Maine

Calapai, Letterio. ROCKWELL KENT'S STUDIO. Wood engraving, 1980. Titled, numbered 7/75 and signed in pencil. 6 x 8 7/16 inches, 153 x 216 mm. In very good condition. Framed.

A unique and finely crafted storage cabinet by American designer Arden Riddle, dated 1966 and branded by the maker. Constructed in rich, warm cherrywood, this exceptional piece showc...

A striking example of mid-century modern craftsmanship, this James Evanson Studio dining table showcases exquisite African mahogany with intricate bone insets, The top is set on a base of 4 turned mahogany stained elm columns set in gilded cups on raised cube supports.. Crafted in 1987, this piece reflects Evanson's skilled artistry and dedication to high-quality materials. Its warm, rich tone and elegant detailing make it an exceptional centerpiece for dining rooms seeking both sophistication and a touch of exotic allure. Designed and crafted by James Evanson Studio in 1987, renowned for blending fine craftsmanship with innovative design Made from stunning African mahogany, celebrated for its durability and deep, warm hue Decorated with intricately inlaid bone accents, adding a refined and textured contrast to the wood This has a generous dining surface perfect for intimate dinners or larger gatherings Well-restored condition with patina that enhances its vintage charm Sturdy construction and expert joinery indicative of Evanson’s craftsmanship James Evanson Studio was celebrated for its bespoke furniture pieces that seamlessly combined functional design with artistic expression. The 1980s saw Evanson experimenting with exotic woods and natural materials, and this dining table exemplifies his mastery—combining African mahogany’s richness with decorative bone inlays that evoke a sense of craftsmanship and global inspiration. Condition: Excellent restored condition with minor signs of age and wear, which add to the piece’s authenticity and character. The table top is quartered in opposing veneers of African Mahogany. The edge is decorated with a silver leafed half round band . Two pairs of turned urn shaped supports rest in gilded turned cups set into raised gilt panel on cube bases. The top has a center ring of bone pins...

Drawing by Edouard Pingret, River Scene, "Les Bords du Cher à Poitiers" Grey and light brown wash with graphite on paper. Signed bottom right and situated...

This "high boy" features 4 deep drawers. The counter-top and base is cast concrete. The piece is wrapped and fully finished with steel that is employed as a veneer. The steel is blac...

Kitaj, R. B. FIRST SERIES - SOME POETS. Marlborough AG, Schellenburg, FL, 1970. Number 69 of the edition of 70 (there were about 15 additional proofs for the Artist, the Printer, and...

Gorgeous early 18th Century French Ornate Gold Gilt Mirror. #4758

Beautiful large Empire gold gilt and ivory mirror which is an elegant statement piece. The giltwood finish is complemented by a lovely early painted white washed gesso patina, and t...

Avery, Milton. NIGHT NUDE. Woodcut, 1953. Edition of 25 in black and white (there were a further 25 printed in black and blue). Signed, dated and numbered "6/25" in pencil, and also ...

"Bust of a Woman", is a bronze sculpture by the Mexican artist, Victor Salmones. This sophisticated piece has an aura of repose and quiet enhanced by the smooth beautiful patina surf...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

Campendonk, Heinrich. SITZENDER HARLEKIN. Engels/Sohn 59. Woodcut, 1922. 15 x 11 3/8 inches; 380 x 290 mm. Signed in pencil. In Excellent condition. Framed.

Dine, Jim (American, b. 1935) DINE IN BLACK GREASE. Lithograph on wove paper, 2000. Self-Portrait. Published by Tamarind Institue and printed by Billl Lagattuta. Signed, dated, and n...

Wonderful set of three French Louis XIII walnut chairs with intricate turnery on the legs and stretchers, complemented by new neutral upholstery. seat height 20 Note: We have ano...

Painter and teacher, Thomas Fogarty, Jr., taught at the Art Students League in Manhattan for many years and exhibited his oil and pastel landscapes and still lifes at the Whitney Museum of American Art and many New York galleries. Fogarty began his teaching career at the Pratt Institute and Rutgers University, before joining the faculty at the Art Students League, where he taught painting, composition and life drawing. Fogarty was a member of the Society of Independent Artists. Both the artist and his father, Thomas Fogarty, Sr., were beloved teachers at the Art Students League and influenced generations of American painters, including Norman Rockwell. In “Draped Nude,” Fogarty’s vibrant use of color and soft, sensitive brushwork reminds the viewer of Pierre Bonnard’s interiors or early Picasso...

This vibrant work by noted 20th century American artist, Durand, employs a bold palette and sophisticated approach in this dramatic and abstracted still life composition.

Late 19th century painted pine chest of drawers having 4 drawers with charming painted scenes on each of the four dovetailed drawer fronts, as well as original hardware. Absolutely c...

Bumbeck, David. DANCER. Etching and aquatint, 1983. Edition of 65, titled, numbered, signed and dated in pencil. 8 5/8 x 9 5/8 inches, 220 x 245 mm. In excellent condition, and nicely framed. Born in 1940, David Bumbeck received his B.F.A. from the Rhode Island School of Design and a M.F.A. from Syracuse University. For the last 20 years, he has been a professor at Middlebury College...

A lovely Louis XV chair with a framed back adorned with frieze and carved scroll with rosette on the center front apron. This beautiful large French solid walnut elbow chair has shap...

Candido, Alfredo. SACADURA CABRAL E GAGO COUTINHO - HOMENAGEM AOS HEROICOS AVIADORES. Jornal do Europa, 1922. Two posters comemmorating the 1922 flight from Lisbon, Portugal to Rio d...

Marc, Franz (German, 1880-1916). STELLA PEREGRINA. FranzHanffstaengl, Munich, 1917. Only edition. Number 25 of the limited edition of 110. Folio (18 x 13 inches), parchment-bac...

Oil on canvas, signed and dated in the lower left corner. A tranquil painting featuring a European city on a lake or river at sunrise or sunset. Charles Euphrasie Kuwasseg (1838,...

Barnet, Will (American 1911-2012) GO-GO. Szoke 93. Screenprint in colors, 1947. Edition of 50, printed and published by Barnet. Titled and signed in pencil. 12 x 9 1/2 inches, plus m...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Politi, Leo. UNTITLED (WOMAN NURSING BABY). Gouache in colors, c. 1935. 6 7/8 x 4 1/2 inches, 175 x 114 mm.(sheet 12 x 10 inches). Signed. In excellent condition. Leo Politi (American, 1908-), best known as an illustrator of children's books, was also a painter and muralist. He studied at the Milan Art Institute. He was a member of the Painters & Sculptors of Los Angeles and exhibited at the Art Institute of Chicago, Pennsylvania Academy of Fine Arts and in Milan. He illustrated many books and this work may be an original book illustration.

Stunning French Art Deco bronze patina spelter figure gracefully kneeling and decorated in two colors: bronze patinated blue color for her dress and gilt col...

Ryohei, Tanaka (Japanese, 1933-2019). GROVE #2. Etching in color, 1966. Edition of 50. Numbered 23/50, signed, and dated in pencil.11 5/8 x 14 1/2 inches (plate), plus full margins. ...

Fine AAA Colombian Emerald and Ruby Statement Stud Earrings Set in 18K Yellow Gold. Colombian emerald: Approx. 5.00 carats weight. Ruby: Approx. 1.50 carats weight. Gemstone tot...

Oil on canvas board, signed lower left and inscribed on the reverse, as well as on the frame. This is most likely the original frame for this work made by the artist.

Pollack, Bob (American, born 1936). MICHAEL JORDAN. Original painting in acrylics on paper, 1997. Signed and dated within the image. 11 x 14 inches. In ...

1.65 Carat Colombian Natural Emerald Diamond Engagement Wedding Ring Platinum Composition: Solid Platinum Primary Stone: Natural Colombian Emerald Shape or Cut: Asscher Cut Emerald W...

Pearlstein, Philip. NUDE ON STRIPED HAMMOCK. Field 59. Etching with aquatint, 1974. Edition of 100, signed, titled and numbered 59/100 all in pencil. Printed on Copperplate Paper at...

Oil on artist panel, signed and dated lower left. It measures 19.75" x 22.75" including the frame, which is likely the original. Benjamin Williams Leader RA (12 March 1831 – 22 March 1923) was an English landscape painter. The inspiration for these early works was the countryside around Worcester itself, "the cottages, farmhouses, lanes, hedgerows and churches, so exceedingly picturesque and beautiful". However, Leader did not finish his course of studies at the R. A, nor did he need to – his paintings proved to be in great demand by wealthy buyers and he achieved an enviable degree of commercial success within only a few years of his first sale. In 1857 he changed his name to Benjamin Williams Leader to distinguish himself from the many other painters with the surname Williams. In autumn of that year he travelled to Scotland, and painted A Quiet pool in Glen Falloch...

Permanente Mobili Cantù Italian Sideboard with Glass Shelves, circa 1955 An exceptionally well-executed sideboard produced by Permanente Mobili Cantù, one of the most respected cabi...

Two of the prettiest French fauteuil chairs we've ever seen having ornately carved wood painted frames and original tapestry Aubusson upholstery ...

This monumental wall-mounted sculpture, titled Void #1, was created by Samuel Kudish in 1977–1978 in the artist’s Israeli studio, shortly before his relocation to Greenpoint, Brookly...

"Cheveaux Et Cavalier VI Black, Red, Blue, White" is an original color lithograph signed in pencil by the artist Marino Marini in the lower right. Reference: Guastalla L107. It depi...

Oil on academy board, one signed W. Sheridan. W. Sheridan was an English artist active in the 19th century. Each painting measures 22" x 29.5" including the frame. The pair togethe...

"Cheveaux Et Cavalier VI Black, Red, Blue, White" is an original color lithograph signed in pencil by the artist Marino Marini in the lower right. Reference: Guastalla L107. It depi...

An 18th century Louis XVI French Provençal giltwood bridal mirror. Beautifully carved three dimensional crest with acanthus leaves and flags, and an oval plaque with a horn and a qu...

Oil on canvas, signed, titled, and dated on reverse. Measuring 72" x 84" in good condition and ready to hang. American, b.1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include Random House, General Electric, IBM, Pfizer, Inc., Capital Holding Corporation, McGraw-Hill Corporation, Petroplus Holdings, Switzerland, Seagrams-Montreal, Canada, and the U.S. Embassy in Stockholm, Sweden. Among his awards and honors he received a National Endowment for the Arts/SECCA artist grant. Duce’s work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, Atlanta, and internationally in Paris, France; Florence, Italy; and Lima, Peru. He has had many commissioned works, including Bell South...

Raised on later circular brass-mounted wood bases. Height of base only is 17in. (other dimensions include lampshade).

Ashton, Ethel V. UNTITLED. Pastel on paper, circa 1930. Unsigned, but with the estate stamp, verso, as is typical for similar works by her. The image shows an African-American coupl...

This exceptionally rare reclining shampoo chair was created by Warren McArthur, confirmed through its patented tubular-aluminum construction and the surviving shadow remnant of the o...

A sleek modern take on the grandfather clock. This piece is made from historic decommissioned NYC water tower wood. The wood is torched in the Shou Su...

Born in Amsterdam in 1868, Hendrick Maarten Krabbe attended the Academie des Beauz-Arts d’Amsterdam where he studied with August Allebe. Krabbe was known for his genre paintings, por...

A Warren McArthur Corporation matched pair of Style No. 917-3 3-seater sofas from the late 30s. A stunning example of Art Moderne or Machine Age design, this pair of Warren McArthur...

Braque, Georges. DERNIERES MESSAGES - GALERIE MAEGHT POSTER. Color Lithograph, 1960. 27 3/4 x 16 3/4 inches. In excellent condition.

Aaron Berkman was born in Hartford, Connecticut in 1900. In 1916 Berkman attended the Connecticut League of Art Students, founded by Charles Noel Flagg. Beginning in 1919 he studied under Albertus E. Jones at the Hartford Art School. Berkman was influenced during this time by George Inness and John Singer Sargent and the Old Masters. He received a scholarship to the Museum Art School of Boston in 1921 and then traveled to Europe, remaining there from 1924 through 1925. He spent time in France, Italy, Spain, Holland and Belgium. In 1929 Berkman moved to New York City, continuing a friendship and painting relationship with Milton Avery. He was appointed by the W.P.A. as Director of the WPA Art Center at the 92nd Street Y in New York City. Berkman helped established the A.C.A. Gallery in New York City at 52 West 8th St., the first Artist Cooperative Gallery in New York City. He spent summers on Monhegan Island in...

Interesting vintage proposal drawing in 1/2 scale of an aircraft co-pilot seat. Dated 1/12/46 from the Warren McArthur Corporation. Drawing measures 26 x 4...

Painting is essentially unframed and in excellent condition. Tom Perkinson was born in Indianapolis, Indiana in 1940. He was raised in the country and developed a love for the natural landscape. He discovered that he had a talent for art while in elementary school. Art quickly became his chosen passion. During high school he studied at John Herron Institute of Art in Indianapolis. After high school, he studied at the Chicago Academy of Art. He left Indiana to pursue an undergraduate degree in Oklahoma. Each year while attending the university, he was invited to stage an annual exhibit of his work. His early work focused on the landscape, but also included still lifes and city scenes. At that time, his favorite artists were the early American painters...

Dine, Jim (American, born 1935). YELLOW CALLA LILLIES. D'Oench and Feinberg 19. Etching, soft-ground, drypoint, photogravure and electric tools, with hand-...

Dwyer, Marion Halo. CHESS IN THE PARK. Acrylics on paper, not dated, but circa 1984. Signed, lower right. 24 x 36 inches, framed to 30 x 40 inches. In excellent condition. Marion Halo Dwyer, American, 1929-1994, was born in New Jersey, lived in New York City and in Yonkers, NY before moving to Bristol...