Malmo

A pair of older dangles from 1920s -1930s in solid 18K Yellow Gold with freely suspended hand - made Eternity Knots dangles. Hooks hallmarked 18K / all...

A beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Excellent condition. Incised signa...

A beautiful 'Swedish Modern' stoneware vase with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg in Sweden, 1930s. Excellent condition. Impressed 'Gustavsberg / KÅGE / HANDDR...

Armchair in Teak and Leather by Kai Lyngfeldt Larsen, 1957 Additional Information: Material: Teak and leather Style: Mid century, Scandi...

A beautiful small stoneware art deco bowl with crackle glaze. Foot and mouth detailed in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 193...

A stunning Art Deco jar and cover with amazing hand-painted gold details and decor of orchids and other flowers. Made by Rosenthal, Germany in 1930s. Stamped with makers mark. Exc...

Rare foldable stool model PK-91 designed by Poul Kjærholm. Produced by E. Kold Christensen in Denmark.

A stoneware art deco vase with beautiful brown glaze. Foot and mouth detailed in gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Great condition....

Beautiful antique Halo Ring hand-made in Europe ca. late XIX - early XX cent. Not hallmarked. The crown of two tiers is composite / with clusters in Silver on a solid 14K Yellow Gol...

A beautiful eggshaped stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1969. Eggcellent condition....

A pair of antique earrings with hollow round bodies in solid 14K Yellow Gold decorated with half - Pearls and rose- cut Diamonds. This pair dates from Europe, made in the early 1900...

Ceiling Lamp in Brass and Amber Glass by Hans-Agne Jakobsson, 1950's Additional Information: Material: Brass and amber glass Style: Mid century, Scandinavian Rare ceiling lamp model...

Dated: 19 Januari 1976. (19.1.76) Artwork size: 48×36 cm. Frame size: 65×52 cm. Frame in white gold. Free shipment worldwide. Signed,titled and dated. Acquired directly from the ar...

Pair of Swedish Grace bronze candlesticks with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Great condition, with only some light scratches. Stamped 'BRONS' ...

Old 18th - 19th cent. sparkling beauty with dome of the crown in Silver on 18K Yellow Gold holding 19 rose cut Diamonds. Largest stone in the center is Ø 4.5mm / 0. 4ct , 18 around i...

Antique French Pendant / Locket in solid 18K White Gold inlaid with a hand-carved cameo of Maenad carved on banded Red Onyx with great accuracy and precision. The color of the stone is dark Red with upper layers of creamy beige color. Made in France ca 1920s - 1930s. Hallmarked with French 18K Gold standard hallmark/head of an Eagle. Measures 52 mm x 32mm x 17 mm deep. Weight: 18.2 grams Fine used condition. Very minor dents on the back side. Secure/tight hinges and closure that close with a click.. A small ring attached to the bail is an adapter that can be used to hang this locket on the wall. Note: You buy just one pendant without a chain. The second pendant of Sapho on the last image will not be included. In Greek mythology, Maenads (/ˈmiːnædz/; Ancient Greek: μαινάδες [maiˈnades]) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name translates as "raving ones". Maenads were known as Bassarids, Bacchae /ˈbækiː/, or Bacchantes /ˈbækənts, bəˈkænts, -ˈkɑːnts/ in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin...

Rare pair of easy chairs model 5313 designed by Kaare Klint. Produced by cabinetmaker Rud Rasmussen in Denmark.

A beautiful stoneware vase with amazing glaze. Made by Marianne Westman for Rorstrand, Sweden, 1960s. Excellent condition. Incised signature "MW" and "R" för Rörstrand. Marianne W...

Early 20th century Necklace / Pendant featuring a beautiful set of 11 natural old diamond cut Diamonds set in 18K Yellow Gold and Platinum. The main part /pendant is composed of 4 mo...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A beautiful art deco bronze vase with amazing patina. Made by Bowi brons in Sweden, 1930s. Great condition, with some light scratches. Stamped 'BRONS' and 'BOWI'.

A pair of fine openwork flower halo studs in solid 18K Yellow and White Gold. European, made ca. 1960s -1970s. Two bezel set oval cut natural rosy Red Rubies 4 x 3 mm / ca. 03 ct e...

Pair of Swedish Grace bronze candlesticks with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Good condition, some wear to the patination and some light scratc...

A pair of easy chairs and stool model EJ-100 designed by Hans Wegner. Produced by Erik Jørgensen in Denmark. Dimensions chair (W x D x H): 100 x 95 x 90 cm, SH: 35 cm. Dimensions s...

Nordic Alliance Wedding Ring in solid 18K Gold with lane in White Gold or Platinum for 9 pave set diamond cut Diamonds Ø 1.8 mm / ca 0.025ct. each. Color ca. F,G / VS . All stones ha...

Beautiful stoneware vase made by master ceramists Erich and Ingrid Triller. This piece was created at their workshop in Tobo, Sweden, 1950s. Excellent condition. Signed on the base with their customary "Triller Tobo" signature. The ceramists Erich and Ingrid Triller were educated in Germany 1929-32, married in 1934 and moved to Sweden the same year. Together they ran the Tobo stoneware...

Artwork size: 97 x 81 cm. Frame size: 105 × 89 cm. Signed, titled and dated on the verso. Free shipment worldwide. Acquired directly from the artist. Frame in wood white gold. “Wi...

Rare table lamp by unknown designer. Produced by AB Stilarmatur in Sweden. Please note: This table lamp will be sold without any lamp shade.

Set of 3 beautiful 'Våga' vases. Stoneware with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. 'Swedish Modern'. Excellent condition. Stamped 'Gusta...

A rare and beautiful stoneware vase with amazing blue glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Good condition. Factory second due to a glaze flaw on the rim, f...

Set of 14 Dining Chairs in Rosewood and Reupholstered in Gabriel Savak Plain by Poul Hundevad, 1960's Additional Information: Material: Rosewood and reupholstered in Gabriel Savak p...

A beautiful 'Swedish Modern' stoneware footed bowl with green glaze. Made by Wilhelm Kåge at Gustavsberg in Sweden, 1930s. Good condition. Factory second due to it being slightly a...

A beautiful stoneware vase with handle and amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Good condition. Marked as factory second due to it being slightly...

Rare pair of table lamps designed by Boris Lacroix. Produced by Disderot in France.

Rare Ceiling Lamp in Brass and White Opaline Glass, 1950's Additional Information: Material: Brass and white opaline glass Style: Mid century, Scandinavian Probably produced in Swed...

Fine 23K and Platinum Antique Wedding Diamond Ring handmade in Sweden in 1933. Larger Old European diamond cut Diamond Ø 5 mm / ca. 0.56 ct. + 2 minors Ø 2 mm / 0.04 ct. each of the...

Rare sofa model DS-61. Produced by De Sede in Switzerland.

A beautiful stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Great condition. Incised with signature 'G.N.' and makers mark, Rörstrands th...

Beautiful vase made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Celadon glazed stoneware. Excellent condition. Impressed 'Gustavsberg / CELADON / KÅGE / HANDDREJAD...

Antique Ring decorated with 24 old diamond cut Diamonds. Not hallmarked, metal tested solid 18K Gold. Hand - engraved decor on the shoulders, part of the band is planished /hammered ...

A set of four stoneware vases with amazing 'leopard' glaze. Made by Yngve Blixt, in his studio in Höganäs, Sweden, 1974-1975. Excellent condition. Incised Yngve Blixt, Höganäs. Yn...

Beautiful vase made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Carrara glazed stoneware. Excellent condition. Stamped 'Gustavsberg / CARRARA / 1132'. Wilhelm K...

A beautiful stoneware art deco / Swedish grace vase with amazing glaze. Designed by Gunnar Nylund for Rörstrand, Sweden, 1930s. Great condition. I...

A beautiful stoneware vase with amazing glaze. Made by Stig Lindberg in Gustavsberg Studio, Sweden. 1950s. Excellent condition. Impressed "Stig L.", "Drejargods" and Gustavsberg s...

Pair of Height Adjustable Floor Lamps in Brass and Original Lamp Shade by Josef Frank, 1950's Additional Information: Material: Brass and original lamp shade Style: Mid century, Sca...

A beautiful and rare stoneware bowl with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Excellent condition. Incised signature 'G.N.' and makers mark 'R' ...

Easy Chair and Stool in Rosewood with Brown Leather by Illum Wikkelsø, 1960's Additional Information: Material: Rosewood and original brown leather Style: Mid century, Scandinavian ...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

2-seat sofa model Ilona designed by Arne Norell. Produced by Arne Norell AB in Aneby, Sweden.  

Bohemian ca. early 20th century Austrian /or Czech Bohemian Garnet Necklace. No hallmarks. Metal parts made of gilded Silver. All blood Red Bohemian Garnets are rose cut, both beze...

A beautiful stoneware bowl with amazing glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1975. Great condition. Incised signature 'Fribe...

Set of 8 Dining Chairs in Rosewood and Original Green Leather by Niels O. Møller, 1970's Additional Information: Material: Rosewood and original green leather Style: Mid century, Sc...

A pair of beautiful stoneware vases with amazing glaze. Designed in 1942 by Gunnar Nylund for Rorstrand, Sweden. Great condition. Incised signature "G.N." and makers mark, Rörstran...

Very rare armchair designed by Frits Henningsen. Produced by cabinetmaker Frits Henningsen in Denmark.

Big Ceiling Lamp in Brass and Original Clear Glass by Hans-Agne Jakobsson, 1950's Additional Information: Material: Brass and original clear glass Style: Mid century, Scandinavian R...

Rare dining table or desk model AT-318 designed by Hans Wegner. Produced by Andreas Tuck in Denmark.

A beautiful stoneware art deco bowl with crackle glaze. Foot and mouth detailed in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. G...

Dangle Earrings in solid 18K Yellow Gold, made in Sweden in ca. 1930s -1950s. Hallmarked 18K and maker's. No date combination. Each measures 44 mm long from the top of the wire to t...

Rare set of 6 dining chairs model 78 designed by Niels O. Møller. Produced by J.L Møllers Møbelfabrik in Denmark.

Side Table / Fruit Bowl in Rosewood and Steel by Kristian Solmer Vedel, 1963 Additional Information: Material: Rosewood, steel Style: Mid century, Scandinavian Produced by Søren Wil...