Maine

Charcoal and oil painting of woman leaning on back of large chair :: Mixed Media :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artis...

Nude woman with reflection :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: No :: :...

A moment of complete rest. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: No :: :...

Woman lounging, dreaming :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: No :: :: ...

Pollack, Bob (American, born 1936).A YOUNG FREDDY COUPLES. Original painting in acrylics on paper, 2023. Signed and dated within the image. 11 X 14 inches. Matted. In excellent cond...

Pollack, Bob (American, born 1936).THE BAMBINO. Original painting in acrylics on paper, 2023. Signed and dated within the image. 11 X 14 inches. Matted. In excellent condition. Ori...

Oil pastel and watercolor on paper. Signed and dated to lower right edge 'Vaclav Vytlacil 1953'. Signed and dated to lower left edge 'Vytlacil 1953'. It is also titled on reverse. Pa...

Barnet, Will. UNDER THE TABLE. Cole 70, Szoke 71. Woodcut, 1939. Edition of 20. Titled "Under the Table" and signed in pencil. Printed by Barnet on Japanes paper. 12 5/8 x 12 inches ...

Henry Rox (1899–1967) Art Critic (Elevated Figure Before Post War Vertical Striped Abstract Composition) c. 1948 Vintage silver gelatin print 8 × 10 inches Estate stamp verso This 8...

Whitehead, Buell (American, 1919-1993) SHASTA DAISIES. Newsom pg 32. Lithograph in colors, 1946. Edition size not known. Signed and dated in pencil, lower right. In excellent conditi...

Jansem, Jean (French 1920-2013). SUR LA PLACE. Drypoint, 1964. Dalavez, page 48. Edition of 40 plus 10 Artist's Proofs. Signed in pencil and numbered 35/40. 13 1/2 x 10 3/4 inches, 2...

Grooms, Red (American, born 1937). FALL OF JERICHO. Etching, 1971. Edition of 100. Signed, titled, and numbered 92/100, all in pencil. 8 3/4 x 8 3/4 inches (plate), 12 3/8 x 12 3/8 i...

This guy's face can be in your face! The eyes will seem to follow as you move. People will make comments: Is this someone you know? Why is he "hanging around"? (I love art!) :: Drawi...

One day at the studio I was feeling kind of poor so I designed and painted a "gold machine"! I've tried to make it work but maybe you'll have better luck. :: Painting :: Contemporar...

Carved from one piece of sirocco marble, Italy 2007 Artist statement: My passion for sculpting is expressed in my creation of the virtual records of contemporary culture. I captur...

Henry Rox (1899–1967) “Homeward on a New Boat” Series XIII c. 1940 Vintage silver gelatin print 7.5 x 9.125 inches Estate stamp and handwritten inscription verso: “Homeward on a new...

Signed Dick Williams, who was a major illustrator for companies like Coca Cola from the 1930s to the 1960s.

Gorsline, Douglas (American, 1913-1985). BATTLE STATIONS. Engraving, 1941. 9 x 6 7/8 inches (plate), 12 1/2 x 8 3/8 inches (sheet). Signed, titled and dated in pencil, and inscribed ...

Gorsline, Douglas (American, 1913-1985). THE NEW FUR. Etching, 1939. 5 x 3 1/16 inches (plate), 7 3/4 X 4 1/2 inches (sheet). Signed, titled and dated in penc...

Muench, John (American, 1914-1993). THE ONE THAT GOT AWAY. Color Lithograph, not dated. Edition of 25. Signed, titles and numbered, all in pencil...

Jahn, Elena (American, 1938-2014). UNTITLED. Etching with hand-coloring, not dated. 11 3/8 x 13 inches. Inexcellent condition.

Penny Arcade (American, born 1950). LA MISERIA POSTER. Photo offset poster, circa 1991. 22 1/2 x 17 3/4 inches, mounted to paper and backed with cloth ...

This is a still life of a collection of mustards I had in our fridge. There might be nothing to eat but we are loaded with condiments. This is revisiting a series I did years ago o...

This pineapple vibrates with tropical colors. It was done with quality oils and cold wax on linen. It may be hung without a frame. :: Painting :: Contemporary :: This piece comes ...

Everyone loves fresh corn, especially the first of the season. I love the look of corn: all those pearly teeth and wisps of corn silk. This was done with quality oil paints on line...

These young green pumpkins can't help but be green with envy at their bright, glowing neighbor. This painting was done with quality oil paints on linen. The edges are painted dark ...

The vibrant display at farmers' markets is eye candy to me. I love the little eggplants stacked in mini-baskets and the wide variety of colors. This was done with quality oil paint...

Dodd, Francis. CHARLES CUNDALL, R. A.. Drypoint, 1926. Schwabe, 171. Signed in pencil. 18 x 11 3/4 inches, on a sheet of cream colored wove paper 20 1/2 x 14 5/8 inches. In excellent...

Thoma, Hans. RATSELRACHEN III (JAWS OF THE RIDDLE III). Etching, 1908 (Beringer 77, second state). 10 3/8 x 9 5/8 inches (200 x 285 mm), image; 11 x 9 3/4 inches (246 x 296 mm.), plate; 18 3/4 x 15 1/4 inches (477 x 390 mm.), sheet. Monogrammed and dated in the plate, signed "Hans Thoma...

Anonymous. "SMITHEREENS" ORIGINAL ART FOR AN ALFRED E. SMITH CAMPAIGN POSTER. Circa 1920. Ink drawing with white highlighting. 20 x 22 inches, in an early fra...

Moy, Seong. NETS. Woodcut, 1963. A.A.A. edition of 250. Titled, signed and numbered 224/250 in pencil. 9 1/2 x 13 inches. In very good condition, in an original AAA frame with the de...

Prestopino, Gregorio (American, 1907-1984). LA ITALIANA. Color woodcut on paper, c. 1940s-50s. Edition of 48, signed and numbered 20/48. 21 7/8 x 29 7/8 inches, 556 x 785 mm. In exce...

Peterdi, Gabor (American, born Hungary, 1915-2001). THE STORM. Johnson 154) Etching and engraving, 1958. Edition of 15, signed, dated, titled and numbered 3-15 in pencil. 22 x 32 inc...

Heliker, John. (American, 1909-2000). UNTITLED ("KEEP SMILING). Ink on paper, not dated, likely 1930s. The image is of two men in a workshop, one possibly the customer, the other wor...

Moore, Henry. WOMAN'S HEAD. Cramer 630. Color lithograph, 1981. Edition of 50, numbered 9/50 and signed in pencil. 8 3/4 x 9 7/8 inches, 222 x 250 mm. plus full maargins. In excellen...

After Homer, Winslow. THE GREAT FAIR GIVEN AT THE CITY ASSEMBLY ROOMS, NEW YORK, DECEMBER, 1861 IN AID OF THE CITY POOR. Wood engraving after a drawing by Homer, published in Harper'...

Marsh, Reginald. THE BOWERY - UPRIGHT. S.26. Lithograph, 1932. Edition of 21, signed and numbered 3/21 in pencil. 9 1/2 x 7 1/4 inches, 241 x 184 mm (image), Chine colle to a sheet 1...

Blackburn, Morris Atkinson (American 1902-1979). RADAR AND EXHAUST. Etching and aquatint, c. 1958. Edition size not known. "Signed Morris Blackburn per ETB," thus likely an estate s...

Abramovitz, Albert (American, born Latvia, 1879-1963). CONCRETE MIXER MOSCOW. Linoleum cut, not dated, but circa 1930s. Edition size not known. Monogrammed in the block and signed i...

Sloan, John. MAN, WIFE AND CHILD. Morse 135. Etching, 1905. Titled, signed, and inscribed "100 proofs," all in pencil. 5 x 7 inches (plate), 10 x 12 3/4 inches (sheet). Printed on w...

Jaeckel, Willy (German, 1888-1944). CHRISTMAS (SELF-PORTRAIT). Drypoint, not dated, but circa 1940. Edition size, if any, not stated. Signed in pencil. 9 1/4 x 7 7/8 inches (plate),...

Hart, George Overbury (Pop). AWAITING THE BOATS' RETURN. Etching, not dated. Edition size not known. Signed in pencil, lower right. 5 x 7 inches, 126 x 177 mm. (plate), 7 1/4 x 9 1/...

Kupferman, Lawrence. FANTASIA AMERICANA. Etching, 1943. 2d edition of 100(c. 1980) with the embossed stmp of the printer. 12 x 14 3/8 inches (Plate); 17 x 19 7/8 inches (sheet). Sig...

Dunham, Gregory (American, born 1946). HAYMARKET III. Drawing, pencil on paper, 1983. Signed and dated, lower left. 29 3/4 x 22 1/4 inches, the full sheet, with deckle on all sides....

Marsh, Reginald. DISCUSSION or AT THE BASE OF UNION SQ. WASH STATUE. Sasowsky 152. Etching, 1934. Signed in pencil. There was no edition; the number printed is unknown, but likely o...

Arms, John Taylor. PUERTA DEL OBISPO, ZAMORA (THE BISHOP'S DOOR, ZAMORA). Fletcher 266. Etching, 1933. Edition 160, of which this is likely one of the 25 p...

Bishop, Isabel. UNTITLED (WOMAN LOOKING IN PURSE). Ink on cardstock, not dated. Unsigned. 5 x 5 inches. A fast, likely unposed sketch of a passerby. In excellent condition. Isabel Bishop, 1902-1988. Isabel Bishop was born and raised in the Midwest. She came to New York in 1918 where she studied at the New York School of Applied Design for Women and the Art Students League, where her teachers included Kenneth Hayes Miller and Guy Pene du Bois. In 1934 she rented a studio in Union Square where she worked for the remainder of her career, often taking as her subjects the men and women who worked in the shops and offices on the square, or who walked or sat in Union Square Park. She was a great draughtsman, and much of her graphic work is devoted to studies of the human figure in motion or at rest within the context of their activities in Union Square or similar settings. Bishop made etchings throughout her career, producing more than 80 prints between 1925 and 1982. Prior to 1978 Bishop had editoned only a few of her prints; most of them were printed on an “as needed” basis only, by her, on her own press as gifts, or for sale. From 1978 on, Bishop collaborated with Sylvan Cole of Associated American Artists and the master printer Stephen Sholinsky...

Executed in 1955, Cadence No. I is a refined example of mid-century American geometric abstraction by Rudolf von Huhn (1884–1968). Born in San Francisco, von Huhn studied and trained...

Brinton, D. UNTITLED [GENTLEMAN OBSERVING BILLIARDS GAME]. Drypoint, n.d. (c. early to mid-20th Century). 8 x 6 inches (image), 11 1/2 x 8 inches (sheet). In excellent condition, wit...

Birmelin, Robert. FLYING DOG. Etching, not dated. Edition of 12. Signed in pencil and numbered and titled. 8 7/8 x 8 7/8 inches (image), 12 5/8 x 18 1/8 inches (sheet). In excellent ...

Affleck, Andrew. ISOLA BELLA. Etching, not dated. Signed in pencil. Edition size not known. 9 3/4 x 17 3/8 inches (image), 13 5/8 x 22 1/4 inches (shee...

Hague, Michael. HAPPY BIRTHDAY ANNE. Ink and Watercolor, not dated, but likely 1970s. Initialed "M.H." in ink within the image, and inscribed, within ...

Marsh, Reginald. HUBER'S MUSEUM. S.14. Lithograph, 1928. Edition of 36 impressions, according to Sasowsky, but inscribed "35 proofs, and signed in pencil. 8 3/4 x 13 1/2 inches, 222 ...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Mack, Harry F. POCKETS FOR POWDER IN THE MINE. Etching with aquatint, not dated, but circa 1930s. Titled and signed "H. F. Mack" in pencil. 7 7/8 x 6 inches (plate), 10 3/4 x 9 1/4 i...

Barnet, Will. MARY SEWING. Szoke 32, Cole 31, JOhnson 37. Lithograph, 1936. Edition of 10. Titled and signed in ink. Printed by the artist on Rives paper. 17 1/4 x 13 1/2 inches (ima...

Greenhaus, Ben (American, 1908-1951). WENDELL WILLKIE STEPPING OUT OF A CAR. Mounted gelatin silver photograph of Willkie, presumably during the campaign of 1940. c. 12 x 10 inches. ...

Ross, John T. UNTITLED (LIGHTHOUSE, HOUSES AND BOATS). Color woodcut, not dated. Inscribed "proof," lower left, and signed lower right, in pencil. 9 x 14 7/8 inches (image), on a lar...

Ocampo, Isidoro. EN LA NEVERA. Drypoint, 1929. Edition of 50, numbered 3/50 and signed in pencil. 9 1/2 x 6 3/4 inches. Printed on paper watermaked "F.J. Head & Co." In excellent con...

Chagall (after), Marc. MARC CHAGALL GRAND PALAIS (THE MAGICIAN OF PARIS). Sorlier 120. Poster, 1970. Lithographic reproduction by CHarles Sorlier after a ...