Manhattan - Native American Objects

A wonderful hand made basket by the Inuit master Joe Sikvayugak of Barrow Alaska. It is signed and dated on the interior 1978. It is crafted of Baleen and Bone. It is in good condit...

Fantastic bronze pipe from the Vienna tobacco museum’s collection, from Belgian Congo.

This pair of vintage Inuit mukluks are presumed to have been made in Canada in circa 1950 in the Indigenous American Folk Art style. The upper portions a...

This handcrafted sculpture was made in Northern Canada by an Inuit artisan in circa 1970. This sculpture is a series of two stylized human figures intermixed with two representations of presumably Spirits, which has several carved faces in them. The entire sculpture is composed of hand carved and handcrafted antler, likely Caribou. This sculpture may symbolize a blessing of good fortune for an upcoming hunt. The series of four figures are each pegged on the bottom and fit into holes drilled into the base. The base is numbered on the bottom which identifies that it was registered, and also has a paper label. Due to the composition of this sculpture it may only be shipped within Canada...

An antique Navajo rug from southwest America distinguished by an allover pattern of cruciform elements on a soft grey background. Rugs if this type have been collected for their auth...

A nicely made, handwoven Native American Navajo green, beige and brown rug/blanket Would be a nice addition to your Native American collection or make for an eye-catching accent pie...

This striking hand-carved Northwest Coast Killer Whale (Orca) mask, dated 1961 and attributed to artist Johnny Johns, is a powerful example of mid-20th-century Native American carving rooted in the traditions of the Pacific Northwest Coast—particularly the Tlingit and related cultural groups. Expertly carved from wood and painted in the classic Northwest Coast palette of deep black and vibrant red, the mask features bold formline design—an iconic visual language defined by fluid, ovoid shapes and precise linework that has been central to Indigenous coastal art for centuries. The Killer Whale, or “Blackfish,” is among the most important crest figures in Northwest Coast culture, symbolizing strength, protection, family lineage, and a profound connection between the human and spirit worlds. It frequently appears in ceremonial regalia, storytelling, and clan identity, embodying both ancestral presence and supernatural power. Signed on the reverse with initials “JJ,” this mask is attributed to Johnny Johns, a recognized carver whose work reflects traditional Indigenous design principles while engaging with the 20th-century market for Northwest Coast art. The scale, craftsmanship, and stylistic execution are consistent with works produced for both ceremonial-inspired use and collector audiences during this period. Compact yet visually impactful, the mask displays strong sculptural depth and expressive detailing, making it ideal for wall display or inclusion in a curated collection of Native American or tribal art. Its bold graphic presence aligns seamlessly with both traditional and modern interiors. The piece remains in good antique condition, with professional restoration noted—having been repaired after a historical break. The repair is stable and minimally visible, preserving both the integrity and visual appeal of the mask. Key Features: Attributed to Johnny Johns, signed “JJ” and dated 1961 Northwest Coast / Tlingit style carving Hand-carved and hand-painted wood construction Killer Whale (Orca) crest motif with symbolic significance Classic black and red formline design Mid-20th century Native American artwork Professionally restored with stable structure Ideal for collectors of Indigenous, tribal, and ethnographic art A compelling and highly decorative example of Northwest Coast carving...

Sioux bow and quiver with beaded bands on top and bottom on both bow and quiver case. Bow 46" of bodack with original sinew string and three 24" matching arr...

Salish TOTEM depicting a human wearing a potlatch hat perched between the ears of an eagle at top, a human face in relief for the birds eyes, a small humanoid/bird figure standing at...

Native American Nice vintage Mata Ortiz pottery pot with superbly executed super fine geometric designs. Stunning piece, unsigned Circa 1970. H 18 W 16 cm 7 x 6 inch approx.

Metis Cree bandolier with classic beading on red Stroud with white bead edging and black silk ribbon border. Period: Mid-19th century Origin: Metis Cree Si...

Pawnee pipe tomahawk. File burnt and tacked with remnants of yellow paint over entire shaft. Exhibited in the Wichita Falls Museum 1967, Maryland Academy of Art and Science 1969, Flo...