Maine

Barnet, Will. YOUNG COUPLE. Szoke 146, Cole 141. Etching in colors, 1971. Edition of 225. Titled, Numbered 122/225 and signed in pencil. 17 1/4 x 15 1/2 i...

This exquisite cocktail ring showcases a captivating array of 100% natural sapphires set in lustrous 18 karat yellow gold. The gemstones present a mesmerizing palette of hues—from de...

Sloan, John (American, 1871-1951). FRANKIE AND JOHNNIE. or HIM Morse 236. Etching, 1928. Edition of 100 (but only 50 were printed, by Platt). Dated and Titled in the plate, and Signed in pencil by Sloan and inscribed "100 Proofs," and also signed by Peter Platt. With tack holes and deckled edges. 5 x 8 inches, 126 x 203 mm. (plate), 8 1/2 x 12 1/4 inches (sheet). In excellent condition. From Morse: " A small chorus singing 'Frankie and Johnnie' crowds the tiny stage of the Provincetown Players Theater in MacDougal Street. An episode from E. E. Cummings' intelligent and entertaining production, HIM." (Sloan writing in 1945). "HIM" is about as thrilling an evening's entertainment as I have ever experienced. I liked it thoroughly -- I do not claim to understand it -- I do not believe that a work of art can be, nor need be understood, even by the maker. It seemed to me to be a glimpse inside the cranium of an artist-poet." (Sloan in a letter to James Light, the director of the play) Though Morse says the stars were Hemsley Williams and Goldye Steiner, it was actually Hemliey Winfield (1907 - 1934), the founder of the New Negro Art Theater Dance Group. This company was very successful and highly regarded. It appeared in the Metropolitan Opera's premier of Louis Gruenberg's setting of Eugene O'Neill's "The Emperor...

Oil on canvas board, signed lower left and inscribed on the reverse, as well as on the frame. This is most likely the original frame for this work made by the artist. Born in Philadelphia, Antonio P. Martino was the son of italian...

Born in Paris, France in 1873, artist Auguste Grass-Mick apprenticed under lithography engraver Auguste Lemoine, the Dangler brothers and painter Georges Lavergne. A patron of Paris's cabarets, Le Chat...

A drawing inspired by the thought of reunion :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: ...

Phelan, Ellen. UNTITLED. Aquatint, c. 1994. Edition of 75, from the Portfolio "Six Couples - Twelve Prints" published by Parasol Press, Portland, Oregon, 1996. Numbered 27/75, and s...

The rectangular mirror plate surmounted by carved scrolling foliate and urn cresting, the lower rail with leaf-carved lion's paws.

A rare and beautifully preserved example of Gastón Rinaldi’s iconic “Saturno” sofa, designed in 1958 for RIMA, this example was produced in 1970. Upholstered in its original charcoa...

Harvey Probber style elegant coffee table with surfboard top of Terrazzo marble divided by a center panel of black walnut. The table measures: 15" H, 66" W and 20" D. In excellent co...

This drawing/ wash painting is rendered in walnut ink on smooth bristol plate :: Painting :: Contemporary :: This piece comes with an official certificat...

Born in Groton, Massachusetts in 1862, impressionist painter Edmund Charles Tarbell studied with George H. Bartlett at the Massachusetts Normal Art School, under Otto Grundmann at the School of the Museum of Fine Arts in Boston and in 1883, entered the Académie Julian to study under Gustave Boulanger and Jules Joseph Lefebvre. In 1884, his education included a Grand Tour to Italy and the following year to Belgium, Germany and Brittany. Tarbell returned to Boston in 1886 where he began his career as an illustrator, private art instructor and portrait painter. He was a member of the Ten American Painters and was a leading member of a group of painters which came to be known as the Boston School. In 1889 Tarbell assumed the position of his former mentor, Otto Grundmann, at the Museum School. His students included Bertha Coolidge, Margaret Fitzhugh Browne...

Charcoal and pastel on paper measuring 24.5" x 17.25" including frame. Signed lower right and with the stamp of the Leonetto Capiello, Paris workshop at the bottom left. Catulle-Me...

A studio crafted table created in the 1970s from an interesting and unique selection of cast iron gears, sprockets, and various splined drive shafts...

Ross, John T. UNTITLED (LIGHTHOUSE, HOUSES AND BOATS). Color woodcut, not dated. Inscribed "proof," lower left, and signed lower right, in pencil. 9 x 14 7/8 inches (image), on a lar...

Crossley, Greg (Canadian/American, born1952). BEACH UMBRELLA, PANAREA. Colored pencils on black paper, 2009. Signed and dated in pencil. 6 3/8 x4 1/2 in...

Freeman, Don (American, 1908-1978). ASTOR LOBBY,SHOWTIME. McCulloch 34. Lithograph, 1932. Edition of 30 or fewer. Signed in pencil lower right. 8 7/8 x 11 1/8, 225 x 283 mm.(image), ...

Meryon, Charles. LE STRYGE. D.23, S.27. Etching, 1853. 6 3/4 x 5 1/4 inches; 171 x 130 mm., with wide margins. Schneiderman's Seventh, Delteil's Sixth state (of 10), or possibly an i...

Mora, F. Luis (Amwericn, born Uruguay, 1874-1940). UNTITLED (SCHOOLGIRLS). Drawing, pencil on paper. Not dated, but circa 1890-1910. Signed in pencil. 5 x 4 7/8 inches. Framed to 10 ...

Barnet, Will. THE BASSINETTE. Cole 61, Szoke 62. Etching, 1939. Edition of 30, printed by the artist on Rives paper. Titled "The Bassinet" (sic), and signed in pencil. Margins of 1 1...

Frasconi, Antonio. SIX SOUTH AMERICAN FOLK RHYMES ABOUT LOVE. South Norwalk, CT., 1964. Edition of 2000, of which this is one of 100 numbered and with a signed woodcut frontispiece. ...

Saunier, Hector (French, born Argentina, 1936-) . KITES. Aquatint and engraving in colors, 1974. Edition of 50. Titled, numberd, dated, and signed in pencil. 17 1/8 x 16 7/8 inches (...

Bresslern-Roth, Norbertine (Austrian, 1891-1978). LEOPARDENJAGD (LEOPARD HUNT). Linoleum cut in colors, 1927. Signed, titled and inscribed "Handdruck" (ha...

Marsh, Reginald. HUBER'S MUSEUM. S.14. Lithograph, 1928. Edition of 36 impressions, according to Sasowsky, but inscribed "35 proofs, and signed in pencil. 8 3/4 x 13 1/2 inches, 222 ...

Watercolor on paper, signed. Lower left and on reverse. Provenance: Sothebys London 1989 Measures 11.5" x 13.75" painting and 17.5" x 20.25" including the frame. Elisée Maclet...

Gorsline, Douglas (American, 1913-1985). IRT INTERLUDE. Engraving, 1940. 7 7/8 x 5 1/8 inches (plate), 9 1/2 x 8 5/8 inches (sheet). Signed, titled and dated in pencil. Edition size ...

Of sarcophagus form with geometric brass stringing throughout, with embossed gilt-brass ring handles to the sides, the interior fitted with twin lidded lead-lined caddies separated by a glass mixing bowl, raised on brass paw feet. With a secret drawer.

Henry Rox (1899–1967) Tommy Apple (Frontispiece) From: Tommy Apple and His Adventures in Banana-Land by James Laver Jonathan Cape, London, 1935 Vintage silver gelatin print 6 x 5 inc...

Schanker, Louis (American 1903-1981). GIRL WITH LUTE. Johnson 18. Linocut in colors, 1938. Edition of 10. Titled, numbered 6/10 and signed in pencil. 5 1/2 x...

Roth, Ernest (American, 1879-1964). THE WOODEN BRIDGE,VENICE. Etching, 1906. Signed and dated in pencil 7 x 8 3/8 inches (plate), 9 x 10 3/4 inches (sheet). In excellent condition.

Howarth, Albany. VALLEY OF THE TIBER. Etching, not dated. Edition size not known. Signed in pencil lower right. 13 3/4 x 10 1/2 inches (plate), 19 5/8 x 14 3/4 inches (sheet). In ex...

Dine, Jim. SELF-PORTRAIT IN A FLAT CAP (WINTER). Krens and Castleman, 181. Etching, 1974. First State, published by Petersburgh Press. The Bon A Tirer proof b...

Drawing, Ink and colored pencil or Watercolor and color pencil, 2013-2020. 6 x 7 5/8 or 7 5/8 x 6 inches. Signed and inscribed, verso. One of a series of untitled drawings on various...

Absolutely gorgeous Colombian emerald Sapphire diamond dangle drop earrings a combination of light vibrant green natural Colombian emeralds ...

Hirsch, Joseph. MOTO. Cole 20. Lithograph, 1950. 18 1/2 x 16 1/4 inches; 470 x 413 mm. Edition of 75, signed in pencil. Printed on Arches paper by Gaston Dorfinant, Paris. A fine imp...

Oil on panel, signed lower left. New England artist Grant Hacking was born and raised in South Africa and resided there until the age of twenty-five so he still experiences great ...

Reed, Doel (American, 1894-1985) WEDDING PREPARATIONS.. Etching and Aquatint, 1973. Signed in pencil, lower right, and numbered 26/30. 12 x 17 1/2 inches (plate), 15 x 22 1/4 inches ...

Some people move in search of work or economic opportunity, to join family, or to study. Others move to escape conflict, persecution or large-scale human rights violations. Still oth...

Neoclassical capriccio view of majestic Roman ruins with small figures engaged in daily activities in the background. Pencil, ink and wash on paper. Set in a Louis XVI style giltwood...

Bishop, Isabel (American 1902-1988). STUDY FOR "IN FRONT OF THE 42D STREET LIBRARY." Drawing, pencil on paper, circa 1927. Initialed in pencil, lower right. 3 1/2 x 3 1/4 inches (ima...

Shimmering Natural 1.34 carats natural medium Lilac sapphire, VS clarity, 18K Yellow gold head & white gold shank / Diamond accent approx. 0.16ct G-VS. This gorgeous engagement ...

Marsh, Reginald. OPERA BOX. EnGraving, 1936 (Sasowsky 162). 6 7/8" x 4 15/16." Signed in pencil. First state proof, before added shading and modeling (Sas...

Barnet, Will. AT THE SEASHORE. Szoke 69, Cole 68, Johnson 54. Woodcut printed in black, brown and white, 1939. There was no edition, only a few proofs printed by the artist on Japane...

Francis, Sam. SELF-PORTRAIT. Lembark 52. Etching, 1982. Edition of 20, signed and numbered "1/20" in pencil. Printed on Fabriano Tiepolo paper, and published by 3EP, Ltd., Palo Alto,...

Classic Paul Frankl cork coffee table in original color with the rosewood stained maple frame and two cork laminated tops on a Greek key designed base for Johnson Furniture of Grand ...

A moment of complete rest. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: No :: :...

Whitehead, Buell (American, 1919-1993) DEATH VALLEY SUNSET. Lithograph in colors, 1946. Edition size not known. Signed and dated in pencil, lower right. I...

Aponovich, James. STILL LIFE WITH LEEKS. Lithograph, not dated. Edition of 100, numbered 41/100, titled, and signed in pencil. 18 x 24 inches, plus margins. Margins appear somewhat t...

Muench, John (American, 1914-1993). COUPLE BY THE SEA. Color Lithograph, 1967. An Artist's Proof aside from an edition of unknown size, but likely about 20. Signed in pencil and annotated "Artist's Proof." 16 1/2 x 22 3/8 inches. with labels showing exhibition at the "Graphic Arts Annual Show," and the "Priscilla Hartly Gallery...

This custom-designed jewelry box is handcrafted from premium solid bird’s-eye maple, prized for its distinctive shimmering grain and natural elegance. Designed for both beauty and fu...

Gorsline, Douglas (American, 1913-1985). ON LEAVE. Engraving, 1944. 10 7/8 x 8 1/8 inches (plate), 12 1/2 x 10 inches (sheet). Signed, titled and dated in pencil. Edition size not k...

Autumn is my personal response and memory and of red leaves in Kyoto, amid my journey through llife without a map. :: Painting :: Abstract :: This piece comes with an official certif...

The original shaped rectangular mirror plate within a scrolled and mirrored surround carved with foliage surmounted with a mirrored and foliate double crest. From the Southwest of F...

Blackburn, Morris Atkinson (American 1902-1979). RADAR AND EXHAUST. Etching and aquatint, c. 1958. Edition size not known. "Signed Morris Blackburn per ETB," thus likely an estate s...

Kallem, Henry. PORCH - MONHEGAN. Ink on paper, not dated. Signed in ink within the matrix, lower right. 16 x 20 inches, the full sheet. In excellent condition.

Hirsch, Joseph. UNTITLED (WOMAN WITH HANDS ACROSS BREASTS). Lithograph in two colors, not dated, but between 1970/80. Not in Cole. Edition of 100. Signed and numbered 85/100 in penci...

"Sunset In the Cove" depicts the fleet of fishing boats at the end of an August Day, when the primary tones are golds. :: Painting :: Impressionist :: This piece comes with an offici...

The old farmhouses may be abandoned and fall in or burn down but the dug wells out front usually remain. This old house was painted with quality oil paints and cold wax on stretched...

Born in Riga, Latvia in 1900, Impressionist painter Martins Krumins was influenced by Russian emigre painter Sergei Vinogradovs and studied in his studio from 1929-1935. In 1935, Krumins enrolled in the Latvian Academy of Art under the tutelage of Vilhelms Purvitis...

Schanker, Louis. CIRCLE IMAGE NO. 25. Relief Print in color, 1954-1955. Edition of 210 published by IGAS. Signed and numbered 17/200 (the edition included 10 artist's proofs). 14 x 1...