Maine

Spring isn't much of a season in Maine typically. This year the lack of sun prompted me to using warm colors and try to bring some spring to the wall. This was done with quality oi...

Three young girls wade in the chilly waters of Portland's East End Beach. This was done with quality oils on linen and is ready to hang. :: Painting :: Contemporary :: This piece co...

abstract, colorful, semi-figurative painting -- oil with charcoal :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Re...

April is another piece in the current series that i am working on. This series reflects time in a broad sense :from memory, reflection, emotion as well as place and time. "April" e...

Portrait of a Dutch friend :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Si...

Bright colors and exaggerated gesture create the form of this nude woman lounging, at home in her body. :: Painting :: Impressionist :: This piece comes with an official certificate...

Colors and gestural brushwork define a reclining nude woman and a beast-like figure behind her. :: Painting :: Modern :: This piece comes with an official certificate of authenticity...

Pensive mood of a seated nude woman is captured by colors and lines overlaid and intersecting, as if the figure is barely with us. :: Painting :: Abstract :: This piece comes with an...

Drawings can be like dreams that come alive. It's hard to explain them. Each time you look there is a different meaning and story. :: Drawing :: Classical :: This piece comes with an...

A Drawing :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Location: ...

Once I was going to work in Portland, Maine and came upon a fire scene. A little later I did this pastel. :: Drawing :: Contemporary :: This piece comes with an official certificate ...

A deeply felt painting :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signat...

Autumn is my personal response and memory and of red leaves in Kyoto, amid my journey through llife without a map. :: Painting :: Abstract :: This piece comes with an official certif...

This painting/drawing has touch of real 24 carat gold. It was inspired by a trip to Italy (As is much of my stuff -Thanks Mr Del Monte!) :: Mixed Media :: Contemporary :: This piece ...

This is a PASTEL painting on heavy cotton rag paper. :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No...

This is a PASTEL painting on heavy cotton rag paper. :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No...

My favoite year! 1968... I was in Viet Nam hearing the news about assassinations and French street riots. The more the merrier! We need that energy now! :: Painting :: Contemporary :...

It's difficult to describe the genesis of this painting. It appeared over several night and I'm grateful. :: Painting :: Contemporary :: This piece comes with an official certificate...

"Sunset In the Cove" depicts the fleet of fishing boats at the end of an August Day, when the primary tones are golds. :: Painting :: Impressionist :: This piece comes with an offici...

I'm not religious (lapsed Catholic- you probably know one) but I always seem to do a painting or drawing like this at Easter time. This picture has touches of real gold leaf. :: Pain...

This is a recent original oil painting done at my new studio in Portland, Maine. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed b...

This is a triptych. 3 different oil paintings side by side. I often paint several canvases at once and it seems to lead me to a narrative. :: Painting :: Contemporary :: This piece ...

painting on canvas :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature...

This painting incorporates 24 carat gold leaf foil. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang...

A coffee table or end table depending on what diameter glass top you decide to rest on the base base. The base is an unusual combination of two slices of a 18th or 19th century turn...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Boat Scene, Sorrento, pencil. Provenance (label at back of Drawing), William Drummond St. James's, London.

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

A Flickering Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, ba...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

A "live-edge" slab of Walnut wood top rests atop a base composed of patinated steel joined with cast-concrete. Blackened steel butterfly key inlays stabilize the top. The monolithic ...