Maine

This paintings brings to mind the steamy ground fog after a summer rain. Or you could look at it as snowy woods in the setting sun. It's up to you! This was done with quality oil ...

Spring isn't much of a season in Maine typically. This year the lack of sun prompted me to using warm colors and try to bring some spring to the wall. This was done with quality oi...

Dark bird-like head and figurative abstraction in painting that mimics wide-screen cinema dimensions :: Painting :: Abstract :: This piece comes with an official certificate of authe...

large figurative abstraction, oil and ink on canvas :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Ye...

April is another piece in the current series that i am working on. This series reflects time in a broad sense :from memory, reflection, emotion as well as place and time. "April" e...

This piece started out as a drawing on the ipad. It is printed on aluminum in very high resolution. I consider it to be an artist's proof (A/P) The first of a very limited edition. I...

Bright colors and exaggerated gesture create the form of this nude woman lounging, at home in her body. :: Painting :: Impressionist :: This piece comes with an official certificate...

Coming Home is a view along the Marginal Way in Ogunquit, Maine.As I climbed up the rocks, I was struck by the simplicity of these homes at this angle.Whi...

Colors and gestural brushwork define a reclining nude woman and a beast-like figure behind her. :: Painting :: Modern :: This piece comes with an official certificate of authenticity...

Drawings can be like dreams that come alive. It's hard to explain them. Each time you look there is a different meaning and story. :: Drawing :: Classical :: This piece comes with an...

Once I was going to work in Portland, Maine and came upon a fire scene. A little later I did this pastel. :: Drawing :: Contemporary :: This piece comes with an official certificate ...

A deeply felt painting :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signat...

One of a large series featuring rural villages :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No ...

This is a PASTEL painting on heavy cotton rag paper. :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No...

It's difficult to describe the genesis of this painting. It appeared over several night and I'm grateful. :: Painting :: Contemporary :: This piece comes with an official certificate...

My favoite year! 1968... I was in Viet Nam hearing the news about assassinations and French street riots. The more the merrier! We need that energy now! :: Painting :: Contemporary :...

I'm not religious (lapsed Catholic- you probably know one) but I always seem to do a painting or drawing like this at Easter time. This picture has touches of real gold leaf. :: Pain...

painting on canvas :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature...

This painting incorporates 24 carat gold leaf foil. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang...

A coffee table or end table depending on what diameter glass top you decide to rest on the base base. The base is an unusual combination of two slices of a 18th or 19th century turn...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Born in Germantown, Pennsylvania, Earl Horter was a self-taught artist who began his career working in New York City as a draftsman at an advertising agenc...

Boat Scene, Sorrento, pencil. Provenance (label at back of Drawing), William Drummond St. James's, London.

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Pagoda Lamp Model 1 is one half of a pair of lamps designed and fabricated during 2021. The inspiration is the Peace Pagoda in San Francisco's Japantown neighborhood designed by Yoshiro Taniguchi, constructed in the 1960s. The center column of the lamp is constructed from pieces of 1/8" aluminum sheet that have been polished on all sides and assembled into a circular lattice structure. Each opening in the lattice has individually poured "windows" made from a clear epoxy that have some small bubbles and irregularities that mimic a hand-made glass. The windows are pierced by 1/16" diameter brass rods that run the length of the circular lattice and help to hold the windows in place. The interior is lit by a T-10 elongated bulb, which sits slightly proud of the top surface of the lamp. There are a total of four spun pieces of 1100-series aluminum that adorn the circular lattice, comprised of the top cap (1) and mini-shades (3), which are equally spaced along the length of the circular lattice structure. These have all been hand-polished. The top cap is held in place with a snug slip fit (which can be easily taken on and off), while the mini-shades are held in place with small machined brass connectors and 4-40 brass slotted roundhead screws. The base is constructed from two 1100-series aluminum shells that have been spun and hand-polished. Circular tool marks left by the spinning process have been left behind to add visual interest. The interior of the base houses a large black-anodized aluminum ring, roughly 7/8" thick, that is used to join the halves together and houses the vintage AH & H ball...

A "live-edge" slab of Walnut wood top rests atop a base composed of patinated steel joined with cast-concrete. Blackened steel butterfly key inlays stabilize the top. The monolithic ...