Unframed & Delivered ) Style : Initially, Pyne painted watercolors and sketches of misty mornings and ways...

Amit Kalla - Untitled - 48 x 72 inches (unframed size) Acrylic on Canvas, 2021 ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by h...

Amit Kalla - Vipasyana Series - 24 x 24 inches (unframed size) Mixed Media on Paper, 2020 ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be repre...

Ashoke Mullick - Untitled - 36 x 36 inches (unframed size) Acrylic on Canvas Inclusive of shipment in roll form. Style : Ashoke Mullick is considered one of the leading painters f...

Birendra Pani - Gotipua Dancer (The Precarious Existence) - 66 x 42 inches (unframed size) Acrylic on Canvas , 2008 ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Birendra Pani - Boy Dancer with Mahanadi - 66 x 42 inches (unframed size) Acrylic on Canvas , 2009 ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Birendra Pani - Untitled - 66 x 42 inches (unframed size) Acrylic on Canvas ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for extra freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua Dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua Dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Krishen Khanna - Bandwala Bronze H 12 x W x 10 x D 6.5 inches ( Delivered ) Not Welcome, man chased by dog, figurative, oil in black, white, brown by Padma Bhushan Modern Indian Art...

K.S. Radhakrishnan - Krishna - HT : 13 x W : 10 x CIR : 20 inches Bronze Sculpture. Krishna : Figurative sculpture of Hindu God by great Modern Indian Artist K.S. Radhakrishnan who has successfully brought about a defenitive resurgence in Indian sculpture. Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

Atul Bose - Portrait of a Young Man Pencil on Paper 8 x 6 inches, 1935 (Unframed & Delivered) In this delicate pencil portrait, Atul renders the profile of a young man with remarkab...

M.F. Husain - Untitled Edition - 122/150 39.5 x 27.5 inches (unframed size) Serigraph on Paper, 1998 (Unframed & Delivered) MF Husain , world acclaimed artist has been famous for va...

Prakash Karmakar - Untitled - 20 x 29 inches ( unframed size ) Pastel on Board Inclusive of shipment in roll form This work is amongst the more rarer work by the artist executed. ...

Sunil Das - Bull Mixed Media on Paper 30 x 20 inches, 2007 ( Unframed & Delivered ) Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extremely successful right f...

Ego screen pearl white is a breathtaking maze-like pattern of the human face. It can be used as a divider or even a console. The Ego Screen is an illusion...

Raju Sarkar - Kolkata City Watercolour on Paper, 12 x 13 inches ( Set of 4 works) (Shipment in a roll form). These watercolors typically frame to be 22x23 inches Raju Sarkar is a resident of Kolkata. He completed his BVA (painting) with a first class from Rabindra Bharati University, Kolkata. He has been a part of solo and group shows throughout the country, including venues such as the Jahangir Art Gallery, Mumbai. He also participated in many exhibitions in Kolkata. His work is predominated by contrasting colors and innovative patterns that not only balance the figures, but also add a finishing touch to his creativity. Born on 3rd January, 1980, Kolkata Academics : 2006 B.V.A (Painting) with 1st Class from Rabindra Bharati University, Kolkata Exhibitions : SOLO EXHIBITIONS 2009 Taj Bengal, Kolkata Award : painting award Aranya Exhibition, 2012 Sculpture award Aranya Exhibition, 2013 Exhibition Participation : (i) Annual Exhibition of Academy of - Fine Arts, Kolkata 2003&2004 (ii) Annual of “Indian society of Oriental Art. Kolkata, 2002 (iii) Annual Exhibition of “Agnipath” 2005. (iv) Annual Exhibition of The Indian college of Art & Draftsmanship, 2005 (v) Annual Exhibition of “State academy” Kolkata 2007 (vi) Annual Exhibition of “Birla Academy of art &Coulture”,2007 & 2009. (vii) Annual Exhibition of Camlin art foundation, kolkata 2009 (viii) Aranya Exhibition (RAD) 2011,2012,2013 GROUP EXHIBITIONS : 2004 Palm Court...

Luxury straw marquetry wall panel handcrafted in natural hues with a chevron pattern—ideal for premium interiors and sustainable decor. The size, colour and finish can be customised ...

A gleaming maroon straw marquetry box with a gold foiled base. Compact, refined and irresistibly cosmic in its allure. The finishes, colours, size can be customised according to spec...

A sculptural box with a radiant green straw marquetry lid and gold foil body. A bold piece that brings celestial charm to your space. The finishes, colours, size can be customised ac...

Sunil Das - Making Love Series I - 9 x 7 inches (unframed size) Pen and Ink on Paper Pasted on Board Shipment without frame . Sunil Das (1939-2015) was a Master Modern Indian Artist...

Sanatan Dinda - Nude Woman - 28 x 20 inches (unframed size) Pastel on Paper, 2011 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dilapida...

Paritosh Sen - Untitled - 30 x 22 inches (unframed size) Charcoal on paper Inclusive of shipment in a roll form.The work comes with a certificate signed by the artist himself. An il...

Mrinal Kanti Gayen - Untitled Bronze W 19 x H 10 x D 13 inches ( Delivered ) Born : 18 January, 1971, at Kakdwip, West Bengal, India EDUCATION : 1996 Graduate (B.V.A.) in Modelling ...

Subrata Das - Untitled - 30 x 36 inches ( unframed size) Acrylic on canvas Inclusive of shipment in roll form or framed as per the requirement . Style : Subrata Das's works are a p...

Paritosh Sen - Mother and Child Acrylic on Paper Board 40 x 30 inches, 2005 (Framed & Delivered) Paritosh’s Mother and Child is a powerful portrayal of maternal anguish and vulnerab...

Sunil Das - Bull & Horse - 9 x 8.5 inches (unframed size) Mixed Media on Thick Paper Free Shipping Without Frame Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal...

Suhas Roy - Untitled Watercolour on Paper, 11 x 15 inches, 1954 ( Unframed & Delivered ) Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored past...

Akhil Chandra Das - Untitled (Enlightened ) Bronze & Wood Edition : Single H 37.8 x W 17 x D 8.3 inches Akhil Chandra Das (b. 1968), a prominent sculptor hailing from Bengal, stands...

Gobardhan Ash - Untitled - Gouache on Paper 10 x 15 inches (unframed size) Style : Regarded as a pioneer of modern Indian art, Ash’s contribution at the time when India witnessed the advent of Western modernism is significant and colossal. His work was exploratory, visionary and inspiring. He printed with bold courage and a free spirit, never yielding to the rules set by official art. He rejected the preconceived notions of how an artist ought to render his subjects and inevitably rebelled against the academic rules “ If we look at nature in the open, we do not see individual objects each with its own colors but rather a bright medley of tints which blend in our eyes, in our minds.” – Gobardhan Ash (The Statesman, April 24, 1994). His verbal imagery alluded to what was real and relevant in India yet transcended to communicate a deeper, universal message about the human spirit. Disillusioned with the limits and constraints he faced, Ash withdrew into his private introspective world to explore his own mode of artistic expression. And although it was the convention then to paint divinities or exotic female figures on their way to the temple, Ash embarked on a new approach altogether to paint farmers toiling in the fields, workers engaged in intense labor to earn their living, thereby setting a new trend of socio-realistic art in India. In 1945, Ash was brought into the public eye when the progressive writers Association discovered his series of paintings on the Bengal famine. The paintings depict, if not document, the ravages of the 1943 catastrophe. In juxtaposition to the famine series, his impressionist and post impressionist gouaches during the late 40s come as an interesting antithesis. Colors, rich and vibrant, come alive in a pulsating tone to dominate the entire painting. Ash never subscribed to a stringent artistic form or technique. Rather, his works from the 80s display yet another intriguing and jarringly different style in his treatment of portraiture. His colors, with the exception of the apparent outlines, are reduced to smudges and smears so that the painting appear to originate from stained canvas. His subjects, spectral figures that engage and draw us within their profound state of despair and helplessness. To characterize the life works of Gobardhan Ash is to recognize the complexity and spontaneity of his ideas and the enormous richness of his style. An artist who devoted his entire life to art, his paintings have transited and evolved from monochromatic sketches and landscape to portraiture; from naturalistic real-life depictions to abstract expressionism. Whatever the genre style-Ash has demonstrated an eloquent mastery over the diverse style, techniques and medias employed, as evident in the vast retrospective collection. His paintings are conceptual and purposeful, displaying a unique individuality. His art expounds a frank desire to convey the value of uncompromising artistic sincerity. Gobardhan Ash remains today a prolific artist of his time. About the Artist & his works : Born : Regarded as a pioneer of modern Indian art, Gobardhan Ash (1907-1996) was born at the village of Begampur in Hoogly district of West Bengal.. Family : His father was Haricharan Ash and mother Gouri Devi. He spent all his life in this village and died here in 1996 at the matured age...