Malmo

A beautiful stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1956. Great condition. Incised signa...

Elegant Royal Copenhagen crackle glazed vase with gilded banding on neck and base. Designed by THORKILD OLSEN (1890-1973) for ROYAL COPENHAGEN. Made in Denmark, 1955. Great conditio...

This mirror, designed by Kai Kristiansen and produced by Aksel Kjersgaard in Odder, Denmark, during the 1950s, is a beautiful example of Scandinavian modern design. The frame is craf...

A beautiful, fluted Art Deco / Swedish Grace bronze vase with amazing patina. In the form of a column. Made by SVM, Svenska Metallverken AB, Sweden, 1930s. Great original conditio...

A pair of beautiful Art Deco candlesticks with amazing glaze. Made by Harald Östergren for Upsala Ekeby in Sweden, 1930s. Great original condition - no chips, cracks or crazing. Mar...

These stoneware vases, model Surrea, were designed by Wilhelm Kåge and produced by Gustavsberg in Sweden, exemplifying the experimental and sculptural direction of Swedish studio cer...

Vintage Earrings with Bows and Amethyst Hearts in solid 18K Gold,likely Swedish from 1950s -1960s. Stoppers hallmarked 18K,no date marks. Natural Amethyst Hearts about 1 ch x 1 cm x ...

This rare side or tray table, of unknown design and produced in Sweden, exemplifies the refined material contrasts and functional elegance characteristic of Scandinavian mid-century ...

A beautiful earthenware vase. Made by Anna-Lisa Thomson for Upsala Ekeby in Sweden, 1940s. Great original condition. No chips, cracks or crazing. Anna-Lisa Thomson (1905–1952) was...

Sofa model Bastiano designed by Tobia Scarpa. Produced by Haimi in Finland.

A large and rare dish with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1930s. Great condition. Th...

A beautiful stoneware vase with amazing glaze. Made by Sylvia Leuchovius at Rörstrand Ateljé, Sweden, 1960s. Great original condition. No chips, cracks and crazing. Signed 'SL' and ...

A rare and beautiful fluted bronze vase with openwork insert and amazing patina. Cast by Otto Meyer Foundry. Sweden, 1920s. Great condition, only some light scratches. Stamped with...

This very rare ceiling lamp, designed by Mauri Almari and produced by Idman in Finland, is a refined example of mid-century Finnish lighting design characterized by material precisio...

Halo ring with Silver crown on 18K Rose Gold plain band with natural light Blue Sapphire accented with rose cut Diamonds. Made in Sweden band hallmarked 18K , maker's hallmarks. Dat...

A beautiful Art Deco earthenware bowl with amazing glaze. Made by Upsala Ekeby in Sweden, 1930s. Impressed with makers mark. Great condition - no chips, cracks or crazing. Upsala E...

A beautiful and unique stoneware vase with amazing glaze. Made by Rolf Palm, in the artist's studio, Mölle, Sweden, 1982. Great condition. Incised ’Palm / Mölle / H2’. Rolf Palm (...

A very rare and beautiful art deco lidded box. Glazed and hand painted with an amazing portrait of a woman with curly hair. Designed by Rudolf Knörlein for Friedrich Goldscheider, V...

A beautiful stoneware vase with amazing 'leopard' glaze. Made by Yngve Blixt, in his studio in Höganäs, Sweden, 1974. Excellent condition. Incised Yngve Blixt, Höganäs. Yngve Blix...

A beautiful Art Nouveau / Art Deco stoneware vase / pitcher in the shape of a pumpkin or a melon. Made by Louis Lourioux in Foecy, France, c. 1920s. Excellent original condition. No...

Easy Chairs in Oak with Original Fabric by Hans Wegner, 1950's Additional Information: Material: Oak and original fabric Style: Mid century, Scandinavian Easy chairs model GE-240 / ...

A beautiful Scandinavian Modern / Swedish Grace vase with amazing glaze. Made by Erik Mornils for Nittsjö, Sweden, 1930s. Excellent condition. No chips, cracks or crazing. Impressed...

Letter knife by unknown designer. Produced in Sweden.

A pair of candlesticks with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1930s. Good original cond...

Rare lidded box in solid brass. Designed and made by Walter Bosse in Vienna, Austria, 1950s. Great original condition, with amazing patina. Born in 1904 to academic painter parent...

A large and beautiful Art Deco / Swedish Grace earthenware vase, with off-white glaze. Made by Upsala Ekeby in Sweden, 1940s. Good original condition. No chips, cracks or crazing. ...

Beautiful vase with Cream / Off-white glaze. Made by Gertrud Lönegren at Rorstrand in Sweden between 1936-41. Great condition. Impressed 'Rörstrand', 'LÖNEGREN' and 'HANDDREJAD'. ...

Stunning and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Art Deco / Swedish Grace. Excellent condition. S...

Glass Vase by Vicke Lindstrand, 1960's Additional Information: Material: Glass Style: Mid century, Scandinavian Produced by Kosta in Sweden Signed LH 1827 Kosta Dimensions (W x D x ...

The ceiling lamp model 61-103, designed by Lisa Johansson-Pape and produced by Stockmann-Orno in Finland during the 1950s, is a rare and distinguished example of mid-century Scandina...

Sofa in Pine and Newly Reupholstered in White Bouclé Fabric by Carl Malmsten, 1936 Additional Information: Material: Pine and newly reupholstered in white Bouclé fabric Style: Mid c...

A rare and beautiful Art Deco / Swedish Grace bronze vase with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Good original condition, some light scratches and...

Diamond Flower Ring, Renaissance styled. Likely German, made ca. 1850s -1920s. The band is hallmarked /tested 18K Yellow Gold, top crown is made of Silver. The flower crown is Ø 1...

A stoneware art deco vase. Beautiful glaze with foot and mouth detailed in gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Great condition. Impre...

A pair of beautiful mid-century table lamps. Hand-made by Flygsfors Orrefors, Sweden, 1974-1979. Great original condition. Marked with stickers that read: 'Flygsfors' and 'Orrefors...

A beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Excellent condition. Incised signa...

A beautiful Art Deco earthenware vase with amazing glaze. Made by Nyman & Nyman in Höganäs, Sweden, 1930s. Great original condition. No chips, cr...

Two matching Spice Casters decorated with cast flowers and garlands ornaments in solid 830 grade Silver. Both hallmarked with maker's and Swedish customs marks ,imported in 1954 ( ...

A beautiful stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1960s. Great original condition. No chips, cracks or crazing. Incised with signature ...

A beautiful Art Deco / Swedish Grace stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1930s. Excellent original condition. No chips, cracks or cra...

The sofa model FD-161, designed by Arne Vodder and produced by France & Daverkosen in Denmark in the 1950s, exemplifies key elements of Scandinavian modern design through its use...

A beautiful stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1960s. Excellent original condition. No chips, cracks or crazing. Incised with signat...

Stunning and rare Art Deco / Swedish Grace stoneware bowl. Designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Great original condit...

A pair of creole-shaped dangles in 18K Yellow Gold with cast floral ornaments on both sides chained to screwed hangers. Rings look naturally voluminous being hollow inside. Both dang...

A beautiful spherical Art Deco / Swedish Grace stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1930s. Excellent original condition. No chips, cra...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Beautiful Triple Halo Ring hand-made in Europe ca. early XX cent. Not hallmarked. The crown is composite / with clusters in Platinum /or White God on solid 18K Yellow Gold band (tes...

Fine set of 12 fine tea/ coffee/ ice - cream spoons in solid Gilt 925 grade Silver decorated with translucent Guilloche Enamels. Hand - made at the workshop of C.G. Halberg in Stock...

A pair of fine sparky flowers in solid 18K Yellow Gold. Each earring Ø 8.5 mm x 6 mm deep. Each has 16 delicate petals around openwork clusters with claw set rose cut Diamonds. Each ...

Large and elegant stoneware table lamp with amazing dark brown haresfur glaze. The lamp was designed by Per Linnemann-Schmidt and manufactured circa 1950s-60s. Great original condit...

This rare pair of Kandidaten easy chairs, designed by Ib Kofod-Larsen and produced by OPE in Sweden during the 1950s, embodies the essential qualities of Scandinavian mid-century design—functionality, natural materials, and a refined, understated elegance. These chairs highlight Kofod-Larsen’s signature approach, where sculptural lines and comfort are brought together through expert craftsmanship. The teak wood frames are gracefully proportioned, featuring clean, angular silhouettes with soft, organic curves that lend the chairs both structure and lightness. The armrests are gently contoured, flowing seamlessly into the rest of the frame, while the slatted backrests not only enhance the visual openness but also provide ergonomic support. The teak has developed a rich patina over the decades, showcasing the natural grain and deepening the character of the wood. This warm surface tone contrasts subtly with the original wool upholstery. Upholstered in textured wool fabric in muted, earthy tones, the seat and back cushions complement the wood’s natural warmth while introducing a tactile softness. The original fabric remains intact, showing only minor signs of use, consistent with careful preservation. The cushions are well-formed, retaining their shape and comfort, offering an inviting place to sit without compromising the visual clarity of the design. The Kandidaten chairs...

Beautiful Antique Diamond Flower Ring, Renaissance styled. Likely German,composed ca. 1920s -1930s. Band is not hallmarked / tested 18K Wh...

Antique Empire styled Austrian Centerpiece in solid 813 grade Silver made in the former Austrian - Hungarian Empire in very early 1800s. Measures - about 19 cm high x 24 cm opening'...

A beautiful and unique hand thrown stoneware vase, with amazing glaze. Made by Toini Muona at Arabia, Finland, 1960s. Excellent condition. Incised signature "TM". Toini Muona (1904-1987) was one of the most respected art ceramists and trendsetters in Finnish ceramic art and art industry in the 1930s–1950s. Her artworks represent clean modern reduced forms and motives taken from finnish nature. Toini Muona studied sketch drawing at the Central School of Fine Arts from 1923 to 1926 and postgraduate ceramics from 1926 to 1923. In the meantime, she worked as a textile designer at Atelier Vigli from 1929 to 1931, then moved to the Arabian Art Department, where she worked until 1970. In the same year, he received the Finnish National Award for Industrial Arts. Toini Muona was a skilled wheel-thrower who, especially early in her career, created vases, jars, and objets d'art influenced by old Chinese ceramics. She is best known for her nature-inspired hay vases...

Four solid Gilt Silver Paste Knives with hand engraved floral decorations on the blades and cast acanthus leaves on the handles. Swedish hallmarks confirming solid Silver 830 - 925...

Lapponia Finland "Starfighter" bronze pendant designed by Bjorn Weckstrom, Stamped "Lapponia Finland", 1970's, mounted on a black acrylic plinth, pendant 5.4 x 2cm. x 1.5cm. deep., ...

Rare dining table designed by Elias Svedberg. Produced by Nordiska Kompaniet (NK) in Sweden.

Antique European table pheasant in solid 835 Silver dating to ca. 1930s -1940s . Realistically modeled in the form of a Pheasant hen with fine and sharp details reproducing realisti...

Very rare easy chair with stool model Måsen / Seagull designed by Gösta Berg. Produced by Fritz Hansen in Denmark. Dimensions easy chair (W x D x H): 94 x 100 x 88.5 cm, SH 39 cm. ...

A beautiful double walled stoneware vase with amazing glaze. Made by renowned Swedish ceramist Kaj Fogelberg in his studio in Skåne, Sweden, 1990s. Excellent condition. Signed 'Foge...