Manhattan - Centerpieces

A beautiful Postmodern Swedish art glass centerpiece bowl by artist and designer Ulrica Hydman-Vallien, circa 1990s, for Kosta Boda, Sweden. Centerpiece ...

Magnificent reticulated Italian sterling silver centerpiece by the renown Fratelli Cacchione Silversmiths. 20th Century This spectacular centerpiec...

Stunning woven braided ceramic centerpiece bowl glazed in a wonderful shade of gray with some blue tones. Great size for a coffee table or entryway. Very unusual abstract shape, plea...

Mortar #8, the largest sizes offered by the ACME mortar company, made of high grade ceramic, with its orignal pylon

French Belle Epoque Rococo silver jardiniere centerpiece, 1910. Lobed oval with chased leafing scrollwork and flowering branches. Leafing scrolls frames with chased music and agricul...

Lovely antique Art Nouveau period French gilt metal centerpiece bowl or jardiniere depicting the finely cast figures of boy and girl. 21 3/4 by 9 1/2 by 6 3/4 inches. Apparently u...

Austrian 800 silver figural bird bowl, ca 1930 A swan with s-scroll neck terminating in closed bill. Ovoid body mounted with full-bodied upturned downy wings and scaly webbed feet in...

An original 1930s turned wood sculptural wood bowl by famed French craftsman, Alexandre Noll. Signed

19th century gilt bronze centerpiece in the French Empire style with oval cut glass bowl supported by two stylized dolphins on oval base raised on lion paw feet. 13 1/4 inches wide,...

A circa 1950s Italian white porcelain shell with gold glazed interior. Measurements: Height 7.5" Width 15.5" Depth 11.25".

A Large 19th Century English Mintons Biscuit Porcelain Centerpiece with Dancing Putties. This exquisite work exemplifies the high level of craftsmanship characteristic of the period...

A great large metal bowl basket with a twig-like design in a bright gold hue, circa 21st century. Bowl makes a beautiful standalone piece, centerpiece...

A Fantastic, Rare, and Large 19th Century French Baccarat Ormolu and Crystal Centerpiece. The piece consists of two thick and dense crystal...

Art Nouveau sterling silver bowl. Made by Tiffany & Co. in New York. Deep and curved well and stepped foot. Wide turned-down shoulder and entwined branch rim applied with clusters of...

This exquisite antique French Louis XVI style gilt bronze and cobalt blue glass centerpiece is raised by a shaped gilt bronze pedestal base adorned with finely chased foliate scrolls...

Very large and super sumptuous sterling silver centerpiece. Made by Tiffany & Co. in New York, ca 1910. Oval bowl with restrained Classical egg-and-dart rim. Undulating shoulder and ...

Buccellati silver sea angler fish centerpiece in sterling silver. Buccellati centerpiece measures approximate 25? in length, 17? in width, 12? in height...

Striking brass and green enameled petite bowl, 1960s. The brass contrasts beautifully with the green enameled interior, this piece is stunning at different angles. Has a nice weight ...

With the arms and crest on each side of Hay, Earl of Errol. The well of the stand has a full blown continuation of the overall "Rich Queen's" pattern.

Victorian Classical sterling silver centerpiece. Made by Tiffany & Co. in New York, ca 1898. Shaped and curved oval on wavy foot. Raised end handles terminating in leaf-capped volute...

A French 1970s Gold and bronze clam shell center peice sculpture with three large quartz and amethyst crystal clusters. Signed Biography: Claude Boeltz was born in Paris in 1937. The fourth generation in a line of artists, from his early childhood Boeltz was interested in disciplines as far ranging as sculpture, painting, ceramics, architecture, and blacksmithing. From the very start he was fascinated by what would become life long inspirations—anatomy and geology. His first apprenticeship was with the sculptor Henri Molins, which was followed by apprenticeships at the prominent Susse and Houdot foundries. His last was with Soudoun, under whose tutelage he was honored with the national “Best Worker in France” award. During these apprenticeships Boeltz took night classes at the Boule School, the Gambetta School, and at the Academy of Art in Paris. He would eventually take degrees from all three. On Sundays he went to museums, particularly the Louvre, where he sought out work in the Louis XIII - Louis XVI styles. He also spent long hours in study of the many artists he admired, such as Bersus, Meunier, Giacometti, Ponpon, Chipparus, Dali, Dajou, and Ruhlman. After these apprenticeships he tried to establish himself in the Riviera, where he befriended, and briefly collaborated with Picasso. Boeltz’s time in this vibrant community was, however, cut short—in the early 1960s he was called into the French military. While on tour in the Sahara he carved miniatures, and would carry them in his baggage from base to base. One that survived—a replica of the Arc d’triumph—was later offered to President Eisenhower on behalf of the French Army. Upon leaving the service Boeltz established a foundry in the Loire, and by the late 1960s his work, now enormously popular, was shown all over Europe. In the early 1970s he met the sculptor Cesar. The famous sculptor’s “compression” pieces inspired Boeltz to create the work for which he would soon become best known. Boeltz’s “exploded” bronze works were pieces plated with 24 karat gold made to look like liquid gold crystalized an instant after explosion. Boeltz augmented this unique medium with vibrant details, often with African emeralds, but with other stones or unusual materials as well. In his famous Cleopatra, dedicated to Elizabeth Taylor and installed in Georve V hotel in Paris, the artist employed metacrylite as a base and for its veil. The immediate success of these “exploded” works allowed Boeltz to build two foundries devoted largely to their creation, one in the Faubourg St. Honore’ in Paris, and the other in Fontenay Sous Bois. “Exploded” works from the foundries were presented and sold at Fred’s Jewelers...

A beautiful pair of hand diamond cut Russian crystal and doré bronze mounted oval shaped centerpieces in the Louis XVI style, attributed to the Imperial Russian Glass Manufactory, early 1800s. Each beautiful hand diamond cut crystal bowl...

American Edwardian Neoclassical sterling silver centerpiece tray, ca 1900. Solid serpentine well. Gallery sides with pierced leaf colonnade and leafing scrollwork; rims gadrooned and...

An exquisite Antique French Louis XVI style gilt bronze mounted Chinese porcelain centerpiece. The finely crafted porcelain bowl, likely from the Qing dynasty, is richly enamel-paint...

Florenz sterling silver centerpiece bowl. Made by Gorham in Providence in 1924. Deep and tapering well and wide turned-down rim with chased Quattrocento grotesque ornament, including...

Finely carved stacked multifaceted rock crystal centerpiece with diamond form polish brass decorations. Custom size upon request. Created by Phoenix.

An exceptionally large and impressive silver plate centerpiece from Elkington with large (16 inch diameter) circular cut glass bowl and various neoclassical motifs including repeati...

German Rococo silver coach. Imported to England by Berthold Muller in 1903. Cupid (Love) is in the driver’s seat but struggles to control the reins of a harnessed goat. A frisky meta...

English creamware covered soup tureen and stand, Wedgwood, circa 1790. Impressed Wedgwood.

Diameter of under-plate is 18.5"

A Meissen porcelain ‘Gold Dragon’ pattern three-piece garniture. A Meissen porcelain reticulated three-piece basket Garniture and stands. ...

A George III silver soup tureen on stand from the Camden service. Marked: London, 1794/1795. Maker: Paul Storr. On circular stand chased with palmette ...

This sophisticated Art Deco bowl was realized and signed by Charles Schneider in France circa 1920. It features a mottled carnelian glass top with a wrought iron base adorned with ru...

Buccellati silver fruit basket centerpiece in sterling silver. Buccellati centerpiece oval shape measures approximate: 21 1/2? in length, 18...

Depicting an array of colorful flowers and fruit.

A fine quality large sevres-style and gilt bronze centerpiece. Hand painted porcelain with frolicking putti in landscape. Surrounded by heavy bronze mounts with winged female caryat...

A Marvelous and Quite Unusual French Japanism Orientalist Mixed-Metal Peacock-Form Centerpiece/Tray, by EUGENE CORNU. Made by Parisian sculptor Eugene Cornu. The bashful peacock bo...

Showstopping sterling silver punchbowl in historic Olympian pattern. Made by Tiffany & Co. in New York. Round and curved. Exterior encircled with chased frieze of love-making and har...

Important and Large Meissen Porcelain Chinoiserie Centerpiece with Rooster Heads, Model by Johann Joachim Kändler (Saxony [now Germany], 1706–1775).

 The centerpiece is formed as a...

A French blue opaline glass jardinière painted with flowers by Baccarat, signed with a date underneath, formed as a square vessel with rounded corners and a broad open mouth. The bod...

Austrian silver centerpiece / two-handled bowl with gilt interior in Art Nouveau design. Expertly constructed in Olomouc/Olmutz (1872-1921). Its design uses beautiful floral and orna...

American Victorian Classical sterling silver centerpiece, ca 1890. Solid well on raised foot; lobed and turned-down sides with gilt wash. Open diaper trellis and scalloped branch rim...

Magnificent epergne from 1792, by William Hall, London, the centerpiece with garland frieze and four down swept legs, joined by two rows of incurvate stretchers, and having four bowl...

Fine Quality French Gilt Bronze centerpiece Jardiniere with Mermaid Figural Handles and Floral Garlands Date: circa 1890 Origin: Fre...

Unique sculpture / candelabra in aluminum hand hammered by Jacques Jarrige. This tabletop, centerpiece can be commissioned to custom size.

A Monumental Meissen Porcelain Elemental Centerpiece/Candlabra with Bowls and Candelabra Arms. The centerpiece is composed of porcelain in a multipart structure integrating both bow...

Carved rock crystal centerpiece. Designed brass base with hammered detail. Created by Phoenix Gallery, NYC. Custom size, quantity, and finish upon request.

A Massive Pair of very fine Antique Meissen Porcelain Swan Tureens with Covers, previously part of a collection in a museum in the Northeastern U...

Highly important  French Ormolu and  Russian Cut-Crystal Three-piece Garniture by Baccarat
Paris, late 19th century  Comprising a center bowl flanked...

A Large Pair of "Sevres" Biscuit Porcelain Putti Decorated Centerpieces/Vases/Cashe Pots with Gilt Rams Head Handles. Each vase is cylindrical in form, tapering slightly at the bas...

Spare and Modern sterling silver geometric centerpiece after design by Frank Lloyd Wright. Retailed by Tiffany & Co. in New York. Large and detachable shallow cone set in small shall...

Bronze with dark brown patina, brass signed: HOWARD Three seated bronze figures with a brass compote resting on their backs. Two pieces. "Exhibited Pa...

Matteo Thun Modernist marble centerpiece. a shallow bowl in white marble atop a sculptural, minimalist base of Pietra Serena and three marble supports.

A 19th Century Paris Biscuit Porcelain Gilt & Green-Ground Figural Reticulated Centerpiece. The piece features four kneeling winged female figures modeled in unglazed white biscuit p...

Pair of Chinese Patinated Bronze Architectural Pagoda Form Temple Towers Each pagoda is cast as a tall multi tiered tower rising in diminishing stages from a broad hexagonal platfor...

French Empire Dore Bronze Centerpiece with Griffins, Attributed to Thomire A Paris, Circa 1820 The centerpiece is formed as an oval openwork basket raised on a sculptural Griffin su...

Polychrome and gilt decorated Imari pattern. Incised 'B' mark.

A fine 19th century Louis XVI gilt bronze mounted onyx centrepiece Origin: French Date: 19th century Dimension: 17 1/2 in. x 22 1/2 in. x 13 in.

Classical sterling silver compote. Made by John Wendt for Ball, Black in New York, ca 1870. Round and curved bowl mounted to open support comprising three leafing oak shoots with acorns inset with cast figure of standing boy holding a ball in each hand with one arm raised. Domed foot. Reeding and beading. A fashionable centerpiece evocative of youth and growth. The figure suggests the influence of the Dancing Faun, the ancient statue...

A Pair of Early 19th Century French Ormolu Mounted Regence Chinese Celadon Crackle Centerpieces/Bowls. This pair of early 19th-century French ormolu-mounted centerpieces features fi...