Maine

Behold an estate vintage piece featuring a 5.49-carat natural spinel of remarkable caliber. This untreated gemstone captivates with its distinctive Grayish Blue with a hint of Violet...

"Sunlight and Shadows" is a beautifully composed pastoral landscape with cattle by a stream. An American Impressionist, Voelcker utilized broken brushstrokes and a warm and cool colo...

3.63 Carat Natural Colombian Emerald Oval Stud Earrings 18k Yellow Gold Primary Stones: 100% Natural Colombian Emeralds Shape or Cut : Oval Cut Average Color/Clarity : Medium Green/ ...

Born in New Jersey, George Washington Nicholson moved to Philadelphia in the 1860s to study at the Pennsylvania Academy of Fine Art and to pursue his career as an artist. Nicholson t...

Exquisite French 19th Century Louis XVI elegant and comfortable finely carved walnut armchair bergere chair with new high end British upholstery. Will add a touch of class and sophis...

Antique gold gilt French Louis Philippe mirror with stunning acanthus leaf crest and lovely beading and subtle pattern in frame. This stunning antique French mirror, crafted around 1...

Leo Sewell (b. 1945) is an American "found object" artist. His assemblages of recycled material are in over 40 museums and in private collections worldwide. Sewell was born in Anna...

Elegant decorative Louis Philippe style wall mirror with stunning original lemon gold or gold gilt finish and original mirror glass. #7914

Agam, Yaacov, (Jacob Gipstein) (Israeli, b. 1928). UNTITLED. Screenprint in colors, not dated. Edition of 165, signed with marker, and numbered 164/165. 18 1/2 x 47 3/4 inches, 470 x...

Fish, Janet (American, born 1938). A. M. Color Screenprint, 1994. Edition of 60, printed and published by Stewart & Stewart. Signed in pencil and numbered 16/60. 24 x 36 inches (ima...

A refined pair of French marble top side tables, bedside tables, or nightstands, crafted in richly figured walnut with elegant gilt-bronze mounts. Each features two drawers with ring...

Stunning drop solitaire Colombian natural emerald pendant necklace features an emerald l cut, medium green natural Colombian emerald weighing 1.15 carats. Set in 18K Yellow Gold se...

Elegant and classic 18th century authentic Italian neoclassical pair of armchairs or fauteuils from a salon set (matching sofa available). Upholstered in a stunning neutral raw-silk ...

This is an authentic pre-war Bauhaus desk lamp, Model 6551 "Schreibtischleuchte," designed by Christian Dell and manufactured by Gebr. Kaiser & Co. in Neheim-Hüsten, Germany, cir...

French elegant and well-made antique carved walnut sofa, loveseat or settee. Classic example of the French Louis XVI style: the quality is superb, the frame has crisp and intricate ...

Late 17th Century Dutch Delft Faience Blue and White Chinoiserie Baluster Vase Mounted as a Lamp and newly electrified. Decorated in imitation of a Chinese Ming vase with a sage, rocks and vegetation, mounted on a wood base. The dimensions noted include the lampshade and electrical fittings. The vase as mounted in wood is approximately 10in. high and 6in. diameter. The arrival in Western Europe of the first shiploads of Chinese porcelain, lacquerware, ivory and silk in the 17th century stimulated interest in China, or Cathay, as it was then called. Europeans soon began copying the Chinese artworks and decorative objects. These decorative arts inspired by China, which enjoyed their heyday in the late 17th, 18th and early 19th centuries, are known as chinoiserie. Soon after the introduction of expensive Chinese...

A Flickering Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, ba...

Sally Michel Biography American, 1902-2003 Sally Michel Avery was an American painter known for her lyrical depictions of everyday life. Though she used techniques and stylized form...

Elegant pair of French swan-form garden planters, early-mid 20th century, sculpted in cast stone with softly modeled bodies and elegantly arched necks. The surface shows a refined, w...

Oil on canvas, signed in the lower left. This painting measures 23" x 19.75" including the frame. It has a beautiful luminous quality and features a hunter and his dog hunting woodco...

A very fine portrait of a British military officer signed and dated Thomas Beach 1774 in the lower left. This oil on canvas is presented in a period gilt frame and is ready to hang. ...

This spectacular 18K white gold engagement ring showcases a magnificent 11.89-carat cushion-cut natural Ceylon blue sapphire. Completely unheated and untreated, this 100% natural gem...

Made in Italy, the quality is amazing, a large, beautiful and impressive antique Italian coffee table or cocktail table with a burl walnut...

Lovely Hollywood Regency six arm painted white tole floral chandelier with romantic yellow roses and green leaves made in the Italian style. #6279 Dimensions: H to hook 22" x H to...

Platt, Charles Adams (American 1861-1933). BROOKLYN BRIDGE (THE EAST RIVER BRIDGE). Etching, 1888. Signed and dated in the plate. Published by Frederick Stokes and Brother. 6 3/4 x 1...

Classic and versatile French marble top cafe table or writing desk with a black iron base. The tabletop marble is a luxurious Carrara white with gray veining marble - and whether us...

This charming reverse glass painting is titled "Painting" and part of a set with another subject titled "Architecture". The scene depicted is a fête champêtre or outdoor party, a pop...

Painter Roy H. Brown was born in Decatur, Illinois in 1879. He received his artistic training at the Academie Julian in Paris as well as at the Art Students League in New York City. ...

George Nakashima for Widdicomb Origins Line Twelve-Drawer Dresser United States, 1959 A twelve-drawer dresser designed by George Nakashima for the Origins line produced by Widdicomb...

Stunning and classic natural Burma No Heat Spinel cushion-cut vivid red weighing 2.21 carats GFCO certified. Accented by 6 baguette diamonds weighing 0.57ct, G in color, and VS in cl...

Elegant Venetian neoclassical mirror with arched top and intricate engravings of delicate vines and flowers in a central floral basket, showcasing the Neoclassical aesthetic. The tre...

Kollwitz, Kathe. TOD UND FRAU (DEATH AND WOMAN). Knesebeck 107, State VII; Klipstein 103. Line etching, drypoint, sandpaper, soft ground with imprint of granulated tone paper and Zie...

Experience high-jewelry luxury with this bespoke, masterfully curated untreated Burmese spinel necklace. Inspired by the iconic, vibrant aesthetic of legendary Italian houses like Bv...

An exquisite statement Brooch/Pendant necklace featuring an oval cut natural Colombian emerald weighing 16.16 carats set in a ribbon motif brooch. The ribbon is set with tapered bagu...

Natural Colombian Emerald & Round Brilliant Cut Diamond Engagement Ring Yellow Gold Natural Colombian Emerald, Emerald Cut, Color/Clarity: Medium Light Green/ Clarity VS. Total E...

This large-scale ceramic table lamp was produced in 1952 by Tye of California, a prominent mid-century lighting and ceramics manufacturer based in Los Angeles. It stands as a compell...

Stunning large French single door - Tudor or Gothic Revival style - with stunning linenfold carving, from early 19th or possibly late 18th century. Would add elegance to the home, as...

A beautiful tennis necklace, featuring vibrant green AAA COLOMBIAN emeralds weighing approx. 20 carats. Finely made with 18K white gold, 18 inches in length. Perfect for casual or ni...

Monumental premium pine French country style harvest table by PJ Milligan, Santa Barbara, having a roomy 11 feet of length and lovely white painted finish. The thick plank top is sup...

A very rare surviving Pre-Columbian Nazca Stepped Textile Tunic, Nazca Peru, 200-600 AD. Museum mounted on a linen covered panel. Impressive piece overall. Stepped design and frin...

This antique schoolmasters desk features hardwood construction, newer red painted finish, drop front writing surface with open storage insid...

Exquisite pair of late nineteenth early 20th century French Louis XVI style armchairs or fauteuils, constructed of solid walnut, with beautifully hand carved details including lovely...

"Toi et Moi" (You and Me) two-stone engagement ring, masterfully crafted in rich 14K yellow gold. This sophisticated design pairs two of the world's most coveted precious gemstones i...

Elegant French Louis XV carved walnut triple arched sofa or loveseat from the 19th century with out-scrolling arms and new high end neutral upholstery. Rai...

Leroy Setziol Monumental Carved Yellow Cedar/ Wall Sculpture for United States National Bank of Portland, 1963 Beginning in 1949, the United States National Bank of Portland embarked on a long-term program of acquiring and commissioning works by Oregon artists for installation throughout its growing network of branches. Working with artists, architects, landscape designers, and craftsmen, the bank sought to create public spaces that reflected the culture, economy, and character of Oregon communities. The program included paintings, sculpture, stained glass, ceramics, and architectural commissions and was celebrated in the 1963 exhibition A Bank As Art Patron at the Museum of Art, University of Oregon. This monumental wall mural by Leroy Setziol (1915–2005) was commissioned in 1963 as part of that initiative. Measuring nearly sixteen feet in length and just over three feet in height (191" x 37" x 7"), the work is composed of multiple hand-carved yellow cedar panels and represents an early large-scale architectural commission created during a formative period in Setziol's career. Composed of multiple hand-carved yellow cedar panels, the sculpture demonstrates Setziol's ability to create a unified visual statement from deeply incised geometric forms, rhythmic patterns, and abstract imagery. Individual sections of the mural vary dramatically in character, ranging from tightly ordered geometric passages to more organic and intuitive carving. Together they create a composition that rewards prolonged viewing and reflects the artist's belief that wood itself could serve as both material and subject. Particularly notable is the panel at the far right of the mural, which incorporates a series of carved livestock brands. Research conducted with the Oregon Department of Agriculture has identified these as registered Oregon cattle brands associated with ranching operations in the Junction City area. Their inclusion provides a rare documentary element within Setziol's otherwise abstract carving and establishes a direct connection between the artwork and the community in which it was installed. More than decorative motifs, the brands appear to acknowledge the agricultural families, ranches, and businesses that formed an important part of the local economy. In doing so, the mural transcends pure abstraction and becomes a reflection of community identity. The carving recognizes an important aspect of the region's agricultural heritage and establishes a direct connection between the artwork and the local community in which it was installed. Born in Portland in 1915, Leroy Setziol followed an unlikely path to becoming one of the Pacific Northwest's most respected sculptors. After service in the United States Army during World War II, he spent time in New York before returning to Oregon. Drawn to carving but lacking formal artistic training, he established a small studio behind the Portland home of his father, a Lutheran minister. During his first year as a professional sculptor he reportedly earned only fifteen dollars from the sale of his work. Working largely in isolation, Setziol developed a highly personal approach to carving that relied on intuition rather than academic training. His sculptures combined deeply incised geometric structures with forms inspired by nature, mythology, and the inherent character of wood itself. By the early 1960s his work had attracted the attention of architects and corporate patrons seeking original works that could be integrated into modern buildings. Commissions such as this mural for United States National Bank marked the beginning of a period that would lead to some of the most significant architectural projects of his career. The following year, architect John Storrs commissioned Setziol to create a series of monumental relief panels for Salishan Lodge in Gleneden Beach...

Elegant early 19th century Louis XVI style French giltwood bridal mirror from Provence. Nice hand carved shell or leaf crest with birds and feathers on either side of center flower u...

Stunning pair of 19th century French Louis XV bergères with carved painted frames, serpentine crest rails, scrolling arms, carved foliate shell apron and cabriole legs. Newly upholst...

Really beautiful set of Four French Louis XV Highly Carved Fauteuils or Armchairs bough in the South of France and in immaculate shape. Intricately carved pen armchairs, upholstered ...

Elegant pair of antique French Louis XV nightstands, side tables or bedside cabinets crafted in richly figured walnut with striking bookmatched veneers and contrasting inset panels. ...

French Louis XVI style oval marble top coffee table, perfect size, with beautifully carved floret and reeding in the base. Great neutral b...

Shipping off the coast by English artist Thomas Luny. Oil on canvas signed and dated 35' in the lower left. Nice period and possibly original frame. Thomas Luny (1759–1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George's, and later relocated to Old Gravel Lane. Examples of his work are exhibited at the National Maritime Museum at Greenwich, in the Royal Albert Memorial Museum in Exeter, and at The Mariners' Museum in Newport...

Pair of rustic Adirondack style bent twig rocking chairs from Maine, featuring original worn painted finish and high arched backs. Wonderful example of primitive antique folk art, using bent twigs in lovely and comfortable porch or deck rocking chairs - classic Maine cottage...

Magnificent early 19th century French Louis XV set of 4 armchairs from a parlor suite, richly upholstered in exceptional, early and rare handwoven Au...

Pastel on canvas, signed lower right, measuring 38" x 48.25" including the frame. Pierre Carrier-Belleuse His first studies were with his father, the sculptor Albert-Ernest Carrier-...

Each urn with a cone finial, the collar carved with interlaces and a tapered fluted body on a spreading socle. Formerly with spigots. Provenance: Ginsburg & Levy, Inc., New York...

Peterdi, Gabor. SPAWNING II. J.88. Etching and engraving with five stencilled colors, 1952. Edition of 200. Numbered and signed in pencil. 13 3/8 X 16 3/4 inches (plate), 15 x 19 1/4...

Introducing the French Louis XV armchair, a timeless piece that effortlessly combines antique charm with luxurious comfort. This exquisite chair showcases an elegant antique style, f...

Incredible set of four early 19th century museum worthy French Louis XVI walnut fauteuils or armchairs. Exquisite carving all around, with florets at the top of each beautiful spiral...

Albert Chase McArthur ornamental railing designed in 1928 for the Arizona Biltmore in Phoenix, Arizona. The elegant line of abstract A's and revers...

An elegant French Louis XV painted carved sofa settee from a salon set also having two armchairs but listed separately here, upholstered in a neutral pale yellow silk blend, found i...