Kolkata - Tables

A stunning, fine quality vintage French gilt bronze ormolu mounted marquetry inlaid rosewood extension dining table by J.P. Ehalt. Exquisitely handcrafted using only the finest materials and highest level of craftsmanship, the mid-century antique reproduction lavishly finished in Neoclassical Louis XVI taste, having an extensively inlaid oval shaped top, richly decorated marquetry at the center features intricate floral motif, wonderfully designed and exceptionally executed built-in hide-a-way extension leaves that rest under the table in the manner of Maison Jansen, sliding out to extend the length of the table from 72 to 107 inches. The frieze luxuriously decorated with gilt bronze mounted running ornamentation with beaded trim, accented by stylized foliate gilded bronze embellishments, above fluted tapered legs. Signed J.P. Ehalt (Jean-Pierre Ehalt) Circa 1960s; France JP Ehalt...

Aspen dining table by Madheke Dimensions: D 115 x W 300 x H 77 cm. Materials: Fabric, wood, veneer, metal. Dead matte veneered top, stitched leather base, metal detailing. Re...

Dining table, oak, Europe, 1950s This eccentric table is well-constructed in a precise manner implementing geometrical shapes and straight lines that contribute to its architectural...

This high coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the high size. If you are interested in the natural ash, ash stained black, anthracite ash or Intense blue base structures. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still ongoing. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...

Unique design by Gauchet Fine Art, wooden top with silver inlay and original animal shaped feet.

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

The Bell table by Sebastian Herkner turns our perceptual habits on their head, using the lightweight, fragile material of glass as base for a metal top that seems to float above it. ...

The bell table by Sebastian Herkner turns our perceptual habits on their head, using the lightweight, fragile material of glass as base for a metal top that seems to float above it. ...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

This low coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the low size. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still on going. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...

The Bell Table by Sebastian Herkner turns our perceptual habits on their head, using the lightweight, fragile material of glass as base for a metal top that seems to float above it. ...

Dining table maxima with wooden black lacquered top and structure and with gold plated solid polished brass trim. With gold plated solid polished brass on base. Also available in ...