Malmo

Rare sofa designed by Rolf Rastad & Adolf Relling. Produced by Arnestad Bruk in Norway.

Unique stoneware vase with amazing relief decor and glaze. Made by Carl-Harry Stålhane at Rörstrand Ateljé, Sweden, 1960s. Great condition. Signed 'CHS', 'ATELJÉ' and makers mark '...

A beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Excellent condition. Incised signatur...

A beautiful stoneware vase with amazing glaze. Made by Marianne Westman for Rorstrand, Sweden, 1960s. Great condition. Incised signatu...

A beautiful stoneware vase with amazing glaze. Made by Marianne Westman for Rorstrand, Sweden, 1960s. Great condition. Incised signature "MW" and "R" för Rörstrand. Marianne Westm...

A beautiful and unique stoneware vase with amazing glaze. Made by Rolf Palm, in the artist's studio, Mölle, Sweden, 1974. Great condition. Incised ’Palm / Mölle / G4’. Rolf Palm (...

Table Lamp in Brass by Hans-Agne Jakobsson, 1950’s Additional Information: Material: Brass Style: Mid century, Scandinavia Very rare table lamp model B-99 Produced by Hans-Agne Jako...

Publisher GKM. Unframed. Edition of 150 ex. Signed and numbered. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à ...

A large and beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1971. Great condition. Slig...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 102×77 cm. Frame size: 117 × 93 x 5 cm. Acquired directly from the artist. Free shipment w...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual level...

Three stunning 'Surrea' stoneware bowls with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Excellent condition. Stamped 'Gustavsberg'. This is a ...

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-1941. Excellent condition. Stamped 'Rörstrand / ...

Rare floor candlestick model Ofir Octav designed by Anders Pehrson. Produced by Ateljé Lyktan in Åhus, Sweden.

Publisher GKM. Unframed. Edition of 150 ex. Signed, dated and numbered. Free shipment worldwide. Vladimir Velickovic was born in 1935 in Belgrade. He graduated from the Faculty of A...

A beautiful faience vase with amazing decor. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1966. Excellent condition. Signed with the Gustavsberg studio hand. Stig Lindb...

A beautiful stoneware miniature vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Excellent condition. Incise...

Ceramic Vase, 1960's Additional Information: Style: Mid century, Scandinavian Dimensions (W x D x H): 15.5 x 15.5 x 18 cm Condition: Good vintage condition, with small signs of usage

A beautiful and unique stoneware vase with amazing glaze. Made by Rolf Palm, in the artist's studio, Mölle, Sweden, 1985. Great condition. Incised ’Palm / Mölle / H5’. Rolf Palm (...

Set of 3 beautiful 'Grafika' vases by Ingrid Atterberg at Upsala-Ekeby, Sweden, 1950s. Excellent condition. Impressed 'EKEBY' and 'Abg' (for Atterberg). Measurements Height / diam...

Rare easy chair model Löven designed by Arne Norell. Produced by Arne Norell AB in Aneby, Sweden.

Floor Lamp in Brass and Double Glass Shades by Bo Notini, 1940’s Additional Information: Material: Brass, double glass shades Style: Mid century, Scandinavian Very rare floor lamp m...

Rare seating group consisting of 2 easy chairs with stools and coffee table model Falcon designed by Sigurd Resell. Produced by Vatne Møbler in Norway. Dimensions table (W x D x H):...

Publisher GKM. Edition of 40 ex. Unframed. Carborundum engraving. Moulin de Larroque handmade paper. Free shipment worldwide. “With just a few strokes of his brush he conjures up an...

Edition of 200 ex. Free shipment worldwide. Acquired directly from the artist. Recycled plastic. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealism ...

Water pitcher designed by Gunnar Ander. Produced by Ystad Metall in Sweden.

A beautiful and unique stoneware vase with amazing glaze. Made by Stig Lindberg in Gustavsberg Studio, Sweden. 1960s. Excellent condition. Incised "Stig L" and Gustavsberg studio ha...

Stunning 'Surrea' stoneware vase and bowl with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Excellent condition. Stamped 'Gustavsberg / SURREA'. ...

Set or 2 beautiful stoneware vases with amazing glaze. Designed by Carl-Harry Stålhane at Rörstrand, Sweden, 1950s. Excellent condition. Signed 'CHS' and makers mark 'R'. Carl-Harr...

Rare sculpture ‘Sektorn Mekanik’ designed by Bertil Herlow Svensson. Produced by Bertil Herlow Svensson in Sweden. Edition of 50 pcs.

Rare armchair model 57 designed by Niels Otto Møller. Produced by J.L Møllers Møbelfabrik in Denmark.

Very rare armchair designed by Frits Henningsen. Produced by cabinetmaker Frits Henningsen in Denmark.

Rare and large desk / dining table designed by Karl-Erik Ekselius. Produced by JOC in Vetlanda, Sweden.

A beautiful lidded stoneware bowl. Made by Birger Åström (1931-2020) in his studio in Örnsköldsvik, Sweden, 1960s. Excellent condition. Signed 'BÅM'. T...

A beautiful faience bowl with amazing geometric pattern. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Good condition (there is a small mark in the glaze shown in ...

Rare and Early Coffee Table in Teak and Brass by Johannes Andersen, 1950's Additional Information: Material: Teak and brass Style: Mid century, Scandinavia Produced by CFC Silkeborg...

Serving Tray in Teak by Jens Quistgaard, 1950's Additional Information: Material: Teak Style: Scandinavian, Mid century Produced by Dansk in Denmark Dimensions: (W x D x H): 68 x 32...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 103 × 94 cm. Frame size: 119 × 109 x 5 cm. Acquired directly from the artist. Free shipme...

Imprint-ink on paper. Unique artwork. Artwork size: 120 x 80 cm. Frame size: 140,5 x 98,5 cm. Free shipment worldwide. Acquired directly from the artist. Framed with a silver frame ...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Rare set of 6 armchairs model FD 209 / Diplomat chairs designed by Finn Juhl. Produced by Cado in Denmark.

Rare armchair model JH-501 / The Chair designed by Hans Wegner. Produced by Johannes Hansen in Denmark.

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Excellent condition. Impressed 'Rörstrand / ...

A beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Great condition. Incised signature "F...

Publisher GKM. Unframed. Edition: 250 ex Paper: 300gr. Goya. Signed, dated and numbered. Corneille, one of the founders of the COBRA group, has passed away. He died in Paris on Sund...

Set of 2 beautiful vases made by Vicke Lindstrand at Upsala-Ekeby, Sweden, 1944. Great condition. One of the masters of Scandinavian Art Deco and Mid-Century design in the 1930s, ...

A set of 2 beautiful Art Deco stoneware vases with amazing glaze. Made by Rörstrand in Sweden, 1930s. Great condition. Stamped 'Rörstrand'.

Large and Beautiful Urn made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1930s. Argenta glazed stoneware. Excellent condition. Impressed 'Gustavsberg' and "HANDDREJAD". Wilhel...

Very rare table lamp designed by Poul Dinesen. Produced by Poul Dinesen in Denmark.

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

Large wall lamps by unknown designer. Produced by ASEA in Sweden.

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 104 × 63 cm. Frame size: 119 × 78 x 5 cm. Acquired directly from the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

Signed and numbered by the artist. Unframed. Edition: 225 ex. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day, b...

Very rare chest of drawers / bureau model 91 designed by Ejvind A. Johansson. Produced by Gern Møbelfabrik in Denmark.

Please note that the paper object on the print can be of different shapes. Box size 38x30cm. Limited edition of 200 ex. Unwrapping Yrjö Edelmann is a tribute to the artist who amaz...

A beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Good condition. Incised signature "F...

Rare and early floor lamp “Maija the bee” / Maija Mehiläinen designed by Ilmari Tapiovaara. Produced by Hienoteräs in Finland.

Coffee Table in Elm and Original Glass Top by Greta Magnusson Grossman, 1930's Additional Information: Material: Elm and original glass top Style: Mid century, Scandinavian Produced...

Rare and Large Carpet by Laila Karttunen, 1930's Additional Information: Style: Art Deco, Scandinavian Produced in Finland Dimensions (W x D): 400 x 230 cm Condition: Good vintage c...

A beautiful stoneware vase with amazing glaze. Made by Marianne Westman for Rorstrand, Sweden, 1960s. Great condition. Incised signatu...