Maine

Portrait of a Dutch friend :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Si...

This piece started out as a drawing on the ipad. It is printed on aluminum in very high resolution. I consider it to be an artist's proof (A/P) The first of a very limited edition. I...

Colors and gestural brushwork define a reclining nude woman and a beast-like figure behind her. :: Painting :: Modern :: This piece comes with an official certificate of authenticity...

Coming Home is a view along the Marginal Way in Ogunquit, Maine.As I climbed up the rocks, I was struck by the simplicity of these homes at this angle.Whi...

Bright colors and exaggerated gesture create the form of this nude woman lounging, at home in her body. :: Painting :: Impressionist :: This piece comes with an official certificate...

Colors and gestural paintwork define a reclining nude woman, her hand on her side, looking away at a rectangular shape of fields or darkness. Intentionally enigmatic. :: Painting :...

This work was created digitally and printed as an artist's proof on aluminum in a unique process where the ink- or dye- is infused into the metal substrate. :: Digital :: Abstract ::...

A deeply felt painting :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signat...

My realization that the memories of complexity and details of hiking Bauneg Beg Mountain have kept me grounded, and healed me, and helped to shape who I am. :: Painting :: Abstract ...

Once I was going to work in Portland, Maine and came upon a fire scene. A little later I did this pastel. :: Drawing :: Contemporary :: This piece comes with an official certificate ...

Sleeping Woman with a creamy yellow background and light :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready t...

This is a PASTEL painting on heavy cotton rag paper. :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No...

This painting is done with oil and graphite on a 1.5" thick sturdy stretched canvas- signed and dated on the back. :: Painting :: Contemporary :: This piece comes with an official ce...

This is a PASTEL painting on heavy cotton rag paper. :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No...

Down to the Sea is an image I created after a stay last Fall at Haystack School of Crafts. Situated along the coast of Maine, Deer Isle has beautiful views. From numerous drawings...

I spent a quiet afternoon in late April sitting along the Marginal way in Ogunquit drawing this scene.I was struck by the simplicity of the composition in...

It's difficult to describe the genesis of this painting. It appeared over several night and I'm grateful. :: Painting :: Contemporary :: This piece comes with an official certificate...

My favoite year! 1968... I was in Viet Nam hearing the news about assassinations and French street riots. The more the merrier! We need that energy now! :: Painting :: Contemporary :...

"Sunset In the Cove" depicts the fleet of fishing boats at the end of an August Day, when the primary tones are golds. :: Painting :: Impressionist :: This piece comes with an offici...

Synthetic Polymer, Flashe, Embroidered Thread on Silk Organza over Wood with recessed painted Wood. Silk organza is stretched over custom designed wood stretcher bars to create an...

After visiting Wilhelm Reich's laboratory in Rangeley, Maine I was inspired by his ideas- and his freedom to think his own thoughts. What an original! Of course he died in a prison cell...

I'm not religious (lapsed Catholic- you probably know one) but I always seem to do a painting or drawing like this at Easter time. This picture has touches of real gold leaf. :: Pain...

There is a certain dynamic in every landscape. It's a matter of taking things away to reveal the energy beneath. I tried to do that here. :: Painting :: Contemporary :: This piece co...

The rectangular top with a gadrooned edge tilting above a tapering gadrooned stem with a foliate baluster base‚ on a concave-sided triangular plinth ending in paw feet. Most likely c...

fan 19 48.0 x 35.0 x 3.0, 17.0 lbs Wood Founder's stamp Artist's Commentary: "Wood wall sculpture. 48 inches wide. I work with wood like a painter works with oils and a sculptor with stone. From a distance, lines, shapes, contours and shadows are easily seen but when you move from side to side, the change in perspective alters the image like the features of a face when it turns. If a light source moves, shadows in the piece move with it like the sun moving across a landscape. As you approach the piece, shallow contours appear like swells on a lake and intricate patterns emerge. You can't help but touch the smooth flowing surface to feel the highly finished solid wood. The furniture grade modified tung oil allows that. It also makes my art easy to clean if necessary. The lines and shapes in my art are the natural colors of solid wood joined along curves. No inlays, veneers, dyes or stains are used." About the Artist: Marc Lamm is a self-taught wood-artist who has been art since 1973. In 1996, he began developing techniques which he uses in his art. In 2011, he began making wood-wall-sculptures and has pieces in Mayo...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

80's Estate 6.50ct Mint Green Amethyst Diamond Pendant 18k Gold Green Amethyst Necklace Center Gemstone: Mint Green Amethyst (Natural) Shape: Hear...

Oil on canvas signed in the lower right corner. This painting depicts an American clipper ship with a pilot in the English Channel. The dimensi...

Oil on canvas signed in the lower right corner. This painting depicts an American clipper ship with a pilot in the English Channel. The dimensi...

A "live-edge" slab of Walnut wood top rests atop a base composed of patinated steel joined with cast-concrete. Blackened steel butterfly key inlays stabilize the top. The monolithic ...