Maine

This colorful home-grown bouquet painting was done with quality oil paints and cold wax on stretched linen. The edges are a pale orange and it may be hung without a frame. :: Pain...

This is an upward view of a clump of birches. This is painted with quality oil paints on linen and may be hung without a frame. :: Painting :: Impressionist :: This piece comes with...

Out in the middle of the Maine woods is an old abandoned house sitting next to train tracks. I don't think a train comes through here anymore. :: Painting...

In late summer the coneflowers start to fade and the butterfly plants form milkweed-like seed pods. All of it producing a lot of seeds to propagate more plants for next year. This ...

Maine has some old and decrepit barns and sheds. I think they make great painting subjects. This is a dreary day in December with crows flying off in the background. This is paint...

This is a semi-abstract painting with layers and textures where the eye can travel and explore. This mystical woods scene is what emerged. This was done with quality oils and cold ...

These apple trees are stripped of their leaves and fruit. Their sucker branches reach high and the drops on the ground will be food for wild critters. This was done with quality oi...

A strong bunch of sunflowers make their last stand as the summer ends. This was done with quality oil paints and cold wax on linen and is ready to hang. I...

Silver Thread Falls is a small falls in the Delaware Water Gap. Raymondskill Falls is nearby and is more impressive but the height and vertical nat...

This garden had a variety of plants but no weeds. Really. This was done with quality oil paints and cold wax on linen. The edges are painted a dark color and it may be hung withou...

The Rachel Carson Reserve is a lovely tidal marsh area that is home to a variety of ocean life, birds and wildlife. The lazy river that runs through it ...

The old farmhouses may be abandoned and fall in or burn down but the dug wells out front usually remain. This old house was painted with quality oil paints and cold wax on stretched...

Three young girls wade in the chilly waters of Portland's East End Beach. This was done with quality oils on linen and is ready to hang. :: Painting :: Contemporary :: This piece co...

Even after the flowers are gone, poppy seed heads add so much interest to the garden. They're like salt shakers and seed so a new batch of poppies will gro...

abstract, colorful oil on canvas :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes ::...

abstract, colorful, semi-figurative painting -- oil with charcoal :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Re...

I painted HURRICANE during one of our crazy nor'easters. Painted in oil on a birch plank. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticit...

Colors and gestural brushwork define a reclining nude woman and a beast-like figure behind her. :: Painting :: Modern :: This piece comes with an official certificate of authenticity...

Colors and gestural paintwork define a reclining nude woman, her hand on her side, looking away at a rectangular shape of fields or darkness. Intentionally enigmatic. :: Painting :...

This piece started out as a drawing on the ipad. It is printed on aluminum in very high resolution. I consider it to be an artist's proof (A/P) The first of a very limited edition. I...

Mesmerized hungry dog fantasizing about bacon. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Ye...

This work was created digitally and printed as an artist's proof on aluminum in a unique process where the ink- or dye- is infused into the metal substrate. :: Digital :: Abstract ::...

Coming Home is a view along the Marginal Way in Ogunquit, Maine.As I climbed up the rocks, I was struck by the simplicity of these homes at this angle.Whi...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

A Drawing :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Location: ...

A deeply felt painting :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signat...

Once I was going to work in Portland, Maine and came upon a fire scene. A little later I did this pastel. :: Drawing :: Contemporary :: This piece comes with an official certificate ...

My realization that the memories of complexity and details of hiking Bauneg Beg Mountain have kept me grounded, and healed me, and helped to shape who I am. :: Painting :: Abstract ...

This painting/drawing has touch of real 24 carat gold. It was inspired by a trip to Italy (As is much of my stuff -Thanks Mr Del Monte!) :: Mixed Media :: Contemporary :: This piece ...

Autumn is my personal response and memory and of red leaves in Kyoto, amid my journey through llife without a map. :: Painting :: Abstract :: This piece comes with an official certif...

As a former Catholic I cannot get the imagery of the faith out of my head or thoughts. The cross is a logo, a symbol for a brand and it haunts. This painting is just the most recent....

A woman sits for now, but looks away, ready to leave. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to H...

I had a hard time titling this because it just came from nowhere (the best place). Today I remembered a wonderful little film that I saw about Rousseau called "Always on Sunday". It was made by Ken...

Sleeping Woman with a creamy yellow background and light :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready t...

This painting is done with oil and graphite on a 1.5" thick sturdy stretched canvas- signed and dated on the back. :: Painting :: Contemporary :: This piece comes with an official ce...

This is a PASTEL painting on heavy cotton rag paper. :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

Down to the Sea is an image I created after a stay last Fall at Haystack School of Crafts. Situated along the coast of Maine, Deer Isle has beautiful views. From numerous drawings...

I spent a quiet afternoon in late April sitting along the Marginal way in Ogunquit drawing this scene.I was struck by the simplicity of the composition in...

This is from my visionary series. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Y...

My favoite year! 1968... I was in Viet Nam hearing the news about assassinations and French street riots. The more the merrier! We need that energy now! :: Painting :: Contemporary :...

It's difficult to describe the genesis of this painting. It appeared over several night and I'm grateful. :: Painting :: Contemporary :: This piece comes with an official certificate...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

"Sunset In the Cove" depicts the fleet of fishing boats at the end of an August Day, when the primary tones are golds. :: Painting :: Impressionist :: This piece comes with an offici...

After visiting Wilhelm Reich's laboratory in Rangeley, Maine I was inspired by his ideas- and his freedom to think his own thoughts. What an original! Of course he died in a prison cell...

This is a work of design and imagination. A vividly colored abstract with a "landscape" feel. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity...

This is a triptych. 3 different oil paintings side by side. I often paint several canvases at once and it seems to lead me to a narrative. :: Painting :: Contemporary :: This piece ...

There is a certain dynamic in every landscape. It's a matter of taking things away to reveal the energy beneath. I tried to do that here. :: Painting :: Contemporary :: This piece co...

This painting incorporates 24 carat gold leaf foil. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang...

The rectangular top with a gadrooned edge tilting above a tapering gadrooned stem with a foliate baluster base‚ on a concave-sided triangular plinth ending in paw feet. Most likely c...

Each table features a dramatic freeform top of banded onyx, displaying swirling hues of amber, honey, rust, and cream. Natural concentric rings, crystalline inclusions, and rugged ed...

fan 19 48.0 x 35.0 x 3.0, 17.0 lbs Wood Founder's stamp Artist's Commentary: "Wood wall sculpture. 48 inches wide. I work with wood like a painter works with oils and a sculptor with stone. From a distance, lines, shapes, contours and shadows are easily seen but when you move from side to side, the change in perspective alters the image like the features of a face when it turns. If a light source moves, shadows in the piece move with it like the sun moving across a landscape. As you approach the piece, shallow contours appear like swells on a lake and intricate patterns emerge. You can't help but touch the smooth flowing surface to feel the highly finished solid wood. The furniture grade modified tung oil allows that. It also makes my art easy to clean if necessary. The lines and shapes in my art are the natural colors of solid wood joined along curves. No inlays, veneers, dyes or stains are used." About the Artist: Marc Lamm is a self-taught wood-artist who has been art since 1973. In 1996, he began developing techniques which he uses in his art. In 2011, he began making wood-wall-sculptures and has pieces in Mayo...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...